Songs like Its Crash Could Not Be Denied by Justin E. Bell
Based on a tempo of (+/- 10%) and a similar genre
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Justin E. Bell
Human Resource Violations
100 bpm • D Maj • 02:19 • -12.99db
26% Popularity • 88% Danceability • 66% Energy • 26% Liveness
90% Instrumentalness • 32% Positiveness
26% Popularity • 88% Danceability • 66% Energy • 26% Liveness
90% Instrumentalness • 32% Positiveness
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Jeremy Soule
Tooth and Claw
100 bpm • G# Maj • 01:48 • -21.2db
49% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
49% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Tabletop Rpg Music
Treetop Sanctuary (gentle theme)
100 bpm • A# min • 02:00 • -18.45db
26% Popularity • 48% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
26% Popularity • 48% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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EA Games Soundtrack
The Endless Wave of Hurlocks
100 bpm • G# Maj • 01:06 • -14.19db
25% Popularity • 64% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 76% Positiveness
25% Popularity • 64% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 76% Positiveness
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Tim Wynn
New World Order
100 bpm • B min • 02:22 • -15.24db
22% Popularity • 46% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
22% Popularity • 46% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
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Krzysztof Wierzynkiewicz
Trapped
100 bpm • C Maj • 01:21 • -11.84db
23% Popularity • 50% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Justin E. Bell
Its Crash Could Not Be Denied
100 bpm • A# min • 02:20 • -14.98db
19% Popularity • 84% Danceability • 61% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
19% Popularity • 84% Danceability • 61% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
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Mikolai Stroinski
At War!
100 bpm • D min • 01:33 • -8.66db
40% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Cardon
A Loa's Bargain
100 bpm • C Maj • 03:12 • -15.21db
23% Popularity • 22% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Russell Shaw
Magical Glade
100 bpm • G# Maj • 01:18 • -32.03db
27% Popularity • 17% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
The Betrayal
101 bpm • G min • 03:01 • -13.53db
22% Popularity • 17% Danceability • 36% Energy • 12% Liveness
85% Instrumentalness • 9% Positiveness
22% Popularity • 17% Danceability • 36% Energy • 12% Liveness
85% Instrumentalness • 9% Positiveness
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Adam Skorupa
Howl Of The White Wolf
100 bpm • F min • 01:54 • -11.16db
33% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
33% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
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Justin E. Bell
The Sea and Her Love
99 bpm • G min • 02:36 • -14.45db
14% Popularity • 14% Danceability • 30% Energy • 56% Liveness
77% Instrumentalness • 31% Positiveness
14% Popularity • 14% Danceability • 30% Energy • 56% Liveness
77% Instrumentalness • 31% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
46% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Inon Zur
City of Sails
101 bpm • D min • 03:13 • -16db
36% Popularity • 17% Danceability • 21% Energy • 26% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 17% Danceability • 21% Energy • 26% Liveness
86% Instrumentalness • 5% Positiveness
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Will Savino
Pale Sanctum Duel
102 bpm • A# min • 01:04 • -12.36db
17% Popularity • 62% Danceability • 86% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 86% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
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EA Games Soundtrack
Human Nobility
102 bpm • A Maj • 01:21 • -14.45db
31% Popularity • 24% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
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Krzysztof Wierzynkiewicz
Easier Said Than Killed
102 bpm • D min • 01:09 • -13.22db
26% Popularity • 50% Danceability • 90% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
26% Popularity • 50% Danceability • 90% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
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Marcin Przybyłowicz
The Hunt Is Coming
97 bpm • G Maj • 02:05 • -6.89db
44% Popularity • 43% Danceability • 72% Energy • 7% Liveness
16% Instrumentalness • 17% Positiveness
44% Popularity • 43% Danceability • 72% Energy • 7% Liveness
16% Instrumentalness • 17% Positiveness
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Justin E. Bell
Terraforming, One Bullet at a Time
100 bpm • G Maj • 01:49 • -12.68db
31% Popularity • 61% Danceability • 79% Energy • 13% Liveness
94% Instrumentalness • 46% Positiveness
31% Popularity • 61% Danceability • 79% Energy • 13% Liveness
94% Instrumentalness • 46% Positiveness
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Borough Bound
Guts Match
97 bpm • G# Maj • 02:21 • -10.87db
23% Popularity • 61% Danceability • 76% Energy • 19% Liveness
72% Instrumentalness • 88% Positiveness
23% Popularity • 61% Danceability • 76% Energy • 19% Liveness
72% Instrumentalness • 88% Positiveness
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Maclaine Diemer
Welcome to the Desert
97 bpm • A Maj • 01:13 • -17.83db
24% Popularity • 30% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 30% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Hunter Rogerson
Lorenzo
97 bpm • E min • 01:50 • -13db
17% Popularity • 49% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
17% Popularity • 49% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Krzysztof Wierzynkiewicz
Practice Makes Perfect
100 bpm • F Maj • 01:17 • -11.56db
25% Popularity • 56% Danceability • 92% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
25% Popularity • 56% Danceability • 92% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
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Marcin Przybyłowicz
Seeking Resonance
96 bpm • G Maj • 02:24 • -15db
36% Popularity • 23% Danceability • 24% Energy • 36% Liveness
66% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 24% Energy • 36% Liveness
66% Instrumentalness • 4% Positiveness
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Justin E. Bell
Queen's Berth
100 bpm • G Maj • 03:52 • -24.54db
22% Popularity • 46% Danceability • 6% Energy • 11% Liveness
59% Instrumentalness • 7% Positiveness
22% Popularity • 46% Danceability • 6% Energy • 11% Liveness
59% Instrumentalness • 7% Positiveness
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Will Savino
Something Amiss (Strike)
104 bpm • D Maj • 02:56 • -12db
12% Popularity • 56% Danceability • 72% Energy • 17% Liveness
96% Instrumentalness • 23% Positiveness
12% Popularity • 56% Danceability • 72% Energy • 17% Liveness
96% Instrumentalness • 23% Positiveness
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Maclaine Diemer
Glint's Legacy
96 bpm • A Maj • 03:02 • -21.26db
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Borislav Slavov
Dancing with the Source - Cello Version
104 bpm • D Maj • 02:23 • -14db
35% Popularity • 68% Danceability • 50% Energy • 20% Liveness
85% Instrumentalness • 30% Positiveness
35% Popularity • 68% Danceability • 50% Energy • 20% Liveness
85% Instrumentalness • 30% Positiveness
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Krzysztof Wierzynkiewicz
Through The Underworld
100 bpm • C min • 03:46 • -20.15db
24% Popularity • 48% Danceability • 20% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 48% Danceability • 20% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
Elves At The Mercy Of Man
104 bpm • B Maj • 01:21 • -22.19db
37% Popularity • 18% Danceability • 12% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 12% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Justin E. Bell
Eothas
103 bpm • G min • 03:54 • -17.66db
18% Popularity • 19% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
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Jon Everist
For the Reach
104 bpm • A min • 04:30 • -13.44db
16% Popularity • 25% Danceability • 64% Energy • 47% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 25% Danceability • 64% Energy • 47% Liveness
92% Instrumentalness • 16% Positiveness
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Maclaine Diemer
Path of Fire
96 bpm • A Maj • 02:42 • -19.04db
24% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
24% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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The Flight
The Blessing - Part 1 - Motherland
104 bpm • F min • 01:53 • -24.29db
31% Popularity • 15% Danceability • 6% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
31% Popularity • 15% Danceability • 6% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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Tim Wynn
First Flight
96 bpm • G Maj • 01:22 • -13.27db
30% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Inon Zur
The Elves of Old
104 bpm • C min • 02:07 • -32.63db
27% Popularity • 30% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 30% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Justin E. Bell
The Sacred Stair
96 bpm • D min • 09:29 • -21.74db
20% Popularity • 16% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 16% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Critical Role
Echoes of Aeor
95 bpm • D Maj • 03:50 • -16db
24% Popularity • 19% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Bill Brown
Gathering Armies
105 bpm • F Maj • 02:09 • -15db
35% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
35% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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SIE Sound Team
Old Monk
105 bpm • F# Maj • 04:31 • -11.64db
21% Popularity • 36% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
21% Popularity • 36% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Jason Hayes
Ancient Ruins of Dholmour
105 bpm • C min • 01:40 • -20db
19% Popularity • 27% Danceability • 35% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 35% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
37% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
37% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Tim Wynn
Infiltrator
95 bpm • G Maj • 02:16 • -12.78db
26% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
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Critical Role
The Luxon
95 bpm • D Maj • 03:39 • -12.72db
24% Popularity • 15% Danceability • 22% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
24% Popularity • 15% Danceability • 22% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
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Bill Brown
The Evil's Creatures
95 bpm • E min • 02:15 • -10db
36% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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e.hillman
Ukotto of the Elder Dark
95 bpm • G# Maj • 02:31 • -11db
20% Popularity • 48% Danceability • 98% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
20% Popularity • 48% Danceability • 98% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Brad Derrick
Ascadian Idyll
95 bpm • G min • 04:57 • -17.12db
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Banks Of The Sansretour
95 bpm • C Maj • 03:58 • -15.39db
47% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
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Tim Wynn
Weapons of Choice
105 bpm • D Maj • 01:46 • -13.52db
25% Popularity • 35% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
25% Popularity • 35% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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Grant Kirkhope
Troll
95 bpm • D min • 02:32 • -8.34db
16% Popularity • 50% Danceability • 49% Energy • 15% Liveness
57% Instrumentalness • 12% Positiveness
16% Popularity • 50% Danceability • 49% Energy • 15% Liveness
57% Instrumentalness • 12% Positiveness
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Niels van der Leest
Go Like Time Around An Arrow - Part 3 -...
106 bpm • C# min • 05:37 • -18.66db
23% Popularity • 76% Danceability • 73% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
23% Popularity • 76% Danceability • 73% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Jake Lefkowitz
Dragon Hunters
95 bpm • F min • 05:17 • -17.13db
22% Popularity • 14% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
22% Popularity • 14% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
43% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
43% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Jason Graves
The Enduring Pride
107 bpm • C min • 02:16 • -23db
27% Popularity • 17% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 17% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 17% Positiveness
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Jason Hayes
Ruins
107 bpm • B min • 01:17 • -17.2db
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Far from Home
107 bpm • C Maj • 03:25 • -19.44db
23% Popularity • 17% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Arnaud Roy
The BattleField III
93 bpm • F min • 02:36 • -17.86db
19% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
19% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
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Critical Role
The Slayer's Take
108 bpm • G Maj • 03:21 • -12.31db
25% Popularity • 61% Danceability • 66% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
25% Popularity • 61% Danceability • 66% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
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Borough Bound
Executioner
93 bpm • C# Maj • 01:43 • -10.81db
22% Popularity • 56% Danceability • 75% Energy • 15% Liveness
20% Instrumentalness • 36% Positiveness
22% Popularity • 56% Danceability • 75% Energy • 15% Liveness
20% Instrumentalness • 36% Positiveness
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Todd Masten
Pyrrhus of Epirus (Crawly)
93 bpm • G min • 03:26 • -16.77db
18% Popularity • 54% Danceability • 27% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
18% Popularity • 54% Danceability • 27% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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P.T. Adamczyk
Trust No One
92 bpm • C min • 01:22 • -28.36db
21% Popularity • 19% Danceability • 6% Energy • 14% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 6% Energy • 14% Liveness
57% Instrumentalness • 4% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Arnaud Roy
The BattleField II
108 bpm • C Maj • 03:02 • -17db
18% Popularity • 66% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
18% Popularity • 66% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Daniel Licht
Aristocrats of Karnaca (Ambient)
109 bpm • F# Maj • 01:51 • -25.3db
40% Popularity • 23% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
40% Popularity • 23% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
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Midnight Syndicate
Beasts of the Borderlands
109 bpm • F min • 02:57 • -13.13db
34% Popularity • 47% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 43% Positiveness
34% Popularity • 47% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 43% Positiveness
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Drakensang
Nadoret
109 bpm • G# Maj • 02:07 • -23.3db
21% Popularity • 17% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Critical Role
Passage to Xhorhas
92 bpm • C Maj • 03:47 • -14db
25% Popularity • 12% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Stuart Garfinkle
A Cavern of Death
91 bpm • C# Maj • 02:36 • -15db
17% Popularity • 15% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Arnaud Roy
Nomadic Cities (The Roving Clans Theme)
92 bpm • G# Maj • 04:02 • -19db
30% Popularity • 57% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
30% Popularity • 57% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
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Russell Shaw
Live In Legend
109 bpm • D# min • 02:07 • -23db
26% Popularity • 29% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
26% Popularity • 29% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Marcin Przybyłowicz
Drive Them Back
109 bpm • D Maj • 02:57 • -19.63db
28% Popularity • 50% Danceability • 46% Energy • 51% Liveness
98% Instrumentalness • 39% Positiveness
28% Popularity • 50% Danceability • 46% Energy • 51% Liveness
98% Instrumentalness • 39% Positiveness
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ASKII
Thirr
110 bpm • G Maj • 03:16 • -18db
41% Popularity • 16% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
41% Popularity • 16% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Critical Role
The Crownsguard
110 bpm • C# Maj • 03:44 • -13.6db
31% Popularity • 28% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
31% Popularity • 28% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Joris de Man
Machine Dreams - Part 2 - Out of the Emb...
