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Jigsaw
Songs like
Jigsaw
by
Lee Richardson
Based on a tempo of (+/- 10%) and a similar genre
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Lee Richardson
Jigsaw
134 bpm • A min • 03:11 • -6.11db
13% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Simon
My Kingdom
134 bpm • E min • 03:09 • -10.16db
32% Popularity • 47% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Rupert Pope
All Comes True
134 bpm • A min • 03:50 • -5.95db
9% Popularity • 24% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ki:Theory
Go Insane
135 bpm • C# Maj • 03:16 • -7db
23% Popularity • 45% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Amy Shark
Adore - Dave Sitek Remix
135 bpm • F# Maj • 03:13 • -5db
20% Popularity • 62% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Jonathan Murrill
Flurry Friends
135 bpm • C Maj • 02:26 • -12.35db
1% Popularity • 43% Danceability • 56% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
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Becky Shaheen
When the Truth Breaks You Down
135 bpm • F# Maj • 02:34 • -10.23db
11% Popularity • 30% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Spencer Wilson
Let’s Go Somewhere Else
135 bpm • F Maj • 03:02 • -6.9db
22% Popularity • 66% Danceability • 73% Energy • 6% Liveness
70% Instrumentalness • 43% Positiveness
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Kaitlyn Olson
MOOD
133 bpm • F Maj • 03:36 • -5.3db
20% Popularity • 45% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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James Mclean
Covered in Light
132 bpm • G# Maj • 03:07 • -7.71db
18% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Annie Andrews
Lowly
136 bpm • G Maj • 02:49 • -14.96db
16% Popularity • 60% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
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ELIA EX
How It All Goes Down
136 bpm • D# min • 03:26 • -8.57db
18% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Becky Shaheen
Ruined
136 bpm • B min • 02:30 • -7.18db
13% Popularity • 41% Danceability • 51% Energy • 33% Liveness
2% Instrumentalness • 25% Positiveness
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Extreme Music
Carousel
136 bpm • D Maj • 03:53 • -9.46db
11% Popularity • 59% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
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Richard Macklin
Immersion Therapy
136 bpm • A min • 04:17 • -20.16db
4% Popularity • 36% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Lee Richardson
This Ain't a Game
132 bpm • B min • 03:12 • -6.47db
4% Popularity • 75% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Vanacore Music
Not Worth It
132 bpm • E min • 01:47 • -10.31db
18% Popularity • 62% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 10% Positiveness
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Daniel Farrant
Someplace Else
137 bpm • C# Maj • 03:33 • -10.37db
22% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Krysh
Wrongworld
132 bpm • E min • 02:42 • -8.2db
22% Popularity • 41% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Oshins
Out of Control
137 bpm • E min • 04:19 • -9.29db
37% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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SPELLES
Machete (Acoustic)
138 bpm • C Maj • 03:31 • -4.12db
21% Popularity • 71% Danceability • 57% Energy • 45% Liveness
1% Instrumentalness • 31% Positiveness
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Lee Richardson
Set Your Spirit Free
136 bpm • F# min • 03:19 • -7.26db
1% Popularity • 54% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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HOLT
Hand in Glove
138 bpm • F# min • 03:42 • -10.64db
21% Popularity • 55% Danceability • 62% Energy • 10% Liveness
18% Instrumentalness • 11% Positiveness
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Becky Shaheen
The Call
130 bpm • F min • 03:01 • -6.61db
13% Popularity • 47% Danceability • 62% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
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Nine One One
Onto the Next Level
130 bpm • G min • 02:56 • -8.76db
9% Popularity • 68% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Malory
Saving My Skin
130 bpm • G# min • 02:48 • -11.13db
16% Popularity • 76% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Adele Roberts
All Eyes on Me
130 bpm • D Maj • 02:20 • -9.06db
15% Popularity • 69% Danceability • 69% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
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Lee Richardson
Tendies
130 bpm • F# min • 02:51 • -4.03db
5% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Celine Cairo
I Don't Wanna Dance
130 bpm • E Maj • 03:56 • -9db
17% Popularity • 57% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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De Joie
Smoke & Mirrors
130 bpm • G min • 03:46 • -9.67db
8% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nine One One
We Could Cry
130 bpm • A min • 03:23 • -8.87db
18% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Darius Behdad
Save Me from Myself
130 bpm • F# min • 02:49 • -10.47db
14% Popularity • 51% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Dreaming Of Ghosts
Close Your Eyes
130 bpm • C Maj • 03:27 • -16db
23% Popularity • 42% Danceability • 20% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Lee Richardson
Who’s on the Mic
130 bpm • F min • 02:38 • -4.6db
0% Popularity • 75% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Talos
Let Go
130 bpm • C# Maj • 03:49 • -4.35db
24% Popularity • 37% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Natasha Sass
Seelenverwandt - Remix by Tom Ford
129 bpm • F# Maj • 03:58 • -4.18db
0% Popularity • 71% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Elly Shane
Time Change
129 bpm • A min • 03:31 • -4.56db
32% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lexxi Saal
Tiny Dancer
139 bpm • C Maj • 02:40 • -7.15db
18% Popularity • 42% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Sofia Lafuente
Here Again
140 bpm • G# min • 03:50 • -11.35db
16% Popularity • 41% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lee Richardson
Second Chance
130 bpm • C# min • 03:39 • -4.73db
2% Popularity • 50% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Asher
Radiant (Up From The Dark)
140 bpm • E min • 03:53 • -8.49db
13% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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SHERRYL
aml
128 bpm • C Maj • 03:26 • -8.36db
10% Popularity • 40% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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I Am Boleyn
Too Much
140 bpm • B min • 02:48 • -10.02db
8% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Seville
The Warning
140 bpm • C# min • 03:34 • -10.78db
17% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Rupert Pope
Ghost of Me
140 bpm • C min • 03:31 • -7.66db
13% Popularity • 51% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
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Lee Richardson
Pick up the Pace
130 bpm • C# Maj • 02:55 • -5.65db
0% Popularity • 71% Danceability • 84% Energy • 23% Liveness
12% Instrumentalness • 48% Positiveness
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VG LUCAS
Time's Running Out
140 bpm • A# min • 03:24 • -8.36db
30% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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James Donald Davies
Pack of Lies
140 bpm • F# Maj • 03:06 • -6.05db
18% Popularity • 65% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
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Cannon Division
Innocence
140 bpm • B min • 03:32 • -9db
22% Popularity • 30% Danceability • 52% Energy • 14% Liveness
5% Instrumentalness • 12% Positiveness
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Jessie Villa
Youngblood
140 bpm • E min • 03:03 • -6.74db
14% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Nine One One
I Am the Diamond
140 bpm • B min • 04:30 • -8db
20% Popularity • 64% Danceability • 54% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
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Lee Richardson
All Bout U
130 bpm • C# min • 03:18 • -4.81db
0% Popularity • 75% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Denmark + Winter
Continuum
140 bpm • C min • 04:37 • -10.3db
10% Popularity • 43% Danceability • 49% Energy • 16% Liveness
1% Instrumentalness • 29% Positiveness
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Heavy Echo
Love 2 Love U
140 bpm • F min • 03:45 • -6.73db
7% Popularity • 72% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Emma Hughes
Make It out Alive
140 bpm • F min • 03:17 • -6db
20% Popularity • 53% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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WØLFFE
Shoot You Down
140 bpm • D# min • 03:54 • -11.29db
18% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Frinking
Untouchable
140 bpm • G# Maj • 03:33 • -9.91db
9% Popularity • 51% Danceability • 49% Energy • 8% Liveness
12% Instrumentalness • 28% Positiveness
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Lee Richardson
So Hot
130 bpm • G# min • 03:24 • -3.01db
7% Popularity • 57% Danceability • 97% Energy • 6% Liveness
1% Instrumentalness • 77% Positiveness
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Contessa
Feel It Coming On
140 bpm • D min • 04:27 • -9db
16% Popularity • 64% Danceability • 50% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
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Roof
It's Game On
140 bpm • F# min • 03:19 • -6.83db
26% Popularity • 58% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ingrid Witt
Welcome to the City
140 bpm • F min • 03:08 • -8.65db
14% Popularity • 71% Danceability • 54% Energy • 62% Liveness
6% Instrumentalness • 79% Positiveness
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CLAVVS
Slow Dive
140 bpm • A# min • 03:51 • -6.1db
40% Popularity • 71% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Vanacore Music
Make It
140 bpm • F min • 01:59 • -3.01db
16% Popularity • 66% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Richardson
Ready for Action
130 bpm • G# min • 02:54 • -7.79db
21% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Dilys Uwagboe
Don't Wanna Lose Myself
128 bpm • E min • 03:05 • -6.65db
16% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Roof
Breathe out Breathe In
140 bpm • F# min • 03:11 • -9.03db
33% Popularity • 67% Danceability • 69% Energy • 25% Liveness
4% Instrumentalness • 72% Positiveness
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Joybird
Levels
128 bpm • B min • 02:36 • -5.65db
14% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Tishmal
Bed of Roses
128 bpm • F min • 03:35 • -7db
10% Popularity • 66% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Astyria
It's a Mad World
140 bpm • A# Maj • 03:52 • -9.7db
29% Popularity • 22% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Lee Richardson
Wind It Up
140 bpm • C Maj • 02:48 • -4.37db
0% Popularity • 69% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Blithe
Say Your Prayers
128 bpm • F min • 02:58 • -6.06db
33% Popularity • 68% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Tom Ford
I'm Born to Win
128 bpm • F# min • 03:20 • -6db
19% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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ADONA
Our Time Will Come
128 bpm • D min • 04:26 • -16.6db
19% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Double T Tony
Love Like You
128 bpm • A# min • 04:18 • -9.65db
31% Popularity • 63% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Happy Yeah!
