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Jackie Down The Line
Songs like
Jackie Down The Line
by
Fontaines D.C.
Based on a tempo of (+/- 10%) and a similar genre
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Parquet Courts
Watching Strangers Smile
135 bpm • B min • 03:34 • -7db
35% Popularity • 61% Danceability • 82% Energy • 11% Liveness
4% Instrumentalness • 71% Positiveness
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Opus Kink
The Unrepentant Soldier
135 bpm • C min • 02:59 • -4.22db
20% Popularity • 47% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Working Men's Club
Suburban Heights
135 bpm • E Maj • 02:52 • -6db
24% Popularity • 41% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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Viagra Boys
Down in the Basement
135 bpm • G Maj • 03:36 • -3.03db
46% Popularity • 53% Danceability • 94% Energy • 7% Liveness
49% Instrumentalness • 77% Positiveness
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Dry Cleaning
New Long Leg
135 bpm • B min • 04:12 • -6.41db
31% Popularity • 64% Danceability • 68% Energy • 24% Liveness
22% Instrumentalness • 57% Positiveness
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Horsegirl
Anti-glory
135 bpm • A Maj • 03:30 • -7db
42% Popularity • 45% Danceability • 88% Energy • 8% Liveness
70% Instrumentalness • 43% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
64% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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Pixies
Debaser
136 bpm • F min • 02:51 • -9.15db
64% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
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Young Fathers
I Saw
136 bpm • G# Maj • 03:27 • -5.28db
52% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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TV Priest
Bury Me In My Shoes - Single Version
134 bpm • C# Maj • 03:24 • -5db
15% Popularity • 50% Danceability • 74% Energy • 6% Liveness
81% Instrumentalness • 22% Positiveness
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The Blinders
City We Call Love
134 bpm • A# Maj • 03:25 • -4.5db
33% Popularity • 54% Danceability • 92% Energy • 6% Liveness
26% Instrumentalness • 54% Positiveness
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Opus Kink
Dog Stay Down
136 bpm • D Maj • 03:25 • -5.67db
16% Popularity • 62% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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DEADLETTER
Good Old Days
136 bpm • C# min • 02:03 • -5db
30% Popularity • 73% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Squid
Narrator
134 bpm • D min • 08:28 • -7db
40% Popularity • 43% Danceability • 72% Energy • 67% Liveness
5% Instrumentalness • 37% Positiveness
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The Lounge Society
Generation Game
136 bpm • E Maj • 05:30 • -6db
13% Popularity • 29% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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TV Priest
Bury Me In My Shoes
134 bpm • C# Maj • 04:01 • -7.18db
18% Popularity • 44% Danceability • 66% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
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The Vaccines
Post Break-Up Sex
137 bpm • F Maj • 02:54 • -4db
60% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Wet Leg
Ur Mum
133 bpm • E Maj • 03:21 • -6db
57% Popularity • 68% Danceability • 72% Energy • 42% Liveness
28% Instrumentalness • 55% Positiveness
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Geese
Disco
133 bpm • G Maj • 06:47 • -5db
31% Popularity • 36% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Squid
The Cleaner
137 bpm • G# Maj • 07:33 • -7db
39% Popularity • 49% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Folly Group
Paying The Price
137 bpm • A min • 02:40 • -6db
35% Popularity • 45% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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TV Priest
Lifesize
137 bpm • B Maj • 03:31 • -8db
20% Popularity • 52% Danceability • 71% Energy • 10% Liveness
7% Instrumentalness • 59% Positiveness
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Mogwai
Ritchie Sacramento
137 bpm • C Maj • 04:12 • -7.47db
31% Popularity • 39% Danceability • 73% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Viagra Boys
Baby Criminal
132 bpm • A min • 04:39 • -2db
45% Popularity • 40% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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English Teacher
The Treacle Trap Door
138 bpm • F# min • 03:47 • -11.2db
19% Popularity • 32% Danceability • 52% Energy • 7% Liveness
34% Instrumentalness • 10% Positiveness
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Egyptian Blue
Collateral
132 bpm • B min • 03:39 • -5.62db
14% Popularity • 59% Danceability • 90% Energy • 16% Liveness
17% Instrumentalness • 72% Positiveness
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Courting
Loaded
132 bpm • A Maj • 03:34 • -2db
27% Popularity • 44% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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TV Priest
My Other People
137 bpm • F# Maj • 03:30 • -7db
17% Popularity • 52% Danceability • 90% Energy • 26% Liveness
81% Instrumentalness • 58% Positiveness
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FEET
Can't Get In
132 bpm • D Maj • 02:41 • -4db
35% Popularity • 75% Danceability • 84% Energy • 7% Liveness
19% Instrumentalness • 77% Positiveness
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Wet Leg
Oh No
132 bpm • E Maj • 02:29 • -3.09db
47% Popularity • 51% Danceability • 85% Energy • 30% Liveness
2% Instrumentalness • 78% Positiveness
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shame
One Rizla
132 bpm • B min • 03:34 • -4.53db
46% Popularity • 42% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
58% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cola
So Excited
138 bpm • G min • 03:00 • -6.87db
43% Popularity • 57% Danceability • 74% Energy • 11% Liveness
78% Instrumentalness • 83% Positiveness
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Italia 90
Borderline
132 bpm • E Maj • 03:57 • -6.46db
19% Popularity • 64% Danceability • 68% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
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Dry Cleaning
Her Hippo
131 bpm • D Maj • 04:38 • -5.91db
36% Popularity • 48% Danceability • 69% Energy • 12% Liveness
74% Instrumentalness • 66% Positiveness
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Wet Leg
Angelica
132 bpm • C Maj • 03:52 • -5db
56% Popularity • 49% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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shame
Water in the Well
132 bpm • B min • 03:07 • -4.64db
33% Popularity • 45% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Sorry
Let The Lights On
131 bpm • G Maj • 03:03 • -7.29db
37% Popularity • 61% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Blur
Parklife - 2012 Remaster
139 bpm • E Maj • 03:05 • -6.09db
65% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Black Country, New Road
Concorde
131 bpm • A Maj • 06:03 • -11.88db
57% Popularity • 56% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 31% Positiveness
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Courting
Crass (Redux)
131 bpm • F# Maj • 02:49 • -4.32db
23% Popularity • 34% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Egyptian Blue
Four Is The Last Four
140 bpm • D Maj • 04:01 • -6db
15% Popularity • 39% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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shame
Tasteless
131 bpm • C Maj • 03:05 • -4.83db
34% Popularity • 53% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Divorce
Pretty
140 bpm • B min • 03:28 • -7.96db
23% Popularity • 54% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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DEADLETTER
Line The Cows
130 bpm • C Maj • 03:30 • -9.86db
19% Popularity • 74% Danceability • 53% Energy • 52% Liveness
1% Instrumentalness • 70% Positiveness
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The Lounge Society
Burn The Heather
130 bpm • B min • 03:30 • -5.46db
29% Popularity • 54% Danceability • 81% Energy • 16% Liveness
7% Instrumentalness • 60% Positiveness
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Courting
Popshop!
140 bpm • A Maj • 02:09 • -4.88db
26% Popularity • 67% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Hallan
Sich Ãœbergeben
140 bpm • F# min • 04:42 • -7.17db
6% Popularity • 48% Danceability • 82% Energy • 26% Liveness
12% Instrumentalness • 48% Positiveness
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English Teacher
The World’s Biggest Paving Slab
130 bpm • E Maj • 03:05 • -7.34db
51% Popularity • 60% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 27% Positiveness
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Gurriers
Boy - Yellow Door Version
140 bpm • D Maj • 03:27 • -7.96db
17% Popularity • 30% Danceability • 96% Energy • 46% Liveness
29% Instrumentalness • 11% Positiveness
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shame
Nigel Hitter
130 bpm • B min • 03:24 • -5.93db
31% Popularity • 58% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Sonic Youth
Sunday
130 bpm • C# Maj • 04:51 • -6.98db
52% Popularity • 62% Danceability • 89% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
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Courting
Slow Burner
130 bpm • C# min • 04:42 • -6.03db
8% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Wet Leg
Wet Dream
130 bpm • D Maj • 02:20 • -5.94db
71% Popularity • 72% Danceability • 70% Energy • 23% Liveness
3% Instrumentalness • 89% Positiveness
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Opus Kink
(I'm Going Down To That) Hole In the Gro...
130 bpm • D Maj • 03:28 • -5.61db
13% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Dry Cleaning
Strong Feelings
130 bpm • B min • 04:04 • -9.25db
40% Popularity • 75% Danceability • 47% Energy • 7% Liveness
88% Instrumentalness • 96% Positiveness
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shame
Dust on Trial
130 bpm • D Maj • 03:34 • -5.4db
35% Popularity • 43% Danceability • 92% Energy • 27% Liveness
22% Instrumentalness • 35% Positiveness
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LIFE
Friends Without Names
130 bpm • C Maj • 05:50 • -6.17db
22% Popularity • 46% Danceability • 88% Energy • 11% Liveness
32% Instrumentalness • 13% Positiveness
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Courting
Jumper
140 bpm • E Maj • 03:39 • -2.66db
30% Popularity • 42% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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DEADLETTER
Zeitgeist
130 bpm • D Maj • 05:22 • -9.55db
24% Popularity • 67% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Viagra Boys
Ain’t No Thief
130 bpm • E min • 03:59 • -2db
49% Popularity • 51% Danceability • 96% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
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Folly Group
Faint of Hearts
130 bpm • D Maj • 03:29 • -4db
26% Popularity • 60% Danceability • 86% Energy • 15% Liveness
54% Instrumentalness • 68% Positiveness
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Home Counties
Back to The 70s
130 bpm • A Maj • 03:34 • -5db
25% Popularity • 70% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Hotel Lux
English Disease
130 bpm • A Maj • 03:00 • -4.51db
16% Popularity • 34% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Big Thief
Not
140 bpm • B Maj • 06:07 • -6.57db
52% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Murder Capital
Crying
130 bpm • C Maj • 05:12 • -9.75db
33% Popularity • 28% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Viagra Boys
In Spite of Ourselves
140 bpm • E min • 05:03 • -7.99db
44% Popularity • 52% Danceability • 73% Energy • 56% Liveness
12% Instrumentalness • 45% Positiveness
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New Order
Ceremony
141 bpm • F Maj • 04:23 • -13.5db
56% Popularity • 56% Danceability • 44% Energy • 11% Liveness
74% Instrumentalness • 38% Positiveness
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Squid
The Dial
129 bpm • E min • 05:10 • -6.83db
28% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Stone Roses
I Am the Resurrection - Remastered
129 bpm • E Maj • 08:12 • -6.32db
60% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Goat Girl
Sad Cowboy
129 bpm • A min • 05:17 • -7.07db
38% Popularity • 62% Danceability • 77% Energy • 60% Liveness
18% Instrumentalness • 39% Positiveness
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BODEGA
Pillar on the Bridge of You
129 bpm • B Maj • 03:17 • -6.32db
33% Popularity • 60% Danceability • 87% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Viagra Boys
Sports
129 bpm • D Maj • 03:57 • -5db
57% Popularity • 42% Danceability • 77% Energy • 64% Liveness
27% Instrumentalness • 90% Positiveness
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Wunderhorse
Purple
141 bpm • B Maj • 03:22 • -6db