91 bpm • A min • 04:50 • -24.58db
24% Popularity • 23% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Drakensang
Rückkehr Nach Nadoret
110 bpm • A Maj • 02:01 • -25db
19% Popularity • 32% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 32% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Borislav Slavov
Path of the Godwoken
91 bpm • F min • 03:13 • -21.47db
32% Popularity • 12% Danceability • 14% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 14% Energy • 26% Liveness
89% Instrumentalness • 4% Positiveness
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Raison Varner
The Unassuming Happy Docks - Tiny Tina's...
110 bpm • E min • 02:18 • -16db
36% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
36% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
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Stuart Chatwood
The Cove Battle
110 bpm • D Maj • 04:34 • -13db
38% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
38% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
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Jason Graves
A Hunter's Eye
110 bpm • F min • 02:38 • -12.78db
24% Popularity • 67% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
24% Popularity • 67% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Joris de Man
Seized From The Depths - Part 1 - Mother...
110 bpm • C min • 02:00 • -25.76db
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Tim Wynn
Outpost
110 bpm • D Maj • 01:34 • -16.31db
26% Popularity • 58% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
26% Popularity • 58% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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Borislav Slavov
Fane's Theme
110 bpm • E min • 02:22 • -20db
32% Popularity • 62% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
32% Popularity • 62% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Michal Cielecki
Completing The Contract
110 bpm • B min • 01:08 • -11.86db
23% Popularity • 58% Danceability • 86% Energy • 16% Liveness
46% Instrumentalness • 32% Positiveness
23% Popularity • 58% Danceability • 86% Energy • 16% Liveness
46% Instrumentalness • 32% Positiveness
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Critical Role
Stroll Through Nicodranas
110 bpm • G Maj • 03:56 • -13db
29% Popularity • 16% Danceability • 29% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 29% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Will Savino
Honor in the Storm
110 bpm • D# min • 03:10 • -12.61db
24% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
24% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
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Daniel Licht
Intro the Return
90 bpm • E min • 01:10 • -16.72db
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jason Hayes
Dun Morogh
111 bpm • A# Maj • 07:31 • -19db
43% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Borislav Slavov
Driftwood
110 bpm • A min • 03:44 • -20db
36% Popularity • 30% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
36% Popularity • 30% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
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Daniel Ran
The Brigands of Blackwood
90 bpm • F Maj • 01:16 • -19.53db
13% Popularity • 50% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
13% Popularity • 50% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Kevin Riepl
Lawgiver
90 bpm • D Maj • 02:06 • -21db
25% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
25% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
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Sergey Eybog
Searching for Answers
90 bpm • C Maj • 01:51 • -17db
22% Popularity • 36% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
22% Popularity • 36% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Tim Wynn
Retaliation
90 bpm • C Maj • 01:57 • -16.37db
26% Popularity • 46% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 46% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Jason Hayes
Lurking
90 bpm • C Maj • 01:01 • -23.55db
33% Popularity • 36% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
33% Popularity • 36% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Will Savino
Hordebreaker
90 bpm • E min • 03:06 • -10.88db
20% Popularity • 62% Danceability • 91% Energy • 6% Liveness
92% Instrumentalness • 50% Positiveness
20% Popularity • 62% Danceability • 91% Energy • 6% Liveness
92% Instrumentalness • 50% Positiveness
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Raison Varner
Mines of Avarice Ambience - Tiny Tina's ...
90 bpm • F min • 03:39 • -19.46db
21% Popularity • 47% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
21% Popularity • 47% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Marcin Przybyłowicz
The Chase
90 bpm • D Maj • 02:46 • -18.04db
24% Popularity • 51% Danceability • 75% Energy • 66% Liveness
95% Instrumentalness • 28% Positiveness
24% Popularity • 51% Danceability • 75% Energy • 66% Liveness
95% Instrumentalness • 28% Positiveness
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Aakaash Rao
Pandora's Heart
90 bpm • C# Maj • 02:16 • -13.55db
25% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness
25% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness