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It's Me
Songs like
It's Me
by
Carmen Rodgers
Based on a tempo of (+/- 10%) and a similar genre
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Meshell Ndegeocello
Outside Your Door
137 bpm • B min • 05:08 • -14.02db
30% Popularity • 77% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Tony! Toni! Toné!
Holy Smokes & Gee Whiz
137 bpm • A# min • 05:01 • -10.14db
23% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Carmen Rodgers
It's Me
137 bpm • C# Maj • 06:16 • -8.12db
13% Popularity • 46% Danceability • 55% Energy • 38% Liveness
2% Instrumentalness • 28% Positiveness
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Bilal
When Will U Call
138 bpm • C# Maj • 04:45 • -8.46db
25% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nicole Wray
I'm Looking
138 bpm • A# min • 03:59 • -6.41db
24% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Lynne Fiddmont
Feels So Right
136 bpm • C# Maj • 03:40 • -9.85db
28% Popularity • 80% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Vikter Duplaix
For Life
136 bpm • A# min • 05:50 • -10.49db
8% Popularity • 76% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Corinne Bailey Rae
Green Aphrodisiac
136 bpm • C min • 05:51 • -7.58db
40% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jarrod Lawson
Love Isn't Always Enough
139 bpm • F# Maj • 05:23 • -8.69db
23% Popularity • 36% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Trina Broussard
Where I'm Supposed to Be
135 bpm • D Maj • 04:35 • -6.72db
33% Popularity • 69% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Carolyn Malachi
Blowing Smoke
135 bpm • A min • 03:49 • -8.17db
11% Popularity • 81% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Chantae Cann
Happy Song
135 bpm • C# Maj • 03:37 • -15.16db
25% Popularity • 71% Danceability • 48% Energy • 10% Liveness
35% Instrumentalness • 30% Positiveness
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Navasha Daya
Iwapele
135 bpm • D Maj • 05:06 • -7.57db
9% Popularity • 72% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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We Are KING
Oh, Please!
135 bpm • B Maj • 04:51 • -6.16db
16% Popularity • 62% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Darryl Reeves
Paradise
135 bpm • F min • 03:22 • -5db
12% Popularity • 62% Danceability • 53% Energy • 5% Liveness
55% Instrumentalness • 70% Positiveness
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N'Dambi
Take It Out
135 bpm • G Maj • 04:10 • -9.29db
11% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Turner
You Got Me
134 bpm • C Maj • 04:33 • -6.9db
18% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Larry Gold
Just a Dream
140 bpm • A Maj • 04:16 • -7.58db
18% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Frank Mccomb
Listen To Your Heart
140 bpm • A Maj • 05:12 • -7.12db
7% Popularity • 67% Danceability • 53% Energy • 14% Liveness
38% Instrumentalness • 18% Positiveness
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D.Folks
Favorite
134 bpm • G Maj • 02:41 • -9.32db
12% Popularity • 86% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Floetry
Hey You
134 bpm • F# min • 05:04 • -8.32db
35% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jarrod Lawson
Connected
140 bpm • A Maj • 04:35 • -8.66db
25% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jazzyfatnastees
Unconventional Ways
140 bpm • B min • 05:10 • -9.09db
36% Popularity • 66% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Jaguar Wright
2 Too Many
134 bpm • C# Maj • 04:47 • -8.34db
14% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Algebra
What Happened?
134 bpm • C min • 04:18 • -7.6db
21% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Chris "Suga" Liggio
Love Need Want
140 bpm • F# Maj • 05:05 • -10.56db
9% Popularity • 72% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Sweetback
Softly Softly
142 bpm • C min • 04:29 • -13db
30% Popularity • 59% Danceability • 40% Energy • 16% Liveness
6% Instrumentalness • 19% Positiveness
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Teena Marie
Baby I'm Your Fiend
141 bpm • D min • 04:56 • -5.68db
19% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Carmen Rodgers
Patience
142 bpm • F# Maj • 02:44 • -10.75db
1% Popularity • 33% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Foreign Exchange
If This Is Love
132 bpm • F# Maj • 04:30 • -10.28db
21% Popularity • 70% Danceability • 78% Energy • 11% Liveness
62% Instrumentalness • 51% Positiveness
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Xscape
In The Rain
142 bpm • A min • 05:14 • -8.37db
19% Popularity • 57% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Maxwell
Submerge: Til We Become the Sun - Remast...
132 bpm • G min • 06:25 • -13.59db
36% Popularity • 60% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 31% Positiveness
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Fertile Ground
More To Life
143 bpm • B min • 04:36 • -6.68db
11% Popularity • 65% Danceability • 66% Energy • 14% Liveness
4% Instrumentalness • 63% Positiveness
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Lynne Fiddmont
U R Loved
144 bpm • D Maj • 05:50 • -11.22db
12% Popularity • 47% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Carmen Rodgers
Fallen
132 bpm • D Maj • 04:56 • -9.4db
2% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Foreign Exchange
Valediction
132 bpm • C# Maj • 02:01 • -13.25db
40% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Choklate
Bigger Than You
144 bpm • A min • 04:04 • -8.5db
19% Popularity • 70% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Frank Mccomb
Never Letting Go
131 bpm • B min • 05:30 • -11.26db
19% Popularity • 56% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Jazzyfatnastees
Related To Me
130 bpm • E Maj • 03:22 • -8.28db
9% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Maxwell
...Til the Cops Come Knockin' - PT.01
130 bpm • G min • 06:53 • -13.9db
10% Popularity • 68% Danceability • 28% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Carmen Rodgers
Try Again
144 bpm • E Maj • 04:53 • -12.24db
2% Popularity • 60% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Carl Thomas
Supastar
130 bpm • E min • 03:51 • -9db
27% Popularity • 69% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Sy Smith
Camelot
130 bpm • A# min • 04:53 • -6.94db
17% Popularity • 62% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Kissing Electric
Set the Fire
130 bpm • E Maj • 02:57 • -5.51db
0% Popularity • 56% Danceability • 93% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Laurnea
Infatuation
130 bpm • C Maj • 04:41 • -10.85db
8% Popularity • 85% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Maxwell
...Til the Cops Come Knockin' - PT.02
130 bpm • G min • 05:42 • -13.88db
10% Popularity • 63% Danceability • 34% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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Marqueal Jordan
Dot Dot Dot (The Sequel)
130 bpm • G Maj • 04:09 • -9.83db
11% Popularity • 79% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Algebra
I Think I Love U
146 bpm • D Maj • 04:33 • -7.43db
11% Popularity • 55% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Erykah Badu
Next Lifetime - Linslee Remix
130 bpm • D# min • 05:52 • -10.83db
23% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Ashley DuBose
Pride
146 bpm • G min • 03:59 • -6.41db
12% Popularity • 62% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Zhané
Off My Mind
128 bpm • G min • 04:24 • -9.89db
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Gary Taylor
Love Dance
128 bpm • C# Maj • 04:50 • -14.41db
10% Popularity • 89% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Carmen Rodgers
Never Again (Salah Ananse Remix)
128 bpm • C# Maj • 05:13 • -11.34db
0% Popularity • 69% Danceability • 58% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Van Hunt
Who Will Love Me In Winter
147 bpm • G Maj • 04:15 • -6.39db
14% Popularity • 59% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Floetry
Hey You - Live At The House Of Blues, Ne...
127 bpm • C# Maj • 05:51 • -9.25db
18% Popularity • 40% Danceability • 52% Energy • 82% Liveness
0% Instrumentalness • 21% Positiveness
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Nate Smith
Come Back As A Flower
127 bpm • D# Maj • 03:48 • -7.02db
11% Popularity • 71% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Joonie
Slower
127 bpm • A min • 04:01 • -10.18db
7% Popularity • 70% Danceability • 41% Energy • 11% Liveness
37% Instrumentalness • 49% Positiveness
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Refugee Camp All-Stars presents Melky and Day
I Got A Love Jones For You
148 bpm • E min • 03:40 • -8.41db
17% Popularity • 72% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Carmen Rodgers
It's Me (Salah Ananse Remix)
128 bpm • C# Maj • 06:54 • -11.36db
0% Popularity • 69% Danceability • 56% Energy • 9% Liveness
78% Instrumentalness • 31% Positiveness
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Tarrey Torae
IN TIME
148 bpm • F Maj • 03:45 • -11.02db
23% Popularity • 76% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Jazzyfatnastees
Hear Me
148 bpm • F# Maj • 04:29 • -8.56db
31% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Floacist
This Love
150 bpm • D Maj • 03:27 • -11.23db
34% Popularity • 70% Danceability • 46% Energy • 12% Liveness
9% Instrumentalness • 62% Positiveness
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Tony! Toni! Toné!
Party Don't Cry
149 bpm • G# min • 05:05 • -9.85db
14% Popularity • 49% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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SWV
MCE (Man Crush Everyday)
150 bpm • C Maj • 03:55 • -6.85db
36% Popularity • 57% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Carmen Rodgers
Free
149 bpm • F Maj • 05:09 • -10.95db
5% Popularity • 49% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Algebra
Come Back
150 bpm • B min • 04:46 • -13.14db
15% Popularity • 66% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Carl Thomas
The Baby Maker
150 bpm • F# Maj • 05:03 • -6.43db
18% Popularity • 62% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Zhané
La, La, La
124 bpm • F# Maj • 05:28 • -6db
33% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Stokley
Lost
150 bpm • G Maj • 06:09 • -5.38db
11% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Pirahnahead
The Beauty of Life
124 bpm • D Maj • 05:55 • -6db
12% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Lynne Fiddmont
Tasting Sunshine
152 bpm • D# Maj • 03:02 • -7.54db
14% Popularity • 56% Danceability • 58% Energy • 48% Liveness
0% Instrumentalness • 73% Positiveness
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Maxwell
Eachhoureachsecondeachminuteeachday: Of ...
152 bpm • C# Maj • 05:50 • -10.93db
32% Popularity • 70% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Carmen Rodgers
Missin You
152 bpm • C Maj • 05:08 • -9.64db
3% Popularity • 43% Danceability • 45% Energy • 81% Liveness
0% Instrumentalness • 74% Positiveness
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Zhané
Confusion
124 bpm • A min • 04:12 • -9.36db
18% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jarrod Lawson
Needed
123 bpm • G# min • 06:15 • -7.71db
8% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Josiah Bell
Mood
153 bpm • C# min • 02:08 • -9.22db
29% Popularity • 60% Danceability • 62% Energy • 31% Liveness
7% Instrumentalness • 75% Positiveness
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Chrisette Michele
Mr. Radio
123 bpm • F# min • 03:53 • -7.41db
21% Popularity • 69% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Eric Roberson & F. Marsha Ambrosius
She Ought To Know
122 bpm • G min • 06:28 • -16.52db
11% Popularity • 74% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Carmen Rodgers
Camille Leon
122 bpm • A Maj • 03:43 • -7.25db
1% Popularity • 51% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Algebra
Tug of War
122 bpm • B min • 04:13 • -7.07db
9% Popularity • 80% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Impromp2
I'll Do Whatever
122 bpm • F min • 05:54 • -11db
13% Popularity • 70% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Joonie
For You
154 bpm • G# min • 03:47 • -10.87db
17% Popularity • 70% Danceability • 57% Energy • 15% Liveness
28% Instrumentalness • 83% Positiveness
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We Are KING
Love Song
155 bpm • G# Maj • 03:41 • -8.86db
20% Popularity • 57% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 34% Positiveness
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The Foreign Exchange
As Fast As You Can
120 bpm • G# min • 03:48 • -6.09db
10% Popularity • 75% Danceability • 73% Energy • 10% Liveness
11% Instrumentalness • 88% Positiveness
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Carmen Rodgers
What Hurts You (Bonus Track)
154 bpm • C Maj • 03:47 • -8.95db
0% Popularity • 46% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Algebra
Now & Then
121 bpm • C# Maj • 02:35 • -13.38db
18% Popularity • 48% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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October London
My Sweet Love
156 bpm • F Maj • 03:19 • -6.31db
34% Popularity • 38% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 20% Positiveness
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A.Nicole
Makin Love
120 bpm • B Maj • 03:41 • -5db
9% Popularity • 44% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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The Floacist
Alright Then
120 bpm • C# min • 04:33 • -11db
23% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Stokley
Cross The Line
120 bpm • G# min • 03:14 • -5.55db
15% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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We Are KING
Red Eye
158 bpm • C Maj • 04:38 • -8.47db
20% Popularity • 48% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Donnie
You Got A Friend
118 bpm • C# Maj • 05:30 • -8.55db
17% Popularity • 70% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Maysa
Just Stay
118 bpm • D Maj • 04:06 • -9.36db
16% Popularity • 66% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Mumu Fresh
I Got A Man
118 bpm • C min • 04:57 • -8.42db
13% Popularity • 49% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Michon Young
So Glad
160 bpm • C Maj • 04:19 • -7.22db
17% Popularity • 58% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Floetry
Imagination
117 bpm • E min • 06:34 • -11db
27% Popularity • 65% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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Bravo Young
Ooooh
168 bpm • C# Maj • 04:28 • -10.34db
8% Popularity • 39% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Adriana Evans
Distant Lady
166 bpm • E Maj • 04:58 • -6.07db
32% Popularity • 57% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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The Floacist
Children Of The Sun
168 bpm • D Maj • 03:55 • -10.81db
12% Popularity • 53% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Algebra
Happy After
168 bpm • G# Maj • 04:40 • -7db
11% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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It's Me