Songs like Jingi no Hanamichi by Toshihiko Sahashi
Based on a tempo of (+/- 10%) and a similar genre
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Frying-Pan
Endless Firmament
73 bpm • C# Maj • 01:54 • -9db
20% Popularity • 15% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
20% Popularity • 15% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
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斉藤恒芳
ガルルフォーム
75 bpm • A Maj • 00:53 • -5.02db
12% Popularity • 39% Danceability • 87% Energy • 24% Liveness
95% Instrumentalness • 73% Positiveness
12% Popularity • 39% Danceability • 87% Energy • 24% Liveness
95% Instrumentalness • 73% Positiveness
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Hiroyuki Sawano
U.C.0096
75 bpm • A# Maj • 02:50 • -13.38db
23% Popularity • 39% Danceability • 71% Energy • 9% Liveness
79% Instrumentalness • 36% Positiveness
23% Popularity • 39% Danceability • 71% Energy • 9% Liveness
79% Instrumentalness • 36% Positiveness
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MAYUKO
ボッジ戦闘態勢
75 bpm • F Maj • 01:33 • -10.07db
23% Popularity • 61% Danceability • 41% Energy • 8% Liveness
72% Instrumentalness • 54% Positiveness
23% Popularity • 61% Danceability • 41% Energy • 8% Liveness
72% Instrumentalness • 54% Positiveness
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松尾早人
ファイズ
72 bpm • C Maj • 01:30 • -8.83db
15% Popularity • 44% Danceability • 50% Energy • 37% Liveness
94% Instrumentalness • 25% Positiveness
15% Popularity • 44% Danceability • 50% Energy • 37% Liveness
94% Instrumentalness • 25% