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it could be better
Songs like
it could be better
by
Lewis Watson
Based on a tempo of (+/- 10%) and a similar genre
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Jason Reeves
No One Ever Taught Us
121 bpm • A Maj • 04:01 • -6.52db
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lewis Watson
halo
121 bpm • G# Maj • 03:19 • -9.65db
30% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Hammersley
Stairwell Wall
121 bpm • G Maj • 03:08 • -10.05db
11% Popularity • 82% Danceability • 65% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Shane Alexander
Skyway Drive-In
121 bpm • D# Maj • 03:17 • -14db
24% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Wilhelm Tell Me
Let Me Take You Away - Acoustic Version
121 bpm • C Maj • 03:49 • -13.21db
19% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Luke Sital-Singh
Benediction
121 bpm • D Maj • 03:39 • -11.37db
28% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Corey Kilgannon
Macaroni Song
122 bpm • A# Maj • 03:48 • -13db
37% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lewis Watson
it could be better
121 bpm • C min • 04:26 • -8.24db
14% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Frank Hamilton
Flaws & Ceilings
120 bpm • C# Maj • 03:36 • -13.09db
18% Popularity • 53% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Howard
7 Bottles
122 bpm • D# Maj • 04:38 • -15.23db
31% Popularity • 44% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 9% Positiveness
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Daniel Gidlund
Untold
120 bpm • D# Maj • 04:10 • -10.49db
18% Popularity • 41% Danceability • 38% Energy • 12% Liveness
17% Instrumentalness • 27% Positiveness
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Beecher's Fault
Fine by Me - Acoustic Sessions
120 bpm • E Maj • 04:23 • -7.82db
10% Popularity • 71% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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James Vincent McMorrow
And If My Heart Should Somehow Stop
122 bpm • D Maj • 04:34 • -9.82db
12% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
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Lewis Watson
sink or swim
122 bpm • B Maj • 03:42 • -8.34db
22% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Family of the Year
Summer Girl
120 bpm • E Maj • 03:16 • -11db
31% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tyler Imbrey
Rolling over Me - Acoustic Version
120 bpm • G Maj • 04:08 • -20.63db
12% Popularity • 83% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Belle
The Daylight
120 bpm • C# Maj • 04:42 • -6db
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
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Jon McLaughlin
My Girl Tonight
122 bpm • C# Maj • 03:55 • -13.49db
18% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Helen Austin
Love Is
120 bpm • G min • 02:54 • -10.58db
20% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lewis Watson
sink or swim
122 bpm • B Maj • 03:44 • -5.4db
24% Popularity • 66% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Corey Kilgannon
Hospital Hymns
122 bpm • D# Maj • 05:12 • -18.24db
24% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Joel Baker
Out of TheTwo (Acoustic) - Bonus Track V...
120 bpm • C# min • 03:05 • -15.81db
10% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Belle
Signs Of Life
120 bpm • G Maj • 04:25 • -7.14db
25% Popularity • 60% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Tired Pony
Your Way Is The Way Home
123 bpm • C Maj • 04:16 • -9.82db
14% Popularity • 62% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Wolf Gang
Lay Your Love Down - Single Version
119 bpm • A Maj • 03:48 • -4.83db
22% Popularity • 58% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lewis Watson
the peaks
122 bpm • F Maj • 04:11 • -9.92db
18% Popularity • 70% Danceability • 40% Energy • 6% Liveness
24% Instrumentalness • 27% Positiveness
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Captains & Captives
Anchor Holds the Sea
119 bpm • D Maj • 03:49 • -12.02db
15% Popularity • 37% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Joel Baker
Long Sleeves (You Know Where My Heart Li...
