Songs like It Must Be Love by Labi Siffre
Based on a tempo of (+/- 10%) and a similar genre
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RodrÃguez
Cause
149 bpm • E Maj • 05:30 • -4db
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Labi Siffre
It Must Be Love
148 bpm • B min • 03:56 • -12.03db
47% Popularity • 64% Danceability • 37% Energy • 3% Liveness
34% Instrumentalness • 62% Positiveness
47% Popularity • 64% Danceability • 37% Energy • 3% Liveness
34% Instrumentalness • 62% Positiveness
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Fleetwood Mac
Need Your Love So Bad
147 bpm • A Maj • 03:53 • -18.87db
50% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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George Harrison
Isn't It a Pity (2014 Remaster)
147 bpm • G Maj • 07:10 • -7.74db
52% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
52% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
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Joan Armatrading
Down To Zero
149 bpm • A# Maj • 03:51 • -14.29db
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Nick Drake
Hazey Jane II
150 bpm • A# Maj • 03:46 • -17db
51% Popularity • 64% Danceability • 46% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
51% Popularity • 64% Danceability • 46% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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Gil Scott-Heron
Lady Day and John Coltrane
149 bpm • F min • 03:36 • -10db
51% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 76% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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![This Will Be Our Year [Mono] cover art](https://i.scdn.co/image/ab67616d00001e0298ce064ab1bb36180d1b02ea)
The Zombies
This Will Be Our Year [Mono]
146 bpm • A Maj • 02:09 • -9.32db
42% Popularity • 40% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 40% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Bobby Charles
Small Town Talk
151 bpm • D Maj • 03:29 • -13.63db
38% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Buffalo Springfield
Expecting to Fly
151 bpm • F Maj • 03:44 • -13.28db
43% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
43% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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The Mamas & The Papas
Creeque Alley - Single Version
145 bpm • E Maj • 03:48 • -6.1db
51% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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J.J. Cale
Cherry
151 bpm • C Maj • 03:21 • -19db
53% Popularity • 68% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 66% Positiveness
53% Popularity • 68% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 66% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Minnie Riperton
Les Fleurs
152 bpm • F# Maj • 03:19 • -9.45db
59% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Lion
You've Got a Woman
144 bpm • F# min • 03:25 • -7.36db
52% Popularity • 72% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 72% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Isley Brothers
Summer Breeze, Pts. 1 & 2
152 bpm • A min • 06:11 • -10.06db
51% Popularity • 31% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 31% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Carole King
So Far Away
144 bpm • D Maj • 03:55 • -14.25db
59% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Style Council
Shout To The Top - USA Remix
144 bpm • G Maj • 04:17 • -5.86db
52% Popularity • 69% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 69% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Roches
Hammond Song
144 bpm • D# Maj • 05:45 • -11.48db
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Frankie Valli & The Four Seasons
The Night - 1972 Version
153 bpm • C min • 03:23 • -7.01db
49% Popularity • 40% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 40% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Shuggie Otis
Sweet Thang
143 bpm • G Maj • 04:12 • -13.4db
51% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
51% Popularity • 43% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 34% Positiveness
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Camille Yarbrough
Ain't It A Lonely Feeling
154 bpm • A# Maj • 03:54 • -18.25db
37% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Impressions
People Get Ready
142 bpm • C# Maj • 02:43 • -12.67db
57% Popularity • 41% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 41% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Ted Lucas
Baby Where You Are
141 bpm • D# Maj • 02:32 • -14.38db
44% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Funkadelic
Can You Get To That
141 bpm • G# Maj • 02:49 • -5.44db
60% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
60% Popularity • 68% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Delfonics
Didn't I (Blow Your Mind This Time)
141 bpm • A Maj • 03:21 • -7db
54% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 48% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Carole King
Home Again
140 bpm • A Maj • 02:29 • -12.56db
50% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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T. Rex
Cosmic Dancer
156 bpm • C Maj • 04:26 • -8.09db
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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George Harrison
I'd Have You Anytime (2014 Remaster)
139 bpm • G Maj • 02:57 • -11.29db
58% Popularity • 55% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
58% Popularity • 55% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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The Shangri-Las
Past, Present and Future
139 bpm • G# Maj • 02:42 • -15.32db
6% Popularity • 34% Danceability • 21% Energy • 12% Liveness
18% Instrumentalness • 23% Positiveness
6% Popularity • 34% Danceability • 21% Energy • 12% Liveness
18% Instrumentalness • 23% Positiveness
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Ann Peebles
Trouble, Heartaches & Sadness
157 bpm • D min • 02:41 • -8.39db
53% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 57% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Curtis Mayfield
