Songs like 'It's about one moment' (Transition) by 'Songs for a New World' 2018 Encores! Off-Center Company
Based on a tempo of (+/- 10%) and a similar genre
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Audrey Brisson
Post Mortem - Original London Cast Recor...
142 bpm • E Maj • 02:19 • -11.32db
20% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Tveit
You Done Tamed Me
142 bpm • G Maj • 01:55 • -9.17db
23% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Rosalie Craig
Marry Me a Little
142 bpm • D Maj • 04:55 • -14.08db
26% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Diana Original Broadway Cast
She Moves In The Most Modern Ways
141 bpm • D Maj • 03:37 • -8.5db
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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J. Harrison Ghee
Zee Bap
144 bpm • C Maj • 02:52 • -5.71db
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
25% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Mykal Kilgore
Flying Home
144 bpm • B Maj • 05:21 • -6.64db
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Carmen Cusack
How?
144 bpm • C# Maj • 03:52 • -11.55db
8% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Sierra Boggess
Let Your Heart Be Your Compass
139 bpm • D Maj • 05:20 • -9.04db
8% Popularity • 45% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 45% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ciara Renée
The Man I Know (Reprise)
139 bpm • C Maj • 02:29 • -11.99db
12% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Mykal Kilgore
On the Deck of a Spanish Sailing Ship, 1...
146 bpm • A# min • 06:56 • -8.99db
24% Popularity • 37% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 37% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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NaTasha Yvette Williams
I'm California Bound
138 bpm • B min • 04:32 • -6.85db
27% Popularity • 76% Danceability • 61% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 76% Danceability • 61% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jaquel Spivey
Today
137 bpm • A# Maj • 03:21 • -9db
21% Popularity • 68% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 68% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Alexandra Socha
Good Girl
136 bpm • A Maj • 02:36 • -5db
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Original London Cast of Dreamgirls Ensemble
Goin' Downtown
148 bpm • F Maj • 02:28 • -6.31db
11% Popularity • 67% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Sierra Boggess
Another World
136 bpm • D# Maj • 04:31 • -13.64db
13% Popularity • 39% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 39% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 5% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Solea Pfeiffer
'A new world calls me in the darkness......
150 bpm • D Maj • 00:44 • -13.15db
18% Popularity • 24% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ramin Karimloo
You're a Funny Girl / Beekman Call
150 bpm • D# Maj • 02:02 • -16.59db
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Solea Pfeiffer
The World Was Dancing
134 bpm • D min • 05:43 • -9.99db
18% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Carmen Cusack
At Long Last
133 bpm • A Maj • 02:57 • -9db
26% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lindsay Mendez
Prelude: Take Me Back
151 bpm • G Maj • 02:02 • -10db
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Beth Fowler
I Want It All
151 bpm • C Maj • 04:11 • -13db
16% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sherie Rene Scott
Island
152 bpm • A# min • 03:59 • -11.6db
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sherie Rene Scott
Island - Reprise
152 bpm • A# min • 02:35 • -11.4db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Mulheren
Please, Don't Take Him
132 bpm • E min • 02:27 • -8.08db
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Christian Borle
He Lied When He Said Hello
132 bpm • B min • 04:27 • -7.56db
26% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Alexandra Socha
Our Lips Are Sealed
132 bpm • G# Maj • 02:58 • -4db
22% Popularity • 72% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 72% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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L Morgan Lee
We Wanna Know
132 bpm • F Maj • 02:00 • -8.82db
20% Popularity • 62% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 62% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Jared Gertner
Beautiful
153 bpm • G Maj • 02:45 • -17.09db
21% Popularity • 62% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 62% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Shoshana Bean
Maybe It Starts With Me
131 bpm • G# Maj • 02:50 • -6db
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jez Unwin
World's Best Papa - Original London Cast...
153 bpm • D Maj • 02:56 • -10.43db
20% Popularity • 55% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