55% Popularity • 27% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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The Lounge Society
People Are Scary
142 bpm • A min • 03:33 • -6db
14% Popularity • 45% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Nomates
Petrol Fumes
142 bpm • F# Maj • 04:10 • -10db
33% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
The Smile
Skrting On The Surface
142 bpm • D min • 05:31 • -10db
51% Popularity • 56% Danceability • 57% Energy • 14% Liveness
74% Instrumentalness • 26% Positiveness
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shame
Friction
128 bpm • F Maj • 04:31 • -3.99db
31% Popularity • 48% Danceability • 92% Energy • 32% Liveness
3% Instrumentalness • 66% Positiveness
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Viagra Boys
Ain't Nice
142 bpm • G Maj • 03:32 • -4db
50% Popularity • 66% Danceability • 92% Energy • 9% Liveness
27% Instrumentalness • 72% Positiveness
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Blur
The Narcissist
128 bpm • C# min • 04:05 • -5.32db
58% Popularity • 56% Danceability • 91% Energy • 57% Liveness
0% Instrumentalness • 52% Positiveness
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Wunderhorse
Butterflies
142 bpm • B Maj • 03:25 • -7.57db
46% Popularity • 43% Danceability • 64% Energy • 19% Liveness
70% Instrumentalness • 17% Positiveness
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LCD Soundsystem
All My Friends
143 bpm • D Maj • 07:42 • -5.61db
60% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
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DEADLETTER
Monday Night Terrors
128 bpm • E min • 03:39 • -8.22db
17% Popularity • 62% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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Inhaler
It Won't Always Be Like This
128 bpm • C# min • 04:04 • -4.74db
55% Popularity • 52% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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The Orielles
Sugar Tastes Like Salt
127 bpm • G Maj • 08:24 • -6db
32% Popularity • 28% Danceability • 98% Energy • 32% Liveness
48% Instrumentalness • 49% Positiveness
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The Cool Greenhouse
Get Unjaded
143 bpm • C# Maj • 03:16 • -5.95db
29% Popularity • 52% Danceability • 98% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
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SOFT PLAY
Steer Clear
127 bpm • A Maj • 02:53 • -6.04db
42% Popularity • 90% Danceability • 60% Energy • 6% Liveness
14% Instrumentalness • 92% Positiveness
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shame
Fingers of Steel
127 bpm • G# Maj • 04:21 • -6db
43% Popularity • 36% Danceability • 93% Energy • 12% Liveness
57% Instrumentalness • 21% Positiveness
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DEADLETTER
Fit For Work
127 bpm • D Maj • 03:19 • -6.94db
28% Popularity • 89% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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The Stone Roses
This Is the One - Remastered
127 bpm • A Maj • 04:59 • -7db
58% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
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Nilüfer Yanya
midnight sun
144 bpm • B min • 04:42 • -8.75db
42% Popularity • 66% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Slowdive
Star Roving
144 bpm • A Maj • 05:38 • -5db
55% Popularity • 32% Danceability • 93% Energy • 29% Liveness
73% Instrumentalness • 40% Positiveness
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The Clockworks
Feels So Real
144 bpm • A min • 03:32 • -6.17db
21% Popularity • 44% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Mysterines
All These Things
144 bpm • G Maj • 04:29 • -2.98db
37% Popularity • 33% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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DITZ
The Warden
144 bpm • C# Maj • 01:45 • -9.06db
42% Popularity • 44% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
61% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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FEET
Peace & Quiet
126 bpm • F min • 01:59 • -7.08db
13% Popularity • 62% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Wet Leg
Being In Love
126 bpm • A min • 02:02 • -4.94db
60% Popularity • 72% Danceability • 69% Energy • 12% Liveness
11% Instrumentalness • 34% Positiveness
► Preview
The Stone Roses
She Bangs the Drums - Remastered
145 bpm • A Maj • 03:52 • -5db
64% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Joy Division
Shadowplay - 2007 Remaster
145 bpm • A Maj • 03:53 • -7.86db
59% Popularity • 43% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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Jackie Down The Line