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Jahan
Songs like
Jahan
by
127
Based on a tempo of (+/- 10%) and a similar genre
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Heydoo Hedayati
Tifoon
90 bpm • A min • 03:22 • -9db
27% Popularity • 41% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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127
Khosrovan Danand
90 bpm • B min • 05:12 • -9.2db
11% Popularity • 70% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Ballgard
Mirim O Mirim
90 bpm • B Maj • 04:00 • -6.71db
10% Popularity • 73% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Hadi Pakzad
Death Angel
90 bpm • A min • 04:45 • -10db
15% Popularity • 54% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Mehdi Saki
Obscure
90 bpm • D min • 04:24 • -7.38db
25% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Otagh Band
The Dead Are Selfish
90 bpm • A min • 04:42 • -10db
16% Popularity • 40% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Heydoo Hedayati
Soo
90 bpm • G# min • 02:42 • -8db
37% Popularity • 51% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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127
سالهای سال
90 bpm • A min • 04:09 • -10.49db
27% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Farhad Mehrad
Mard-e Tanha
90 bpm • D min • 03:17 • -8db
41% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Soheil Nafisi
Grikhom Nahonden
90 bpm • B min • 05:20 • -10.29db
9% Popularity • 76% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Pallett
Half of Us
91 bpm • E min • 07:15 • -16db
19% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Peyman Salimi
Shab
91 bpm • C# Maj • 04:12 • -7.01db
28% Popularity • 67% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Daal Band
Shabihe Yek Rouya
91 bpm • A min • 03:57 • -10.31db
19% Popularity • 38% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 20% Positiveness
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127
Jahan
90 bpm • E min • 02:58 • -12.75db
4% Popularity • 39% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ebrahim Monsefi
Come On! Come On!/ Bodo! Bodo! - Live
88 bpm • E min • 04:07 • -11.52db
22% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Soheil Nafisi
Makhmoore Jame Eshgham
89 bpm • G Maj • 03:32 • -8.5db
20% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hessam Bahmani
Tehran
92 bpm • F# min • 04:37 • -7.26db
21% Popularity • 40% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Peyman Salimi
Raj
91 bpm • C min • 03:33 • -7.37db
21% Popularity • 44% Danceability • 95% Energy • 11% Liveness
8% Instrumentalness • 50% Positiveness
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Niaz Nawab
Naghsh-e To
92 bpm • A Maj • 05:09 • -8db
24% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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127
Sarbazan Sarnevesht
92 bpm • C Maj • 04:54 • -8.94db
5% Popularity • 67% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Mahya Hamedi
Deng
88 bpm • G min • 05:20 • -9db
27% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Fereidoon Foroughi
Saal Ghahti
87 bpm • G# min • 04:03 • -20db
25% Popularity • 35% Danceability • 10% Energy • 65% Liveness
0% Instrumentalness • 23% Positiveness
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Safir
Beraghs
93 bpm • C Maj • 05:33 • -10.06db
18% Popularity • 36% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Faramarz Aslani
Yaram Koo
87 bpm • C# Maj • 04:11 • -15db
36% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kourosh Yaghmaei
Paiz
87 bpm • A min • 04:20 • -9.02db
31% Popularity • 54% Danceability • 34% Energy • 15% Liveness
6% Instrumentalness • 22% Positiveness
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Jalboat
Lajoon
87 bpm • A Maj • 03:01 • -10.28db
15% Popularity • 73% Danceability • 53% Energy • 17% Liveness
2% Instrumentalness • 58% Positiveness
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Darya Dadvar
Iran
93 bpm • F min • 03:42 • -6.77db
17% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Naser Montazeri
Sarnevesht/ Destiny
87 bpm • F Maj • 02:42 • -15.98db
22% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Golnar & Mahan
Negaram
93 bpm • G# min • 04:38 • -8.35db
15% Popularity • 51% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
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Farhad Mehrad
Ayeneha (Maskh)
94 bpm • A min • 04:27 • -12.17db
36% Popularity • 60% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Soheil Nafissi
Me and You, the Tree and the Rain
94 bpm • B min • 03:27 • -8.96db
15% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Makan Ashgvari
Nazandeh Bala
86 bpm • A Maj • 03:27 • -13.52db
17% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Faramarz Aslani
Yade Gozashte
94 bpm • F Maj • 02:59 • -20db
30% Popularity • 52% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Damahi
Baroon-E Acidi
94 bpm • C min • 05:03 • -10.27db
18% Popularity • 66% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Niaz Nawab
Hagh
94 bpm • F min • 02:02 • -8db
29% Popularity • 76% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Farhad Mehrad
Najva
87 bpm • F min • 03:42 • -8.01db
35% Popularity • 54% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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127
My Little Terrorist Song
86 bpm • B min • 04:01 • -4.39db
2% Popularity • 22% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Pallett
Mosallas
94 bpm • G min • 03:54 • -6.07db
28% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Reza Yazdani
Shomal
94 bpm • G Maj • 04:57 • -7.15db
17% Popularity • 52% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Damahi
Barakoo
94 bpm • E min • 02:58 • -10.26db
33% Popularity • 50% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Triolet Band
Badeye Shabgir
95 bpm • E min • 03:55 • -6.14db
14% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Pallett Band
Tamame Natamam
95 bpm • B min • 02:56 • -15.79db
31% Popularity • 59% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Hamed Nikpay
Deceit (Fareeb)
95 bpm • A# min • 06:11 • -9.37db
25% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Pallett
Endless Ending
95 bpm • B min • 02:56 • -6.43db
31% Popularity • 59% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Soheil Nafissi
The Nights When Burning
85 bpm • A min • 02:40 • -11db
26% Popularity • 70% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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127
Introduction to Khal Punk
85 bpm • C# min • 01:35 • -12.75db
2% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Milad Derakhshani
Beshno
95 bpm • D min • 04:39 • -9.19db
14% Popularity • 61% Danceability • 61% Energy • 6% Liveness
15% Instrumentalness • 79% Positiveness
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Faarjam
Ba Chashmanam
95 bpm • F min • 02:57 • -17.17db
10% Popularity • 67% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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The Ways
Sooto Koor
85 bpm • B min • 03:27 • -7.9db
11% Popularity • 32% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Triolet Band
Bigah
96 bpm • A Maj • 03:51 • -9.43db
12% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Soheil Nafissi
I'm Eyes on the Road for You
96 bpm • F min • 03:52 • -12.41db
10% Popularity • 53% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Naser Montazeri
Vâ Kass Cheh/ Nobody's Business
96 bpm • C Maj • 02:27 • -15.28db
15% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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127
Arman Hayeh Dorosht
95 bpm • G min • 04:16 • -6.06db
8% Popularity • 65% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Farhad Mehrad
Gol-e Yakh
96 bpm • A Maj • 03:34 • -16.46db
26% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Fereidoon Foroughi
Aadamak
84 bpm • B min • 04:09 • -8.27db
19% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Radio Tehran
Sabr kon
96 bpm • A Maj • 02:03 • -9.36db
11% Popularity • 51% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Taha Omrani
Belik
96 bpm • G Maj • 03:50 • -7.16db
24% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Marjan Farsad
Gole Koochak
96 bpm • C Maj • 03:19 • -12.56db
21% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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127
آهنگ اساسی
96 bpm • E min • 04:09 • -8.91db
8% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Soheil Nafisi
Hame-ye-Faslon-e-Doniya
84 bpm • A# min • 04:04 • -10.01db
33% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Shahyar Ghanbari
La la La la (No More Lullabies)
97 bpm • C min • 06:12 • -8db
28% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Farhad Mehrad
Gonjeshkak
83 bpm • C min • 03:42 • -8.64db
29% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Rastaak Hallaj
Lanat Be Settamoon
97 bpm • B min • 02:30 • -4.81db
31% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Milad Derakhshani
ANDAKI SABR
97 bpm • G# Maj • 04:36 • -8.35db
20% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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127
تا این روزها بگذرند
96 bpm • F# min • 03:20 • -12.46db
12% Popularity • 86% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Ebrahim Monsefi
The Whale/ Nahang - Live
97 bpm • F Maj • 02:14 • -13db
29% Popularity • 65% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Shahyar Ghanbari
Fallen-Hearted
83 bpm • C min • 06:36 • -3.98db
26% Popularity • 48% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Soheil Nafisi
Hargezam Mehre To
97 bpm • C Maj • 03:32 • -12.5db
13% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mehdi Saki
Sugar
83 bpm • A min • 05:51 • -8.72db
23% Popularity • 54% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 46% Positiveness
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Mehdi Yarrahi
Nafas
83 bpm • G# min • 04:23 • -9.81db
36% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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127
به راه خود
96 bpm • B min • 06:25 • -11.29db
9% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Reza Yazdani
Navaar
98 bpm • A min • 04:34 • -8.74db
23% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Shahyar Ghanbari
A Poem-Ballad /Ghazalgardi
83 bpm • B min • 04:37 • -5.11db
16% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Soheil Nafisi
Del-e-Kharab
98 bpm • F# min • 03:19 • -10.48db
14% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mehdi Saki
Look
98 bpm • B min • 05:03 • -9.61db
15% Popularity • 52% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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The Ways
Khab Bazi
98 bpm • E min • 04:11 • -8.97db
22% Popularity • 55% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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127
Ha, Chi?
97 bpm • G min • 03:29 • -7.47db
5% Popularity • 58% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Faarjam
Amme
98 bpm • E min • 04:28 • -17.78db
11% Popularity • 72% Danceability • 34% Energy • 17% Liveness
1% Instrumentalness • 49% Positiveness
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Se Noghte Band
You
98 bpm • A# Maj • 03:43 • -5.3db
10% Popularity • 59% Danceability • 78% Energy • 11% Liveness
28% Instrumentalness • 53% Positiveness
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Soheil Nafisi
Del Kharaab
97 bpm • F# min • 03:19 • -11.59db
12% Popularity • 83% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Siriya Ensemble
Leyli
98 bpm • D Maj • 04:03 • -6.2db
24% Popularity • 47% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Niaz Nawab
Dariyâ
82 bpm • D Maj • 02:35 • -5db
32% Popularity • 60% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Rana Farhan
Chooni
82 bpm • D min • 03:35 • -9.53db
18% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Farhad Mehrad
Barf
98 bpm • D# min • 04:35 • -8.69db
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Majid Salari
Baron
82 bpm • C# min • 03:53 • -7.9db
20% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Soheil Nafissi
Ghazal
82 bpm • D# Maj • 03:16 • -11.28db
9% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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King Raam
Lazy Bee (Zanboore Tanbal)
82 bpm • A# Maj • 03:52 • -8.73db
24% Popularity • 25% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Daal Band
Here I Wait
82 bpm • D min • 05:44 • -10.05db
15% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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127
هایده
82 bpm • E Maj • 03:50 • -11.73db
11% Popularity • 56% Danceability • 40% Energy • 11% Liveness
72% Instrumentalness • 28% Positiveness
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Kaveh Afagh
Shaal - The Shawl
82 bpm • D# Maj • 03:25 • -6.48db
38% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Fereidoon Foroughi
Hamisheh Ghayeb
82 bpm • A# min • 04:17 • -12db
28% Popularity • 36% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ali N. Askin
Mara Beboos
100 bpm • G min • 02:53 • -7.65db
32% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Reza Yazdani
Tehran Tehran
81 bpm • G min • 06:54 • -8.33db
28% Popularity • 41% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Daal Band
Walk of Ordibehesht
81 bpm • G Maj • 05:51 • -11.5db
36% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Darya Dadvar
Lalayee
81 bpm • E min • 06:44 • -15.91db
20% Popularity • 32% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Kaveh Afagh
Ey To Ziba
100 bpm • G min • 02:54 • -5.73db
27% Popularity • 42% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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O-Hum
Dar Deyr-e Moghan
81 bpm • D Maj • 04:28 • -9.66db
8% Popularity • 51% Danceability • 61% Energy • 33% Liveness
2% Instrumentalness • 40% Positiveness
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Kaveh Yaghmaei
Mibinamet Hanoozam
81 bpm • D min • 03:58 • -7.67db
21% Popularity • 64% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Hamed Behdad
Not Worth It
100 bpm • E min • 04:48 • -8.47db
10% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Hadi Pakzad
Vertical Cemetery
100 bpm • G min • 04:34 • -8.8db
9% Popularity • 58% Danceability • 60% Energy • 10% Liveness
12% Instrumentalness • 6% Positiveness
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Jahan