Songs like Jaz by Marcel Fengler
Based on a tempo of (+/- 10%) and a similar genre
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Marcel Fengler
Jaz
126 bpm • A# min • 05:59 • -11.1db
19% Popularity • 67% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
19% Popularity • 67% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Donato Dozzy
Filo
126 bpm • D Maj • 05:54 • -12.68db
20% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
20% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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John Tejada
Reactivation
126 bpm • F# Maj • 06:21 • -10.09db
14% Popularity • 74% Danceability • 72% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
14% Popularity • 74% Danceability • 72% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Locked Groove
From Beyond
126 bpm • A# min • 06:57 • -13db
20% Popularity • 76% Danceability • 86% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
20% Popularity • 76% Danceability • 86% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Sei A
Inter Spaced
126 bpm • E Maj • 06:13 • -11.73db
22% Popularity • 80% Danceability • 64% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
22% Popularity • 80% Danceability • 64% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
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Daniel Avery
Sensation (Rrose Remix) - mixed
126 bpm • G Maj • 06:14 • -17.8db
26% Popularity • 54% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
26% Popularity • 54% Danceability • 56% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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Dorisburg
Tecken II
126 bpm • D Maj • 07:34 • -14.5db
9% Popularity • 80% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
9% Popularity • 80% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Arkajo
Void Pyramid - A
126 bpm • A# min • 06:17 • -10.09db
14% Popularity • 81% Danceability • 63% Energy • 6% Liveness
92% Instrumentalness • 48% Positiveness
14% Popularity • 81% Danceability • 63% Energy • 6% Liveness
92% Instrumentalness • 48% Positiveness
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Benjamin Damage
Kansas
126 bpm • G Maj • 08:26 • -11.59db
12% Popularity • 83% Danceability • 66% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
12% Popularity • 83% Danceability • 66% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
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Answer Code Request
Thermal Capacity
126 bpm • B Maj • 06:17 • -10.58db
18% Popularity • 84% Danceability • 82% Energy • 32% Liveness
93% Instrumentalness • 19% Positiveness
18% Popularity • 84% Danceability • 82% Energy • 32% Liveness
93% Instrumentalness • 19% Positiveness
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Artefakt
From Our Minds to Yours
126 bpm • E min • 06:59 • -7.11db
20% Popularity • 73% Danceability • 92% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 73% Danceability • 92% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
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BärtauB
Marble
126 bpm • A# min • 07:43 • -13.3db
20% Popularity • 80% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
20% Popularity • 80% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Martin Buttrich
You Must Be This High
126 bpm • F# Maj • 06:25 • -11.94db
21% Popularity • 80% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
21% Popularity • 80% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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Marcel Fengler
Trespass - Aubrey Remix
126 bpm • G# Maj • 06:38 • -10.8db
1% Popularity • 73% Danceability • 78% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
1% Popularity • 73% Danceability • 78% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
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efdemin
Drop Frame
126 bpm • A# min • 04:59 • -20.19db
14% Popularity • 55% Danceability • 50% Energy • 13% Liveness
95% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 50% Energy • 13% Liveness
95% Instrumentalness • 26% Positiveness
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Fantastic Man
Acid Martin
126 bpm • G Maj • 06:09 • -9db
13% Popularity • 62% Danceability • 80% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
13% Popularity • 62% Danceability • 80% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Delta Funktionen
Deflection
126 bpm • B Maj • 08:10 • -11.59db
10% Popularity • 80% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
10% Popularity • 80% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Evigt Mörker
Huldra
126 bpm • E min • 06:28 • -10.86db
10% Popularity • 72% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
10% Popularity • 72% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Dorisburg
Irrbloss
126 bpm • D Maj • 07:05 • -15.67db
19% Popularity • 63% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 63% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Marcel Fengler
Friction - Original Mix
126 bpm • A# min • 08:07 • -12.36db
2% Popularity • 86% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
2% Popularity • 86% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Moritz Von Oswald
Watamu Beach - Rework
126 bpm • C Maj • 10:28 • -21.99db
11% Popularity • 57% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
11% Popularity • 57% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
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efdemin
Some Kind Of Up And Down Yes
126 bpm • C# Maj • 05:58 • -19.28db
21% Popularity • 60% Danceability • 34% Energy • 35% Liveness
74% Instrumentalness • 45% Positiveness
21% Popularity • 60% Danceability • 34% Energy • 35% Liveness
74% Instrumentalness • 45% Positiveness
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John Tejada
Detector
126 bpm • F# min • 05:20 • -10.95db
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Mike Dehnert
Starground
126 bpm • A Maj • 06:07 • -11.96db
21% Popularity • 69% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 69% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Rhythim Is Rhythim
Icon - Remixed & Reconstructed
126 bpm • B min • 09:44 • -11.79db
11% Popularity • 58% Danceability • 67% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
11% Popularity • 58% Danceability • 67% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
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Marcel Fengler
Mosaique
126 bpm • E min • 05:39 • -12.99db
4% Popularity • 80% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 70% Positiveness
4% Popularity • 80% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 70% Positiveness
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Luigi Tozzi
Sub-Photic Zone - Original Mix
126 bpm • B min • 06:37 • -20.19db
24% Popularity • 80% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 80% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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efdemin
Some Kind Of Up And Down Yes - Asusu Rem...
126 bpm • B Maj • 07:42 • -14.66db
19% Popularity • 70% Danceability • 63% Energy • 24% Liveness
90% Instrumentalness • 29% Positiveness
19% Popularity • 70% Danceability • 63% Energy • 24% Liveness
90% Instrumentalness • 29% Positiveness
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Ben Klock
Underneath - Original Mix
126 bpm • A min • 04:57 • -22.07db
19% Popularity • 82% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
19% Popularity • 82% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
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Ryan Elliott
Fontane
126 bpm • C# Maj • 06:41 • -11.13db
16% Popularity • 75% Danceability • 78% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
16% Popularity • 75% Danceability • 78% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
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Wax
700007A
126 bpm • F# Maj • 07:18 • -11db
14% Popularity • 79% Danceability • 69% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 79% Danceability • 69% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Marcel Fengler
Jaz (Kosi Edit) - mixed
126 bpm • D Maj • 06:20 • -12.68db
20% Popularity • 63% Danceability • 74% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
20% Popularity • 63% Danceability • 74% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
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Cop Envy
Cotton
126 bpm • E min • 05:51 • -12db
14% Popularity • 81% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 81% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Answer Code Request
Main Mode
126 bpm • G Maj • 07:40 • -8.23db
23% Popularity • 67% Danceability • 81% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 67% Danceability • 81% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Move D
Got 2 B - Endian Remix
126 bpm • F# min • 07:11 • -9.4db
23% Popularity • 81% Danceability • 64% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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L.B. Dub Corp
No Trouble In Paradise
126 bpm • F min • 07:08 • -12.63db
16% Popularity • 46% Danceability • 85% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
16% Popularity • 46% Danceability • 85% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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John Tejada
Dr. Party
126 bpm • A min • 05:23 • -9.7db
17% Popularity • 74% Danceability • 60% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
17% Popularity • 74% Danceability • 60% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
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Benjamin Damage
Up
126 bpm • G Maj • 07:13 • -9.55db
14% Popularity • 67% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
14% Popularity • 67% Danceability • 80% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Afriqua
Aleph
126 bpm • G# Maj • 08:16 • -16.37db
17% Popularity • 72% Danceability • 41% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
17% Popularity • 72% Danceability • 41% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Marcel Fengler
Jaz - The Traveller Remix
126 bpm • G Maj • 06:10 • -11.91db
1% Popularity • 65% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 21% Positiveness
