Songs like It's Only You by Felix Linden
Based on a tempo of (+/- 10%) and a similar genre
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Stevie Wonder
Where Is Our Love Song
90 bpm • C# Maj • 03:37 • -7.29db
32% Popularity • 65% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 65% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Sway Row
Rivers Drown
90 bpm • F# Maj • 04:06 • -12.69db
15% Popularity • 79% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
15% Popularity • 79% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
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Amp Fiddler
Eye to Eye
90 bpm • C min • 03:55 • -8db
18% Popularity • 73% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 73% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Shaun Munday
Losing My Cool
90 bpm • G min • 03:54 • -7.84db
11% Popularity • 85% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 85% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Prince
The Greatest Romance Ever Sold
90 bpm • G# Maj • 05:33 • -6.86db
30% Popularity • 84% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 84% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Herb Tha 4th
Love Language
90 bpm • C# min • 03:25 • -11.86db
23% Popularity • 79% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 79% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Felix Linden
It's Only You
90 bpm • A min • 03:46 • -10.8db
0% Popularity • 76% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 76% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Britt
Let's Get Down Tonight - Vocal Version
90 bpm • G min • 04:45 • -9.95db
13% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Phoenix Juggernaut
All I Know Is Know Nothing
90 bpm • A min • 03:56 • -8.09db
14% Popularity • 68% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 68% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Java Jive
I Could Never Hate My Mother
90 bpm • C Maj • 04:52 • -14.27db
17% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Michon Young
Bounce Back
90 bpm • F# Maj • 03:54 • -8.45db
15% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Stereotyp
Keepin Me
90 bpm • C Maj • 04:45 • -12.76db
12% Popularity • 62% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 62% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Horace Brown
I Want You Baby
90 bpm • A min • 04:31 • -9.63db
17% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Bernard Beckwith
One Day in Heaven
90 bpm • D Maj • 07:41 • -6.63db
14% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Christophe Maé
No Woman No Cry / Redemption Song / Coul...
90 bpm • F Maj • 03:05 • -8.72db
16% Popularity • 76% Danceability • 78% Energy • 70% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 76% Danceability • 78% Energy • 70% Liveness
1% Instrumentalness • 72% Positiveness
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Renee Geyer
Play Me
90 bpm • D Maj • 04:12 • -7db
9% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Peter White
Piece Of The City
89 bpm • G min • 04:43 • -16.51db
9% Popularity • 63% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 91% Positiveness
9% Popularity • 63% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 91% Positiveness
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Simply Red
Come Get Me Angel
91 bpm • G Maj • 04:01 • -6.86db
22% Popularity • 79% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 79% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Prince
Underneath the Cream
89 bpm • C min • 03:59 • -11.77db
17% Popularity • 80% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
17% Popularity • 80% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
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Angie Stone
Life Goes On
91 bpm • A Maj • 03:57 • -8db
28% Popularity • 77% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 77% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Gap Band
Yearning For Your Love
91 bpm • D Maj • 05:40 • -10.31db
57% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Maysa
Zoom
89 bpm • G# Maj • 05:28 • -6.31db
18% Popularity • 66% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Michael McDonald
Mercy Mercy Me
91 bpm • C# Maj • 03:31 • -7.4db
40% Popularity • 71% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 71% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Keziah Jones
Falling
89 bpm • G min • 04:03 • -14.76db
15% Popularity • 72% Danceability • 43% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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Marc Dorsey
People Make The World Go Round - Crookly...
91 bpm • G# Maj • 05:06 • -9.28db
20% Popularity • 62% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 62% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Kojo Antwi
I'm Coming Home
91 bpm • D# Maj • 03:59 • -9.77db
23% Popularity • 61% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 61% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Lucy Pearl
Without You
89 bpm • G min • 03:57 • -5db
50% Popularity • 74% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 74% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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Full Flava
Nature Boy
91 bpm • F# Maj • 04:09 • -7.83db
17% Popularity • 65% Danceability • 81% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
17% Popularity • 65% Danceability • 81% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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Dee Robinson
Step to Me
91 bpm • G min • 04:24 • -5.5db
10% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Kekoa
Wahiawa Rain
92 bpm • F Maj • 03:18 • -10db
4% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Steely Dan
Jack of Speed
92 bpm • F# min • 06:17 • -9.04db
43% Popularity • 90% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 69% Positiveness
43% Popularity • 90% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 69% Positiveness
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Felix Linden
Scotty Beam Me Up
88 bpm • F# min • 03:44 • -7.99db
0% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Al Jarreau
Random Act Of Love
88 bpm • C# Maj • 04:43 • -7.98db
26% Popularity • 90% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 90% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dakota Moon
Your Smiling Face
92 bpm • C# Maj • 03:07 • -7.68db
13% Popularity • 80% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 80% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Sa-ra Creative Partners
The Bone Song
92 bpm • C# Maj • 03:47 • -7db
13% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Ty Causey
Life On Track
92 bpm • A# min • 04:00 • -11.82db
16% Popularity • 80% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 80% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Zonke
I Know A Place
88 bpm • D min • 04:20 • -7.85db
19% Popularity • 72% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 72% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Felix Linden
Emotional Guy
88 bpm • F# Maj • 03:57 • -11.94db
0% Popularity • 66% Danceability • 47% Energy • 50% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 66% Danceability • 47% Energy • 50% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby McFerrin
My Better Half
92 bpm • F Maj • 04:43 • -12.06db
12% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Angelique Kidjo
Voodoo Child (Slight Return)
88 bpm • G# min • 03:49 • -7.52db
27% Popularity • 74% Danceability • 63% Energy • 17% Liveness
8% Instrumentalness • 39% Positiveness
27% Popularity • 74% Danceability • 63% Energy • 17% Liveness
8% Instrumentalness • 39% Positiveness
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UB40
Many Rivers To Cross
88 bpm • C# Maj • 04:33 • -12.83db
49% Popularity • 59% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 54% Positiveness
49% Popularity • 59% Danceability • 56% Energy • 7% Liveness
13% Instrumentalness • 54% Positiveness
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Kool & The Gang
Jones vs Jones
88 bpm • G Maj • 04:44 • -4.78db
14% Popularity • 71% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 71% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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PJ Morton
How Deep Is Your Love
88 bpm • G# min • 03:17 • -7.72db
60% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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George Benson
Givin' It Up For Love
88 bpm • G Maj • 03:56 • -8.55db
23% Popularity • 82% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 82% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Nesian N.I.N.E.
Givin It All To You
88 bpm • F Maj • 03:47 • -7.65db
17% Popularity • 81% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 81% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Buckshot LeFonque
Mona Lisas (And Mad Hatters)
92 bpm • F# min • 04:47 • -12.81db
14% Popularity • 70% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 70% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
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Barry White
Which Way is Up
88 bpm • F min • 05:42 • -12.39db
37% Popularity • 81% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
37% Popularity • 81% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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E Mac
Greater
88 bpm • F min • 03:57 • -9.44db
18% Popularity • 54% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 54% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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U2
In A Little While - Nightmares On Wax Re...
92 bpm • B min • 05:15 • -11.12db
13% Popularity • 74% Danceability • 50% Energy • 5% Liveness
6% Instrumentalness • 79% Positiveness
13% Popularity • 74% Danceability • 50% Energy • 5% Liveness
6% Instrumentalness • 79% Positiveness
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Johnny "Guitar" Watson
The Real Deal
92 bpm • D# min • 04:56 • -8.46db
25% Popularity • 76% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 76% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Cunnie Williams
Call Me
93 bpm • C Maj • 04:29 • -6.29db
11% Popularity • 80% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 80% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Mccomb
I Gotta Pinch Myself - I Must Be Dreamin...
93 bpm • G Maj • 04:18 • -6.94db
24% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Bishop Paul S. Morton, Sr.
Things Are Changing
87 bpm • F Maj • 03:42 • -5.95db
18% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Jonathan Butler
If I Ever Lose This Heaven
88 bpm • F Maj • 04:28 • -8.45db
26% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Reel People
Keep It Up
93 bpm • G Maj • 04:11 • -9.1db
13% Popularity • 69% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 69% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Kem
The Best Is Yet To Come!
93 bpm • C# min • 04:11 • -7.97db
28% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Cole Williams
A Better Woman
93 bpm • C Maj • 03:03 • -12.26db
14% Popularity • 64% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Snoop Dogg
Perfect
93 bpm • A# min • 05:50 • -4.58db
37% Popularity • 81% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 81% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Steve Winwood
Lord Of The Street
93 bpm • A min • 06:26 • -6.26db
12% Popularity • 55% Danceability • 74% Energy • 7% Liveness
3% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 74% Energy • 7% Liveness
3% Instrumentalness • 68% Positiveness
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Canton Jones
I Believe In Love
93 bpm • G# min • 04:04 • -5.76db
8% Popularity • 57% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 57% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Bill Wurtz
When I Get Older
93 bpm • A# min • 03:15 • -13.65db
24% Popularity • 75% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 84% Positiveness
24% Popularity • 75% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 84% Positiveness
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Felix Linden
A Hand Upon Me
87 bpm • F Maj • 03:44 • -10.4db
0% Popularity • 49% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 49% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Shonn Hinton
I'm Gooche
87 bpm • C# Maj • 03:57 • -13.74db
24% Popularity • 72% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 72% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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The Isley Brothers
Summer Breeze - ONDA Featuring Esthero
87 bpm • A min • 05:21 • -7.26db
12% Popularity • 71% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 71% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Culbertson
Get'n over You
87 bpm • D min • 03:30 • -9.86db
19% Popularity • 66% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 66% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Amp Fiddler
If You Can't Get Me Off Your Mind
87 bpm • C# Maj • 04:31 • -5.94db
11% Popularity • 71% Danceability • 53% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 71% Danceability • 53% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
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Brenda Russell
Too Cool For The Room
87 bpm • B min • 04:07 • -7.74db
28% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Felix Linden
That Girl Ain't No Lady, She's Just the ...
93 bpm • A min • 03:35 • -12.33db
0% Popularity • 54% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 54% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Incognito
Still A Friend Of Mine
87 bpm • A Maj • 05:37 • -14.13db
46% Popularity • 65% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
46% Popularity • 65% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
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The Groove Association
Nothing Like It
87 bpm • C# Maj • 04:53 • -6.51db
12% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Smokey Robinson
How You Make Me Feel
94 bpm • D Maj • 04:28 • -9.33db
21% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Ché-Fu
Random
94 bpm • F min • 03:37 • -7.89db
21% Popularity • 78% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 78% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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7 Samurai
Jah Music
94 bpm • G# Maj • 04:51 • -9.83db
12% Popularity • 81% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 81% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Stevie Wonder
Tell Your Heart I Love You
94 bpm • F min • 04:30 • -6.88db
21% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lewis Taylor
Stoned, Pt. 2
94 bpm • C# Maj • 04:13 • -6.77db
9% Popularity • 78% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 78% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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City High
A Song For You
94 bpm • C# min • 04:36 • -9.73db
14% Popularity • 73% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 73% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Felix Linden
Too Busy Chasing a Dream
94 bpm • D# min • 04:18 • -11.43db
0% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Floacist
Keep It Going
94 bpm • F# Maj • 04:04 • -9db
22% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Diamond Cafe
How Cruel Could It Be?
94 bpm • C Maj • 02:27 • -10.88db
12% Popularity • 69% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 69% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Odild Grimshaw
Evolution
94 bpm • C# Maj • 01:01 • -18.45db
15% Popularity • 75% Danceability • 7% Energy • 8% Liveness
14% Instrumentalness • 38% Positiveness
15% Popularity • 75% Danceability • 7% Energy • 8% Liveness
14% Instrumentalness • 38% Positiveness
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Billy Ocean
Feel the Love
86 bpm • A# min • 04:40 • -5.84db
12% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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K'Jon
Without a Woman
86 bpm • A min • 03:50 • -9.7db
15% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Will Downing
Fantasy (Spending Time With You)
86 bpm • D Maj • 05:01 • -7db
26% Popularity • 67% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
26% Popularity • 67% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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MastaPlann
The Way of the Plann
86 bpm • C# Maj • 06:16 • -11.8db
26% Popularity • 70% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 70% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Lisa Arce
Philosophy
86 bpm • D Maj • 03:09 • -8.99db
17% Popularity • 58% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 58% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Renee Wilhelmina
I Dont Understand
94 bpm • C min • 05:02 • -12.01db
22% Popularity • 81% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 81% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ms. Lauryn Hill
Every Ghetto, Every City
94 bpm • G min • 03:06 • -7.34db
32% Popularity • 57% Danceability • 84% Energy • 90% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 57% Danceability • 84% Energy • 90% Liveness
0% Instrumentalness • 43% Positiveness
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Pierre Terrasse
Take This Heart of Mine
94 bpm • C Maj • 04:41 • -8.51db
11% Popularity • 65% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 65% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Ce Ce Rayne
Come Inside
85 bpm • F# min • 02:55 • -7db
12% Popularity • 46% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 46% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Winwood
Let Your Love Come Down
95 bpm • A# Maj • 05:47 • -5.51db
13% Popularity • 73% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
13% Popularity • 73% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Stevie Wonder
Tomorrow Robins Will Sing
95 bpm • C Maj • 04:45 • -10.62db
26% Popularity • 75% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 75% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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CeCe Winans
Just Like You Jesus
95 bpm • D# Maj • 04:45 • -8db
28% Popularity • 70% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 70% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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LL COOL J
U Should
95 bpm • A min • 04:20 • -6.29db
17% Popularity • 74% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 74% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Jordy Waelauruw
With You
95 bpm • A Maj • 05:13 • -8.97db
15% Popularity • 76% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 76% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mz Connie
Stir It Like Coffee
95 bpm • G# Maj • 04:46 • -6.02db
10% Popularity • 78% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 78% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Matt Hirt
We Move Forward
95 bpm • G Maj • 03:11 • -6.77db
1% Popularity • 92% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
1% Popularity • 92% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Pokey Bear
Lost My Concentration
95 bpm • C Maj • 03:30 • -9.37db
9% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Alterego Vibe
A Place Called Home
95 bpm • C Maj • 03:52 • -8.63db
17% Popularity • 73% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
17% Popularity • 73% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
