Songs like J'aime regarder les filles by Astonvilla
Based on a tempo of (+/- 10%) and a similar genre
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Charlelie Couture
Même à Spielberg
135 bpm • G# Maj • 03:18 • -3.72db
11% Popularity • 53% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 53% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Louise Attaque
L'imposture
135 bpm • B min • 02:23 • -5.78db
45% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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No One Is Innocent
Drugs
135 bpm • G Maj • 03:14 • -4.64db
17% Popularity • 66% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 66% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Astonvilla
J'aime regarder les filles
135 bpm • F# Maj • 03:11 • -7.65db
13% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Dionysos
Tokyo Montana
135 bpm • F Maj • 03:04 • -10.11db
14% Popularity • 47% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 47% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Big Soul
Le Brio (Branchez la guitare)
134 bpm • C# min • 02:06 • -7.88db
46% Popularity • 66% Danceability • 81% Energy • 14% Liveness
2% Instrumentalness • 77% Positiveness
46% Popularity • 66% Danceability • 81% Energy • 14% Liveness
2% Instrumentalness • 77% Positiveness
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Hubert-Félix Thiéfaine
Mathématiques souterraines
136 bpm • E Maj • 04:07 • -8.2db
26% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Babet
Je pense à nous
134 bpm • G Maj • 03:05 • -8.45db
17% Popularity • 61% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Dolly
Le temps qu'il nous reste
134 bpm • E min • 03:57 • -4.11db
4% Popularity • 53% Danceability • 86% Energy • 25% Liveness
43% Instrumentalness • 31% Positiveness
4% Popularity • 53% Danceability • 86% Energy • 25% Liveness
43% Instrumentalness • 31% Positiveness
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Bertrand Cantat
Chuis con
136 bpm • G Maj • 03:20 • -6.59db
18% Popularity • 64% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 64% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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No One Is Innocent
La peur
134 bpm • G Maj • 03:40 • -6db
31% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Riké
Oublie moi
136 bpm • A# min • 02:57 • -5.63db
17% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Hubert-Félix Thiéfaine
Trois poèmes pour Annabel Lee
136 bpm • D# min • 05:16 • -8.75db
24% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Louise Attaque
Tu dis rien
134 bpm • D min • 02:21 • -5.86db
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Deportivo
La Brise
133 bpm • A Maj • 03:42 • -3db
23% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Miossec
Non non non non (Je ne suis plus saoul)
133 bpm • G Maj • 02:26 • -8db
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
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Merzhin
Fait divers
137 bpm • G Maj • 02:23 • -4.12db
19% Popularity • 55% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 55% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Asyl
Interieur - Exterieur
137 bpm • A Maj • 03:23 • -3.46db
13% Popularity • 52% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 52% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Les Wampas
Petite fille
134 bpm • A Maj • 02:39 • -11.63db
36% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Astonvilla
Commun coma
133 bpm • F min • 03:56 • -7.14db
3% Popularity • 57% Danceability • 91% Energy • 32% Liveness
1% Instrumentalness • 61% Positiveness
3% Popularity • 57% Danceability • 91% Energy • 32% Liveness
1% Instrumentalness • 61% Positiveness
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Louise Attaque
Qu'Est Ce Qui Nous Tente
137 bpm • B min • 02:47 • -5.22db
29% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Didier Super
Y'en a marre des pauvres
133 bpm • E min • 03:13 • -9.56db
19% Popularity • 74% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 74% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Merzhin
Bandit
133 bpm • G min • 03:38 • -5.88db
30% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Elista
La vie à deux
137 bpm • C# min • 03:25 • -5.96db
9% Popularity • 56% Danceability • 92% Energy • 56% Liveness
6% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 92% Energy • 56% Liveness
6% Instrumentalness • 96% Positiveness
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Les Wampas
Où Sont Les Femmes?
133 bpm • G Maj • 03:28 • -3db
20% Popularity • 45% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
20% Popularity • 45% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Astonvilla
Les gamins
138 bpm • B min • 03:37 • -9.29db
24% Popularity • 64% Danceability • 62% Energy • 11% Liveness
13% Instrumentalness • 59% Positiveness
24% Popularity • 64% Danceability • 62% Energy • 11% Liveness
13% Instrumentalness • 59% Positiveness
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Dolly
Les mots
138 bpm • E Maj • 04:56 • -6.73db
14% Popularity • 25% Danceability • 55% Energy • 27% Liveness
9% Instrumentalness • 10% Positiveness
14% Popularity • 25% Danceability • 55% Energy • 27% Liveness
9% Instrumentalness • 10% Positiveness
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Blankass
Anna
138 bpm • E min • 04:05 • -4.96db
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Romain Humeau
Toi
138 bpm • A# Maj • 03:33 • -13.08db
12% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Hubert-Félix Thiéfaine
Last Exit to Paradise
138 bpm • F min • 02:42 • -4.12db
10% Popularity • 56% Danceability • 75% Energy • 28% Liveness
59% Instrumentalness • 81% Positiveness
10% Popularity • 56% Danceability • 75% Energy • 28% Liveness
59% Instrumentalness • 81% Positiveness
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Les Wampas
Mon petit PD
138 bpm • E Maj • 02:46 • -3.26db
14% Popularity • 43% Danceability • 93% Energy • 37% Liveness
1% Instrumentalness • 75% Positiveness
14% Popularity • 43% Danceability • 93% Energy • 37% Liveness
1% Instrumentalness • 75% Positiveness
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Miossec
La facture d'électricité
132 bpm • A min • 03:15 • -6db
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Ina-Ich
Libre comme l'eau - Original de l'album
132 bpm • C# Maj • 04:05 • -7.36db
11% Popularity • 58% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 58% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Balbino Medellin
Gitan de Paname
131 bpm • F min • 04:03 • -4.96db
13% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Les Innocents
Un monde parfait
139 bpm • A Maj • 03:50 • -7db
27% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Miossec
Chanson pour les amis
139 bpm • C Maj • 02:19 • -7.24db
10% Popularity • 53% Danceability • 94% Energy • 14% Liveness
71% Instrumentalness • 70% Positiveness
10% Popularity • 53% Danceability • 94% Energy • 14% Liveness
71% Instrumentalness • 70% Positiveness
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Téléphone
Argent trop cher - Remasterisé en 2015
139 bpm • B min • 04:08 • -3db
31% Popularity • 38% Danceability • 95% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
31% Popularity • 38% Danceability • 95% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Da Silva
Tout va pour le mieux
132 bpm • F# Maj • 03:11 • -9.25db
40% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
40% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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ÉTÉ 67
Les pilules
131 bpm • C# Maj • 04:26 • -7db
15% Popularity • 36% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Les Wampas
Jalabert
140 bpm • E Maj • 01:54 • -4.07db
24% Popularity • 42% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 42% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Bill Deraime
Babylone
140 bpm • D min • 07:44 • -7.65db
9% Popularity • 63% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 63% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Hubert-Félix Thiéfaine
22 mai
140 bpm • D Maj • 05:15 • -11.86db
15% Popularity • 39% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 39% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Téléphone
Argent trop cher - Remasterisé en 2006
140 bpm • B min • 04:08 • -2.38db
19% Popularity • 40% Danceability • 97% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
19% Popularity • 40% Danceability • 97% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
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Alister
Qu'est-ce qu'on va faire de toi
140 bpm • E min • 04:02 • -3.84db
36% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Da Silva
Un après-midi à la plage
131 bpm • C# min • 02:04 • -6.6db
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Saez
Des drogues
140 bpm • E min • 05:03 • -7.16db
20% Popularity • 76% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 76% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Dolly
Quand l'herbe nous dévore
130 bpm • F Maj • 03:26 • -7.11db
20% Popularity • 57% Danceability • 86% Energy • 35% Liveness
90% Instrumentalness • 24% Positiveness
20% Popularity • 57% Danceability • 86% Energy • 35% Liveness
90% Instrumentalness • 24% Positiveness
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Astonvilla
Radio disco
140 bpm • D Maj • 03:10 • -6.33db
