Songs like Jacob's Theme (instrumental) From the film THE TWILIGHT SAGA: ECLIPSE (Howard Shore) by The Redfeld Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Patrik Pietschmann
Tennessee - Piano Version
80 bpm • C Maj • 03:10 • -20.52db
29% Popularity • 69% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
29% Popularity • 69% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Jan A.P. Kaczmarek
Under The Fence
80 bpm • F Maj • 01:52 • -12.6db
27% Popularity • 30% Danceability • 35% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
27% Popularity • 30% Danceability • 35% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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James Horner
Casper's Lullaby
80 bpm • E min • 05:39 • -34db
39% Popularity • 8% Danceability • 2% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 2% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Newman
Yes
80 bpm • D Maj • 02:05 • -42.16db
27% Popularity • 18% Danceability • 0% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 0% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Dan Redfeld & Elizabeth Hedman
THE TWILIGHT SAGA-ECLIPSE: Jacob's Theme
80 bpm • C Maj • 02:37 • -17.77db
16% Popularity • 23% Danceability • 12% Energy • 25% Liveness
69% Instrumentalness • 10% Positiveness
16% Popularity • 23% Danceability • 12% Energy • 25% Liveness
69% Instrumentalness • 10% Positiveness
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John Williams
A Dream Discarded
80 bpm • A min • 02:00 • -25.3db
28% Popularity • 28% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 28% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
A Dangerous Path
80 bpm • G min • 03:12 • -19.4db
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Enzo De Rosa
De natura
80 bpm • D Maj • 03:36 • -23.05db
8% Popularity • 24% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
8% Popularity • 24% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Patrick Doyle
Letter To Papa
80 bpm • D# Maj • 01:38 • -32.86db
20% Popularity • 26% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
20% Popularity • 26% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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The Twilight Saga: New Moon
Victoria
81 bpm • E min • 02:03 • -25.25db
26% Popularity • 20% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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John Powell
P.S. I Love You
79 bpm • C Maj • 01:23 • -28.16db
46% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
46% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Wesley Sprayue
Across the Stars - Piano
79 bpm • A# Maj • 03:30 • -24.21db
27% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
27% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Junkie XL
Sacrifice
81 bpm • C min • 04:20 • -15.67db
25% Popularity • 7% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Pretty Far From Brooklyn
79 bpm • C Maj • 02:32 • -20.39db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
The Door in the Air - Score
79 bpm • C Maj • 07:50 • -22.54db
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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John Williams
Rudy is Taken
81 bpm • F# min • 02:00 • -15.42db
18% Popularity • 19% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Marriage Bath
81 bpm • A min • 03:28 • -17.17db
23% Popularity • 17% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
23% Popularity • 17% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Brian Crain
Gentle Rain
79 bpm • D# Maj • 03:37 • -18.59db
11% Popularity • 41% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 41% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
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James Horner
Boys Playing Airplanes
79 bpm • D Maj • 04:08 • -18.96db
10% Popularity • 15% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
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The Meridian Studio Ensemble
You're Alive/Memories of Edward from "Th...
81 bpm • G min • 04:29 • -17.92db
5% Popularity • 10% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
5% Popularity • 10% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
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Elmer Bernstein
First Visit
78 bpm • A min • 02:26 • -21.93db
19% Popularity • 21% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Mark Mancina
Wine Glass Suite
78 bpm • F Maj • 03:10 • -22.21db
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Firth
Stillness Of The Mind (A Single Man)
82 bpm • A# Maj • 04:00 • -13.39db
21% Popularity • 18% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Patrick Doyle
Snow In August
82 bpm • D# Maj • 07:03 • -14.81db
36% Popularity • 21% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
27% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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The Hollywood LA Soundtrack Orchestra
The Voyage of the Dawn Treader
82 bpm • C min • 01:08 • -15db
14% Popularity • 14% Danceability • 24% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 24% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
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Deborah Lurie
John And Savannah
78 bpm • D# Maj • 01:55 • -19db
36% Popularity • 15% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
36% Popularity • 15% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Salzberg Symphony Orchestra
Schindlers List
82 bpm • D min • 03:57 • -26.25db
22% Popularity • 8% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 8% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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The Twilight Saga: New Moon
Memories Of Edward
78 bpm • D min • 01:37 • -28.14db
36% Popularity • 19% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
36% Popularity • 19% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
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Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Carl Davis
Dawn / Georgiana
77 bpm • C Maj • 03:33 • -20.7db
18% Popularity • 30% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
18% Popularity • 30% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Edward Cullen
Gnossiennes 1
78 bpm • F min • 04:16 • -28.07db
23% Popularity • 37% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
23% Popularity • 37% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Carl Doy
Bella’s Lullaby
77 bpm • G Maj • 02:58 • -22.24db
34% Popularity • 31% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
34% Popularity • 31% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Clint Mansell
Power, Seduction, Cries
83 bpm • C# Maj • 01:42 • -24db
26% Popularity • 18% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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The Newton Brothers
Go Tomorrow
77 bpm • D Maj • 02:37 • -32.27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Michel Simone
Bella's Lullaby
77 bpm • A min • 02:47 • -14.42db
17% Popularity • 31% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
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The Twilight Saga: New Moon
Break Up
83 bpm • A min • 02:02 • -29.05db
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Mancina
Piano Lullaby
77 bpm • C Maj • 02:07 • -23.37db
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
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Jan A.P. Kaczmarek
Hachi - Last Trip To The Station
83 bpm • A min • 02:07 • -17.47db
27% Popularity • 8% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
27% Popularity • 8% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Antonin Charvat
Shades of Cool
77 bpm • D# min • 05:32 • -14.68db
26% Popularity • 7% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 7% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
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London Music Works
Beethoven: Piano Sonata No. 14 in C-Shar...
