Songs like Jaajiya Hoo Chanda (From "Thandege Thakka Maga") by Rajesh Krishnan
Based on a tempo of (+/- 10%) and a similar genre
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Uttam Singh
Maanthalirin Pattu Chuttiya - Version, 2
164 bpm • G Maj • 04:56 • -9.53db
20% Popularity • 66% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 66% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Rajesh Krishnan
Jaajiya Hoo Chanda
164 bpm • C Maj • 04:40 • -7.66db
14% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Mano
Aparanji Chinnavo
165 bpm • C Maj • 05:03 • -6.95db
42% Popularity • 62% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 62% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Kailash Kher
Mosa Madalendu Neenu
165 bpm • G Maj • 05:12 • -7.12db
5% Popularity • 50% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
5% Popularity • 50% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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S. P. Venkatesh
Mohikkum Neermizhiyode
163 bpm • D Maj • 05:42 • -6.57db
45% Popularity • 67% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 67% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Manikanth Kadri
Ninagende Visheshavaada Maahithi
166 bpm • A min • 04:26 • -6db
21% Popularity • 56% Danceability • 73% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 56% Danceability • 73% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
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A.R. Rahman
Malargal Kaettaen
168 bpm • C Maj • 05:54 • -13db
43% Popularity • 37% Danceability • 46% Energy • 12% Liveness
18% Instrumentalness • 38% Positiveness
43% Popularity • 37% Danceability • 46% Energy • 12% Liveness
18% Instrumentalness • 38% Positiveness
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Ghibran
Mounam Paesum
160 bpm • C min • 04:41 • -6.09db
37% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Salil Chowdhury
Kaathil Thenmazhayaay (Female)
168 bpm • D# Maj • 04:49 • -16.22db
19% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Kailash Kher
Yakka Nin Magalu
167 bpm • C# Maj • 04:12 • -8.88db
12% Popularity • 70% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 70% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Udit Narayan
Lahiri Lahiri
159 bpm • B min • 04:41 • -5.28db
25% Popularity • 60% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 60% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Guru Kiran
Neene Beku
159 bpm • C min • 03:22 • -12.92db
30% Popularity • 37% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 37% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Unnikrishnan
Manasavacha
170 bpm • D Maj • 04:47 • -10db
50% Popularity • 50% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 50% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Anuradha Bhat
Appa I Love You
170 bpm • D Maj • 04:42 • -7db
15% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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M. M. Keeravani
Seetamma Andalu
170 bpm • C# min • 04:59 • -9db
45% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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S. P. Balasubrahmanyam
Kamanu Darling
170 bpm • B Maj • 04:33 • -11.73db
14% Popularity • 64% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 64% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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M. G. Radhakrishnan
Katte Nee Veesharuthippol
170 bpm • D Maj • 03:31 • -9.08db
46% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Guru Kiran
Maathadu Saku
168 bpm • E min • 04:59 • -8db
4% Popularity • 45% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 45% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Ilaiyaraaja
Sempoove Poove
170 bpm • C Maj • 04:57 • -9.68db
55% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Chetan Sosca
Yaare Nee Devatheya
170 bpm • A min • 04:40 • -8.76db
47% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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S.A. Rajkumar
Selaiyile Veedu
158 bpm • A min • 04:29 • -12.53db
26% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 75% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Vijay Prakash
Udupi Hotelu
158 bpm • D Maj • 03:15 • -11.03db
22% Popularity • 57% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Vasuki Vaibhav
Innunu Bekagide
158 bpm • E Maj • 03:26 • -9.8db
55% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mohan Sithara
Pon Kasavu Duet
157 bpm • C# Maj • 06:23 • -7.47db
14% Popularity • 75% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 75% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Mamatha Sharma
Pankaja DJ SP
157 bpm • E min • 03:57 • -1.09db
18% Popularity • 75% Danceability • 98% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
18% Popularity • 75% Danceability • 98% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
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Anuradha Bhat
Chanana Chanana
157 bpm • G# min • 04:40 • -9.15db
40% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Rajesh Krishnan
Kaarmoda Saridhu
156 bpm • B min • 04:10 • -7.4db
49% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Sonu Kakkar
Kallumama Kallumama
172 bpm • F min • 04:12 • -6.8db
25% Popularity • 63% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 63% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Arjun Janya
Nenne Tanaka
156 bpm • D Maj • 04:17 • -9.03db
55% Popularity • 39% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 39% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Shruthi.VS
Love you Chinna
174 bpm • E min • 04:54 • -13.17db
51% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Ilaiyaraaja
Kalyana Thaen Nila
174 bpm • A min • 04:43 • -12.79db