2% Popularity • 52% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 52% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Benjamin Biolay
Si tu suis mon regard
140 bpm • D Maj • 03:31 • -4.51db
29% Popularity • 60% Danceability • 95% Energy • 28% Liveness
53% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 95% Energy • 28% Liveness
53% Instrumentalness • 67% Positiveness
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Alister
Fille à problèmes
140 bpm • A min • 03:29 • -3db
13% Popularity • 45% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 45% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Matmatah
Derrière ton dos
140 bpm • F# min • 04:01 • -4.27db
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Mademoiselle K
Ça me vexe
140 bpm • B min • 03:27 • -4.96db
46% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Soan
Puisque rien
140 bpm • C Maj • 03:35 • -8.21db
16% Popularity • 54% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 54% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Astonvilla
Invincible
130 bpm • C Maj • 03:43 • -5.69db
17% Popularity • 64% Danceability • 82% Energy • 30% Liveness
5% Instrumentalness • 47% Positiveness
17% Popularity • 64% Danceability • 82% Energy • 30% Liveness
5% Instrumentalness • 47% Positiveness
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Da Silva
Au moment des amours
130 bpm • F Maj • 02:50 • -5db
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
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Babet
Le marin
130 bpm • F Maj • 02:45 • -5.8db
11% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 74% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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No One Is Innocent
Révolution.com
130 bpm • A min • 03:27 • -4.93db
34% Popularity • 51% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 46% Positiveness
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ÉTÉ 67
Dis-moi encore
130 bpm • F min • 03:34 • -6.51db
21% Popularity • 53% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 53% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Miossec
Le critérium
130 bpm • B min • 02:27 • -10.6db
10% Popularity • 61% Danceability • 63% Energy • 13% Liveness
20% Instrumentalness • 53% Positiveness
10% Popularity • 61% Danceability • 63% Energy • 13% Liveness
20% Instrumentalness • 53% Positiveness
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Astonvilla
Voiture française
130 bpm • F# min • 03:33 • -5.07db
16% Popularity • 49% Danceability • 88% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
16% Popularity • 49% Danceability • 88% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Bérurier Noir
Salut à toi
130 bpm • B Maj • 04:30 • -3.35db
46% Popularity • 61% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 61% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Tarmac
Ce Sourire Est Pour Moi
130 bpm • G min • 03:54 • -6.55db
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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Stephan Eicher
1000 Vies
142 bpm • C min • 04:20 • -7.68db
25% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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ÉTÉ 67
Tu n'es pas lÃ
128 bpm • E min • 03:31 • -5.49db
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
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No One Is Innocent
US Festival
142 bpm • E min • 03:03 • -4.98db
16% Popularity • 32% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 32% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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Astonvilla
Julia
130 bpm • G# Maj • 03:40 • -8.85db
20% Popularity • 58% Danceability • 59% Energy • 7% Liveness
52% Instrumentalness • 64% Positiveness
20% Popularity • 58% Danceability • 59% Energy • 7% Liveness
52% Instrumentalness • 64% Positiveness
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Les Satellites
Les Américains
130 bpm • G Maj • 04:11 • -11.55db
12% Popularity • 70% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 70% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Mick Est Tout Seul
La Clé des chants
142 bpm • D Maj • 03:54 • -6db
9% Popularity • 61% Danceability • 64% Energy • 20% Liveness
77% Instrumentalness • 90% Positiveness
9% Popularity • 61% Danceability • 64% Energy • 20% Liveness
77% Instrumentalness • 90% Positiveness
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Soan
Next Time
128 bpm • G Maj • 02:43 • -7.92db
26% Popularity • 74% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 74% Danceability • 68% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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As De Trêfle
Ça ou d'la merde
128 bpm • G Maj • 04:15 • -3.73db
9% Popularity • 65% Danceability • 81% Energy • 63% Liveness
3% Instrumentalness • 77% Positiveness
9% Popularity • 65% Danceability • 81% Energy • 63% Liveness
3% Instrumentalness • 77% Positiveness
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Matmatah
Nous y sommes
128 bpm • E min • 04:17 • -6db
41% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Astonvilla
Tête de lune
130 bpm • A Maj • 04:42 • -3.81db
20% Popularity • 50% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 50% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Taxi Girl
Cherchez le garçon
143 bpm • G min • 04:11 • -6.33db
41% Popularity • 71% Danceability • 84% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
41% Popularity • 71% Danceability • 84% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
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Axel Bauer
Eteins la lumière
144 bpm • E min • 04:18 • -9.08db
46% Popularity • 50% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 46% Positiveness
46% Popularity • 50% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 46% Positiveness
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Soan
Il ne se passe rien
128 bpm • D# min • 02:48 • -7.91db
13% Popularity • 67% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 67% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Ours
La Cafard des fanfares
144 bpm • B min • 04:18 • -9db
14% Popularity • 75% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 75% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Hubert-Félix Thiéfaine
113ème cigarette sans dormir - 2018 Rem...
127 bpm • A min • 04:40 • -7.91db
34% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Astonvilla
Je cultive
130 bpm • G Maj • 02:55 • -12.39db
0% Popularity • 73% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 73% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Les Négresses Vertes
Famille heureuse
126 bpm • A min • 03:57 • -5db
30% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Daniel Darc
J'irai au Paradis
126 bpm • C# min • 03:51 • -6.12db
23% Popularity • 70% Danceability • 76% Energy • 3% Liveness
68% Instrumentalness • 69% Positiveness
23% Popularity • 70% Danceability • 76% Energy • 3% Liveness
68% Instrumentalness • 69% Positiveness
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Merzhin
Conscience
126 bpm • E min • 03:44 • -4db
26% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Les Wampas
J'ai avalé une mouche
126 bpm • A Maj • 02:31 • -2.17db
26% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Romeo
Petite conne
126 bpm • D# Maj • 03:26 • -7.06db
10% Popularity • 72% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 72% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Astonvilla
Message terminé - Live
143 bpm • F# min • 06:25 • -10.51db
4% Popularity • 45% Danceability • 87% Energy • 70% Liveness
27% Instrumentalness • 66% Positiveness
4% Popularity • 45% Danceability • 87% Energy • 70% Liveness
27% Instrumentalness • 66% Positiveness
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Les Innocents
Je vais à Bang-Bang
126 bpm • D Maj • 03:49 • -5.95db
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Téléphone
Crache ton venin - Remasterisé en 2015
126 bpm • D Maj • 04:58 • -6.2db
28% Popularity • 49% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 49% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Louise Attaque
Arrache-moi
126 bpm • A Maj • 02:00 • -11.28db
37% Popularity • 45% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
37% Popularity • 45% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Merzhin
Et toi et moi
125 bpm • C min • 03:27 • -7db
34% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
34% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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William Sheller
Tout ira bien
125 bpm • D Maj • 02:53 • -7.92db
10% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Astonvilla
Rockmusic
127 bpm • F Maj • 03:02 • -1.47db
21% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Alain Bashung
Comme un Lego
125 bpm • E min • 09:04 • -7db
30% Popularity • 61% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 61% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Francis Cabrel
Madame n'aime pas
125 bpm • D Maj • 03:31 • -11.64db
36% Popularity • 67% Danceability • 56% Energy • 12% Liveness
19% Instrumentalness • 37% Positiveness
36% Popularity • 67% Danceability • 56% Energy • 12% Liveness
19% Instrumentalness • 37% Positiveness
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Elista
Debout
125 bpm • C Maj • 03:17 • -5.73db
21% Popularity • 60% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 60% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Matmatah
Marée haute
125 bpm • C min • 04:08 • -6.2db
36% Popularity • 57% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
36% Popularity • 57% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
