Songs like It's Getting Late by Claro Intelecto
Based on a tempo of (+/- 10%) and a similar genre
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Quantec
Hidden Persuation
120 bpm • C# min • 06:58 • -22.13db
15% Popularity • 84% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
15% Popularity • 84% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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Claro Intelecto
X
120 bpm • A# min • 06:39 • -12.63db
5% Popularity • 81% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
5% Popularity • 81% Danceability • 41% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Sven Weisemann
Elapse - Original Mix
120 bpm • G Maj • 07:32 • -17db
10% Popularity • 79% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
10% Popularity • 79% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Thomas Fehlmann
Window
120 bpm • C# Maj • 08:54 • -14.73db
19% Popularity • 77% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
19% Popularity • 77% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Patricia
Shiba Inu Dub
120 bpm • A# min • 07:27 • -10.18db
9% Popularity • 93% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
9% Popularity • 93% Danceability • 72% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
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Steffi
The Meaning Of Memory
120 bpm • A# min • 06:32 • -13.28db
19% Popularity • 78% Danceability • 76% Energy • 13% Liveness
84% Instrumentalness • 18% Positiveness
19% Popularity • 78% Danceability • 76% Energy • 13% Liveness
84% Instrumentalness • 18% Positiveness
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Juan Atkins
Treehouse
120 bpm • C# Maj • 07:38 • -15.51db
11% Popularity • 80% Danceability • 37% Energy • 27% Liveness
88% Instrumentalness • 52% Positiveness
11% Popularity • 80% Danceability • 37% Energy • 27% Liveness
88% Instrumentalness • 52% Positiveness
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Federsen
Oz
120 bpm • C# Maj • 07:04 • -15db
17% Popularity • 72% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 51% Positiveness
17% Popularity • 72% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 51% Positiveness
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Quantec
Profound Experiences
120 bpm • B min • 06:43 • -19.88db
17% Popularity • 81% Danceability • 57% Energy • 16% Liveness
87% Instrumentalness • 56% Positiveness
17% Popularity • 81% Danceability • 57% Energy • 16% Liveness
87% Instrumentalness • 56% Positiveness
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Dauwd
Unconscious
120 bpm • A# min • 09:01 • -12.1db
22% Popularity • 69% Danceability • 69% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
22% Popularity • 69% Danceability • 69% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Claro Intelecto
It's Getting Late
120 bpm • F# min • 06:15 • -12db
13% Popularity • 71% Danceability • 68% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
13% Popularity • 71% Danceability • 68% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Rod Modell
Kingston
120 bpm • C# Maj • 06:05 • -17.57db
32% Popularity • 81% Danceability • 52% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 81% Danceability • 52% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Bvdub
Untouchable
120 bpm • C Maj • 09:11 • -23db
8% Popularity • 88% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
8% Popularity • 88% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Tin Man
Falling Acid
120 bpm • G Maj • 08:00 • -11db
13% Popularity • 80% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 80% Danceability • 61% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Andy Stott
Florence
120 bpm • G# Maj • 04:25 • -16.53db
16% Popularity • 78% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 78% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Recondite
Petrichor - Tin Man Remix
120 bpm • A# min • 07:55 • -11db
14% Popularity • 71% Danceability • 47% Energy • 17% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 71% Danceability • 47% Energy • 17% Liveness
94% Instrumentalness • 9% Positiveness
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Claro Intelecto
Chicago
120 bpm • B min • 05:22 • -8.82db
5% Popularity • 80% Danceability • 69% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
5% Popularity • 80% Danceability • 69% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Intrusion
Reflection
120 bpm • C# Maj • 06:41 • -23db
11% Popularity • 68% Danceability • 47% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
11% Popularity • 68% Danceability • 47% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
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Special Request
No Other way To Say It
120 bpm • G Maj • 05:23 • -9db
22% Popularity • 59% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
22% Popularity • 59% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Dauwd
Glass Jelly
120 bpm • G min • 05:22 • -10db
33% Popularity • 84% Danceability • 67% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
33% Popularity • 84% Danceability • 67% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
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STL
Silent State
120 bpm • A# min • 11:48 • -17.92db
16% Popularity • 81% Danceability • 51% Energy • 5% Liveness
80% Instrumentalness • 46% Positiveness
16% Popularity • 81% Danceability • 51% Energy • 5% Liveness
80% Instrumentalness • 46% Positiveness
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Conforce
Subtraction
120 bpm • E min • 07:04 • -15.29db
17% Popularity • 80% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
17% Popularity • 80% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Rod Modell
Luminescent
120 bpm • F# Maj • 07:59 • -16.24db
25% Popularity • 76% Danceability • 45% Energy • 36% Liveness
93% Instrumentalness • 49% Positiveness
25% Popularity • 76% Danceability • 45% Energy • 36% Liveness
93% Instrumentalness • 49% Positiveness
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Tin Man
No New Violence
120 bpm • A# min • 06:35 • -22.58db
14% Popularity • 75% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
14% Popularity • 75% Danceability • 34% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Dorisburg
Sinai Hypnosis
120 bpm • D# min • 09:05 • -11.46db
9% Popularity • 76% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 40% Positiveness
9% Popularity • 76% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 40% Positiveness
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Juan Atkins
Mars Garden
120 bpm • A# min • 04:13 • -17.04db
13% Popularity • 92% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
13% Popularity • 92% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Chymera
Strange Things Are Afoot - Claro Intelec...
120 bpm • G min • 06:43 • -10.53db
1% Popularity • 77% Danceability • 82% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
1% Popularity • 77% Danceability • 82% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Dauwd
Macadam Therapy
120 bpm • G Maj • 05:39 • -9.79db
35% Popularity • 69% Danceability • 65% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
35% Popularity • 69% Danceability • 65% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Lawrence
Illuminated - Kettenkarussell Remix
120 bpm • D Maj • 07:37 • -19.11db
22% Popularity • 81% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
22% Popularity • 81% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Anton Zap
Captain Storm
120 bpm • A# min • 05:23 • -13.11db
24% Popularity • 74% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
24% Popularity • 74% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Claro Intelecto
Signifier
120 bpm • F Maj • 06:20 • -11.12db
9% Popularity • 74% Danceability • 76% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 74% Danceability • 76% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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STL
From A Distance
120 bpm • C Maj • 06:59 • -13.54db
24% Popularity • 90% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
24% Popularity • 90% Danceability • 59% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
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Martin Schulte
Restoration
120 bpm • A# Maj • 06:50 • -12.87db
13% Popularity • 71% Danceability • 54% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
13% Popularity • 71% Danceability • 54% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
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Juan Atkins
Electric Garden - Deep Jazz in the Garde...
120 bpm • C# min • 10:54 • -17db
14% Popularity • 54% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 54% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
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Function
Sagittarius A (Right Ascension)
120 bpm • C min • 05:15 • -10db
10% Popularity • 71% Danceability • 94% Energy • 60% Liveness
96% Instrumentalness • 82% Positiveness
10% Popularity • 71% Danceability • 94% Energy • 60% Liveness
96% Instrumentalness • 82% Positiveness
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burger/ink
Elvism
120 bpm • E min • 05:14 • -17.35db
32% Popularity • 67% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
32% Popularity • 67% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Jan Jelinek
Rock In The Video Age
120 bpm • F# min • 08:03 • -13db
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Lawrence
Fifteen Minutes With You
120 bpm • G# min • 05:57 • -13db
11% Popularity • 70% Danceability • 52% Energy • 13% Liveness
80% Instrumentalness • 17% Positiveness
11% Popularity • 70% Danceability • 52% Energy • 13% Liveness
80% Instrumentalness • 17% Positiveness
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Claro Intelecto
Eye Spy
120 bpm • F# min • 06:40 • -8.67db
4% Popularity • 74% Danceability • 86% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
4% Popularity • 74% Danceability • 86% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
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Juan Atkins
Electric Dub
120 bpm • A# min • 11:56 • -16.49db
13% Popularity • 84% Danceability • 16% Energy • 31% Liveness
93% Instrumentalness • 20% Positiveness
13% Popularity • 84% Danceability • 16% Energy • 31% Liveness
93% Instrumentalness • 20% Positiveness
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Gonno
As Above, So Below
120 bpm • G Maj • 05:22 • -11.32db
22% Popularity • 76% Danceability • 79% Energy • 10% Liveness
84% Instrumentalness • 88% Positiveness
22% Popularity • 76% Danceability • 79% Energy • 10% Liveness
84% Instrumentalness • 88% Positiveness
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Quantec
Thought Experiment
120 bpm • C# Maj • 05:20 • -22.51db
16% Popularity • 81% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
16% Popularity • 81% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Anthony Naples
Refugio
120 bpm • E min • 03:46 • -8.95db
18% Popularity • 78% Danceability • 85% Energy • 65% Liveness
53% Instrumentalness • 32% Positiveness