DiGrace
128 bpm • A min • 03:50 • -13.51db
8% Popularity • 73% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Lee Richardson
Love so Dangerous
140 bpm • A Maj • 02:24 • -8.2db
13% Popularity • 65% Danceability • 77% Energy • 58% Liveness
1% Instrumentalness • 30% Positiveness
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Christian Reindl
Risk It All
128 bpm • C# min • 03:15 • -7.81db
19% Popularity • 47% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Claire Wyndham
What's Next Has Come
128 bpm • G# Maj • 03:23 • -10.66db
16% Popularity • 36% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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RNDM THNGS
Dead Man Walking
128 bpm • A min • 03:37 • -13.52db
13% Popularity • 69% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Margot Todd
SOS
128 bpm • D# Maj • 04:01 • -5.56db
14% Popularity • 38% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Prinze George
Airborne
141 bpm • G# Maj • 03:43 • -8db
28% Popularity • 42% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Lee Richardson
Real Me
140 bpm • G Maj • 02:39 • -5.36db
3% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Vanacore Music
Don't Forget to Breathe
141 bpm • F Maj • 02:01 • -9.95db
31% Popularity • 60% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Astyria
Wildest Dreams
141 bpm • A min • 03:30 • -7.13db
25% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Patrick Lindner
Gefühl ist eine Achterbahn - Tom Ford R...
127 bpm • G Maj • 04:00 • -5.84db
3% Popularity • 63% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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James Oliver Hutchinson
Look Back No More
142 bpm • C# min • 03:20 • -9.76db
9% Popularity • 39% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Alex Condliffe
Love Me in Half Time
127 bpm • C Maj • 03:03 • -12.25db
13% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lee Richardson
So Long
128 bpm • B min • 02:29 • -5db
4% Popularity • 72% Danceability • 83% Energy • 31% Liveness
26% Instrumentalness • 86% Positiveness
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Grace Fulmer
Something in the Water
142 bpm • F# min • 02:33 • -12.61db
10% Popularity • 41% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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SINJE
Girl with the Heartache
142 bpm • A# Maj • 02:58 • -5.04db
15% Popularity • 57% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Little Dume
Halo
126 bpm • F# min • 03:19 • -5.95db
19% Popularity • 57% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Roof
Gold Teeth
126 bpm • A Maj • 04:24 • -5.83db
18% Popularity • 64% Danceability • 72% Energy • 11% Liveness
9% Instrumentalness • 33% Positiveness
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Millie Turner
Ride This Train
126 bpm • D Maj • 03:07 • -7.67db
17% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Richardson
Hypnotise
128 bpm • F min • 02:59 • -7db
5% Popularity • 62% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Steelfeather
Something in the Air
126 bpm • F# min • 03:08 • -7db
38% Popularity • 58% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 18% Positiveness
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5 Alarm
How the Mighty Fall
126 bpm • A# min • 03:04 • -9.51db
26% Popularity • 66% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Portals
It's All Happening Now
126 bpm • F# min • 03:44 • -7.08db
23% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Curio
Something About You
126 bpm • G Maj • 04:11 • -7.19db
10% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Molly Kate Kestner
Hiding in the Crowd
126 bpm • C Maj • 03:28 • -10.81db
22% Popularity • 54% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Lee Richardson
Who We Are
128 bpm • A Maj • 02:27 • -6db
3% Popularity • 52% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Jigsaw