Move On Up
139 bpm • B min • 02:45 • -5.63db
63% Popularity • 54% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 54% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Labi Siffre
'Till Forever
138 bpm • C min • 01:15 • -18.18db
47% Popularity • 60% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 57% Positiveness
47% Popularity • 60% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 57% Positiveness
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Jimmy Cliff
Many Rivers To Cross
138 bpm • F Maj • 02:44 • -16db
49% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 40% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Spencer Davis Group
Keep On Running - Mono Version
138 bpm • A Maj • 02:46 • -6db
51% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Hardin
It'll Never Happen Again
138 bpm • A min • 02:37 • -18.34db
31% Popularity • 40% Danceability • 9% Energy • 19% Liveness
1% Instrumentalness • 24% Positiveness
31% Popularity • 40% Danceability • 9% Energy • 19% Liveness
1% Instrumentalness • 24% Positiveness
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Ann Peebles
I Can't Stand the Rain
160 bpm • C# Maj • 02:30 • -12.33db
61% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
61% Popularity • 73% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Curtis Mayfield
Move on Up - Extended Version
138 bpm • B min • 08:55 • -6.53db
57% Popularity • 58% Danceability • 98% Energy • 10% Liveness
50% Instrumentalness • 88% Positiveness
57% Popularity • 58% Danceability • 98% Energy • 10% Liveness
50% Instrumentalness • 88% Positiveness
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Labi Siffre
Down - 2006 Remaster
137 bpm • A# Maj • 05:48 • -16.73db
26% Popularity • 40% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 40% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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George Harrison
Run of the Mill (2014 Remaster)
137 bpm • D Maj • 02:51 • -8db
50% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
50% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Van Morrison
Glad Tidings - 2013 Remaster
161 bpm • G Maj • 03:40 • -11.75db
47% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Tim Hardin
If I Were A Carpenter
160 bpm • G Maj • 02:41 • -13db
47% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Dory Previn
The Lady With The Braid
136 bpm • G# Maj • 03:58 • -15db
30% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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John Cale
You Know More Than I Know
135 bpm • C Maj • 03:35 • -14.56db
42% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Labi Siffre
Another Year - 2006 Remaster
137 bpm • E Maj • 04:14 • -9.74db
25% Popularity • 49% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 49% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Alessi Brothers
Oh Lori
135 bpm • B min • 03:25 • -8.42db
40% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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The Supremes
Where Did Our Love Go
135 bpm • C Maj • 02:33 • -10.87db
65% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Tams
Be Young, Be Foolish, Be Happy - Single ...
135 bpm • A# Maj • 02:06 • -12.78db
48% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Booker T. & the M.G.'s
Time Is Tight
135 bpm • A min • 03:15 • -14.6db
49% Popularity • 77% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
49% Popularity • 77% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
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Cass Elliot
Dream A Little Dream Of Me
134 bpm • B min • 03:41 • -10.39db
44% Popularity • 41% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 41% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 41% Positiveness
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Labi Siffre
Bless the Telephone
136 bpm • D min • 01:40 • -17.47db
63% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Van Morrison
Madame George - 1999 Remaster
134 bpm • G Maj • 09:45 • -16db
40% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Scott Walker
Jackie
134 bpm • G Maj • 03:21 • -15.16db
35% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 44% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Lee Hazlewood
My Autumn's Done Come
133 bpm • E min • 04:06 • -13.84db
33% Popularity • 30% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 30% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Elton John
Love Song
165 bpm • D Maj • 03:39 • -23.02db
41% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Cass Elliot
It's Getting Better
133 bpm • D Maj • 03:00 • -7.94db
40% Popularity • 51% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 51% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Labi Siffre
The Life I Got
133 bpm • E Maj • 03:57 • -18.52db
19% Popularity • 54% Danceability • 20% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 54% Danceability • 20% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Donovan
Sunshine Superman
133 bpm • C# Maj • 03:15 • -7.24db
55% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kirsty MacColl
A New England
165 bpm • G Maj • 03:52 • -10.92db
43% Popularity • 45% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 45% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Karen Dalton
How Sweet It Is
133 bpm • A# Maj • 03:43 • -6db
11% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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The Zombies
She's Not There
132 bpm • E min • 02:26 • -6.98db
65% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Labi Siffre
If You Have Faith
163 bpm • C Maj • 04:10 • -11.55db
9% Popularity • 35% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 35% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Jackson C. Frank
Blues Run the Game
166 bpm • C# Maj • 03:31 • -13.92db
55% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron Neville
Hercules
167 bpm • G# min • 04:09 • -11.68db
51% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
51% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Motels
Total Control
166 bpm • D Maj • 05:54 • -15.1db
46% Popularity • 76% Danceability • 29% Energy • 6% Liveness
4% Instrumentalness • 64% Positiveness
46% Popularity • 76% Danceability • 29% Energy • 6% Liveness
4% Instrumentalness • 64% Positiveness
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Martha Reeves & The Vandellas
(Love Is Like A) Heat Wave
167 bpm • C min • 02:43 • -9.29db
63% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
63% Popularity • 51% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
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George Harrison
What Is Life (2014 Remaster)
131 bpm • E Maj • 04:24 • -5.93db
65% Popularity • 47% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 47% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Labi Siffre
Saved
133 bpm • C Maj • 02:10 • -16.12db
31% Popularity • 65% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 65% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Joni Mitchell
Coyote
167 bpm • C Maj • 05:01 • -8.74db
45% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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T. Rex
Hot Love - A Side
131 bpm • B min • 04:55 • -8.51db
56% Popularity • 56% Danceability • 54% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
56% Popularity • 56% Danceability • 54% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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America
Ventura Highway
131 bpm • D Maj • 03:31 • -10.21db
73% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
73% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Hollies
The Air That I Breathe - 2008 Remaster
168 bpm • E min • 04:17 • -8.38db
70% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
70% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Isley Brothers
This Old Heart Of Mine (Is Weak For You)
130 bpm • F Maj • 02:52 • -10.21db
68% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Velvet Underground
Who Loves the Sun - 2015 Remaster
130 bpm • E Maj • 02:46 • -8.83db
53% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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The Zombies
Care Of Cell 44
130 bpm • G Maj • 03:56 • -10.01db
34% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Labi Siffre
Watch Me
168 bpm • A Maj • 03:33 • -10.92db
50% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Steely Dan
Only A Fool Would Say That
130 bpm • C Maj • 02:55 • -19.02db
67% Popularity • 76% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 76% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Frankie Valli & The Four Seasons
Beggin'
130 bpm • D min • 02:50 • -14.66db
59% Popularity • 59% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 59% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Donovan
Jennifer Juniper
129 bpm • D Maj • 02:40 • -19db
38% Popularity • 62% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 62% Danceability • 29% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
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Donna Summer
State of Independence
170 bpm • E Maj • 05:51 • -8.7db
46% Popularity • 75% Danceability • 70% Energy • 6% Liveness
6% Instrumentalness • 88% Positiveness
46% Popularity • 75% Danceability • 70% Energy • 6% Liveness
6% Instrumentalness • 88% Positiveness
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Paul McCartney
Coming Up - Remastered 2011
129 bpm • G# Maj • 03:51 • -7.19db
49% Popularity • 82% Danceability • 77% Energy • 6% Liveness
7% Instrumentalness • 88% Positiveness
49% Popularity • 82% Danceability • 77% Energy • 6% Liveness
7% Instrumentalness • 88% Positiveness
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Andrew Oldham Orchestra
The Last Time
170 bpm • A Maj • 03:46 • -5db
41% Popularity • 29% Danceability • 92% Energy • 4% Liveness
22% Instrumentalness • 73% Positiveness
41% Popularity • 29% Danceability • 92% Energy • 4% Liveness
22% Instrumentalness • 73% Positiveness
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Yusuf / Cat Stevens
Tea For The Tillerman
170 bpm • C Maj • 01:05 • -17db
59% Popularity • 44% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 44% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Mink DeVille
Spanish Stroll
129 bpm • E Maj • 03:39 • -15.04db
47% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Sam Cooke
(What A) Wonderful World - Mono
129 bpm • B Maj • 02:08 • -5.52db
76% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
76% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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The Supremes
Automatically Sunshine
129 bpm • E min • 02:40 • -10db
28% Popularity • 70% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 70% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Gerry Rafferty
Right Down the Line
128 bpm • C Maj • 04:27 • -15.09db
73% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
73% Popularity • 78% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Band
I Shall Be Released - Remastered 2000
128 bpm • E Maj • 03:12 • -11.84db
53% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Allen Toussaint
Soul Sister - Remastered Version
171 bpm • F Maj • 02:49 • -9.13db
41% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Shuggie Otis
Strawberry Letter 23
171 bpm • A min • 03:59 • -12.8db
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Graham Nash
Better Days
128 bpm • F# Maj • 03:50 • -13.48db
48% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
48% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Supremes
You Keep Me Hangin' On
128 bpm • G# min • 02:43 • -7db
56% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Labi Siffre
Sally Came to Stay
128 bpm • C# Maj • 04:31 • -12.59db
9% Popularity • 68% Danceability • 34% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
9% Popularity • 68% Danceability • 34% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
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Martha Reeves & The Vandellas
Jimmy Mack
127 bpm • D Maj • 02:43 • -8db
52% Popularity • 70% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 70% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Paul McCartney
Heart Of The Country - 2012 Remaster
172 bpm • D min • 02:23 • -12.4db
54% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
