Songs like It's a Process by Mychael Danna
Based on a tempo of (+/- 10%) and a similar genre
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Alexandre Desplat
Maya on Plane
144 bpm • A min • 03:59 • -22.66db
18% Popularity • 30% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
18% Popularity • 30% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Philip Glass
Climbing the Tower
144 bpm • D min • 02:11 • -24.15db
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Dickon Hinchliffe
The Causeway
144 bpm • D Maj • 03:47 • -21.78db
38% Popularity • 15% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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Dario Marianelli
District Line, East, One Stop.
144 bpm • E min • 03:52 • -21.27db
20% Popularity • 17% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
20% Popularity • 17% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
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Mychael Danna
It's a Process
144 bpm • F Maj • 01:52 • -22.57db
46% Popularity • 14% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 14% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Jasha Klebe
World On The Move
145 bpm • C# Maj • 02:31 • -15.52db
40% Popularity • 29% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
40% Popularity • 29% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Antonio Pinto
Italian Football and Maradona
143 bpm • D min • 02:43 • -21.54db
8% Popularity • 37% Danceability • 17% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 37% Danceability • 17% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Lone Survivor
143 bpm • G Maj • 03:37 • -21.57db
41% Popularity • 27% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 27% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Anne Nikitin
Water Cycle
142 bpm • A min • 01:10 • -19.57db
50% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
50% Popularity • 36% Danceability • 45% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
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Kevin Smuts
My Octopus Teacher Opening Titles
141 bpm • E min • 01:52 • -19.09db
34% Popularity • 16% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Matteo Zingales
The Hunter
142 bpm • F# min • 03:59 • -21.32db
10% Popularity • 16% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Marco Beltrami
Don't Be What They Made You
140 bpm • F Maj • 02:04 • -30.12db
27% Popularity • 14% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
Earthbound
148 bpm • D Maj • 01:27 • -18.94db
36% Popularity • 61% Danceability • 20% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
36% Popularity • 61% Danceability • 20% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Ludwig Göransson
Fusion
140 bpm • F min • 03:55 • -19.81db
54% Popularity • 74% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
54% Popularity • 74% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement IV
140 bpm • C Maj • 03:27 • -17.12db
31% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Stephanie Economou
Illumination
148 bpm • F# min • 02:36 • -16.73db
23% Popularity • 30% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 30% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Hunger, Thirst
140 bpm • G min • 02:13 • -20.42db
41% Popularity • 14% Danceability • 17% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
41% Popularity • 14% Danceability • 17% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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James Horner
A Kaleidoscope Of Mathematics
140 bpm • C# min • 04:54 • -20.97db
43% Popularity • 15% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Dario Marianelli
To Camp Four
140 bpm • D Maj • 02:09 • -22.65db
23% Popularity • 16% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
41% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
41% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
30% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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William Ross
Young Macy
139 bpm • D Maj • 01:02 • -25db
42% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
42% Popularity • 14% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Mychael Danna
Losing Streak
139 bpm • C# Maj • 01:39 • -26.81db
24% Popularity • 14% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Pinar Toprak
Lost Love
139 bpm • E min • 06:19 • -19.31db
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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Ludwig Göransson
Theorists
150 bpm • G# Maj • 03:14 • -19.95db
52% Popularity • 17% Danceability • 6% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
52% Popularity • 17% Danceability • 6% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Don't Talk About the Boat
150 bpm • E min • 01:39 • -31db
42% Popularity • 30% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
42% Popularity • 30% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Steven Price
This Is My Home
150 bpm • F Maj • 03:43 • -19db
31% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 25% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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William Ross
The Drive To Immaculata ("The Mighty Mac...
139 bpm • A Maj • 02:29 • -21db
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
39% Popularity • 29% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Mychael Danna
More
150 bpm • F Maj • 01:37 • -22db
38% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
38% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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Marcelo Zarvos
Sea of Boxes
138 bpm • D min • 01:14 • -28.7db
23% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Ludwig Göransson
FOILS
150 bpm • D# min • 03:10 • -13.32db
46% Popularity • 54% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
46% Popularity • 54% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
47% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
37% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Mychael Danna
Time Tested Intangibles
138 bpm • A Maj • 01:22 • -22.51db
26% Popularity • 32% Danceability • 24% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 24% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
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Pinar Toprak
Notification
136 bpm • D min • 01:32 • -19.79db
48% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
48% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
A Miraculous Return
136 bpm • E min • 02:50 • -17.77db
30% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
A Solitary Woman
136 bpm • A min • 02:34 • -26.46db
39% Popularity • 39% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
39% Popularity • 39% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Alexandre Desplat
Sunrise on Lake Pontchartrain
136 bpm • G# min • 03:33 • -21.13db
32% Popularity • 19% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
32% Popularity • 19% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Jordan Seigel
San Miguel
136 bpm • G Maj • 01:34 • -25db
61% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
61% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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Mychael Danna
Spring Training
138 bpm • A Maj • 01:34 • -22.87db
30% Popularity • 27% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Isham
A Leap
153 bpm • D Maj • 01:03 • -18.4db
37% Popularity • 61% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
37% Popularity • 61% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Writing the Letter
136 bpm • C Maj • 02:00 • -25.14db
32% Popularity • 20% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Explosions In The Sky
Never, Never, Never Give Up
135 bpm • D Maj • 02:44 • -20.87db
38% Popularity • 36% Danceability • 27% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
38% Popularity • 36% Danceability • 27% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Howard Shore
Feast of Starlight
135 bpm • D Maj • 02:48 • -26.99db
54% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
54% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Mychael Danna
The Whale
136 bpm • F min • 02:02 • -25db
28% Popularity • 17% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Trent Reznor and Atticus Ross
Hand Covers Bruise, Reprise
134 bpm • D Maj • 01:52 • -26.63db
38% Popularity • 18% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Will Bates
Atlas
132 bpm • A# min • 02:56 • -13.31db
31% Popularity • 49% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
31% Popularity • 49% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Mychael Danna
On Its Head
135 bpm • D# Maj • 01:34 • -18.36db
37% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
37% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
52% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
52% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Pretty Corny
131 bpm • A min • 01:44 • -30.01db
46% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Mychael Danna
It All Looks Different To Me
154 bpm • C Maj • 01:29 • -15.49db
28% Popularity • 18% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Jacob Shea
Conservation
130 bpm • G min • 07:01 • -18.13db
16% Popularity • 16% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Tom Howe
Olive Kisses Elizabeth
160 bpm • D min • 02:17 • -19db
18% Popularity • 34% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 34% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Doyle
160 bpm • D Maj • 05:31 • -17.32db
13% Popularity • 34% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Tyng
Hardman Returns
129 bpm • G# min • 02:13 • -25.48db
29% Popularity • 60% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 60% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme Atmospheric
131 bpm • A min • 02:50 • -20.11db
31% Popularity • 23% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Mychael Danna
The Streak
131 bpm • C Maj • 03:03 • -19.96db
33% Popularity • 42% Danceability • 14% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
33% Popularity • 42% Danceability • 14% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Etienne Forget
Disparues - Main Theme
160 bpm • E min • 01:20 • -23.45db
33% Popularity • 31% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 31% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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John Powell
Berlin
162 bpm • E min • 02:02 • -23.73db
35% Popularity • 59% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 33% Positiveness
35% Popularity • 59% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 33% Positiveness
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Ryuichi Sakamoto
Glass and Buffalo Warrior Travel
129 bpm • E min • 01:51 • -35.43db
41% Popularity • 17% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Patrick Jonsson
Into the Fire
128 bpm • F# min • 04:04 • -17.79db
22% Popularity • 38% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 38% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
I Never Had A Choice
134 bpm • G min • 02:58 • -23.23db
16% Popularity • 18% Danceability • 13% Energy • 25% Liveness
67% Instrumentalness • 21% Positiveness
16% Popularity • 18% Danceability • 13% Energy • 25% Liveness
67% Instrumentalness • 21% Positiveness
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Marco Beltrami
Wales
163 bpm • F# min • 05:22 • -22.66db
27% Popularity • 9% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
A Perfect Balance (Episode 1 - Volcanoes...
127 bpm • E min • 02:17 • -15db
19% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Schachner
Seeing with New Eyes
127 bpm • C Maj • 01:50 • -20.66db
27% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Siddhartha Khosla
Pilot Ending
164 bpm • D min • 01:43 • -22.84db
30% Popularity • 29% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
30% Popularity • 29% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Stephen Rennicks
Cops
126 bpm • D# min • 02:57 • -13.84db
10% Popularity • 42% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
10% Popularity • 42% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Mychael Danna
Big League
133 bpm • A min • 02:20 • -24.81db
27% Popularity • 16% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Marco Beltrami
Beyond the Hills
126 bpm • A min • 02:09 • -25.86db
20% Popularity • 29% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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Jeff Beal
Reverend Underwood's Eulogy
126 bpm • G Maj • 02:34 • -22.69db
25% Popularity • 22% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Antonio Pinto
Conscience
125 bpm • C# min • 02:06 • -19.45db
30% Popularity • 53% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
30% Popularity • 53% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Thomas Farnon
Transcendence
125 bpm • G min • 02:16 • -12.87db
33% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
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Mychael Danna
No Tracks In The Snow
132 bpm • D min • 01:48 • -28.23db
23% Popularity • 26% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Cornbread Compton
Let's Just Get It Over With
124 bpm • C# min • 01:25 • -28db
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Theodore Shapiro
Eyjafjallajökull
124 bpm • F Maj • 03:58 • -18.19db
28% Popularity • 59% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
28% Popularity • 59% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Pinar Toprak
Learning the Truth
167 bpm • G Maj • 03:16 • -27db
34% Popularity • 9% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Christopher Young
The Apple
168 bpm • C# Maj • 01:14 • -19db
38% Popularity • 8% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
38% Popularity • 8% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Mychael Danna
I'm Ready now
128 bpm • D min • 03:21 • -29.88db
21% Popularity • 17% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
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Howard Shore
Keep Silent
122 bpm • G Maj • 02:31 • -21.38db
22% Popularity • 18% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
39% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Ender's War
170 bpm • G# Maj • 03:26 • -19.26db
49% Popularity • 27% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
49% Popularity • 27% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Marco Beltrami
June 3rd 2017
171 bpm • F# Maj • 03:39 • -22.93db
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Theodore Shapiro
The Dream and the Letters
172 bpm • C min • 02:36 • -24.83db
27% Popularity • 8% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Mychael Danna
Appa's Lesson
172 bpm • G Maj • 01:06 • -24db
41% Popularity • 8% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
41% Popularity • 8% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Jeff Danna
Grace in the Mirror
173 bpm • C min • 01:36 • -24.51db
13% Popularity • 8% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