1% Popularity • 65% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 21% Positiveness
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Eduardo De la Calle
I Think I Love You
126 bpm • C min • 08:09 • -10.77db
10% Popularity • 68% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
10% Popularity • 68% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Hammer
Navigator
126 bpm • E min • 05:41 • -10.74db
21% Popularity • 67% Danceability • 67% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
21% Popularity • 67% Danceability • 67% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
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Dorisburg
Tecken I
126 bpm • G Maj • 08:14 • -14.2db
7% Popularity • 80% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
7% Popularity • 80% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Benjamin Damage
Monolith
126 bpm • C# Maj • 04:35 • -14db
31% Popularity • 69% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
31% Popularity • 69% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Schatrax
Mispent Years - Original Mix
126 bpm • F# Maj • 04:53 • -10.92db
22% Popularity • 73% Danceability • 68% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
22% Popularity • 73% Danceability • 68% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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Marcel Fengler
Trespass
126 bpm • A# min • 05:51 • -10.76db
2% Popularity • 48% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 51% Positiveness
2% Popularity • 48% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 51% Positiveness
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Mathew Jonson
Symphony For The Apocalypse
125 bpm • F# min • 07:04 • -9.65db
14% Popularity • 72% Danceability • 61% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
14% Popularity • 72% Danceability • 61% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
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Substance
Reverberation
127 bpm • F min • 09:46 • -15db
17% Popularity • 81% Danceability • 47% Energy • 30% Liveness
85% Instrumentalness • 50% Positiveness
17% Popularity • 81% Danceability • 47% Energy • 30% Liveness
85% Instrumentalness • 50% Positiveness
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Dorisburg
Rytm804 - Mixed
126 bpm • A min • 04:17 • -12.72db
32% Popularity • 78% Danceability • 63% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 78% Danceability • 63% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Ben Buitendijk
Near Mint
127 bpm • G# Maj • 07:09 • -15.2db
17% Popularity • 80% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
17% Popularity • 80% Danceability • 74% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Avalon Emerson
The Frontier
125 bpm • A# min • 07:34 • -8.78db
15% Popularity • 63% Danceability • 95% Energy • 16% Liveness
90% Instrumentalness • 34% Positiveness
15% Popularity • 63% Danceability • 95% Energy • 16% Liveness
90% Instrumentalness • 34% Positiveness
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Radio Slave
Children of the E (KiNK SP1200 Mix) / Th...
125 bpm • C# Maj • 04:59 • -9.61db
13% Popularity • 61% Danceability • 94% Energy • 7% Liveness
86% Instrumentalness • 33% Positiveness
13% Popularity • 61% Danceability • 94% Energy • 7% Liveness
86% Instrumentalness • 33% Positiveness
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Maurizio
M05a - Edit
127 bpm • B min • 07:32 • -20.2db
17% Popularity • 81% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
17% Popularity • 81% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Substance
Resonance
127 bpm • G# Maj • 09:11 • -16db
25% Popularity • 72% Danceability • 59% Energy • 37% Liveness
87% Instrumentalness • 39% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 37% Liveness
87% Instrumentalness • 39% Positiveness
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Basic Channel
Q1.1/I
125 bpm • C# Maj • 07:53 • -10.17db
26% Popularity • 76% Danceability • 74% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
26% Popularity • 76% Danceability • 74% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
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Vince Watson
Moments in Time - 2023 Remaster
125 bpm • C# Maj • 05:14 • -14.2db
7% Popularity • 66% Danceability • 65% Energy • 9% Liveness
77% Instrumentalness • 15% Positiveness
7% Popularity • 66% Danceability • 65% Energy • 9% Liveness
77% Instrumentalness • 15% Positiveness
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SCSI-9
Angel
125 bpm • E min • 06:16 • -16.07db
16% Popularity • 54% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
16% Popularity • 54% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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PVS
Fuckin' Society
127 bpm • F# Maj • 08:04 • -15.12db
8% Popularity • 68% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
8% Popularity • 68% Danceability • 48% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
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Maurizio
M04a - Full 12" Length
127 bpm • C# Maj • 06:40 • -16.24db
21% Popularity • 81% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
21% Popularity • 81% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
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Scuba
Hard Boiled - SCB Edit
125 bpm • B min • 08:51 • -17.57db
10% Popularity • 77% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
10% Popularity • 77% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Eduardo De la Calle
Gajapati
125 bpm • F# Maj • 07:19 • -12.49db
15% Popularity • 43% Danceability • 83% Energy • 20% Liveness
94% Instrumentalness • 51% Positiveness
15% Popularity • 43% Danceability • 83% Energy • 20% Liveness
94% Instrumentalness • 51% Positiveness
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Juan Atkins
Zeolites
127 bpm • C# Maj • 10:30 • -20.34db
18% Popularity • 80% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
18% Popularity • 80% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
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Bjarki
Orange Juice Man
127 bpm • B Maj • 05:32 • -14.16db
12% Popularity • 57% Danceability • 68% Energy • 25% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 25% Liveness
90% Instrumentalness • 15% Positiveness
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Claro Intelecto
Patience
125 bpm • G# Maj • 07:06 • -12.59db
12% Popularity • 81% Danceability • 63% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 81% Danceability • 63% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Maurizio
Mø4.5a - Edit
127 bpm • C# Maj • 09:45 • -17.58db
12% Popularity • 81% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 75% Positiveness
12% Popularity • 81% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 75% Positiveness
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Ben Klock
In A While - Original Mix
127 bpm • D Maj • 03:59 • -16.23db
30% Popularity • 66% Danceability • 65% Energy • 13% Liveness
93% Instrumentalness • 63% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 13% Liveness
93% Instrumentalness • 63% Positiveness
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Hans Berg
Tucan Fever
125 bpm • G Maj • 08:00 • -9.91db
9% Popularity • 80% Danceability • 72% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
9% Popularity • 80% Danceability • 72% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
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Marcel Fengler
Gridlock
125 bpm • G min • 07:04 • -10.09db
1% Popularity • 89% Danceability • 75% Energy • 15% Liveness
87% Instrumentalness • 63% Positiveness
1% Popularity • 89% Danceability • 75% Energy • 15% Liveness
87% Instrumentalness • 63% Positiveness
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Sandwell District
Disaffected
127 bpm • G Maj • 07:40 • -11.83db
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Model 500
Starlight - Echospace Unreleased Mix
125 bpm • A# min • 07:09 • -15db
27% Popularity • 70% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 62% Positiveness
27% Popularity • 70% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 62% Positiveness
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Luke Hess
Son Beams
125 bpm • B min • 05:57 • -12.94db
18% Popularity • 80% Danceability • 75% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
18% Popularity • 80% Danceability • 75% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
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John Tejada
Penumbra
125 bpm • A Maj • 05:22 • -10db
15% Popularity • 80% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
15% Popularity • 80% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Donato Dozzy
Aquatica
125 bpm • C# min • 05:46 • -13.41db
13% Popularity • 78% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 78% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Priori
Sour Fruit
125 bpm • F# Maj • 07:06 • -15.57db
15% Popularity • 76% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 76% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Claro Intelecto
Messages
125 bpm • F Maj • 06:31 • -10.23db
10% Popularity • 77% Danceability • 71% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
10% Popularity • 77% Danceability • 71% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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efdemin
Le Ratafia
127 bpm • C# Maj • 06:03 • -12db
11% Popularity • 79% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
11% Popularity • 79% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
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Etapp Kyle
Sakura
127 bpm • D# min • 05:09 • -17db
30% Popularity • 63% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
30% Popularity • 63% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
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Avalon Emerson
Synagogue of SoMa
125 bpm • C# min • 07:29 • -12.24db
12% Popularity • 91% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 50% Positiveness
12% Popularity • 91% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 50% Positiveness
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Substance
Session 2
127 bpm • D min • 07:35 • -13.67db
14% Popularity • 69% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
14% Popularity • 69% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Evigt Mörker
Högre
125 bpm • C# Maj • 08:26 • -15.16db
31% Popularity • 73% Danceability • 58% Energy • 28% Liveness
91% Instrumentalness • 10% Positiveness
31% Popularity • 73% Danceability • 58% Energy • 28% Liveness
91% Instrumentalness • 10% Positiveness
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Aurora Halal
Shapeshifter
127 bpm • A# min • 06:38 • -11.93db
13% Popularity • 68% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
13% Popularity • 68% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
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Marcel Fengler
Sphinx
127 bpm • F# Maj • 05:50 • -8.69db
4% Popularity • 81% Danceability • 90% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
4% Popularity • 81% Danceability • 90% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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queniv
Old Friend
125 bpm • G# min • 05:12 • -9.53db
12% Popularity • 80% Danceability • 92% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
12% Popularity • 80% Danceability • 92% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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Chaos In The CBD
Educate The Heart
125 bpm • C# Maj • 06:14 • -10.69db
23% Popularity • 80% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
23% Popularity • 80% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Acronym
River Red Gum
125 bpm • A# min • 08:25 • -15.24db
21% Popularity • 65% Danceability • 62% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 65% Danceability • 62% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
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Ohrwert
Blavus
127 bpm • B min • 05:55 • -18.52db
25% Popularity • 80% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
25% Popularity • 80% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Claro Intelecto
When the Time Is Right
125 bpm • C# Maj • 08:49 • -10.73db
13% Popularity • 77% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 37% Positiveness
13% Popularity • 77% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 37% Positiveness
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Answer Code Request
By The Bay
125 bpm • G min • 04:36 • -9.55db
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
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efdemin
Transducer
125 bpm • G Maj • 06:08 • -20.42db
13% Popularity • 77% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 77% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Francesco Tristano
Idiosynkrasia - Ben Klock Remix
125 bpm • C# Maj • 06:53 • -12.28db
12% Popularity • 72% Danceability • 56% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
12% Popularity • 72% Danceability • 56% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
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Chaos In The CBD
Constraints of Time Travel
127 bpm • B min • 05:34 • -11.48db
25% Popularity • 40% Danceability • 71% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
25% Popularity • 40% Danceability • 71% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
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Exos
Rigning à Stekknum
125 bpm • B min • 05:39 • -15.47db
24% Popularity • 77% Danceability • 51% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
24% Popularity • 77% Danceability • 51% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Anthony Naples
Benefit
127 bpm • C# Maj • 07:52 • -7db
20% Popularity • 75% Danceability • 98% Energy • 7% Liveness
84% Instrumentalness • 38% Positiveness
20% Popularity • 75% Danceability • 98% Energy • 7% Liveness
84% Instrumentalness • 38% Positiveness
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Luke Hess
Kratos
125 bpm • B Maj • 07:17 • -13.35db
14% Popularity • 75% Danceability • 51% Energy • 8% Liveness
86% Instrumentalness • 62% Positiveness
14% Popularity • 75% Danceability • 51% Energy • 8% Liveness
86% Instrumentalness • 62% Positiveness
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MATRiXXMAN
Rites
127 bpm • C# Maj • 06:33 • -16.99db
16% Popularity • 70% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
16% Popularity • 70% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Shifted
Control
127 bpm • G Maj • 07:06 • -9db
23% Popularity • 70% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
23% Popularity • 70% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Legowelt
Fundamental Superstition
127 bpm • B min • 04:33 • -11.2db
17% Popularity • 60% Danceability • 87% Energy • 57% Liveness
77% Instrumentalness • 40% Positiveness
17% Popularity • 60% Danceability • 87% Energy • 57% Liveness
77% Instrumentalness • 40% Positiveness
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John Tejada
Cascade
125 bpm • C Maj • 06:08 • -9.98db
11% Popularity • 80% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
11% Popularity • 80% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
