Songs like Jamaica to Miami - Rebel Sonix vs Geek Boy Remix by Urban Knights
Based on a tempo of (+/- 10%) and a similar genre
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Urban Knights
Fall Forward
108 bpm • F Maj • 04:40 • -7.1db
4% Popularity • 82% Danceability • 72% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
4% Popularity • 82% Danceability • 72% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
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Ramsey Lewis
Tequila Mockingbird
108 bpm • A# Maj • 06:16 • -5.39db
5% Popularity • 71% Danceability • 71% Energy • 7% Liveness
44% Instrumentalness • 75% Positiveness
5% Popularity • 71% Danceability • 71% Energy • 7% Liveness
44% Instrumentalness • 75% Positiveness
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Pamela Williams
Fly Away With Me
108 bpm • F min • 04:30 • -6.38db
33% Popularity • 80% Danceability • 79% Energy • 6% Liveness
92% Instrumentalness • 68% Positiveness
33% Popularity • 80% Danceability • 79% Energy • 6% Liveness
92% Instrumentalness • 68% Positiveness
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Gail Jhonson
Feel Good Groove
108 bpm • E min • 03:50 • -12.79db
30% Popularity • 68% Danceability • 59% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
30% Popularity • 68% Danceability • 59% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Blake Aaron
Drive
108 bpm • F min • 04:19 • -7.99db
38% Popularity • 68% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 69% Positiveness
38% Popularity • 68% Danceability • 86% Energy • 5% Liveness
70% Instrumentalness • 69% Positiveness
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JJ Sansaverino
Style and Elegance
108 bpm • C Maj • 04:12 • -9.06db
37% Popularity • 78% Danceability • 58% Energy • 6% Liveness
79% Instrumentalness • 50% Positiveness
37% Popularity • 78% Danceability • 58% Energy • 6% Liveness
79% Instrumentalness • 50% Positiveness
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Urban Knights
Sly
108 bpm • G Maj • 05:44 • -7.34db
4% Popularity • 80% Danceability • 77% Energy • 13% Liveness
77% Instrumentalness • 38% Positiveness
4% Popularity • 80% Danceability • 77% Energy • 13% Liveness
77% Instrumentalness • 38% Positiveness
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Everette Harp
Monday Speaks
107 bpm • F Maj • 04:51 • -9.36db
30% Popularity • 69% Danceability • 76% Energy • 12% Liveness
33% Instrumentalness • 61% Positiveness
30% Popularity • 69% Danceability • 76% Energy • 12% Liveness
33% Instrumentalness • 61% Positiveness
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Pamela Williams
Positive Vibe
108 bpm • D# Maj • 03:25 • -5.16db
29% Popularity • 80% Danceability • 75% Energy • 10% Liveness
26% Instrumentalness • 70% Positiveness
29% Popularity • 80% Danceability • 75% Energy • 10% Liveness
26% Instrumentalness • 70% Positiveness
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Brian Tarquin
Darlin Darlin Baby
109 bpm • B min • 03:27 • -7db
34% Popularity • 63% Danceability • 88% Energy • 35% Liveness
53% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 88% Energy • 35% Liveness
53% Instrumentalness • 72% Positiveness
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The Sax Pack
Wanna Get Closer
109 bpm • C Maj • 03:46 • -7.73db
37% Popularity • 74% Danceability • 70% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
37% Popularity • 74% Danceability • 70% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
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Michael Lington
Midnight Drive
109 bpm • F min • 04:15 • -9.27db
45% Popularity • 75% Danceability • 48% Energy • 7% Liveness
78% Instrumentalness • 68% Positiveness
45% Popularity • 75% Danceability • 48% Energy • 7% Liveness
78% Instrumentalness • 68% Positiveness
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Les Sabler
Bridge the Gap
107 bpm • D Maj • 04:32 • -8.68db
36% Popularity • 68% Danceability • 70% Energy • 11% Liveness
76% Instrumentalness • 56% Positiveness
36% Popularity • 68% Danceability • 70% Energy • 11% Liveness
76% Instrumentalness • 56% Positiveness
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Jazz Holdouts
Night Mist
107 bpm • D Maj • 03:45 • -11.34db
29% Popularity • 74% Danceability • 57% Energy • 13% Liveness
66% Instrumentalness • 74% Positiveness
29% Popularity • 74% Danceability • 57% Energy • 13% Liveness
66% Instrumentalness • 74% Positiveness
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Pamela Williams
Frobidden Fruit
107 bpm • B min • 03:22 • -6.4db
38% Popularity • 70% Danceability • 65% Energy • 4% Liveness
14% Instrumentalness • 66% Positiveness
38% Popularity • 70% Danceability • 65% Energy • 4% Liveness
14% Instrumentalness • 66% Positiveness
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Bob Mamet
Morningside
107 bpm • G# Maj • 03:57 • -11db
26% Popularity • 76% Danceability • 63% Energy • 5% Liveness
85% Instrumentalness • 73% Positiveness
26% Popularity • 76% Danceability • 63% Energy • 5% Liveness
85% Instrumentalness • 73% Positiveness
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Jacob Webb
Belmont Ave
107 bpm • F Maj • 03:58 • -9db
31% Popularity • 68% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 45% Positiveness
31% Popularity • 68% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 45% Positiveness
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Jonathan Fritzén
One Night With You
107 bpm • F Maj • 04:13 • -9.54db
46% Popularity • 72% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 29% Positiveness
46% Popularity • 72% Danceability • 45% Energy • 10% Liveness
78% Instrumentalness • 29% Positiveness
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Cal Harris Jr.
Endless Summer
109 bpm • F min • 03:40 • -10db
42% Popularity • 75% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
42% Popularity • 75% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
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Greg Adams
Midnight Morning
109 bpm • G# Maj • 03:35 • -9.88db
31% Popularity • 79% Danceability • 61% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
31% Popularity • 79% Danceability • 61% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
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Urban Knights
Get Up
106 bpm • D# min • 03:47 • -9.28db
8% Popularity • 73% Danceability • 58% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
8% Popularity • 73% Danceability • 58% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
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Willie Bradley
It's On Now
106 bpm • F min • 03:48 • -6.31db
42% Popularity • 70% Danceability • 70% Energy • 4% Liveness
23% Instrumentalness • 94% Positiveness
42% Popularity • 70% Danceability • 70% Energy • 4% Liveness
23% Instrumentalness • 94% Positiveness
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Ramsey Lewis
And I Love Her
110 bpm • F min • 04:10 • -16.32db
11% Popularity • 76% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
11% Popularity • 76% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
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Dee Brown
Love You Too
110 bpm • G Maj • 03:48 • -7.52db
41% Popularity • 68% Danceability • 81% Energy • 18% Liveness
90% Instrumentalness • 86% Positiveness
41% Popularity • 68% Danceability • 81% Energy • 18% Liveness
90% Instrumentalness • 86% Positiveness
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Steve Oliver
Feeling Good
110 bpm • F# Maj • 04:59 • -6.54db
39% Popularity • 76% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 81% Energy • 9% Liveness
93% Instrumentalness • 81% Positiveness
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Greg Manning
Top Down
110 bpm • G Maj • 04:22 • -7.26db
42% Popularity • 77% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 59% Positiveness
42% Popularity • 77% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 59% Positiveness
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Kevin Toney
How 'Bout That
110 bpm • A min • 04:54 • -8.66db
29% Popularity • 68% Danceability • 85% Energy • 3% Liveness
73% Instrumentalness • 66% Positiveness
29% Popularity • 68% Danceability • 85% Energy • 3% Liveness
73% Instrumentalness • 66% Positiveness
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The Sax Pack
A Little Bit Closer
106 bpm • A# min • 04:40 • -7.67db
31% Popularity • 69% Danceability • 77% Energy • 8% Liveness
16% Instrumentalness • 77% Positiveness
31% Popularity • 69% Danceability • 77% Energy • 8% Liveness
16% Instrumentalness • 77% Positiveness
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David P Stevens
For the Win
110 bpm • B min • 03:45 • -5db
22% Popularity • 73% Danceability • 71% Energy • 8% Liveness
82% Instrumentalness • 66% Positiveness
22% Popularity • 73% Danceability • 71% Energy • 8% Liveness
82% Instrumentalness • 66% Positiveness
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Chris Standring
Have Your Cake And Eat It
106 bpm • G min • 04:03 • -9.69db
48% Popularity • 80% Danceability • 48% Energy • 22% Liveness
28% Instrumentalness • 65% Positiveness
48% Popularity • 80% Danceability • 48% Energy • 22% Liveness
28% Instrumentalness • 65% Positiveness
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Kayla Waters
Undulation
110 bpm • C# Maj • 04:53 • -9.19db
29% Popularity • 66% Danceability • 57% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
29% Popularity • 66% Danceability • 57% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
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Greg Manning
Caribbean Breeze
106 bpm • C# Maj • 03:42 • -8.65db
42% Popularity • 73% Danceability • 77% Energy • 5% Liveness
93% Instrumentalness • 68% Positiveness
42% Popularity • 73% Danceability • 77% Energy • 5% Liveness
93% Instrumentalness • 68% Positiveness
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Tim Bowman
All My Life
106 bpm • E min • 03:52 • -8.18db
26% Popularity • 69% Danceability • 93% Energy • 22% Liveness
49% Instrumentalness • 77% Positiveness
26% Popularity • 69% Danceability • 93% Energy • 22% Liveness
49% Instrumentalness • 77% Positiveness
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Jeff Ryan
Up and Up
106 bpm • G# Maj • 04:18 • -6.18db
29% Popularity • 65% Danceability • 74% Energy • 5% Liveness
61% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 74% Energy • 5% Liveness
61% Instrumentalness • 56% Positiveness
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Vibes Alive
Lighthouse
110 bpm • E min • 04:24 • -9db
31% Popularity • 67% Danceability • 81% Energy • 11% Liveness
85% Instrumentalness • 82% Positiveness
31% Popularity • 67% Danceability • 81% Energy • 11% Liveness
85% Instrumentalness • 82% Positiveness
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Paul Taylor
Til We Meet Again
106 bpm • C# Maj • 04:31 • -9.88db
29% Popularity • 65% Danceability • 48% Energy • 5% Liveness
5% Instrumentalness • 51% Positiveness
29% Popularity • 65% Danceability • 48% Energy • 5% Liveness
5% Instrumentalness • 51% Positiveness
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Ronny Jordan
Summer Smile
106 bpm • G Maj • 05:46 • -17.01db
28% Popularity • 80% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
28% Popularity • 80% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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BWB
Groovin'
106 bpm • B min • 04:47 • -8.39db
24% Popularity • 64% Danceability • 69% Energy • 6% Liveness
65% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 69% Energy • 6% Liveness
65% Instrumentalness • 85% Positiveness
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Urban Knights
Sign Your Name
105 bpm • F# min • 04:15 • -3.32db
3% Popularity • 79% Danceability • 88% Energy • 15% Liveness
53% Instrumentalness • 86% Positiveness
3% Popularity • 79% Danceability • 88% Energy • 15% Liveness
53% Instrumentalness • 86% Positiveness
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The Sax Pack
All I Really Want
111 bpm • C Maj • 04:24 • -8db
34% Popularity • 68% Danceability • 54% Energy • 6% Liveness
80% Instrumentalness • 26% Positiveness
34% Popularity • 68% Danceability • 54% Energy • 6% Liveness
80% Instrumentalness • 26% Positiveness
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Ramsey Lewis
Baby What You Want Me To Do
105 bpm • A Maj • 05:02 • -7.59db
6% Popularity • 68% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
6% Popularity • 68% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 62% Positiveness
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Dan Siegel
Street Talk
111 bpm • G min • 03:44 • -9.48db
40% Popularity • 79% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
40% Popularity • 79% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
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Dee Brown
I Will
105 bpm • C Maj • 04:20 • -9.45db
46% Popularity • 66% Danceability • 76% Energy • 13% Liveness
84% Instrumentalness • 77% Positiveness
46% Popularity • 66% Danceability • 76% Energy • 13% Liveness
84% Instrumentalness • 77% Positiveness
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Cal Harris Jr.
Timeline
111 bpm • C# Maj • 04:07 • -11.59db
51% Popularity • 78% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 62% Positiveness
51% Popularity • 78% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 62% Positiveness
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Ryan Montano
Soulfully
105 bpm • E min • 04:10 • -7.2db
34% Popularity • 70% Danceability • 84% Energy • 13% Liveness
94% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 84% Energy • 13% Liveness
94% Instrumentalness • 68% Positiveness
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Chris Standring
Ready Steady Flow
105 bpm • G Maj • 04:29 • -10db
36% Popularity • 89% Danceability • 59% Energy • 34% Liveness
39% Instrumentalness • 83% Positiveness
36% Popularity • 89% Danceability • 59% Energy • 34% Liveness
39% Instrumentalness • 83% Positiveness
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Paul Taylor
Burnin’
105 bpm • D# min • 03:55 • -7.34db
27% Popularity • 80% Danceability • 93% Energy • 3% Liveness
89% Instrumentalness • 93% Positiveness
27% Popularity • 80% Danceability • 93% Energy • 3% Liveness
89% Instrumentalness • 93% Positiveness
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Braxton Brothers
Forever Together
105 bpm • F min • 04:16 • -7.69db
28% Popularity • 72% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 69% Positiveness
28% Popularity • 72% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 69% Positiveness
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Dee Brown
I Want You Too
105 bpm • F min • 03:40 • -5.66db
32% Popularity • 60% Danceability • 79% Energy • 51% Liveness
38% Instrumentalness • 72% Positiveness
32% Popularity • 60% Danceability • 79% Energy • 51% Liveness
38% Instrumentalness • 72% Positiveness
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Lin Rountree
Pass the Groove
105 bpm • F min • 04:14 • -6.77db
20% Popularity • 79% Danceability • 88% Energy • 12% Liveness
73% Instrumentalness • 69% Positiveness
20% Popularity • 79% Danceability • 88% Energy • 12% Liveness
73% Instrumentalness • 69% Positiveness
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3rd Force
Believe In Me
105 bpm • A# min • 05:19 • -8.12db
23% Popularity • 69% Danceability • 86% Energy • 24% Liveness
30% Instrumentalness • 74% Positiveness
23% Popularity • 69% Danceability • 86% Energy • 24% Liveness
30% Instrumentalness • 74% Positiveness
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Four80East
Montreux
105 bpm • G Maj • 04:52 • -11.68db
42% Popularity • 69% Danceability • 75% Energy • 9% Liveness
89% Instrumentalness • 83% Positiveness
42% Popularity • 69% Danceability • 75% Energy • 9% Liveness
89% Instrumentalness • 83% Positiveness
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Paul Taylor
Nightlife
105 bpm • C# Maj • 04:31 • -5.81db
36% Popularity • 80% Danceability • 74% Energy • 6% Liveness
52% Instrumentalness • 67% Positiveness
36% Popularity • 80% Danceability • 74% Energy • 6% Liveness
52% Instrumentalness • 67% Positiveness
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Nathan Mitchell
Swing City
105 bpm • F min • 04:05 • -7.44db
42% Popularity • 75% Danceability • 72% Energy • 17% Liveness
57% Instrumentalness • 58% Positiveness
42% Popularity • 75% Danceability • 72% Energy • 17% Liveness
57% Instrumentalness • 58% Positiveness
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Cindy Bradley
Button Legs
105 bpm • A# min • 05:25 • -9.52db
17% Popularity • 75% Danceability • 66% Energy • 18% Liveness
86% Instrumentalness • 74% Positiveness
17% Popularity • 75% Danceability • 66% Energy • 18% Liveness
86% Instrumentalness • 74% Positiveness
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The Sax Pack
Like Old Times
105 bpm • F Maj • 04:35 • -7.05db
31% Popularity • 72% Danceability • 71% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
31% Popularity • 72% Danceability • 71% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Braxton Brothers
Catalina Nights
105 bpm • F min • 04:04 • -6.32db
25% Popularity • 68% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
25% Popularity • 68% Danceability • 66% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
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Jeanette Harris
You Can Dance (Instrumental)
105 bpm • C min • 04:04 • -7.52db
23% Popularity • 63% Danceability • 64% Energy • 9% Liveness
79% Instrumentalness • 74% Positiveness
23% Popularity • 63% Danceability • 64% Energy • 9% Liveness
79% Instrumentalness • 74% Positiveness
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Jazz Holdouts
Mary's Song
112 bpm • G Maj • 04:18 • -10.14db
37% Popularity • 65% Danceability • 63% Energy • 13% Liveness
84% Instrumentalness • 64% Positiveness
37% Popularity • 65% Danceability • 63% Energy • 13% Liveness
84% Instrumentalness • 64% Positiveness
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Pamela Williams
A House Is Not A Home
105 bpm • C Maj • 06:57 • -6.64db
29% Popularity • 36% Danceability • 46% Energy • 13% Liveness
58% Instrumentalness • 9% Positiveness
29% Popularity • 36% Danceability • 46% Energy • 13% Liveness
58% Instrumentalness • 9% Positiveness
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Hiroshima
Someday Soon
112 bpm • G# Maj • 03:57 • -7.86db
30% Popularity • 68% Danceability • 63% Energy • 8% Liveness
43% Instrumentalness • 78% Positiveness
30% Popularity • 68% Danceability • 63% Energy • 8% Liveness
43% Instrumentalness • 78% Positiveness
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Jacob Webb
Details
112 bpm • D# Maj • 03:59 • -8.33db
31% Popularity • 65% Danceability • 79% Energy • 14% Liveness
26% Instrumentalness • 64% Positiveness
31% Popularity • 65% Danceability • 79% Energy • 14% Liveness
26% Instrumentalness • 64% Positiveness
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Kevin Toney
Goin' Out of My Head
104 bpm • G Maj • 04:44 • -6.77db
26% Popularity • 67% Danceability • 75% Energy • 25% Liveness
86% Instrumentalness • 57% Positiveness
26% Popularity • 67% Danceability • 75% Energy • 25% Liveness
86% Instrumentalness • 57% Positiveness
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Dave Bradshaw Jr.
Flipside
112 bpm • G Maj • 03:47 • -8.12db
22% Popularity • 68% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 89% Positiveness
22% Popularity • 68% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 89% Positiveness
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Jazz Holdouts
Mary's Song (Radio Edit)
112 bpm • G Maj • 03:56 • -12db
36% Popularity • 65% Danceability • 53% Energy • 7% Liveness
79% Instrumentalness • 63% Positiveness
36% Popularity • 65% Danceability • 53% Energy • 7% Liveness
79% Instrumentalness • 63% Positiveness
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Doc Powell
Me Myself & Rio De Novo
104 bpm • B Maj • 04:21 • -8.38db
40% Popularity • 65% Danceability • 77% Energy • 18% Liveness
86% Instrumentalness • 91% Positiveness
40% Popularity • 65% Danceability • 77% Energy • 18% Liveness
86% Instrumentalness • 91% Positiveness
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Jessy J
Second Chances
104 bpm • G# Maj • 03:42 • -9db
41% Popularity • 70% Danceability • 70% Energy • 9% Liveness
86% Instrumentalness • 64% Positiveness
41% Popularity • 70% Danceability • 70% Energy • 9% Liveness
86% Instrumentalness • 64% Positiveness
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Jonathan Fritzén
Keys to Paradise
104 bpm • C min • 04:01 • -9.45db
38% Popularity • 58% Danceability • 63% Energy • 35% Liveness
88% Instrumentalness • 57% Positiveness
38% Popularity • 58% Danceability • 63% Energy • 35% Liveness
88% Instrumentalness • 57% Positiveness
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Urban Knights
Dancing Angels
104 bpm • G# Maj • 03:59 • -6.31db
17% Popularity • 61% Danceability • 87% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
17% Popularity • 61% Danceability • 87% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
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Kim Pensyl
Minute By Minute
104 bpm • G Maj • 05:00 • -10.43db
27% Popularity • 77% Danceability • 45% Energy • 7% Liveness
75% Instrumentalness • 75% Positiveness
27% Popularity • 77% Danceability • 45% Energy • 7% Liveness
75% Instrumentalness • 75% Positiveness
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Cal Harris Jr.
Bridges
104 bpm • G# Maj • 04:07 • -11.97db
25% Popularity • 68% Danceability • 44% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
25% Popularity • 68% Danceability • 44% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
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James 'PJ' Spraggins
Autumn Breeze
104 bpm • E min • 05:47 • -12.74db
20% Popularity • 63% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 16% Positiveness
20% Popularity • 63% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 16% Positiveness
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The Sax Pack
Can't Help Myself
113 bpm • F min • 04:12 • -8.03db
42% Popularity • 76% Danceability • 75% Energy • 6% Liveness
85% Instrumentalness • 76% Positiveness
42% Popularity • 76% Danceability • 75% Energy • 6% Liveness
85% Instrumentalness • 76% Positiveness
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Gail Jhonson
Uptown Philly
113 bpm • F min • 04:08 • -5.9db
21% Popularity • 72% Danceability • 67% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
21% Popularity • 72% Danceability • 67% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
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Urban Knights
I Can See Clearly Now
104 bpm • B min • 05:00 • -6.62db
3% Popularity • 74% Danceability • 68% Energy • 17% Liveness
62% Instrumentalness • 78% Positiveness
3% Popularity • 74% Danceability • 68% Energy • 17% Liveness
62% Instrumentalness • 78% Positiveness
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Braxton Brothers
Let's Have a Good Time
113 bpm • C Maj • 03:53 • -7db
42% Popularity • 74% Danceability • 70% Energy • 11% Liveness
85% Instrumentalness • 86% Positiveness
42% Popularity • 74% Danceability • 70% Energy • 11% Liveness
85% Instrumentalness • 86% Positiveness
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Cal Harris Jr.
Breakthrough
113 bpm • A min • 04:13 • -9.81db
28% Popularity • 75% Danceability • 62% Energy • 20% Liveness
50% Instrumentalness • 60% Positiveness
28% Popularity • 75% Danceability • 62% Energy • 20% Liveness
50% Instrumentalness • 60% Positiveness
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Andy Snitzer
Velvet
103 bpm • B min • 04:26 • -10.99db
30% Popularity • 74% Danceability • 49% Energy • 6% Liveness
63% Instrumentalness • 20% Positiveness
30% Popularity • 74% Danceability • 49% Energy • 6% Liveness
63% Instrumentalness • 20% Positiveness
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James 'PJ' Spraggins
Up from Here
103 bpm • B min • 03:35 • -7.71db
35% Popularity • 66% Danceability • 68% Energy • 20% Liveness
82% Instrumentalness • 81% Positiveness
35% Popularity • 66% Danceability • 68% Energy • 20% Liveness
82% Instrumentalness • 81% Positiveness
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Jonathan Fritzén
Day After Day
103 bpm • B min • 04:18 • -9.95db
36% Popularity • 74% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
36% Popularity • 74% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
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Urban Knights
Sweet Home Chicago
104 bpm • E min • 03:52 • -6.11db
44% Popularity • 76% Danceability • 80% Energy • 5% Liveness
86% Instrumentalness • 82% Positiveness
44% Popularity • 76% Danceability • 80% Energy • 5% Liveness
86% Instrumentalness • 82% Positiveness
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LeBron
Groove City
103 bpm • F min • 04:04 • -8db
13% Popularity • 74% Danceability • 76% Energy • 9% Liveness
21% Instrumentalness • 68% Positiveness
13% Popularity • 74% Danceability • 76% Energy • 9% Liveness
21% Instrumentalness • 68% Positiveness
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Everette Harp
Old School
103 bpm • C Maj • 04:26 • -8.25db
48% Popularity • 77% Danceability • 61% Energy • 11% Liveness
62% Instrumentalness • 55% Positiveness
48% Popularity • 77% Danceability • 61% Energy • 11% Liveness
62% Instrumentalness • 55% Positiveness
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Lisa Addeo
High Heels
103 bpm • G# Maj • 04:09 • -6.13db
40% Popularity • 68% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 82% Positiveness
40% Popularity • 68% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 82% Positiveness
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Greg Manning
Sunrise Boulevard
103 bpm • F min • 04:16 • -7.19db
23% Popularity • 81% Danceability • 70% Energy • 5% Liveness
70% Instrumentalness • 82% Positiveness
23% Popularity • 81% Danceability • 70% Energy • 5% Liveness
70% Instrumentalness • 82% Positiveness
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Paula Atherton
My Song for You
103 bpm • E min • 04:38 • -6db
43% Popularity • 70% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
43% Popularity • 70% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Jacob Webb
Groovin' J
103 bpm • A# min • 04:26 • -8.46db
44% Popularity • 72% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
44% Popularity • 72% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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Oli Silk
All We Need
114 bpm • F min • 03:31 • -8db
42% Popularity • 87% Danceability • 73% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
42% Popularity • 87% Danceability • 73% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Ramsey Lewis
Armando's Rhumba
114 bpm • C# Maj • 03:35 • -17.22db
2% Popularity • 68% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
2% Popularity • 68% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Jeanette Harris
All I Do
114 bpm • G min • 04:51 • -8.48db
26% Popularity • 68% Danceability • 64% Energy • 15% Liveness
21% Instrumentalness • 59% Positiveness
26% Popularity • 68% Danceability • 64% Energy • 15% Liveness
21% Instrumentalness • 59% Positiveness
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Tim Bowman
Seaside Drive
114 bpm • D Maj • 03:56 • -8.8db
31% Popularity • 68% Danceability • 74% Energy • 38% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 68% Danceability • 74% Energy • 38% Liveness
85% Instrumentalness • 66% Positiveness
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Pamela Williams
Afterglow
114 bpm • F min • 03:57 • -8.36db
37% Popularity • 77% Danceability • 63% Energy • 15% Liveness
81% Instrumentalness • 68% Positiveness
37% Popularity • 77% Danceability • 63% Energy • 15% Liveness
81% Instrumentalness • 68% Positiveness
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Braxton Brothers
When Love Comes Around
114 bpm • F min • 03:56 • -10.16db
31% Popularity • 80% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
31% Popularity • 80% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
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Oli Silk
Latin Haze
102 bpm • F min • 05:48 • -8db
28% Popularity • 72% Danceability • 66% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 66% Energy • 9% Liveness
84% Instrumentalness • 92% Positiveness
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Urban Knights
Church
102 bpm • C# Maj • 04:29 • -7.52db
6% Popularity • 74% Danceability • 62% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
6% Popularity • 74% Danceability • 62% Energy • 13% Liveness
50% Instrumentalness • 72% Positiveness
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Count Basic
Joy And Pain - US Radio Edit
102 bpm • C Maj • 04:08 • -13.67db
30% Popularity • 69% Danceability • 51% Energy • 36% Liveness
59% Instrumentalness • 73% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 36% Liveness
59% Instrumentalness • 73% Positiveness
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Tim Bowman
City Lights
114 bpm • C# Maj • 04:13 • -9.13db
30% Popularity • 66% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
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Bobby Lyle
Nujazzy
102 bpm • G min • 05:10 • -11.33db
18% Popularity • 62% Danceability • 61% Energy • 2% Liveness
65% Instrumentalness • 74% Positiveness
18% Popularity • 62% Danceability • 61% Energy • 2% Liveness
65% Instrumentalness • 74% Positiveness
