Songs like It's Not Your Fault by Maggie Lindemann
Based on a tempo of (+/- 10%) and a similar genre
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Lilyisthatyou
Party 22
152 bpm • E min • 01:49 • -4.99db
43% Popularity • 65% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 65% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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emma løv
Friends
152 bpm • C Maj • 02:50 • -6.73db
49% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Maggie Lindemann
It's Not Your Fault
152 bpm • F min • 03:18 • -2.94db
46% Popularity • 51% Danceability • 88% Energy • 37% Liveness
2% Instrumentalness • 48% Positiveness
46% Popularity • 51% Danceability • 88% Energy • 37% Liveness
2% Instrumentalness • 48% Positiveness
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RØRY
FAMILY TREE
153 bpm • C# Maj • 03:08 • -3.97db
45% Popularity • 45% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 45% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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PLVTINUM
COFFIN
153 bpm • F# Maj • 01:42 • -5.59db
60% Popularity • 75% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 75% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Zolita
Single In September
153 bpm • G Maj • 03:15 • -5.77db
43% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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The Haunt
More
150 bpm • A Maj • 03:10 • -3.49db
34% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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LØLØ
junkie
150 bpm • D Maj • 02:39 • -3.69db
36% Popularity • 55% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 55% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Maggie Lindemann
Knife Under My Pillow
150 bpm • C Maj • 02:02 • -4.26db
52% Popularity • 56% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 56% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Avril Lavigne
What the Hell
150 bpm • F# min • 03:40 • -3.69db
74% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
74% Popularity • 58% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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PLVTINUM
Tarantino
150 bpm • B Maj • 02:04 • -4.98db
55% Popularity • 81% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 81% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Hey Violet
O.D.D.
154 bpm • F# Maj • 03:42 • -6.47db
53% Popularity • 55% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 55% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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The Haunt
Wish You Stayed
150 bpm • F min • 03:12 • -7db
39% Popularity • 52% Danceability • 79% Energy • 5% Liveness
3% Instrumentalness • 44% Positiveness
39% Popularity • 52% Danceability • 79% Energy • 5% Liveness
3% Instrumentalness • 44% Positiveness
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Faouzia
Tears of Gold
150 bpm • F min • 02:56 • -5.7db
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Zolita
Fight Like A Girl
150 bpm • A# min • 03:40 • -5db
39% Popularity • 52% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 52% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Chandler Leighton
Fixer Upper
150 bpm • D min • 02:50 • -5.28db
48% Popularity • 60% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 60% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Olivia O'Brien
No More Friends
150 bpm • G min • 03:13 • -8db
45% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Chelsea Collins
07 Britney
154 bpm • E Maj • 03:02 • -1.47db
42% Popularity • 48% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 48% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Maggie Lindemann
Knocking on Your Heart
150 bpm • D min • 03:40 • -7.16db
39% Popularity • 47% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
39% Popularity • 47% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Against The Current
burn it down
155 bpm • G Maj • 03:16 • -4.38db
43% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 50% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kelsy Karter & The Heroines
Catch Me If You Can
155 bpm • A min • 03:08 • -5.2db
32% Popularity • 54% Danceability • 84% Energy • 33% Liveness
4% Instrumentalness • 74% Positiveness
32% Popularity • 54% Danceability • 84% Energy • 33% Liveness
4% Instrumentalness • 74% Positiveness
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TRAMP STAMPS
Sad! Hot! Girls!
155 bpm • F# Maj • 02:42 • -4.7db
30% Popularity • 67% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 67% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Taylor Acorn
Wishing You Hell
155 bpm • C# Maj • 03:14 • -4db
47% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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jxdn
WHAT THE HELL
155 bpm • F min • 02:52 • -5.14db
62% Popularity • 56% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 56% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Maggie Lindemann
phases
149 bpm • D Maj • 03:03 • -5.46db
43% Popularity • 61% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 61% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Against The Current
that won't save us
155 bpm • F# Maj • 03:20 • -5.9db
48% Popularity • 47% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 47% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lenii
The Kids Are All Rebels
148 bpm • D# min • 02:09 • -5.47db
50% Popularity • 41% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 41% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Cloudy June
Love the Way It Hurts
156 bpm • C Maj • 02:20 • -7.62db
44% Popularity • 68% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 68% Danceability • 62% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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emlyn
dot dot dot
156 bpm • G# min • 02:17 • -7.74db
42% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Maggie Lindemann
hear me out
156 bpm • F min • 02:50 • -5.6db
48% Popularity • 52% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Against The Current
"good guy"
156 bpm • G min • 03:28 • -12.5db
52% Popularity • 51% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 51% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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girli
Matriarchy
148 bpm • B Maj • 02:44 • -6.55db
50% Popularity • 61% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 61% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Melanie Martinez
Cake
157 bpm • G# Maj • 03:19 • -6.26db
75% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
75% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Honey Revenge
Are You Impressed?
147 bpm • C# Maj • 03:07 • -5.32db
44% Popularity • 47% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 47% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Sabrina Carpenter
Sue Me
157 bpm • F# Maj • 02:59 • -5.42db
67% Popularity • 46% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 46% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Maggie Lindemann
you hold my love
148 bpm • A min • 03:22 • -4.62db
49% Popularity • 30% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 30% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Sophie Powers
Bathroom Floor
158 bpm • C# min • 02:32 • -5.87db
44% Popularity • 61% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 61% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Acorn
Psycho
158 bpm • A Maj • 02:59 • -3.77db
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Melanie Martinez
Pacify Her
158 bpm • A min • 03:40 • -6.02db
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Kelsy Karter & The Heroines
Cover You
158 bpm • A Maj • 03:01 • -2.82db
41% Popularity • 66% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 66% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
78% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Maggie Lindemann
hear me out (Live from New York City)
156 bpm • F min • 03:21 • -5.32db
13% Popularity • 39% Danceability • 90% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 39% Danceability • 90% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
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Waterparks
FUCK ABOUT IT
158 bpm • A min • 02:52 • -3.77db
55% Popularity • 49% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 49% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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Zolita
Shut Up and Cry
146 bpm • B min • 03:15 • -3.79db
39% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Cassyette
Dear Goth
145 bpm • F min • 03:29 • -7db
49% Popularity • 59% Danceability • 72% Energy • 89% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 59% Danceability • 72% Energy • 89% Liveness
0% Instrumentalness • 33% Positiveness
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Kelsy Karter & The Heroines
Rest In Pieces
158 bpm • G Maj • 02:55 • -4.69db
46% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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margø
play pretend
146 bpm • A min • 02:26 • -6.95db
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Baby Jane
Drown Out the World
145 bpm • D Maj • 03:02 • -5.59db
34% Popularity • 43% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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DeathbyRomy
Problems
145 bpm • C Maj • 03:08 • -4.58db
46% Popularity • 76% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 76% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Maggie Lindemann
novocaine
145 bpm • C# Maj • 02:41 • -6.8db
42% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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emlyn
plot line
159 bpm • A# min • 03:37 • -3.93db
49% Popularity • 36% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 36% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Chase Atlantic
DEVILISH
145 bpm • A min • 02:52 • -5.53db
63% Popularity • 49% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 49% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Xana
My Therapist Told Me
160 bpm • G# Maj • 02:58 • -3.81db
42% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Gabbie Hanna
Honestly
160 bpm • C# min • 02:54 • -8db
45% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Emei
Backtrack
160 bpm • E min • 02:38 • -4.22db
54% Popularity • 60% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 60% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Maggie Lindemann
Different
145 bpm • G# min • 02:47 • -5.45db
43% Popularity • 53% Danceability • 80% Energy • 69% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 53% Danceability • 80% Energy • 69% Liveness
0% Instrumentalness • 43% Positiveness
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Cloudy June
Monsters in My Mind
160 bpm • D# min • 02:22 • -6.9db
48% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Chase Atlantic
Right Here
160 bpm • F# Maj • 03:55 • -6.41db
71% Popularity • 35% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 35% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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LØLØ
faceplant
160 bpm • G# Maj • 02:41 • -3.19db
52% Popularity • 50% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 50% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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YUNGBLUD
acting like that
160 bpm • C min • 03:11 • -2.63db
61% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Taylor Swift
...Ready For It?
160 bpm • D Maj • 03:28 • -6.51db
84% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
84% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Maggie Lindemann
Loner
160 bpm • G# min • 03:10 • -4.03db
46% Popularity • 69% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 69% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Loveless
Someone Else
160 bpm • G min • 02:56 • -4.9db
52% Popularity • 44% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 44% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Aryia
She Don't Like Boys
160 bpm • B Maj • 02:28 • -3.84db
49% Popularity • 50% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 50% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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bülow
Sweet Little Lies
160 bpm • C Maj • 02:55 • -3.79db
54% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Carlie Hanson
WYA
160 bpm • C# Maj • 03:11 • -4.38db
40% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Swift
Dancing With Our Hands Tied
160 bpm • C min • 03:31 • -6.69db
75% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
75% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Maggie Lindemann
cages
160 bpm • F Maj • 02:31 • -3.82db
40% Popularity • 58% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 58% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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DEZI
Chaos Mode
160 bpm • B min • 03:09 • -9db
48% Popularity • 52% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 52% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Siiickbrain
Destructible
160 bpm • C Maj • 02:51 • -6.4db
38% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lola Blanc
Angry Too
160 bpm • G# Maj • 03:24 • -5.22db
62% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Short
Masterpiece
160 bpm • E min • 02:15 • -6.66db
49% Popularity • 57% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
49% Popularity • 57% Danceability • 58% Energy • 19% Liveness
2% Instrumentalness • 23% Positiveness
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jxdn
drivers license
144 bpm • A# Maj • 03:57 • -4.7db
52% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Maggie Lindemann
girl next door
160 bpm • A min • 02:00 • -7.63db
40% Popularity • 53% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 53% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Nessa Barrett
grave
144 bpm • C Maj • 02:27 • -7.87db
51% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Anne-Marie
Bad Girlfriend
144 bpm • D Maj • 03:26 • -4.94db
55% Popularity • 75% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 75% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Alec Benjamin
Boy In The Bubble
144 bpm • B min • 03:01 • -7.58db
69% Popularity • 82% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
69% Popularity • 82% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Huddy
The Eulogy of You and Me
144 bpm • E Maj • 03:03 • -5db
46% Popularity • 51% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 51% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Arrows in Action
Uncomfortably Numb
161 bpm • F# min • 03:17 • -5db
56% Popularity • 56% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 56% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Maggie Lindemann
die for
160 bpm • E min • 03:27 • -4.26db
54% Popularity • 43% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
54% Popularity • 43% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
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Sarah Barrios
IH8EVERY1
161 bpm • G# Maj • 02:47 • -4db
34% Popularity • 59% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 59% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Pale Waves
She's My Religion
162 bpm • E Maj • 03:09 • -4db
47% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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RØRY
UNCOMPLICATED
162 bpm • E Maj • 02:29 • -3db
50% Popularity • 49% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 49% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Huddy
How It Ends
143 bpm • B Maj • 03:42 • -5db
37% Popularity • 43% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 43% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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Loveless
happier than ever
162 bpm • A Maj • 02:27 • -4.87db
59% Popularity • 22% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 22% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Maggie Lindemann
take me nowhere
144 bpm • B min • 02:54 • -6.24db
43% Popularity • 50% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 50% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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jxdn
Comatose
162 bpm • B min • 02:35 • -5.11db
53% Popularity • 36% Danceability • 85% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 36% Danceability • 85% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Hey Violet
Unholy
162 bpm • F min • 03:57 • -5.99db
49% Popularity • 51% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 51% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Acorn
Coma
162 bpm • A Maj • 03:28 • -3.63db
48% Popularity • 44% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 44% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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SNOW WIFE
AMERICAN HORROR SHOW
162 bpm • D Maj • 02:29 • -4.89db
66% Popularity • 63% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 63% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
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Nessa Barrett
i wanna die
142 bpm • A min • 02:46 • -8.6db
51% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Maggie Lindemann
take me nowhere (Live from New York City...
144 bpm • C# Maj • 03:21 • -3.18db
17% Popularity • 22% Danceability • 95% Energy • 97% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 22% Danceability • 95% Energy • 97% Liveness
0% Instrumentalness • 17% Positiveness
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jxdn
THINK ABOUT ME
142 bpm • C# min • 03:24 • -4.17db
50% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 56% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Arrows in Action
Put You Through Me
142 bpm • D Maj • 02:53 • -4.34db
50% Popularity • 60% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 60% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Acorn
Coma
162 bpm • A Maj • 03:28 • -3.95db
45% Popularity • 44% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 44% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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Hayley Kiyoko
Girls Like Girls
142 bpm • F# Maj • 03:49 • -5.24db
59% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
