Songs like Jesus Blood Covers It All by George Banton
Based on a tempo of (+/- 10%) and a similar genre
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Osmond Collins
I Feel Better
83 bpm • C# Maj • 03:54 • -6.46db
17% Popularity • 72% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 72% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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George Banton
Shelter in the Time of Storm
83 bpm • A# min • 04:37 • -10.07db
10% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Neblett
Influence of Worship
83 bpm • C Maj • 04:05 • -6db
27% Popularity • 54% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 54% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Martin's Heritage
I Want to Be More Than a Ordinary Servan...
83 bpm • C# min • 04:58 • -6.53db
22% Popularity • 50% Danceability • 57% Energy • 58% Liveness
33% Instrumentalness • 40% Positiveness
22% Popularity • 50% Danceability • 57% Energy • 58% Liveness
33% Instrumentalness • 40% Positiveness
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Kukudoo
I Hear The Voice
83 bpm • A Maj • 04:36 • -3.64db
18% Popularity • 61% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 61% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Jabez
No Weapon
83 bpm • F min • 04:17 • -3db
22% Popularity • 85% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 85% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Owen Gray
Pass Me Not Oh Humble Saviour
83 bpm • C# Maj • 03:55 • -18.43db
7% Popularity • 74% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 62% Positiveness
7% Popularity • 74% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 62% Positiveness
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Hensley King
Thank You for Loving Me
83 bpm • E Maj • 04:07 • -10db
14% Popularity • 78% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 78% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Kristine Alicia
I Choose You
83 bpm • F min • 03:46 • -13db
16% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Eddie Neblett
Confession
84 bpm • C Maj • 03:32 • -5.37db
30% Popularity • 55% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 55% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Claudelle Clarke
This Blessed Light
82 bpm • C# Maj • 03:07 • -9db
13% Popularity • 57% Danceability • 70% Energy • 15% Liveness
8% Instrumentalness • 85% Positiveness
13% Popularity • 57% Danceability • 70% Energy • 15% Liveness
8% Instrumentalness • 85% Positiveness
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Osmond Collins
Awake O Zion
82 bpm • G Maj • 03:44 • -5.96db
16% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jason Mighty
No Hate
82 bpm • D Maj • 03:44 • -6.6db
19% Popularity • 49% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 49% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Felicia Marion
Oh it is Jesus
82 bpm • A Maj • 05:15 • -13.62db
7% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Hensley King
Channel Only
84 bpm • G# Maj • 04:03 • -9.56db
8% Popularity • 79% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 79% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Lt. Stitchie
Praise Him
84 bpm • B Maj • 03:35 • -3.27db
12% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Claudelle Clarke
Jesus Is Coming Soon
84 bpm • G Maj • 03:23 • -9db
23% Popularity • 60% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Judith Gayle
The Anchor Holds
82 bpm • D# Maj • 06:28 • -4db
24% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jason Mighty
Your Presence Is Heaven
84 bpm • F Maj • 05:07 • -5.37db
23% Popularity • 57% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 57% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Denise Nicole
Raise A Hallelujah
84 bpm • C Maj • 05:59 • -6.6db
9% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 61% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Osmond Collins
Walk the Walk
82 bpm • F Maj • 04:06 • -8db
19% Popularity • 81% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 81% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Saiku
Battlefield
84 bpm • C Maj • 03:28 • -7.28db
20% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Golda McFarlane
No Longer a Slave to Fear
82 bpm • B Maj • 04:45 • -6db
10% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Joshua Kesler
Draw Me Close to You
82 bpm • F Maj • 03:31 • -8.54db
29% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Denzil Dennis
Roll River Jordon
82 bpm • C min • 03:35 • -5db
8% Popularity • 77% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 77% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Lt. Stitchie
Thank You
82 bpm • B Maj • 04:20 • -5.75db
16% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Osmond Collins
Pour Out My Heart
82 bpm • G# Maj • 03:50 • -7.98db
26% Popularity • 76% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 76% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Martin's Heritage
His Blood Will Carry Me
84 bpm • F Maj • 05:38 • -6.62db
24% Popularity • 25% Danceability • 54% Energy • 20% Liveness
7% Instrumentalness • 18% Positiveness
24% Popularity • 25% Danceability • 54% Energy • 20% Liveness
7% Instrumentalness • 18% Positiveness
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Fiona
Oh How I Love Jesus
82 bpm • C Maj • 03:10 • -6.14db
18% Popularity • 61% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 61% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Joshua Kesler
Lift Him Up
82 bpm • A Maj • 03:59 • -6.62db
27% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Wayne Stoddart
Highest Praise
85 bpm • A# min • 03:38 • -3.76db
13% Popularity • 78% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 78% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Gerry Thompson
Learning To Lean
82 bpm • F Maj • 03:12 • -9db
11% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Claudelle Clarke
I Don't Know About Tomorrow
85 bpm • A# Maj • 04:33 • -8.9db
9% Popularity • 55% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
9% Popularity • 55% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
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Joseph Niles
Hard Road to Travel
85 bpm • G Maj • 03:07 • -15.8db
12% Popularity • 44% Danceability • 40% Energy • 80% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 44% Danceability • 40% Energy • 80% Liveness
0% Instrumentalness • 75% Positiveness
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Marlon Christy
World Gone Cheap
81 bpm • E Maj • 03:41 • -10db
10% Popularity • 64% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 64% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Neblett
Motives - What Have We Come Here to Do C...
85 bpm • C# Maj • 03:16 • -5.12db
27% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Barbara Jones
Love Filled Me
85 bpm • C# Maj • 03:17 • -3.81db
10% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Bishop T. D. Jakes
Lord, I Lift Your Name on High
81 bpm • G# Maj • 04:59 • -9db
14% Popularity • 50% Danceability • 59% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 50% Danceability • 59% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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Helen Baylor
Worship Medley: If It Had Not Been For T...
85 bpm • A# Maj • 09:36 • -14.74db
9% Popularity • 45% Danceability • 16% Energy • 86% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 45% Danceability • 16% Energy • 86% Liveness
0% Instrumentalness • 23% Positiveness
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Carlene Davis
Lord I Lift Your Name On High
85 bpm • F Maj • 03:45 • -5.77db
25% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Hensley King
Old Rugged Cross
85 bpm • B min • 03:37 • -7.58db
26% Popularity • 84% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 84% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Osmond Collins
Picture This
81 bpm • E Maj • 03:46 • -6.95db
21% Popularity • 82% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 82% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Barbara Jones
Blessed Be The Name
85 bpm • G Maj • 04:01 • -2.92db
10% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Rondell Positive
Live and Declare
81 bpm • B min • 04:18 • -6.77db
21% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Toronto Mass Choir
Holy Is the Lord (Live)
85 bpm • F Maj • 04:43 • -7.03db
20% Popularity • 61% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 61% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
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Joshua Kesler
I'm Pressing on the Upward Way
81 bpm • B Maj • 04:52 • -6.13db
27% Popularity • 28% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 28% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Hensley King
Awake Zion
81 bpm • C Maj • 04:35 • -6.56db
18% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 87% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Peter Spence
My Hope Is Built
81 bpm • C# Maj • 03:57 • -8.11db
19% Popularity • 77% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 77% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Osmond Collins
Your Grace and Your Mercy
81 bpm • C Maj • 03:35 • -7.79db
13% Popularity • 74% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 74% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Junior Tucker
I Give You My Heart/ Eagles Wing
81 bpm • A Maj • 08:42 • -6.21db
25% Popularity • 59% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 59% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Mr. Vegas
Nobody Greater
80 bpm • B Maj • 04:26 • -8.44db
20% Popularity • 67% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 67% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jabez
Cancelled
86 bpm • A# Maj • 04:22 • -4.76db
25% Popularity • 34% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 34% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Hensley King
Come To the Garden Alone
80 bpm • B Maj • 03:38 • -9.38db
15% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 72% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Gerry Thompson
Touching Jesus
86 bpm • G Maj • 02:13 • -11.03db
13% Popularity • 70% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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Toronto Mass Choir
Refiner's Fire
86 bpm • C Maj • 04:37 • -9.45db
14% Popularity • 81% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 81% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Mighty
Can't Walk Alone
86 bpm • G# Maj • 03:33 • -5.93db
27% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Dwain Walters
Hold to God's Unchanging Hand
80 bpm • F min • 03:37 • -6.64db
7% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jabez
I Am That Man
80 bpm • D Maj • 05:25 • -5.77db
22% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Stevie Face
I Run to You
80 bpm • C Maj • 03:15 • -8.75db
14% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Gerry Thompson
He Touched Me
86 bpm • F Maj • 04:23 • -5.46db
9% Popularity • 73% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 73% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Don Campbell
Shout to the Lord
80 bpm • C min • 03:52 • -7.71db
16% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 62% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Kerron Ennis
Gods Not Done With Me Yet
80 bpm • C Maj • 03:56 • -4.62db
19% Popularity • 76% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 76% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Wendy Mitchell
I Surrender All
80 bpm • A# Maj • 03:26 • -9.3db
13% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Pam Hall
Ease My Soul
80 bpm • C Maj • 05:02 • -6.18db
18% Popularity • 68% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 68% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Christopher Laing
Step On the Enemy
86 bpm • A Maj • 05:30 • -8.75db
21% Popularity • 74% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 74% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Gerry Thompson
Because He Lives
86 bpm • G Maj • 01:52 • -10.68db
14% Popularity • 66% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 66% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Donnie McClurkin
Awesome God
80 bpm • F Maj • 04:12 • -6.15db
25% Popularity • 59% Danceability • 78% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 59% Danceability • 78% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Glen Washington
Take The Name Of Jesus
80 bpm • C Maj • 03:25 • -7.86db
17% Popularity • 67% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 67% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Joshua Kesler
More Than Anything
80 bpm • C Maj • 03:58 • -5.78db
22% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Adrian Cunningham
Give Him Glory
86 bpm • G min • 03:50 • -10.28db
10% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Naycha K.I.D
Let Praises Rise
80 bpm • D# Maj • 04:18 • -5.21db
15% Popularity • 62% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 62% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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Gerry Thompson
Reach Out And Touch The Lord
86 bpm • G Maj • 01:40 • -12.79db
23% Popularity • 74% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 74% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Owen Uriah
What a Friend We Have in Jesus
80 bpm • F Maj • 04:10 • -10.9db
10% Popularity • 70% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 70% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Bryce Simpson
He's Got the Whole World
86 bpm • C Maj • 01:58 • -7.37db
29% Popularity • 49% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 49% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Tucker
Jesus Famous
80 bpm • C# Maj • 04:35 • -9db
25% Popularity • 64% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 64% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Jason Mighty
You Waited
80 bpm • F Maj • 04:29 • -7.79db
24% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Kristine Alicia
Lift My Hands
79 bpm • C# min • 04:25 • -4.99db
9% Popularity • 48% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 48% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Hensley King
Rock of Ages
79 bpm • A Maj • 03:30 • -6.41db
19% Popularity • 75% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 75% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Neblett
Not Over
87 bpm • A# Maj • 03:55 • -6.1db
17% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 53% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Saiku
You
87 bpm • C Maj • 03:35 • -6.07db
22% Popularity • 68% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 68% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Prodigal Son
Hear Them Crying
79 bpm • B Maj • 03:50 • -3.75db
21% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Rondell Positive
Keeping Me Alive
78 bpm • G# Maj • 04:03 • -10.92db
30% Popularity • 53% Danceability • 65% Energy • 83% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 53% Danceability • 65% Energy • 83% Liveness
0% Instrumentalness • 76% Positiveness
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Carlene Davis
One Day At A Time
88 bpm • G# Maj • 04:09 • -12.48db
30% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ernie Smith
All For Jesus
78 bpm • E Maj • 03:08 • -3.68db
10% Popularity • 74% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie Neblett
If God Remix
79 bpm • C# Maj • 05:10 • -8.1db
22% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bryce Simpson
All to Jesus I Surrender
88 bpm • C Maj • 03:02 • -6.87db
25% Popularity • 60% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 60% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Jason Mighty
My Jesus & I
88 bpm • E Maj • 03:20 • -6.27db
31% Popularity • 80% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 80% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Wayne Marshall
Glory to God
88 bpm • G Maj • 04:04 • -7.23db
30% Popularity • 49% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 49% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hensley King
Jesus Your're the One
88 bpm • G# min • 03:45 • -8.3db
11% Popularity • 82% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 82% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Ernie Smith
All for Jesus
78 bpm • E Maj • 03:07 • -10.59db
11% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Terry Linen
No Longer A Slave
78 bpm • A# Maj • 04:50 • -3.03db
23% Popularity • 56% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 56% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Osmond Collins
Cant Even Walk
78 bpm • B min • 03:17 • -7.08db
13% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Denis Mclean
Seek
78 bpm • C# Maj • 04:03 • -8db
19% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Buchi
JesusMust Be Honoured
78 bpm • D Maj • 05:41 • -9.77db
17% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Hensley King
God Is Our Love
78 bpm • F Maj • 03:57 • -9.08db
14% Popularity • 83% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 83% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Joshua Kesler
Sweet Jesus
78 bpm • B min • 04:11 • -7db
26% Popularity • 69% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 69% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Barbara Jones
Let It Be
78 bpm • G# Maj • 03:24 • -3.63db
24% Popularity • 77% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 77% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Sonny Okosun
Know Jesus Know Life
78 bpm • A# Maj • 06:05 • -12.04db
8% Popularity • 74% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 69% Positiveness
8% Popularity • 74% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 69% Positiveness