Songs like I've got a theory/Bunnies/If we're together [Music for "Buffy the Vampire Slayer"] by Anthony Stewart Head
Based on a tempo of (+/- 10%) and a similar genre
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David Hasselhoff
Only by Design
92 bpm • G# min • 01:31 • -6.79db
17% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Thoushaltnot
True Love
92 bpm • E min • 04:38 • -10db
19% Popularity • 33% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 33% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Nathan Fillion
Everyone's A Hero
92 bpm • G Maj • 02:45 • -7.67db
32% Popularity • 62% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 62% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Mary Kate Wiles
The Coldest Goodbye
91 bpm • G min • 01:22 • -17db
32% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Frankenstein World Premiere Cast
The Hands of Time
91 bpm • F min • 02:46 • -6.11db
20% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Seahorse Trash
Field Kabuki
93 bpm • D# min • 02:01 • -20.71db
10% Popularity • 42% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
10% Popularity • 42% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Lillian Castillo
The Uranium Suite
91 bpm • C Maj • 03:56 • -14db
48% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Thoushaltnot
G.L.M.
93 bpm • B min • 02:28 • -9.72db
9% Popularity • 64% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 64% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Smith
Not A Common Man
93 bpm • D min • 03:10 • -8.17db
29% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Soundtrack/Cast Album
Feed Me (Git It!)
94 bpm • C Maj • 06:38 • -10.72db
42% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 60% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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temposhark
Don't Mess With Me
90 bpm • C# Maj • 03:23 • -11db
40% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Rohm
Karnak's Dream of Life
90 bpm • E min • 01:28 • -20.13db
44% Popularity • 21% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 21% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Alex Brightman
Crazytown
94 bpm • F# Maj • 05:06 • -9db
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Thoushaltnot
The Haunted Phonograph
91 bpm • C Maj • 03:46 • -6.89db
40% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
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Steam Powered Giraffe
Photographic Memories
90 bpm • F Maj • 07:28 • -6.42db
19% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Mary Crowell
Acolytes of the Machine
90 bpm • C min • 05:00 • -13.58db
8% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Frankenstein World Premiere Cast
The Chase
90 bpm • D min • 02:51 • -5.42db
18% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Brooke Maxwell
Be Safe, Be Good (for Rachel)
90 bpm • A# Maj • 02:10 • -19db
37% Popularity • 66% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 66% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kimiko Glenn
Taurnado
90 bpm • C# Maj • 02:42 • -6.84db
36% Popularity • 35% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 35% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Evelyn Evelyn
You Only Want Me 'cause You Want My Sist...
95 bpm • G Maj • 03:49 • -10db
31% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Paris Hilton
Zydrate Anatomy
95 bpm • C Maj • 03:23 • -6.71db
57% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Anthony Stewart Head
This Town in the Rain
95 bpm • A min • 03:32 • -9.17db
5% Popularity • 73% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 50% Positiveness
5% Popularity • 73% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 50% Positiveness
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Chris Garneau
Dirty Night Clowns
94 bpm • F Maj • 03:05 • -6.93db
48% Popularity • 81% Danceability • 42% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
48% Popularity • 81% Danceability • 42% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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André De Shields
Wait for Me ("Hey, the big artiste...") ...
89 bpm • A min • 01:31 • -12.3db
48% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
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Ivan Moody
A Penny for a Tale
95 bpm • G Maj • 03:34 • -9.86db
26% Popularity • 42% Danceability • 44% Energy • 86% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 42% Danceability • 44% Energy • 86% Liveness
0% Instrumentalness • 54% Positiveness
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Edward Sanders
Not While I'm Around
89 bpm • F Maj • 04:11 • -12db
25% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Jonathan Groff
Feed Me (Git It!)