38% Popularity • 48% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 48% Positiveness
38% Popularity • 48% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 48% Positiveness
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Anuradha Bhat
Sri Krishna
172 bpm • D min • 04:34 • -7db
8% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 52% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Sangeetha Katti
Kambada Myalina
175 bpm • G# Maj • 04:27 • -4db
37% Popularity • 41% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 41% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Malu Nipanal Singer
Hithalaka Karibyada Maava
176 bpm • G Maj • 03:26 • -5.46db
52% Popularity • 73% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 73% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Raju Ananthaswamy
Yava Mohana Murali
176 bpm • G min • 04:51 • -6.31db
45% Popularity • 50% Danceability • 57% Energy • 47% Liveness
2% Instrumentalness • 57% Positiveness
45% Popularity • 50% Danceability • 57% Energy • 47% Liveness
2% Instrumentalness • 57% Positiveness
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Vijay Prakash
Seereli Hudugeena
152 bpm • D min • 04:23 • -5.9db
41% Popularity • 78% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 78% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Sanjith Hegde
Ide Swarga
176 bpm • F min • 04:42 • -8db
45% Popularity • 38% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 38% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Udit Narayan
Paddanandi
177 bpm • D Maj • 04:37 • -7.19db
49% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Thaman S
Antha Ishtam
152 bpm • D# min • 03:36 • -7.23db
34% Popularity • 49% Danceability • 56% Energy • 22% Liveness
2% Instrumentalness • 66% Positiveness
34% Popularity • 49% Danceability • 56% Energy • 22% Liveness
2% Instrumentalness • 66% Positiveness
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Unni Menon
Pookkalam
178 bpm • C min • 05:00 • -9db
48% Popularity • 61% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 61% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Santhosh Venky
Aakashavella
150 bpm • D min • 01:37 • -7.97db
37% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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M. M. Keeravani
Shishirakaala
152 bpm • F min • 05:07 • -10.01db
46% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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A.R. Rahman
Thoda Thoda Malarndhadhenna
179 bpm • E Maj • 05:07 • -14.63db
26% Popularity • 46% Danceability • 48% Energy • 9% Liveness
8% Instrumentalness • 45% Positiveness
26% Popularity • 46% Danceability • 48% Energy • 9% Liveness
8% Instrumentalness • 45% Positiveness
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S.Balakrishnan
Pookkalam Vannu Pookkalam
179 bpm • C min • 04:59 • -0.91db
5% Popularity • 58% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 58% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Puneeth Rajkumar
BAANA DAARIYALI
150 bpm • A min • 03:43 • -6db
39% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 60% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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K. S. Chithra
Rajahamsame
179 bpm • G min • 04:55 • -4.37db
40% Popularity • 25% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 25% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Sanjith Hegde
Shaakuntle Sikkalu
150 bpm • E min • 03:50 • -11.49db
56% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Shankar Mahadevan
Ondu Oorali
150 bpm • F min • 03:46 • -6.89db
48% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Anuradha Sriram
Komale Komale
150 bpm • A min • 05:16 • -11.47db
29% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Vijay Prakash
Nanage Neenu
150 bpm • C min • 03:39 • -7.52db
53% Popularity • 62% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 62% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Hamsalekha
Bangaradinda
180 bpm • F min • 04:48 • -10.31db
50% Popularity • 63% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 63% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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S. P. Balasubrahmanyam
Enno Ratrulosthayi Gani
149 bpm • G# min • 05:01 • -4.66db
48% Popularity • 64% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 64% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Sanjith Hegde
Yeko Yeno
150 bpm • C min • 03:31 • -5db
43% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Vidyasagar
Kannaadikkoodum Kootti
180 bpm • G Maj • 05:31 • -16.25db
19% Popularity • 59% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 59% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Raveendran
Endhinu Veroru Sooryodayam - Version, 1
148 bpm • G min • 05:05 • -9.9db
25% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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All Ok
Yaakinge 2
148 bpm • C# Maj • 04:26 • -8.09db
48% Popularity • 67% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
48% Popularity • 67% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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K. J. Yesudas
Enthinu Veroru
148 bpm • F min • 05:05 • -10db
33% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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S.A. Rajkumar
Sikki Mukki
183 bpm • G Maj • 04:54 • -9.41db
21% Popularity • 71% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 71% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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G Venugopal
Kando Kando
147 bpm • A Maj • 04:14 • -5.97db
37% Popularity • 68% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 68% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Srii Murali
Hudugi Kannu
184 bpm • F Maj • 04:04 • -4.34db
46% Popularity • 45% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 45% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ilaiyaraaja
Singalathu Chinnakuyile
146 bpm • F# Maj • 04:17 • -9.57db
26% Popularity • 70% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
26% Popularity • 70% Danceability • 55% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
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Nakash Aziz
Baby Dance Floor Ready
146 bpm • F# min • 03:33 • -4.78db
16% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Johnson
Kannanennu Peru
145 bpm • E Maj • 04:28 • -13.76db
16% Popularity • 61% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 61% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Rajesh Krishnan
Kilikal Parannatho
145 bpm • D Maj • 04:27 • -8.41db
32% Popularity • 50% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 50% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Mika Singh
Vone Vone
145 bpm • A# min • 04:07 • -8.75db
26% Popularity • 85% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 85% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Vasuki Vaibhav
Hrudayada Paadu
145 bpm • C# min • 02:52 • -5.55db
52% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Raveendran
Aathmaavin Pusthaka Thaalil - Version, 2
145 bpm • C min • 05:03 • -7.07db
28% Popularity • 65% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 65% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Unnikrishnan
Nandri Solla Unaku
145 bpm • E min • 03:40 • -10.18db
35% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Gopika Poornima
Kodu Kodu Varavanu
144 bpm • C min • 04:08 • -7db
24% Popularity • 79% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 79% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Ilaiyaraaja
Madura Marikkozhunthu
186 bpm • D# Maj • 04:45 • -10.28db
40% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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P. Jayachandran
Ariyathe Ariyathe
144 bpm • C Maj • 05:32 • -10.74db
50% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Santhosh Ananddram
Yaaralli
144 bpm • C# Maj • 03:38 • -7.4db
41% Popularity • 72% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 72% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Hemanth Kumar
Masthu Nee Masthu
144 bpm • E min • 05:15 • -8db
22% Popularity • 71% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 71% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Rajesh Krishnan
Yaro Neenu
144 bpm • A Maj • 05:08 • -8.65db
9% Popularity • 74% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 74% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Puneeth Rajkumar
Kaanadanthe Maayavadanu - Remix
142 bpm • A Maj • 04:16 • -6.6db
45% Popularity • 83% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 83% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Mano
Chinna Ponnuthan
140 bpm • B min • 05:00 • -5.03db
44% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Kailash Kher
Bitbide Bitbide
190 bpm • D Maj • 04:15 • -5.66db
1% Popularity • 57% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 57% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Kumar Sanu
Okkasari Cheppaleva
140 bpm • C Maj • 05:09 • -5db
49% Popularity • 69% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 69% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Vijay Prakash
What To Do
140 bpm • B min • 04:47 • -4.56db
38% Popularity • 79% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 79% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Rajesh Krishnan
Nanna Preetiya Devateyu
187 bpm • A min • 04:59 • -7.61db
1% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Raghu Dixit
Kanna Haniyondu
140 bpm • C# Maj • 05:29 • -13.23db
44% Popularity • 36% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 36% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Tippu
Yenappa
140 bpm • A min • 03:30 • -7db
41% Popularity • 86% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 86% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Sharreth
Maaleyam Maarodalinju
140 bpm • C Maj • 04:53 • -7.44db
49% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Hemanth
Danger Danger
140 bpm • G min • 06:23 • -8.37db
41% Popularity • 82% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 82% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Vijay Prakash
Pataki Poriyo
140 bpm • B min • 03:36 • -5.72db
23% Popularity • 74% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 74% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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S. P. Venkatesh
Mathimukhi Marthoman Nanmayay
140 bpm • D Maj • 03:16 • -15.47db
17% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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S. P. Balasubrahmanyam
Ee Preethiya Marethu
140 bpm • A min • 04:46 • -11.07db
38% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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K. S. Chithra
Aaha Entha Aa Kshana
140 bpm • D min • 04:58 • -7db
38% Popularity • 46% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 46% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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G Venughopal
Onnam Ragam
139 bpm • C Maj • 04:24 • -10.5db
51% Popularity • 58% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 87% Positiveness
51% Popularity • 58% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 87% Positiveness
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Rajesh Krishnan
Navile Navile
140 bpm • C# Maj • 04:18 • -9.01db
18% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
