Songs like It's Only Life, That's All by Willie Wright
Based on a tempo of (+/- 10%) and a similar genre
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Super Eagles
Love's a Real Thing
124 bpm • A Maj • 02:59 • -9db
31% Popularity • 67% Danceability • 58% Energy • 19% Liveness
60% Instrumentalness • 66% Positiveness
31% Popularity • 67% Danceability • 58% Energy • 19% Liveness
60% Instrumentalness • 66% Positiveness
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Nolan Porter
I Like What You Give
124 bpm • G Maj • 03:11 • -12.06db
30% Popularity • 84% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
30% Popularity • 84% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Ted Hawkins
Bring It Home Daddy
125 bpm • B Maj • 03:04 • -12.71db
38% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Little Shadows
Time For Peace
125 bpm • D Maj • 04:46 • -6.39db
22% Popularity • 77% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 77% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Hot Chocolate
We Had True Love
123 bpm • C Maj • 06:16 • -14db
23% Popularity • 70% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 70% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Willie Wright
Son, Don't Let Life Pass You By
125 bpm • C Maj • 04:31 • -14.34db
9% Popularity • 42% Danceability • 23% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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Ghetto Brothers
Girl from the Mountain
123 bpm • A# min • 04:24 • -8.6db
33% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Nolan Porter
If I Could Only Be Sure
123 bpm • F Maj • 03:21 • -11.83db
51% Popularity • 76% Danceability • 58% Energy • 8% Liveness
12% Instrumentalness • 80% Positiveness
51% Popularity • 76% Danceability • 58% Energy • 8% Liveness
12% Instrumentalness • 80% Positiveness
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Jay Robinson
You Are Mine
123 bpm • A Maj • 03:06 • -7.46db
42% Popularity • 70% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 70% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 34% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
30% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
30% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Dry Bread
Yamar
126 bpm • C# min • 03:57 • -10.24db
35% Popularity • 60% Danceability • 77% Energy • 34% Liveness
88% Instrumentalness • 80% Positiveness
35% Popularity • 60% Danceability • 77% Energy • 34% Liveness
88% Instrumentalness • 80% Positiveness
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Willie Wright
Lady Of The Year
122 bpm • F Maj • 04:37 • -11.92db
14% Popularity • 40% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
14% Popularity • 40% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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The Undisputed Truth
Ungena Za Ulimwengu (Unite The World)
126 bpm • C min • 08:51 • -15db
33% Popularity • 84% Danceability • 42% Energy • 7% Liveness
29% Instrumentalness • 82% Positiveness
33% Popularity • 84% Danceability • 42% Energy • 7% Liveness
29% Instrumentalness • 82% Positiveness
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Cotton Jones
I Am The Changer
122 bpm • C Maj • 06:34 • -10.03db
51% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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WITCH
That's What I Want
122 bpm • D Maj • 03:01 • -8.2db
27% Popularity • 82% Danceability • 68% Energy • 13% Liveness
48% Instrumentalness • 66% Positiveness
27% Popularity • 82% Danceability • 68% Energy • 13% Liveness
48% Instrumentalness • 66% Positiveness
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Wings
Love Is Strange - Remastered 2018
122 bpm • E Maj • 04:50 • -9.92db
41% Popularity • 82% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 82% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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The James Hunter Six
It Was Gonna Be You
122 bpm • A min • 02:16 • -10.75db
29% Popularity • 75% Danceability • 40% Energy • 27% Liveness
1% Instrumentalness • 78% Positiveness
29% Popularity • 75% Danceability • 40% Energy • 27% Liveness
1% Instrumentalness • 78% Positiveness
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Dr. John
Such a Night
121 bpm • F Maj • 02:57 • -16.94db
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Amanaz
I Am Very Far
127 bpm • G# Maj • 03:21 • -9.64db
32% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Fabulous Three
White Sands Pt 1
121 bpm • F min • 02:01 • -8db
46% Popularity • 67% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
46% Popularity • 67% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Mother Funk
Sunshine
127 bpm • G Maj • 03:53 • -11db
41% Popularity • 52% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
41% Popularity • 52% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Buddy Miles
Down By The River
127 bpm • D Maj • 06:20 • -12.35db
42% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Moussa Doumbia
Keleya
121 bpm • B min • 06:42 • -9.66db
31% Popularity • 79% Danceability • 63% Energy • 35% Liveness
7% Instrumentalness • 45% Positiveness
31% Popularity • 79% Danceability • 63% Energy • 35% Liveness
7% Instrumentalness • 45% Positiveness
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Willie Wright
This Is Not a Dream
128 bpm • G Maj • 06:23 • -9.98db
12% Popularity • 86% Danceability • 53% Energy • 15% Liveness
69% Instrumentalness • 89% Positiveness
12% Popularity • 86% Danceability • 53% Energy • 15% Liveness
69% Instrumentalness • 89% Positiveness
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Amanaz
Africa
120 bpm • C# Maj • 04:27 • -13db
31% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Booker T. & the M.G.'s
Soul Dressing
120 bpm • F Maj • 02:28 • -14.09db
42% Popularity • 74% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
42% Popularity • 74% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
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Tony Allen
Secret Agent (2022 - Remaster)
120 bpm • A# Maj • 05:18 • -9.48db
35% Popularity • 72% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 95% Positiveness
35% Popularity • 72% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 95% Positiveness
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Cotton Jones
Chewing Gum (Concrete Tooth Mix)
120 bpm • E min • 03:13 • -10db
41% Popularity • 64% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 64% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Edge Of Daybreak
Eyes of Love
120 bpm • A min • 04:13 • -10.63db
31% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Wright
Indian Reservation
128 bpm • C# min • 05:13 • -8.88db
17% Popularity • 66% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 66% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The James Hunter Six
Whatever It Takes
120 bpm • A Maj • 02:53 • -10db
53% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Dr. John
Mama Roux
128 bpm • F Maj • 03:00 • -15.2db
41% Popularity • 84% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 84% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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O.V. Wright
Into Something (Can't Shake Loose)
120 bpm • F min • 04:24 • -5.76db
21% Popularity • 64% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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The Equatics
What They Doin?
119 bpm • E min • 03:26 • -8.52db
27% Popularity • 58% Danceability • 70% Energy • 29% Liveness
65% Instrumentalness • 28% Positiveness
27% Popularity • 58% Danceability • 70% Energy • 29% Liveness
65% Instrumentalness • 28% Positiveness
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Ann Peebles
Slipped, Tripped and Fell in Love
119 bpm • A min • 02:28 • -7.12db
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Wright
You Can Sing Along
120 bpm • A Maj • 03:34 • -11.03db
3% Popularity • 73% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 73% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Lil' Bob & the Lollipops
Nobody but You
119 bpm • D min • 02:43 • -10.59db
37% Popularity • 84% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 84% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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William Onyeabor
Heaven and Hell
130 bpm • F min • 04:03 • -4db
30% Popularity • 65% Danceability • 90% Energy • 17% Liveness
25% Instrumentalness • 76% Positiveness
30% Popularity • 65% Danceability • 90% Energy • 17% Liveness
25% Instrumentalness • 76% Positiveness
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Michael Nau
Rides Through The Morning
118 bpm • F# Maj • 04:14 • -9db
44% Popularity • 45% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 51% Positiveness
44% Popularity • 45% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 51% Positiveness
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Joe Bataan
Gypsy Woman - Demo Version
118 bpm • C# Maj • 04:06 • -7.73db
45% Popularity • 61% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 61% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Olu Dara
Your Lips
118 bpm • D Maj • 04:00 • -11.53db
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Willie Wright
Gibble Gobble
119 bpm • F Maj • 03:02 • -8.51db
11% Popularity • 48% Danceability • 77% Energy • 46% Liveness
70% Instrumentalness • 69% Positiveness
11% Popularity • 48% Danceability • 77% Energy • 46% Liveness
70% Instrumentalness • 69% Positiveness
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The Equatics
Where Is Love?
130 bpm • C Maj • 04:36 • -9.59db
39% Popularity • 42% Danceability • 53% Energy • 60% Liveness
47% Instrumentalness • 38% Positiveness
39% Popularity • 42% Danceability • 53% Energy • 60% Liveness
47% Instrumentalness • 38% Positiveness
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The James Hunter Six
I Don't Wanna Be Without You
118 bpm • A min • 03:25 • -9db
57% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Odetta
Movin' It On
118 bpm • C Maj • 02:28 • -9.94db
31% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Darondo
How I Got Over
118 bpm • G min • 03:42 • -9.44db
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
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Dr. Buzzard's Original Savannah Band
Sunshower
118 bpm • G# min • 04:05 • -19.71db
41% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Willie Wright
In The Beauty Of The Night
129 bpm • E Maj • 04:37 • -12.08db
21% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Volta Jazz
Bi Kameleou
131 bpm • A# Maj • 04:00 • -6db
28% Popularity • 75% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 75% Danceability • 87% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Tim Maia
Brother Father Mother Sister
117 bpm • B min • 03:19 • -8.93db
31% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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William Onyeabor
Atomic Bomb
117 bpm • C# Maj • 07:59 • -8.74db
38% Popularity • 76% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 76% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Saun & Starr
Blah Blah Blah Blah Blah Blah Blah
117 bpm • D# Maj • 04:29 • -7.48db
28% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Ghetto Brothers
Got This Happy Feeling
132 bpm • F min • 04:35 • -6.52db
18% Popularity • 54% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 54% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Willie Wright
Dressing For The Occasion
131 bpm • D Maj • 04:59 • -13.53db
7% Popularity • 46% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 46% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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The Equatics
Merry Go Round
132 bpm • C min • 02:43 • -10.62db
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Nau
I Root
117 bpm • D# Maj • 02:18 • -10db
52% Popularity • 64% Danceability • 51% Energy • 10% Liveness
18% Instrumentalness • 52% Positiveness
52% Popularity • 64% Danceability • 51% Energy • 10% Liveness
18% Instrumentalness • 52% Positiveness
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Richie Havens
Strawberry Fields Forever
132 bpm • F# min • 07:20 • -10.16db
29% Popularity • 47% Danceability • 52% Energy • 68% Liveness
6% Instrumentalness • 34% Positiveness
29% Popularity • 47% Danceability • 52% Energy • 68% Liveness
6% Instrumentalness • 34% Positiveness
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Toots & The Maytals
Sailing On
116 bpm • D Maj • 03:34 • -12db
36% Popularity • 82% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 82% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Robert Lester Folsom
My Stove's on Fire
116 bpm • D Maj • 02:48 • -9db
39% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 64% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Bobbie Gentry
Okolona River Bottom Band
116 bpm • D Maj • 03:04 • -11db
29% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Hot Chocolate
Sexy Moods of Your Mind
133 bpm • C# min • 05:30 • -15.28db
14% Popularity • 65% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 50% Positiveness
14% Popularity • 65% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 50% Positiveness
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Boco
Running The Mardi Gras
116 bpm • B min • 03:23 • -7db
36% Popularity • 67% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
36% Popularity • 67% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Shirley Ann Lee
There's A Light
133 bpm • C min • 01:57 • -7.77db
50% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Karen Dalton
How Sweet It Is
133 bpm • A# Maj • 03:43 • -6db
11% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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The Sha La Das
Open My Eyes
133 bpm • D Maj • 03:45 • -8db
32% Popularity • 47% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 47% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Allen Toussaint
Everything I Do Gonna Be Funky
133 bpm • C Maj • 03:09 • -13.35db
29% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Rogér Fakhr
Had to Come Back Wet
115 bpm • F Maj • 03:16 • -7.54db
50% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Amanaz
Sunday Morning
133 bpm • F# Maj • 04:59 • -16db
49% Popularity • 63% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 46% Positiveness
49% Popularity • 63% Danceability • 27% Energy • 10% Liveness
75% Instrumentalness • 46% Positiveness
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Junior Kimbrough
Meet Me in the City
134 bpm • D Maj • 02:31 • -7.88db
46% Popularity • 57% Danceability • 64% Energy • 13% Liveness
47% Instrumentalness • 33% Positiveness
46% Popularity • 57% Danceability • 64% Energy • 13% Liveness
47% Instrumentalness • 33% Positiveness
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The James Hunter Six
He's Your Could've Been
115 bpm • D min • 02:39 • -9.87db
44% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Apostles
Don't Huzzle for Love
115 bpm • C Maj • 03:31 • -8.24db
32% Popularity • 61% Danceability • 87% Energy • 24% Liveness
6% Instrumentalness • 91% Positiveness
32% Popularity • 61% Danceability • 87% Energy • 24% Liveness
6% Instrumentalness • 91% Positiveness
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T. P. Orchestre Poly-Rythmo
It's A Vanity
134 bpm • F# Maj • 04:22 • -5.61db
34% Popularity • 76% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
34% Popularity • 76% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 93% Positiveness
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Annette Peacock
Pony
134 bpm • C Maj • 06:17 • -11db
32% Popularity • 68% Danceability • 43% Energy • 9% Liveness
18% Instrumentalness • 63% Positiveness
32% Popularity • 68% Danceability • 43% Energy • 9% Liveness
18% Instrumentalness • 63% Positiveness
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Carrie Cleveland
Love Will Set You Free
114 bpm • F min • 05:48 • -8.35db
34% Popularity • 81% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 81% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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William Onyeabor
Fantastic Man
114 bpm • B min • 06:26 • -11db
46% Popularity • 70% Danceability • 75% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
46% Popularity • 70% Danceability • 75% Energy • 6% Liveness
71% Instrumentalness • 96% Positiveness
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Syl Johnson
Soul Heaven
135 bpm • G# min • 02:35 • -9.22db
56% Popularity • 72% Danceability • 58% Energy • 28% Liveness
81% Instrumentalness • 96% Positiveness
56% Popularity • 72% Danceability • 58% Energy • 28% Liveness
81% Instrumentalness • 96% Positiveness
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Rob Galbraith
Tell Me With Your Eyes (Just Be You)
114 bpm • B min • 03:47 • -9db
35% Popularity • 54% Danceability • 58% Energy • 14% Liveness
39% Instrumentalness • 36% Positiveness
35% Popularity • 54% Danceability • 58% Energy • 14% Liveness
39% Instrumentalness • 36% Positiveness
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Andre Gibson
Thankful For You
135 bpm • A Maj • 03:10 • -7.9db
35% Popularity • 84% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 84% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Willie Wright
Africa
114 bpm • D Maj • 04:22 • -11.26db
10% Popularity • 45% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 45% Danceability • 40% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Karen Dalton
In My Own Dream
114 bpm • G Maj • 04:18 • -9.02db
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
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Michael Hurley
I Paint a Design
114 bpm • A# Maj • 05:49 • -8db
36% Popularity • 83% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 83% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jr Thomas & The Volcanos
Burning Fire
114 bpm • E min • 04:42 • -6.94db
34% Popularity • 78% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 78% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Syl Johnson
Is It Because I'm Black
135 bpm • G# min • 07:34 • -8.94db
41% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 75% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Tony Joe White
Tony Joe White - What Does It Take (To W...
114 bpm • E Maj • 03:43 • -10.75db
27% Popularity • 72% Danceability • 56% Energy • 15% Liveness
16% Instrumentalness • 70% Positiveness
27% Popularity • 72% Danceability • 56% Energy • 15% Liveness
16% Instrumentalness • 70% Positiveness
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Willie Wright
Go Down Captain
135 bpm • G min • 03:02 • -16.56db
1% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ellen McIlwaine
Toe Hold - Live At The Bitter End, New Y...
135 bpm • D min • 04:32 • -8.8db
19% Popularity • 61% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 61% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
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Universal Togetherness Band
Ain't Gonna Cry
135 bpm • A min • 05:30 • -9.14db
33% Popularity • 61% Danceability • 84% Energy • 10% Liveness
10% Instrumentalness • 91% Positiveness
33% Popularity • 61% Danceability • 84% Energy • 10% Liveness
10% Instrumentalness • 91% Positiveness
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Vetiver
Strictly Rule
113 bpm • A Maj • 04:28 • -8.76db
34% Popularity • 71% Danceability • 48% Energy • 26% Liveness
56% Instrumentalness • 57% Positiveness
34% Popularity • 71% Danceability • 48% Energy • 26% Liveness
56% Instrumentalness • 57% Positiveness
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Dr. John
Big Chief
113 bpm • G# Maj • 03:26 • -16db
34% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
34% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Little Beaver
Get into the Party Life
136 bpm • G min • 04:08 • -15db
40% Popularity • 78% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 78% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Wright
Go Tell Aunt Rhodie
135 bpm • E Maj • 02:12 • -13.16db
0% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Gábor Szabó
Gypsy Queen
136 bpm • A Maj • 05:13 • -12.27db
41% Popularity • 49% Danceability • 64% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
41% Popularity • 49% Danceability • 64% Energy • 8% Liveness
87% Instrumentalness • 86% Positiveness
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Jonathan Richman
I Love Hot Nights
112 bpm • F Maj • 02:57 • -11.7db
40% Popularity • 71% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 71% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Al Kooper
Lookin' for a Home
137 bpm • A# Maj • 05:52 • -15.73db
35% Popularity • 46% Danceability • 28% Energy • 6% Liveness
6% Instrumentalness • 64% Positiveness
35% Popularity • 46% Danceability • 28% Energy • 6% Liveness
6% Instrumentalness • 64% Positiveness
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Fat Night
Sun Go Down
112 bpm • D Maj • 03:42 • -7.11db
49% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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The Isley Brothers
Ohio / Machine Gun
138 bpm • E min • 09:16 • -9.81db
34% Popularity • 52% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 52% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Willie Wright
Take This Hammer To The Captain
113 bpm • C# Maj • 03:30 • -19.78db
1% Popularity • 43% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
1% Popularity • 43% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Fred Williams
Tell Her
112 bpm • F min • 02:25 • -10db
49% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