96 bpm • A# Maj • 04:16 • -6.91db
37% Popularity • 57% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 57% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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H.M.B. Cast
Dark, Sad, Lonely, Knight
96 bpm • C# Maj • 05:31 • -18.64db
25% Popularity • 81% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 81% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Terry Mann
Falcon in the Dive
96 bpm • C# min • 03:11 • -9db
30% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Rachel Bloom
Jazz Fever
96 bpm • D Maj • 02:36 • -5.99db
16% Popularity • 71% Danceability • 52% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 71% Danceability • 52% Energy • 67% Liveness
0% Instrumentalness • 41% Positiveness
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Frankenstein World Premiere Cast
Prelude
88 bpm • G min • 02:36 • -7.43db
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Abney Park
Dear Ophelia
88 bpm • D# min • 04:50 • -8.46db
15% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Sanders
Forbidden Fruit (The Duke's Theme)
96 bpm • C# Maj • 02:44 • -13.6db
36% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Thoushaltnot
The White Beyond
88 bpm • C min • 03:20 • -9.09db
11% Popularity • 35% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 35% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Steam Powered Giraffe
Clockwork Vaudeville
97 bpm • C Maj • 05:27 • -10.49db
26% Popularity • 57% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 57% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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The Guy Who Didn't Like Musicals Cast
Show Stoppin Number
87 bpm • G Maj • 05:19 • -10.13db
41% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Keith David
Do What I Wanna Do
87 bpm • C# min • 02:10 • -5.29db
26% Popularity • 51% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 51% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Tim Curry
Planet Schmanet Janet
97 bpm • D min • 01:39 • -5.66db
37% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Thomas Borchert
When We Are Kings
87 bpm • A# Maj • 03:39 • -10.41db
22% Popularity • 22% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 10% Positiveness
22% Popularity • 22% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 10% Positiveness
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Lindsay Mendez
The Party Goes with You
87 bpm • G# min • 04:27 • -10.36db
29% Popularity • 25% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 25% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Warlow
The World Has Gone Insane
87 bpm • F Maj • 03:07 • -8.36db
35% Popularity • 50% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 50% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Steam Powered Giraffe
The Suspender Man
97 bpm • D min • 05:36 • -10.97db
30% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 59% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Lloyd Webber
Devil Take The Hindmost
98 bpm • F min • 03:51 • -13.8db
31% Popularity • 57% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 57% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
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Amy Lee
Sally's Song
98 bpm • A# Maj • 03:02 • -9.97db
41% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Patrick Page
Pull The Trigger
98 bpm • G Maj • 04:01 • -6.18db
14% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lea Salonga
Nothing Good
98 bpm • D Maj • 01:40 • -7db
38% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Brian D'Arcy James
Once Shattered, Now Whole
98 bpm • D Maj • 01:46 • -12db
28% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Steam Powered Giraffe
Ju Ju Magic
98 bpm • G min • 03:07 • -10.55db
27% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Barrett Wilbert Weed
Fight for Me
99 bpm • D# Maj • 02:35 • -9db
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Anthony Warlow
I Need to Know
99 bpm • F# min • 03:42 • -7.94db
37% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Frankenstein World Premiere Cast
The Proposition
86 bpm • C min • 04:46 • -3.76db
22% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Joseph Loduca
Melt Into Me / Let Go
85 bpm • D min • 02:27 • -14.45db
10% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Magnificent Seven
The Killer
85 bpm • B min • 03:35 • -9.46db
10% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Adam Pascal
Down at the Midnight Rectory
85 bpm • C Maj • 02:23 • -5.56db
19% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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John C. Reilly
Mister Cellophane
85 bpm • E Maj • 03:57 • -13.21db
31% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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The Guy Who Didn't Like Musicals Cast
Inevitable
85 bpm • G# Maj • 02:57 • -7.3db
41% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Alan Cumming
Money
100 bpm • G# Maj • 03:18 • -9.83db
35% Popularity • 57% Danceability • 46% Energy • 82% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 57% Danceability • 46% Energy • 82% Liveness
0% Instrumentalness • 70% Positiveness
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Original StarKid Cast of Nightmare Time
The Web I Spin for You
100 bpm • C# Maj • 04:19 • -7.77db
25% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
25% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Kelvin Moon Loh
No Control
100 bpm • D Maj • 03:16 • -6db
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Tech N9ne
Hitting on All Sevens
85 bpm • F min • 03:01 • -8.27db
20% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Shapera
Act 4: S6 - I Will Bring You Down
100 bpm • F Maj • 04:33 • -8.91db
14% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Wagon on Fire
85 bpm • C# Maj • 02:15 • -5.7db
38% Popularity • 28% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 28% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jekyll Hyde
Confrontation
84 bpm • E min • 03:42 • -9.4db
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Laura Michelle Kelly
Alms Alms
84 bpm • F Maj • 01:16 • -12.54db
14% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Evelyn Evelyn
Tragic Events - Part III
84 bpm • C min • 04:16 • -20.59db
20% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Adam Pascal
Songs of Old
100 bpm • C# Maj • 02:07 • -8.6db
14% Popularity • 87% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 35% Positiveness
14% Popularity • 87% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 35% Positiveness
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Thomas Borchert
Every Day a Little Death
84 bpm • F min • 04:25 • -12.03db
31% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Eartha Kitt
Snuff Out the Light (Yzma's Song)
101 bpm • A# min • 03:36 • -8.43db
26% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 68% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Original StarKid Cast of Twisted
The Golden Rule (Evil Reprise)
84 bpm • C min • 01:21 • -7.65db
34% Popularity • 62% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 62% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Seahorse Trash
Murder Family Values
102 bpm • E min • 03:45 • -22.01db
8% Popularity • 51% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 51% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Terrance Zdunich
After the Fall
83 bpm • A# min • 03:36 • -9db
27% Popularity • 35% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 35% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Frenchy and the Punk
Confession of Jack Bonnie and Sally Clyd...
102 bpm • F# min • 03:22 • -4.75db
10% Popularity • 49% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 49% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Frankenstein World Premiere Cast
Why?
83 bpm • G# Maj • 03:38 • -7.02db
22% Popularity • 56% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 56% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Amber Gray
Charming
102 bpm • D# Maj • 04:27 • -9db
37% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Depp
Epiphany
102 bpm • F min • 03:16 • -9.23db
29% Popularity • 51% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 51% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
40% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Borle
The Thrill of First Love
102 bpm • G# Maj • 04:12 • -6.7db
48% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Roger Bart
The Brain
103 bpm • F min • 04:57 • -9.68db
24% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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The Guy Who Didn't Like Musicals Cast
America Is Great Again
82 bpm • D# Maj • 02:11 • -8.33db
37% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Anthony Warlow
Confrontation
82 bpm • E Maj • 04:26 • -10.1db
51% Popularity • 29% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
51% Popularity • 29% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Terrance Zdunich
Grace for Sale
103 bpm • C Maj • 02:55 • -6.65db
33% Popularity • 64% Danceability • 66% Energy • 35% Liveness
2% Instrumentalness • 87% Positiveness
33% Popularity • 64% Danceability • 66% Energy • 35% Liveness
2% Instrumentalness • 87% Positiveness
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Alan Cumming
Reefer Madness
82 bpm • C min • 03:07 • -7db
20% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jacob Richmond
Welcome…
104 bpm • A# min • 01:33 • -22.24db
39% Popularity • 67% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 67% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Barrett Wilbert Weed
I Am Damaged
82 bpm • E Maj • 01:26 • -12.03db
55% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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John Tartaglia
What Do You Do with a B.A. in English / ...
104 bpm • D Maj • 05:55 • -10db
15% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Eric William Morris
The Pitiful Children
104 bpm • G# Maj • 03:49 • -4.72db
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Anthony Stewart Head
All the Fun of the Fair
104 bpm • F# Maj • 04:15 • -8.44db
5% Popularity • 66% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 66% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Anthony Warlow
Lucy Meets Hyde
104 bpm • D Maj • 02:14 • -17.73db
29% Popularity • 54% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 54% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Sophia Anne Caruso
Prologue: Invisible
81 bpm • E Maj • 02:42 • -11.76db
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Jessica Keenan Wynn
Yo Girl
104 bpm • C# Maj • 01:46 • -8.71db
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Frankenstein World Premiere Cast
1:15 A.M.
81 bpm • D Maj • 00:57 • -15.7db
17% Popularity • 39% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
17% Popularity • 39% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Paul Sorvino
Gold
105 bpm • F# min • 03:02 • -6.99db
26% Popularity • 59% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 59% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Terrance Zdunich
Shovel and Bone
105 bpm • D Maj • 04:15 • -8.5db
24% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 68% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Rufus Rex
Rise Lazarus Rise
105 bpm • E min • 04:30 • -7.51db
18% Popularity • 58% Danceability • 76% Energy • 25% Liveness
14% Instrumentalness • 68% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 25% Liveness
14% Instrumentalness • 68% Positiveness
