Songs like Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata by Dietrich Buxtehude

167 bpm • D# min • 07:14 • -32.36db

10% Popularity • 12% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 7% Positiveness

167 bpm • E min • 02:21 • -25db

14% Popularity • 17% Danceability • 6% Energy • 16% Liveness
33% Instrumentalness • 12% Positiveness

169 bpm • C# Maj • 03:21 • -19.95db

6% Popularity • 12% Danceability • 12% Energy • 38% Liveness
7% Instrumentalness • 4% Positiveness

169 bpm • F# min • 01:12 • -15.07db

16% Popularity • 33% Danceability • 20% Energy • 18% Liveness
95% Instrumentalness • 61% Positiveness

169 bpm • A# min • 03:37 • -23.73db

8% Popularity • 11% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness

163 bpm • C# min • 01:55 • -22db

13% Popularity • 19% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness

165 bpm • F# min • 01:14 • -21.14db

8% Popularity • 29% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness

169 bpm • F# min • 02:52 • -24.98db

9% Popularity • 11% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness

172 bpm • C# Maj • 01:47 • -30.33db

11% Popularity • 10% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness

162 bpm • C# min • 02:43 • -18.92db

9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness

173 bpm • G# min • 02:20 • -21.96db

2% Popularity • 14% Danceability • 5% Energy • 12% Liveness
72% Instrumentalness • 19% Positiveness

159 bpm • F# min • 06:10 • -20.25db

7% Popularity • 10% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness

180 bpm • C# Maj • 01:25 • -22db

28% Popularity • 14% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness

164 bpm • F# min • 02:02 • -23.61db

5% Popularity • 11% Danceability • 4% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness

174 bpm • C# Maj • 04:09 • -19.39db

11% Popularity • 32% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 53% Positiveness

182 bpm • C# min • 01:05 • -12.59db

20% Popularity • 33% Danceability • 35% Energy • 6% Liveness
90% Instrumentalness • 38% Positiveness

182 bpm • A Maj • 01:29 • -14.1db

16% Popularity • 30% Danceability • 29% Energy • 25% Liveness
66% Instrumentalness • 63% Positiveness

153 bpm • F# min • 02:34 • -18.31db

13% Popularity • 21% Danceability • 14% Energy • 28% Liveness
90% Instrumentalness • 31% Positiveness

182 bpm • C# Maj • 05:18 • -17.41db

9% Popularity • 26% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness

182 bpm • B min • 01:13 • -22.3db

2% Popularity • 17% Danceability • 9% Energy • 11% Liveness
37% Instrumentalness • 14% Positiveness

183 bpm • C# Maj • 00:54 • -22.69db

15% Popularity • 26% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness

185 bpm • F# Maj • 03:18 • -25.42db

15% Popularity • 34% Danceability • 3% Energy • 21% Liveness
11% Instrumentalness • 50% Positiveness

152 bpm • G# Maj • 01:24 • -23.87db

4% Popularity • 38% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness

148 bpm • D min • 03:28 • -24.18db

7% Popularity • 27% Danceability • 10% Energy • 11% Liveness
12% Instrumentalness • 30% Positiveness

145 bpm • B min • 01:57 • -27db

14% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness

171 bpm • C Maj • 08:16 • -21db

9% Popularity • 18% Danceability • 8% Energy • 16% Liveness
9% Instrumentalness • 7% Positiveness

192 bpm • C min • 01:54 • -19db

17% Popularity • 7% Danceability • 11% Energy • 19% Liveness
50% Instrumentalness • 7% Positiveness

144 bpm • E Maj • 03:09 • -35.96db

10% Popularity • 13% Danceability • 0% Energy • 10% Liveness
68% Instrumentalness • 5% Positiveness

144 bpm • C# Maj • 01:27 • -16.85db

4% Popularity • 30% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness

144 bpm • F# Maj • 01:18 • -20.38db

22% Popularity • 40% Danceability • 22% Energy • 16% Liveness
84% Instrumentalness • 22% Positiveness

143 bpm • G# Maj • 01:30 • -22.35db

24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness

171 bpm • D Maj • 01:06 • -21.96db

3% Popularity • 18% Danceability • 7% Energy • 41% Liveness
1% Instrumentalness • 11% Positiveness

143 bpm • F# Maj • 04:50 • -20db

9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness

171 bpm • A min • 07:59 • -25db

13% Popularity • 24% Danceability • 15% Energy • 6% Liveness
1% Instrumentalness • 31% Positiveness

172 bpm • D# min • 04:26 • -28.18db

4% Popularity • 11% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness

172 bpm • B min • 02:11 • -26.23db

4% Popularity • 10% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 3% Positiveness

149 bpm • A Maj • 01:23 • -16.43db

6% Popularity • 34% Danceability • 26% Energy • 30% Liveness
4% Instrumentalness • 72% Positiveness

148 bpm • C min • 01:46 • -28db

35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness

143 bpm • C min • 02:51 • -16db

14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness

199 bpm • A Maj • 01:21 • -17.65db

16% Popularity • 21% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness