Songs like I've Broken a String by Beng Beng Cocktail
Based on a tempo of (+/- 10%) and a similar genre
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Obnoxious Deadbeat
The Way I Am
120 bpm • A# min • 03:40 • -2.75db
6% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Beng Beng Cocktail
After All - Feat Mentenguerra
120 bpm • C Maj • 02:56 • -11.71db
2% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
2% Popularity • 79% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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The Flatliners
Bad News
120 bpm • G Maj • 03:53 • -1.61db
4% Popularity • 61% Danceability • 98% Energy • 39% Liveness
44% Instrumentalness • 54% Positiveness
4% Popularity • 61% Danceability • 98% Energy • 39% Liveness
44% Instrumentalness • 54% Positiveness
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the Stupid Stupid Henchmen
This Misery
120 bpm • E Maj • 01:39 • -7.95db
12% Popularity • 48% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 48% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Infested
Keep Droppin'
120 bpm • G Maj • 02:57 • 0.58db
24% Popularity • 66% Danceability • 99% Energy • 49% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 66% Danceability • 99% Energy • 49% Liveness
0% Instrumentalness • 19% Positiveness
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Menagramo
Everything Is Still Super Horrible
120 bpm • G# min • 02:38 • -4.51db
8% Popularity • 38% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 38% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Old Sparky
Long gone
120 bpm • A min • 03:26 • -4.5db
8% Popularity • 44% Danceability • 97% Energy • 5% Liveness
14% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 97% Energy • 5% Liveness
14% Instrumentalness • 21% Positiveness
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Beng Beng Cocktail
I've Broken a String
120 bpm • F Maj • 02:45 • -4.34db
6% Popularity • 62% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 88% Positiveness
6% Popularity • 62% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 88% Positiveness
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Leftöver Crack
Life Causes Cancer
120 bpm • E Maj • 02:41 • -5.85db
13% Popularity • 34% Danceability • 99% Energy • 20% Liveness
34% Instrumentalness • 30% Positiveness
13% Popularity • 34% Danceability • 99% Energy • 20% Liveness
34% Instrumentalness • 30% Positiveness
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Lost Perros
Drunk and Pissed
120 bpm • A# Maj • 01:40 • -2.93db
12% Popularity • 63% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 63% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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The Sucuk's
Hipshot
120 bpm • E Maj • 03:29 • -10.21db
21% Popularity • 62% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 62% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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No Cops For Miles
Stresser Depresser
120 bpm • D Maj • 01:50 • -3.6db
12% Popularity • 35% Danceability • 100% Energy • 14% Liveness
31% Instrumentalness • 54% Positiveness
12% Popularity • 35% Danceability • 100% Energy • 14% Liveness
31% Instrumentalness • 54% Positiveness
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the Stupid Stupid Henchmen
Nothing Matters
120 bpm • D Maj • 01:38 • -4.38db
14% Popularity • 55% Danceability • 95% Energy • 31% Liveness
76% Instrumentalness • 52% Positiveness
14% Popularity • 55% Danceability • 95% Energy • 31% Liveness
76% Instrumentalness • 52% Positiveness
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Beng Beng Cocktail
Can't Play
120 bpm • C Maj • 01:58 • -3.76db
3% Popularity • 57% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 57% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Star Fucking Hipsters
Zombie Christ
120 bpm • G# Maj • 02:59 • -5.49db
20% Popularity • 46% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 46% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Atrocity Solution
12 Year Sentence
121 bpm • C# min • 02:46 • -5.13db
8% Popularity • 30% Danceability • 99% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 30% Danceability • 99% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
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Escape From The Zoo
Shit Show
121 bpm • C Maj • 03:04 • -7.53db
24% Popularity • 56% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Menagramo
Ground Zero
119 bpm • B Maj • 03:04 • -4.77db
8% Popularity • 56% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 56% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Carr Tony
Come And Get
122 bpm • F# Maj • 02:28 • -6db
25% Popularity • 40% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 40% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Beng Beng Cocktail
There Are Two Wolves Having A Fight Insi...
120 bpm • E min • 02:50 • -11.8db
1% Popularity • 75% Danceability • 62% Energy • 13% Liveness
38% Instrumentalness • 85% Positiveness
1% Popularity • 75% Danceability • 62% Energy • 13% Liveness
38% Instrumentalness • 85% Positiveness
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Corporate Hearts
You. Are. My Biggest Fan
119 bpm • A Maj • 01:38 • -7.1db
11% Popularity • 50% Danceability • 67% Energy • 74% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 50% Danceability • 67% Energy • 74% Liveness
0% Instrumentalness • 53% Positiveness
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Andre Hicks
Rodent Rise
118 bpm • E Maj • 01:57 • -13.37db
23% Popularity • 32% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 32% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Angel City Outcasts
Keep On
122 bpm • D Maj • 03:16 • -3.28db
7% Popularity • 32% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 32% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Atrocity Solution
Watch the World Burn
122 bpm • F# min • 04:06 • -5.25db
14% Popularity • 45% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 45% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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The Infested
Congestion
118 bpm • D Maj • 01:30 • 1.79db
21% Popularity • 58% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 58% Danceability • 100% Energy • 42% Liveness
0% Instrumentalness • 31% Positiveness
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Beng Beng Cocktail
One Million Stiches
120 bpm • D min • 03:24 • -2.47db
2% Popularity • 63% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 63% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Ana Obscura
Dirt
122 bpm • A min • 02:14 • -11.88db
17% Popularity • 58% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 58% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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No Cash
Skate Or Die
122 bpm • G Maj • 02:53 • -4.28db
27% Popularity • 23% Danceability • 94% Energy • 27% Liveness
90% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 94% Energy • 27% Liveness
90% Instrumentalness • 16% Positiveness
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No Service Project
Poison featuring Chris No Cash
122 bpm • G Maj • 02:11 • -6.41db
8% Popularity • 28% Danceability • 95% Energy • 4% Liveness
14% Instrumentalness • 55% Positiveness
8% Popularity • 28% Danceability • 95% Energy • 4% Liveness
14% Instrumentalness • 55% Positiveness
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Joystick!
Houseguest
118 bpm • F min • 01:21 • -3.75db
15% Popularity • 52% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 52% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Siblings Of Samhain
Dead Darling
118 bpm • G# Maj • 03:35 • -7.91db
8% Popularity • 28% Danceability • 90% Energy • 26% Liveness
17% Instrumentalness • 61% Positiveness
8% Popularity • 28% Danceability • 90% Energy • 26% Liveness
17% Instrumentalness • 61% Positiveness
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Beng Beng Cocktail
Nra
120 bpm • E min • 04:21 • -11.47db
3% Popularity • 78% Danceability • 51% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
3% Popularity • 78% Danceability • 51% Energy • 38% Liveness
1% Instrumentalness • 78% Positiveness
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Escape From The Zoo
Learnin' Curve
117 bpm • C Maj • 03:37 • -9.24db
31% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Armstrong Thorndike
Full Speed
117 bpm • F# Maj • 02:24 • -5.64db
25% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Flatliners
Fred's Got Slacks
117 bpm • A# min • 02:29 • -1.74db
17% Popularity • 63% Danceability • 99% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 63% Danceability • 99% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Girth Control
Dorito Covered World
123 bpm • D Maj • 02:29 • -3.47db
8% Popularity • 52% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 52% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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the Stupid Stupid Henchmen
Down N Out Til U Found Me
117 bpm • C# Maj • 03:34 • -2.8db
10% Popularity • 60% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 60% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Beng Beng Cocktail
Diy
120 bpm • D min • 03:46 • -12.63db
1% Popularity • 70% Danceability • 38% Energy • 14% Liveness
27% Instrumentalness • 37% Positiveness
1% Popularity • 70% Danceability • 38% Energy • 14% Liveness
27% Instrumentalness • 37% Positiveness
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Carr Tony
Talent Performance
117 bpm • G Maj • 02:58 • -7.4db
25% Popularity • 35% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
25% Popularity • 35% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
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Boss' Daughter
Extinction
123 bpm • F Maj • 02:44 • -4.19db
16% Popularity • 54% Danceability • 97% Energy • 13% Liveness
50% Instrumentalness • 88% Positiveness
16% Popularity • 54% Danceability • 97% Energy • 13% Liveness
50% Instrumentalness • 88% Positiveness
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The Infested
America
117 bpm • F# Maj • 01:49 • 0.53db
21% Popularity • 53% Danceability • 97% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 53% Danceability • 97% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
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Old Chase
Sweet Dreams In Dead Arcadia
116 bpm • E Maj • 01:36 • -4.59db
19% Popularity • 36% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 36% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 75% Positiveness
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the Stupid Stupid Henchmen
It's Never as It Seems
117 bpm • A Maj • 02:59 • -6.68db
13% Popularity • 65% Danceability • 98% Energy • 5% Liveness
43% Instrumentalness • 70% Positiveness
13% Popularity • 65% Danceability • 98% Energy • 5% Liveness
43% Instrumentalness • 70% Positiveness
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Menagramo
Balaclavas
124 bpm • G# min • 02:21 • -4.67db
10% Popularity • 59% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 59% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Beng Beng Cocktail
DIY
120 bpm • F Maj • 04:02 • -1.53db
1% Popularity • 43% Danceability • 99% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
1% Popularity • 43% Danceability • 99% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
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Morning Glory
Punx Not Dead, I Am
116 bpm • C Maj • 04:12 • -5.14db
15% Popularity • 22% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 22% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 11% Positiveness
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The Looms
One Cop, Two Cop
124 bpm • A min • 03:18 • -6.42db
10% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Atrocity Solution
Picking up the Pieces
116 bpm • G# min • 03:51 • -5.13db
18% Popularity • 56% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 56% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Sharp Knives
We Might Never Change the World...
124 bpm • D Maj • 04:17 • -14.15db
9% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Get Dead
Second Look
116 bpm • A# min • 02:34 • -3.81db
17% Popularity • 46% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 46% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Beng Beng Cocktail
Social Control - Feat Public Serpents
120 bpm • D min • 03:40 • -10.9db
3% Popularity • 76% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 69% Positiveness
3% Popularity • 76% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 69% Positiveness
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Chaser
Autopilot:Mind The Masses
124 bpm • E min • 03:11 • -7.36db
7% Popularity • 39% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 39% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Armstrong Thorndike
Stereotypes
125 bpm • A Maj • 02:47 • -5.01db
25% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Hans Gruber and the Die Hards
An Old Man Like Me
116 bpm • C# Maj • 02:17 • -5.89db
12% Popularity • 48% Danceability • 88% Energy • 20% Liveness
28% Instrumentalness • 72% Positiveness
12% Popularity • 48% Danceability • 88% Energy • 20% Liveness
28% Instrumentalness • 72% Positiveness
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Leftöver Crack
Don't Shoot
125 bpm • G# Maj • 02:20 • -4.39db
22% Popularity • 40% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 40% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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The Perseus Arm
Welfare King
125 bpm • C# min • 01:00 • -11.78db
12% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Beng Beng Cocktail
Random Regiment of the Unknown Nation
118 bpm • E min • 03:46 • -2.42db
2% Popularity • 71% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 71% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Priceduifkes
50%
125 bpm • B Maj • 02:28 • -12db
10% Popularity • 70% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 70% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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Boss' Daughter
Alone
125 bpm • F Maj • 01:40 • -5.16db
14% Popularity • 55% Danceability • 99% Energy • 30% Liveness
2% Instrumentalness • 40% Positiveness
14% Popularity • 55% Danceability • 99% Energy • 30% Liveness
2% Instrumentalness • 40% Positiveness
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Get Dead
Confrontation
125 bpm • C# Maj • 02:24 • -5db
24% Popularity • 51% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 51% Danceability • 100% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Young Ones
Hilti Job
115 bpm • D Maj • 01:58 • -4.34db
10% Popularity • 50% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 50% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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The Infested
Never Stop
115 bpm • F# Maj • 02:16 • 0.87db
9% Popularity • 54% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 99% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Beng Beng Cocktail
Dying in Honor
116 bpm • D min • 03:40 • -1.91db
2% Popularity • 73% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 73% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Armstrong Thorndike
No Demand
125 bpm • G# Maj • 02:36 • -6.64db
25% Popularity • 44% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 44% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dead Rejects
Token Song About Cops
115 bpm • G# Maj • 02:15 • -6.64db
11% Popularity • 50% Danceability • 98% Energy • 13% Liveness
12% Instrumentalness • 85% Positiveness
11% Popularity • 50% Danceability • 98% Energy • 13% Liveness
12% Instrumentalness • 85% Positiveness
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Atrocity Solution
The Introduction Pt. 2
115 bpm • B min • 03:52 • -11.28db
8% Popularity • 47% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 21% Positiveness
8% Popularity • 47% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 21% Positiveness
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We The Heathens
Crooked Kings
115 bpm • B Maj • 03:12 • -5.2db
16% Popularity • 70% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 70% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Infested
Crawling On My Back
115 bpm • C# min • 03:37 • 0.41db
15% Popularity • 64% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 64% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Beng Beng Cocktail
Can't Fake
115 bpm • E min • 02:26 • -10.76db
1% Popularity • 77% Danceability • 59% Energy • 13% Liveness
8% Instrumentalness • 94% Positiveness
1% Popularity • 77% Danceability • 59% Energy • 13% Liveness
8% Instrumentalness • 94% Positiveness
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Menagramo
Blastbeats In The Sky
115 bpm • B Maj • 02:22 • -4.55db
7% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Escape From The Zoo
Heads up 7 Up
115 bpm • F Maj • 03:05 • -9.05db
22% Popularity • 55% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 55% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Austin Possum
Steal from Guitar Center
114 bpm • A# min • 02:22 • -8.59db
9% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Star Fucking Hipsters
Until We're Dead
115 bpm • C# Maj • 03:57 • -6db
27% Popularity • 25% Danceability • 93% Energy • 8% Liveness
22% Instrumentalness • 14% Positiveness
27% Popularity • 25% Danceability • 93% Energy • 8% Liveness
22% Instrumentalness • 14% Positiveness
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The Flatliners
Macoretta Boozer
126 bpm • E min • 03:17 • -1.75db
2% Popularity • 53% Danceability • 99% Energy • 57% Liveness
2% Instrumentalness • 28% Positiveness
2% Popularity • 53% Danceability • 99% Energy • 57% Liveness
2% Instrumentalness • 28% Positiveness
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Beng Beng Cocktail
Officer Dick
115 bpm • F# min • 02:09 • -10.24db
1% Popularity • 78% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
1% Popularity • 78% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Night Gaunts
Nights & Daze
126 bpm • D min • 03:17 • -6.76db
21% Popularity • 53% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 53% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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The Zoot Suit Riot
Six Pack Come Back
114 bpm • E Maj • 03:09 • -8.55db
19% Popularity • 39% Danceability • 73% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
19% Popularity • 39% Danceability • 73% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
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Clit 45
Killed by Life
114 bpm • F# Maj • 01:38 • -2.48db
8% Popularity • 45% Danceability • 98% Energy • 36% Liveness
1% Instrumentalness • 53% Positiveness
8% Popularity • 45% Danceability • 98% Energy • 36% Liveness
1% Instrumentalness • 53% Positiveness
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Escape From The Zoo
Crackpipe
114 bpm • F Maj • 03:30 • -4db
27% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Daycare Swindlers
Rambo Cop
126 bpm • C# Maj • 01:39 • -8.63db
18% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Beng Beng Cocktail
We Are the 99%
115 bpm • F Maj • 04:30 • -3.61db
4% Popularity • 68% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 68% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Boris the Sprinkler
Gimme Gimme Grape Juice
114 bpm • C Maj • 02:12 • -3.96db
21% Popularity • 42% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 42% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Wegrowbeards
Jesse Runs
127 bpm • G Maj • 02:13 • -3.54db
22% Popularity • 45% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 45% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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No Cash
Homelife Is A Drag
113 bpm • C Maj • 05:10 • -7.65db
22% Popularity • 50% Danceability • 63% Energy • 5% Liveness
58% Instrumentalness • 47% Positiveness
22% Popularity • 50% Danceability • 63% Energy • 5% Liveness
58% Instrumentalness • 47% Positiveness
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Rollerstarter
So Called Friend
113 bpm • C# min • 03:26 • -4.63db
7% Popularity • 56% Danceability • 91% Energy • 7% Liveness
4% Instrumentalness • 71% Positiveness
7% Popularity • 56% Danceability • 91% Energy • 7% Liveness
4% Instrumentalness • 71% Positiveness
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Night Gaunts
Top Hat Killers
113 bpm • C# Maj • 04:26 • -3.8db
9% Popularity • 79% Danceability • 78% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 79% Danceability • 78% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
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Beng Beng Cocktail
The Road
114 bpm • C Maj • 02:46 • -4.08db
2% Popularity • 59% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 59% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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the Stupid Stupid Henchmen
Carbombs Are Cool
128 bpm • D Maj • 01:32 • -3.18db
15% Popularity • 56% Danceability • 99% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
15% Popularity • 56% Danceability • 99% Energy • 10% Liveness
2% Instrumentalness • 91% Positiveness
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Bitters and Distractions
Rocky and the Other Guy
113 bpm • E Maj • 03:13 • -5.64db
17% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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No Cash
Kill Yer Parents
113 bpm • C Maj • 02:46 • -3.39db
12% Popularity • 43% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Goodbye Blue Monday
Trigger Alert
113 bpm • D Maj • 01:09 • -5.4db
16% Popularity • 55% Danceability • 95% Energy • 18% Liveness
50% Instrumentalness • 65% Positiveness
16% Popularity • 55% Danceability • 95% Energy • 18% Liveness
50% Instrumentalness • 65% Positiveness
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Crooked Little Sons
Blistered Soul
113 bpm • D Maj • 02:36 • -3.85db
11% Popularity • 62% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 62% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Atrocity Solution
Down The Alleyway
113 bpm • G# Maj • 04:16 • -4.5db
12% Popularity • 54% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 54% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Positive Junk
Leech
112 bpm • B Maj • 03:50 • -6.26db
11% Popularity • 49% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 49% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 63% Positiveness
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Alternate Action
Keep Running
128 bpm • G Maj • 02:43 • -5.2db
11% Popularity • 39% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 39% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Morning Glory
Gang Control
112 bpm • E Maj • 03:11 • -7.4db
19% Popularity • 64% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 64% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Kyro Moses
The Glass
129 bpm • C# Maj • 03:48 • -14.7db
24% Popularity • 56% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 56% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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Beng Beng Cocktail
I Sing a Song
112 bpm • F Maj • 03:51 • -2.42db
3% Popularity • 71% Danceability • 91% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 71% Danceability • 91% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