18% Popularity • 78% Danceability • 85% Energy • 65% Liveness
53% Instrumentalness • 32% Positiveness
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Robag Wruhme
Prognosen Bomm
120 bpm • F# Maj • 03:36 • -14db
25% Popularity • 75% Danceability • 58% Energy • 9% Liveness
82% Instrumentalness • 23% Positiveness
25% Popularity • 75% Danceability • 58% Energy • 9% Liveness
82% Instrumentalness • 23% Positiveness
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Ricardo Villalobos
Mellow Dee
120 bpm • C# Maj • 08:26 • -15.86db
18% Popularity • 78% Danceability • 47% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
18% Popularity • 78% Danceability • 47% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Shed
Taken Effect
120 bpm • G Maj • 04:56 • -10.86db
25% Popularity • 77% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
25% Popularity • 77% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
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Martin Schulte
Urban Wind - Original Mix
120 bpm • F# min • 06:14 • -15.36db
13% Popularity • 66% Danceability • 63% Energy • 39% Liveness
74% Instrumentalness • 6% Positiveness
13% Popularity • 66% Danceability • 63% Energy • 39% Liveness
74% Instrumentalness • 6% Positiveness
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Terekke
Bb2
120 bpm • C# Maj • 03:46 • -13.5db
23% Popularity • 84% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
23% Popularity • 84% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Rod Modell
Space Age Mythology
120 bpm • D Maj • 05:19 • -14.67db
25% Popularity • 55% Danceability • 63% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
25% Popularity • 55% Danceability • 63% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Dorisburg
Insvept
120 bpm • C Maj • 05:58 • -13.79db
17% Popularity • 81% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
17% Popularity • 81% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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P.Laoss
Dub Class Five
120 bpm • A# min • 07:04 • -12.22db
20% Popularity • 80% Danceability • 66% Energy • 9% Liveness
85% Instrumentalness • 72% Positiveness
20% Popularity • 80% Danceability • 66% Energy • 9% Liveness
85% Instrumentalness • 72% Positiveness
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Octex
Nigljana
120 bpm • G# Maj • 05:57 • -15.76db
25% Popularity • 71% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
25% Popularity • 71% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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Tin Man
Nonneo - Donato Dozzy Remix
120 bpm • F# Maj • 07:46 • -20.24db
12% Popularity • 56% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 43% Positiveness
12% Popularity • 56% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 43% Positiveness
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Sven Weisemann
Elapse - Fdf's Espale Mix
120 bpm • D# min • 07:26 • -20.78db
21% Popularity • 87% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
21% Popularity • 87% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Juan Atkins
Odyssey
120 bpm • C min • 07:27 • -18.83db
19% Popularity • 58% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
19% Popularity • 58% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Quantec
Fall Into Oblivion
120 bpm • B min • 06:22 • -15.79db
31% Popularity • 92% Danceability • 33% Energy • 14% Liveness
96% Instrumentalness • 58% Positiveness
31% Popularity • 92% Danceability • 33% Energy • 14% Liveness
96% Instrumentalness • 58% Positiveness
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Patricia
Waiting For Alexis
120 bpm • E min • 08:12 • -9.13db
8% Popularity • 74% Danceability • 73% Energy • 21% Liveness
56% Instrumentalness • 22% Positiveness
8% Popularity • 74% Danceability • 73% Energy • 21% Liveness
56% Instrumentalness • 22% Positiveness
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Shinichi Atobe
Heat 2
120 bpm • G# Maj • 08:02 • -14.62db
14% Popularity • 80% Danceability • 61% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
14% Popularity • 80% Danceability • 61% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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WhoMadeWho
Keep Me In My Plane; Hunt You Down - Dj ...