77 bpm • C# min • 05:40 • -23.78db
10% Popularity • 35% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
10% Popularity • 35% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Craig Armstrong
Never Been Kissed
84 bpm • G min • 03:01 • -17.73db
31% Popularity • 15% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 18% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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James Horner
Casper: Casper's Lullaby
76 bpm • E min • 05:55 • -23.09db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Ari Posner
Unrequited Love
84 bpm • G min • 02:30 • -25db
45% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
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Kris Bowers
A Love Based on Friendship
84 bpm • A min • 04:19 • -18.68db
42% Popularity • 8% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
42% Popularity • 8% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Brian Crain
Moonrise
76 bpm • A# Maj • 03:23 • -11.67db
22% Popularity • 21% Danceability • 26% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
22% Popularity • 21% Danceability • 26% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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John Williams
Confluence
84 bpm • D min • 03:42 • -18.22db
32% Popularity • 9% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Colin Senses Craven
84 bpm • B Maj • 01:33 • -17.53db
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Ari Posner
No Regrets
84 bpm • G Maj • 01:44 • -21db
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
The Prize Of One's Life... The Prize Of ...
76 bpm • G Maj • 03:02 • -29.43db
28% Popularity • 14% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Kerry Muzzey
The Heart Needs
76 bpm • A# min • 04:37 • -13.87db
30% Popularity • 15% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Patrick Doyle
Knowing You By Heart
76 bpm • D# Maj • 02:32 • -32.92db
26% Popularity • 34% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Mark Northam
Avatar: I See You
84 bpm • A# min • 04:00 • -23db
11% Popularity • 32% Danceability • 4% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
11% Popularity • 32% Danceability • 4% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
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James Horner
Unable to Stay, Unwilling to Leave
84 bpm • F Maj • 03:56 • -22.35db
40% Popularity • 9% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
40% Popularity • 9% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Edward Cullen
American Beauty Piano Theme
76 bpm • F Maj • 02:43 • -24.33db
18% Popularity • 38% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Clint Mansell
The New Season
76 bpm • F Maj • 02:39 • -29.4db
24% Popularity • 8% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Parker & Hachi
84 bpm • A min • 03:29 • -15.03db
21% Popularity • 25% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 25% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Ari Posner
You Can Ride In Back
76 bpm • G min • 01:58 • -22db
34% Popularity • 14% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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James Horner
Rooftop Kiss
84 bpm • G Maj • 03:09 • -19.78db
23% Popularity • 29% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Mark Isham
Leaving Storybrooke
76 bpm • E min • 03:33 • -11.83db
25% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Edward At Her Bed / Bella's Lullaby
85 bpm • E min • 03:33 • -21.69db
43% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
43% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Pain, Loss & Love
85 bpm • F Maj • 05:27 • -25.51db
34% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
29% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Ari Posner
Kindred Spirits
76 bpm • D Maj • 01:01 • -25.82db
39% Popularity • 20% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Kerry Muzzey
An Invincible Summer
85 bpm • F# min • 04:59 • -14.83db
30% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
30% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Christian Henson
Sea Horses
85 bpm • E min • 02:27 • -20.02db
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Daniel Pemberton
Mother
75 bpm • C Maj • 01:59 • -21.91db
32% Popularity • 8% Danceability • 6% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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The Newton Brothers
The Great, Good Place
75 bpm • G min • 01:35 • -18.57db
30% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Dan Redfeld
THE TWILIGHT SAGA-NEW MOON: New Moon
86 bpm • A min • 03:24 • -18.03db
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Elmer Bernstein
Mrs. Mingott's Help
75 bpm • A min • 03:48 • -14.72db
17% Popularity • 17% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
Waltz For John And Mary - Series 3 (Exte...
86 bpm • C Maj • 03:16 • -21.46db
14% Popularity • 24% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 27% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 27% Positiveness
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Steven Bear
And Then I Kissed Him
86 bpm • C Maj • 02:58 • -24.61db
20% Popularity • 43% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
20% Popularity • 43% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Treats From Cate
86 bpm • A min • 01:52 • -25.7db
24% Popularity • 60% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
24% Popularity • 60% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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John Williams
The Garden Meeting
86 bpm • E min • 02:44 • -22.65db
31% Popularity • 12% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Danny Elfman
Little Alice
74 bpm • E Maj • 01:34 • -25.12db
35% Popularity • 20% Danceability • 5% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 5% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
50% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Just Me and You
74 bpm • C min • 02:11 • -33.09db
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
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Brian Crain
Gentle Rain
74 bpm • G min • 03:46 • -18.45db
13% Popularity • 31% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness