Songs like Jede Nacht ein neues Glück by Zarah Leander
Based on a tempo of (+/- 10%) and a similar genre
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Zarah Leander
Drie Sterne sah ich scheinen
84 bpm • A# Maj • 02:56 • -9.48db
0% Popularity • 25% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 25% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Greta Keller
In einem kleinen Nachtlokal
84 bpm • G min • 03:31 • -14db
11% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Georg Kreisler
Barbara
84 bpm • A# Maj • 03:03 • -15.56db
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Willy Schneider
Schütt' die Sorgen in ein Gläschen Wei...
84 bpm • A# Maj • 03:08 • -10.4db
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Bertolt Brecht
Die moritat von mackie messer
85 bpm • G# min • 02:55 • -14db
21% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
21% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
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Zarah Leander
Ich bin eine Stimme
84 bpm • D Maj • 03:18 • -15.09db
2% Popularity • 30% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 30% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Marlene Dietrich
Lili Marleen
83 bpm • D# Maj • 03:01 • -7.44db
33% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sacha Distel
Adios amigo - Remastered
85 bpm • A# Maj • 02:21 • -11.52db
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Fred Bertelmann
Arrivederci Roma
83 bpm • A# Maj • 02:40 • -5db
21% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Willy Schneider
Alle Tage Ist Kein Sonntag
83 bpm • G# Maj • 03:03 • -13db
11% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
83 bpm • C min • 02:46 • -12db
11% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
28% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
28% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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Alexandra
Ja Lublú Tebjá (Ich liebe dich)
85 bpm • D min • 02:30 • -8.32db
14% Popularity • 41% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 41% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Kuhn
Cara-Caramel Chocolat
85 bpm • F min • 02:42 • -8db
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bärbel Wachholz
Sole, Sole
86 bpm • D# Maj • 02:54 • -7db
8% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Hans Albers
La Paloma
82 bpm • G Maj • 03:20 • -13db
30% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
30% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
12% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
12% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Vico Torriani
Bella, bella donna
86 bpm • D# Maj • 03:24 • -5.31db
5% Popularity • 52% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
5% Popularity • 52% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Trude Herr
Mama er ist schon wieder hier
82 bpm • C# Maj • 02:12 • -6.89db
9% Popularity • 62% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 62% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Max Raabe & Palast Orchester
Ich bin nur wegen Dir hier
82 bpm • F Maj • 02:34 • -9.41db
24% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Heidi Brühl
Wir wollen niemals auseinandergehn
86 bpm • A# Maj • 03:00 • -8db
28% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow)*: Ac...
86 bpm • D Maj • 03:04 • -13.44db
0% Popularity • 51% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 51% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Zarah Leander
Jede Nacht ein neues Glück
85 bpm • G Maj • 02:26 • -14.6db
2% Popularity • 52% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 52% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Vico Torriani
Ski Twist
86 bpm • G Maj • 02:31 • -9.44db
20% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Hans Moser
I marschier mit mein Duli-Dulieh
82 bpm • G Maj • 02:34 • -10db
11% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Greta Keller
These Foolish Things
86 bpm • D# Maj • 03:42 • -16db
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Dénes Buday
Meg soha nem voltam szerelmes
81 bpm • F# Maj • 03:19 • -16.99db
4% Popularity • 20% Danceability • 18% Energy • 37% Liveness
93% Instrumentalness • 23% Positiveness
4% Popularity • 20% Danceability • 18% Energy • 37% Liveness
93% Instrumentalness • 23% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
20% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein?
85 bpm • G Maj • 03:02 • -16.71db
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Lys Assia
Wenn die Glocken hell erklingen
87 bpm • F Maj • 03:28 • -6.48db
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Hans Moser
Mei Naserl ist so rot, weil ich so blau ...
87 bpm • D# Maj • 02:56 • -11.56db
13% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rosita Serrano
La Paloma
81 bpm • C Maj • 03:22 • -12.8db
17% Popularity • 44% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 44% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Max Raabe & Palast Orchester
Du weißt nichts von Liebe
81 bpm • F Maj • 03:11 • -14.23db
10% Popularity • 36% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
10% Popularity • 36% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Lotte Lenya
Seerauber-Jenny
87 bpm • F# min • 04:02 • -15.12db
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Zarah Leander
Kann Denn Liebe Sünde Sein - Original
83 bpm • E min • 03:04 • -17.82db
2% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
2% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
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Freddy
Sie hieß Mary-Ann
81 bpm • D Maj • 02:13 • -12.17db
12% Popularity • 73% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 73% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow)*: Ac...
81 bpm • G# Maj • 02:50 • -12.94db
0% Popularity • 25% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 25% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Georg Kreisler
Wien ohne Wiener
87 bpm • C Maj • 04:55 • -14.48db
12% Popularity • 61% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 61% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
14% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Alfred Schieske
My Fair Lady: Bin Ein Mann Wie Jeder Man...
88 bpm • A# Maj • 03:39 • -17.68db
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein? (aus dem Uf...
83 bpm • G Maj • 02:46 • -7.77db
4% Popularity • 47% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 47% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Inge Brandenburg
Das Riesenrad
88 bpm • G min • 02:07 • -8.45db
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 58% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Alexandra
Akkordeon (Accordéon)
80 bpm • B min • 02:32 • -8.17db
18% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Vico Torriani
Bon Soir, Bon Soir
80 bpm • C Maj • 02:30 • -12db
16% Popularity • 66% Danceability • 17% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 66% Danceability • 17% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ulrich Roski
Es kann der Frömmste nicht in Frieden l...