120 bpm • A# min • 07:20 • -10.37db
11% Popularity • 82% Danceability • 58% Energy • 26% Liveness
60% Instrumentalness • 85% Positiveness
11% Popularity • 82% Danceability • 58% Energy • 26% Liveness
60% Instrumentalness • 85% Positiveness
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Zoltan Solomon
Gesichtslose Frau
120 bpm • C# Maj • 07:28 • -13.34db
13% Popularity • 74% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
13% Popularity • 74% Danceability • 73% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Intrusion
Reflection I
120 bpm • B min • 08:02 • -19.77db
13% Popularity • 51% Danceability • 42% Energy • 34% Liveness
78% Instrumentalness • 16% Positiveness
13% Popularity • 51% Danceability • 42% Energy • 34% Liveness
78% Instrumentalness • 16% Positiveness
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Exos
Mininga
120 bpm • F# min • 05:27 • -18.07db
24% Popularity • 76% Danceability • 54% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
24% Popularity • 76% Danceability • 54% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Marko Furstenberg
With A Difference
120 bpm • D min • 06:32 • -14.41db
18% Popularity • 90% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
18% Popularity • 90% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Ex-Terrestrial
Urth Man
120 bpm • C Maj • 06:26 • -9.94db
29% Popularity • 75% Danceability • 76% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
29% Popularity • 75% Danceability • 76% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
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Vril
In Via
120 bpm • B min • 06:22 • -21.48db
29% Popularity • 30% Danceability • 35% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
29% Popularity • 30% Danceability • 35% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Bjarki
Lita og Leira
120 bpm • G min • 03:51 • -14.22db
18% Popularity • 72% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
18% Popularity • 72% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Claro Intelecto
Nobody
120 bpm • G min • 06:42 • -10.87db
4% Popularity • 90% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
4% Popularity • 90% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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son.sine
upekah
120 bpm • A min • 08:57 • -17.22db
16% Popularity • 74% Danceability • 52% Energy • 52% Liveness
90% Instrumentalness • 41% Positiveness
16% Popularity • 74% Danceability • 52% Energy • 52% Liveness
90% Instrumentalness • 41% Positiveness
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STL
One Day
120 bpm • A Maj • 08:38 • -15.99db
10% Popularity • 77% Danceability • 42% Energy • 22% Liveness
82% Instrumentalness • 7% Positiveness
10% Popularity • 77% Danceability • 42% Energy • 22% Liveness
82% Instrumentalness • 7% Positiveness
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Round Four
Found a Way
121 bpm • G Maj • 06:43 • -16.33db
12% Popularity • 69% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 69% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Call Super
Nervous Sex Traffic
121 bpm • D Maj • 09:02 • -15db
9% Popularity • 62% Danceability • 50% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
9% Popularity • 62% Danceability • 50% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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Pole
Raum 2 (DJ Tennis Technoid Version) - Mi...
121 bpm • E min • 07:10 • -16.96db
18% Popularity • 69% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
18% Popularity • 69% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Claro Intelecto
Contact
120 bpm • C# Maj • 04:48 • -11.06db
14% Popularity • 74% Danceability • 67% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
14% Popularity • 74% Danceability • 67% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Huerco S.
Marais des Cygnes
121 bpm • G Maj • 08:00 • -15.95db
15% Popularity • 82% Danceability • 43% Energy • 24% Liveness
88% Instrumentalness • 34% Positiveness
15% Popularity • 82% Danceability • 43% Energy • 24% Liveness
88% Instrumentalness • 34% Positiveness
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Sven Weisemann
Monistic
121 bpm • A min • 07:15 • -13db
28% Popularity • 67% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 67% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Round Four
Find a Way
121 bpm • G Maj • 09:42 • -15.87db
18% Popularity • 81% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 23% Positiveness
18% Popularity • 81% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 23% Positiveness
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Patricia
Mercury In Retrograde
121 bpm • B min • 04:46 • -17.56db
17% Popularity • 72% Danceability • 48% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
17% Popularity • 72% Danceability • 48% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
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Monolake
Pio - Mixed
121 bpm • C Maj • 05:51 • -16.05db
17% Popularity • 80% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
17% Popularity • 80% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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Donato Dozzy
12H.5 - Remix
121 bpm • G Maj • 07:08 • -11.22db
24% Popularity • 64% Danceability • 68% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
24% Popularity • 64% Danceability • 68% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Redshape
Path - Dub Mix
121 bpm • F# Maj • 06:30 • -14.87db
15% Popularity • 64% Danceability • 69% Energy • 9% Liveness
94% Instrumentalness • 50% Positiveness
15% Popularity • 64% Danceability • 69% Energy • 9% Liveness
94% Instrumentalness • 50% Positiveness
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Sven Weisemann
Bilateral Relations
121 bpm • A# min • 07:15 • -12db
22% Popularity • 80% Danceability • 57% Energy • 11% Liveness
70% Instrumentalness • 36% Positiveness
22% Popularity • 80% Danceability • 57% Energy • 11% Liveness
70% Instrumentalness • 36% Positiveness
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Function
Rhyl
121 bpm • G Maj • 08:47 • -11db
14% Popularity • 41% Danceability • 92% Energy • 35% Liveness
87% Instrumentalness • 21% Positiveness
14% Popularity • 41% Danceability • 92% Energy • 35% Liveness
87% Instrumentalness • 21% Positiveness
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Frank & Tony
Only By Moving - Original Mix
119 bpm • D Maj • 09:35 • -15.72db
11% Popularity • 87% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
11% Popularity • 87% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
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Biosphere
Ikata-1 - Mixed
121 bpm • G Maj • 03:21 • -11.44db
14% Popularity • 66% Danceability • 55% Energy • 18% Liveness
87% Instrumentalness • 48% Positiveness
14% Popularity • 66% Danceability • 55% Energy • 18% Liveness
87% Instrumentalness • 48% Positiveness
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Ploy
Move Yourself
121 bpm • B min • 06:25 • -9db
7% Popularity • 70% Danceability • 92% Energy • 12% Liveness
85% Instrumentalness • 26% Positiveness
7% Popularity • 70% Danceability • 92% Energy • 12% Liveness
85% Instrumentalness • 26% Positiveness
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Pearson Sound
Heal Me
121 bpm • F# min • 05:52 • -11.69db
26% Popularity • 79% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 79% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Sven Weisemann
Deep Direction
121 bpm • D Maj • 08:01 • -16db
23% Popularity • 76% Danceability • 44% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
23% Popularity • 76% Danceability • 44% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Legowelt
My Life in a Bush of Spaceweed
121 bpm • G Maj • 06:44 • -7.22db
10% Popularity • 75% Danceability • 86% Energy • 71% Liveness
84% Instrumentalness • 12% Positiveness
10% Popularity • 75% Danceability • 86% Energy • 71% Liveness
84% Instrumentalness • 12% Positiveness
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Linkwood
Love Lost
121 bpm • G Maj • 07:04 • -22.79db
30% Popularity • 60% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Traumprinz
I Love Ya - Mixed
121 bpm • C Maj • 05:13 • -13.1db
20% Popularity • 83% Danceability • 55% Energy • 13% Liveness
92% Instrumentalness • 66% Positiveness
20% Popularity • 83% Danceability • 55% Energy • 13% Liveness
92% Instrumentalness • 66% Positiveness
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Terekke
Piano
121 bpm • C min • 07:26 • -28.09db
17% Popularity • 67% Danceability • 9% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
17% Popularity • 67% Danceability • 9% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
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Basic Channel
Q1.1/Iii
121 bpm • E min • 06:25 • -11.74db
17% Popularity • 78% Danceability • 86% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
17% Popularity • 78% Danceability • 86% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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FIT Siegel
Carmine
121 bpm • A# Maj • 07:55 • -11.11db
14% Popularity • 64% Danceability • 64% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
14% Popularity • 64% Danceability • 64% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Farben
Silikon - Textstar Version
121 bpm • F# min • 06:46 • -15.24db
11% Popularity • 79% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
11% Popularity • 79% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 45% Positiveness
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Leon Vynehall
Be Brave, Clench Fists
122 bpm • C# Maj • 06:45 • -12.07db
13% Popularity • 65% Danceability • 83% Energy • 61% Liveness
88% Instrumentalness • 25% Positiveness
13% Popularity • 65% Danceability • 83% Energy • 61% Liveness
88% Instrumentalness • 25% Positiveness
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Loscil
Sickbay - Mixed
121 bpm • B Maj • 04:00 • -20.21db
12% Popularity • 64% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
12% Popularity • 64% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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STL
Heavy Snow
118 bpm • B min • 09:10 • -16.58db
20% Popularity • 87% Danceability • 43% Energy • 76% Liveness
90% Instrumentalness • 49% Positiveness
20% Popularity • 87% Danceability • 43% Energy • 76% Liveness
90% Instrumentalness • 49% Positiveness
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Fred P
On This Vibe - Mixed
122 bpm • D Maj • 04:04 • -13.42db
27% Popularity • 63% Danceability • 46% Energy • 19% Liveness
91% Instrumentalness • 5% Positiveness
27% Popularity • 63% Danceability • 46% Energy • 19% Liveness
91% Instrumentalness • 5% Positiveness