119 bpm • F Maj • 03:44 • -8.74db
12% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Woodlock
The Last of Us
123 bpm • B Maj • 03:55 • -9.48db
15% Popularity • 50% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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dodie
Not What I Meant
119 bpm • C Maj • 02:23 • -13.4db
41% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jake Scott
The Mason
123 bpm • G# Maj • 04:37 • -9db
16% Popularity • 46% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Lewis Watson
once before
120 bpm • F Maj • 02:52 • -9.37db
12% Popularity • 70% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Sital-Singh
Nearly Morning - Demo
123 bpm • C Maj • 05:42 • -11.78db
10% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Rosi Golan
Say It Anyway
124 bpm • A# Maj • 03:28 • -9.64db
28% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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George Ogilvie
Better Man
124 bpm • F Maj • 04:43 • -7db
31% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew Belle
The Ladder
124 bpm • G# Maj • 03:47 • -8db
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Hilton
I Believe in You - Acoustic
124 bpm • B Maj • 04:08 • -8.63db
30% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Lewis Watson
little light (acoustic version)
120 bpm • G Maj • 04:16 • -8.14db
34% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Nova & the Experience
Jennifer Lawrence
118 bpm • A Maj • 04:08 • -6.13db
11% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Martin Luke Brown
Nostalgia
118 bpm • G# min • 03:30 • -10.96db
21% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nick Santino
I Just Wanted You to Know
124 bpm • C# Maj • 03:44 • -8.71db
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Axel Flóvent
Forest Fires
118 bpm • G min • 03:30 • -12db
62% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Luke Sital-Singh
21st Century Heartbeat
118 bpm • D Maj • 03:25 • -7.93db
18% Popularity • 71% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lewis Watson
close - demo
123 bpm • G# Maj • 03:23 • -7.15db
9% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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James Vincent McMorrow
We Don't Eat
124 bpm • G Maj • 04:55 • -12db
31% Popularity • 46% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Ben Howard
Diamonds - Spotify - Rockfeedback Sessio...
125 bpm • G Maj • 04:58 • -9.45db
28% Popularity • 60% Danceability • 48% Energy • 70% Liveness
2% Instrumentalness • 40% Positiveness
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The Icarus Account
Yellow Shirt
124 bpm • D Maj • 03:28 • -7.35db
21% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Barnes
Howling
117 bpm • C# Maj • 04:45 • -11.41db
13% Popularity • 45% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Foxes
White Coats - Acoustic
117 bpm • A Maj • 03:44 • -6.62db
9% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Lewis Watson
close
123 bpm • D# Maj • 03:25 • -4.82db
13% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Scott
Lights
117 bpm • G Maj • 01:30 • -17.84db
11% Popularity • 43% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Whitaker
Embers Upon the Wind
117 bpm • B Maj • 03:55 • -12.17db
19% Popularity • 70% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Tristan Prettyman
Back to Home
117 bpm • A Maj • 03:46 • -6.51db
31% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ross Copperman
Enough Is Never Gonna Be Enough
117 bpm • E Maj • 03:35 • -6.06db
8% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Shelly Fraley
All That I Wanted
117 bpm • F Maj • 03:39 • -10db
17% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lewis Watson
what about today?
119 bpm • G# Maj • 04:57 • -11.14db
21% Popularity • 52% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Of Monsters and Men
Hunger
125 bpm • A Maj • 04:49 • -6.87db
42% Popularity • 58% Danceability • 69% Energy • 9% Liveness
11% Instrumentalness • 34% Positiveness
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Ryan O'Shaughnessy
Sofa Bed
117 bpm • C Maj • 03:36 • -8.48db
11% Popularity • 80% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Ed Sheeran
Sunburn
117 bpm • G Maj • 04:26 • -11.34db
38% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bry
Sum Me Up
117 bpm • A Maj • 02:32 • -9.33db
11% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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You+Me
Second Guess
126 bpm • D# min • 03:27 • -10.82db
29% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lewis Watson
bones - demo
124 bpm • G Maj • 03:48 • -8.32db
9% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Nathan Roberts
Forever With You
126 bpm • F# Maj • 02:55 • -10.56db
19% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Stationary Set
Close Enough
126 bpm • C Maj • 05:35 • -7.59db
11% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Ezra Vine
Cradlesong
116 bpm • G Maj • 05:31 • -11.2db
15% Popularity • 51% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Kevin Garrett
Control
126 bpm • A# min • 04:02 • -12db
30% Popularity • 63% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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The Beach
Geronimo - Acoustic Version
116 bpm • B Maj • 03:49 • -9.05db
22% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lewis Watson
Maybe We're Home (acoustic Version)
124 bpm • G min • 03:55 • -7.96db
13% Popularity • 72% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan O'Shaughnessy
Time Stands Still
116 bpm • D# Maj • 03:42 • -8.13db
13% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dan Hyde
My Door
126 bpm • G Maj • 04:01 • -11.84db
12% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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A Great Big World
I Don't Wanna Love Somebody Else
127 bpm • F Maj • 02:43 • -11.16db
38% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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You+Me
Unbeliever
127 bpm • B Maj • 03:41 • -11.04db
31% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Icarus Account
Dancing At the Terminal
127 bpm • F# Maj • 03:09 • -9.08db
16% Popularity • 65% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Lewis Watson
lamplight
117 bpm • E Maj • 03:50 • -11.82db
11% Popularity • 72% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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James Vincent McMorrow
Sparrow & The Wolf
127 bpm • G Maj • 03:41 • -8.19db
18% Popularity • 53% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Dresses
Painting Roses (Acoustic)
127 bpm • B Maj • 03:05 • -8.94db
9% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan O'Shaughnessy
Fingertips
115 bpm • D Maj • 03:11 • -10.63db
27% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jack Garratt
I Couldn't Want You Anyway
127 bpm • A min • 04:35 • -11db
25% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Casey Abrams
Midnight Girl
115 bpm • A Maj • 03:07 • -10.88db
19% Popularity • 73% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lewis Watson
songs that we wrote when we were drunk
126 bpm • D Maj • 04:26 • -8.36db
18% Popularity • 64% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Greyson Chance
Meridians
115 bpm • D Maj • 03:10 • -10.13db
23% Popularity • 41% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Nathanson
Kiss Quick
115 bpm • C# Maj • 04:25 • -8.69db
27% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Rusty Clanton
I Can't Help Falling In Love
127 bpm • F# Maj • 03:48 • -11.6db
14% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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James Vincent McMorrow
Breaking Hearts
115 bpm • F# min • 04:49 • -9db
12% Popularity • 62% Danceability • 48% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Newton Faulkner
Indecisive
115 bpm • C Maj • 03:56 • -8.28db
22% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lewis Watson
hello hello
126 bpm • D# Maj • 04:10 • -10.72db
22% Popularity • 40% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Aquilo
So Close To Magic
115 bpm • F# Maj • 03:22 • -18.21db
40% Popularity • 60% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 14% Positiveness
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Ryan Corn
Wonderful Things
115 bpm • E min • 03:38 • -4.55db
19% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Brother & Bones
For All We Know
115 bpm • G Maj • 04:24 • -7.23db
12% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Adam Barnes
Green
115 bpm • B Maj • 04:12 • -10db
11% Popularity • 38% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Sital-Singh
Cornerstone
128 bpm • D Maj • 03:58 • -8.97db
12% Popularity • 60% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Lewis Watson
calling
116 bpm • A Maj • 03:59 • -7.19db
15% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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George Ogilvie
Birdsong
114 bpm • A# Maj • 05:26 • -9db
35% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Honey Trees
Wake The Earth
115 bpm • D# Maj • 04:14 • -11.92db
13% Popularity • 33% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Gidlund
Try Happiness
128 bpm • A min • 03:26 • -7.83db
13% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Joe Brooks
Palm Trees or Lost Souls
128 bpm • A# Maj • 03:59 • -5.58db
8% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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All The Luck In The World
Knots
128 bpm • G Maj • 03:26 • -13.37db
10% Popularity • 51% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Lewis Watson
la song - demo
127 bpm • F Maj • 03:19 • -6.04db
10% Popularity • 44% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Joel Baker
You're Not Alone
128 bpm • A# Maj • 03:14 • -9.3db
15% Popularity • 34% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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CAIRO
Addict
128 bpm • F# min • 05:06 • -11.68db
19% Popularity • 54% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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it could be better