80 bpm • A# Maj • 06:13 • -10.9db
9% Popularity • 55% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 55% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 28% Positiveness
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Zarah Leander
Eine Frau wird erst schön durch die Lie...
86 bpm • A# Maj • 02:47 • -10.3db
15% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Heinz Conrads
Ich trag‘ im Herzen drin
88 bpm • C# Maj • 03:22 • -10db
10% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Alexandra
Walzer des Sommers
80 bpm • A Maj • 03:25 • -15db
15% Popularity • 19% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 19% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Robert Stolz
Der Favorit, Op. 122: Du sollst der Kais...
89 bpm • A Maj • 02:51 • -10.31db
15% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 34% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
79 bpm • C# Maj • 04:21 • -11db
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Zarah Leander
Schiff Ahoi!
82 bpm • A# min • 03:08 • -11.76db
0% Popularity • 46% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 46% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Max Raabe & Palast Orchester
Küssen kann man nicht alleine
79 bpm • C min • 02:57 • -13db
28% Popularity • 68% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 54% Positiveness
28% Popularity • 68% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 54% Positiveness
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Tanzorchester Géza Komor
Wenn der weisse Flieder wieder blüht
89 bpm • G Maj • 02:46 • -15.37db
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
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Jacqueline Boyer
Mitsou
79 bpm • D min • 03:15 • -12.95db
21% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Mischa Spoliansky
Mir ist so nach dir
79 bpm • C Maj • 03:15 • -11.73db
16% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
81 bpm • G# min • 03:02 • -5.23db
9% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Willi Forst
Ja, wenn das Wörtchen "wenn" nicht wär
90 bpm • E Maj • 03:04 • -14.79db
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Leo Monosson
Mir ist so nach dir
79 bpm • C Maj • 03:19 • -14db
8% Popularity • 60% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
13% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Zarah Leander
Ich sag nicht „ja“ - ich sag nicht �...
81 bpm • D# Maj • 03:10 • -18.42db
2% Popularity • 39% Danceability • 9% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
2% Popularity • 39% Danceability • 9% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
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Harald Juhnke
Straßen von Berlin (Strangers In The Ni...
90 bpm • C Maj • 02:55 • -9.78db
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Willi Forst
Du hast Glück bei den Frau'n Bel Ami
78 bpm • D# Maj • 02:45 • -14db
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Wilhelm Strienz
Heimat, Deine Sterne
78 bpm • F Maj • 03:16 • -16db
13% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
13% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Zarah Leander
Cheri, du bist heut’ so anders
89 bpm • E Maj • 03:00 • -13.85db
8% Popularity • 28% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Alexandra
Sag nicht adieu
91 bpm • G min • 02:14 • -9.65db
6% Popularity • 44% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 44% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Wolfgang Ambros
Ich trag im Herzen drin
91 bpm • D Maj • 03:26 • -11.66db
5% Popularity • 30% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 30% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Tauber
Die Lorelei
91 bpm • D Maj • 02:58 • -14.73db
21% Popularity • 39% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 39% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Zarah Leander
Das Herz einer Frau
90 bpm • G Maj • 02:29 • -9.68db
14% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Trude Herr
Französisch sprechen kann ich fast gar ...
77 bpm • A# Maj • 02:19 • -11db
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Rita Paul
Spiel mir eine alte Melodie (Play A Simp...
77 bpm • F Maj • 02:35 • -11db
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Georg Kreisler
Sie ist ein herrliches Weib
91 bpm • G# Maj • 02:37 • -17.23db
9% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Günter Kallmann Chor
Elisabeth-Serenade
92 bpm • F# Maj • 02:42 • -12db
29% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alexandra
Mein Freund, der Baum
77 bpm • A min • 03:40 • -11db
35% Popularity • 29% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 29% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Bibi Johns
Papa Tanzt Mambo
92 bpm • A Maj • 03:02 • -8.51db
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Willy Schneider
Vor meinem Vaterhaus steht eine Linde
77 bpm • G# Maj • 03:09 • -10db
14% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bully Buhlan
Ich hab Mich So An Dich Gewohnt
92 bpm • G Maj • 03:07 • -13.36db
10% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Erika Pluhar
Ich weiß nicht zu wem ich gehöre
92 bpm • B Maj • 02:17 • -13.41db
13% Popularity • 19% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 19% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Otto Berco
In meiner Badewanne bin ich Kapitan
92 bpm • G Maj • 02:39 • -18.37db
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Wilhelm Strienz
Gute Nacht, Mutter
92 bpm • A# Maj • 03:07 • -12.73db
12% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Nana Gualdi
Junge Leute brauchen Liebe (Everybody Lo...
92 bpm • D# Maj • 02:45 • -10db
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Fred Raymond
Ja, das Temp'rament
76 bpm • A# Maj • 02:36 • -18db
10% Popularity • 59% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 59% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
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Bill Ramsey
Ohne Krimi geht die Mimi nie ins
76 bpm • D Maj • 03:01 • -5.92db
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lizzi Waldmüller
Das macht die Berliner Luft
76 bpm • D# Maj • 02:29 • -9db
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Lys Assia
Gelbe Rose dort in Texas
94 bpm • G# Maj • 02:11 • -6.8db
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Georg Kreisler
Zwei Alte Tanten tanzen Tango
75 bpm • C Maj • 05:13 • -14.06db
12% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Rudi Schuricke
Komm zurück
93 bpm • G Maj • 02:49 • -12.98db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
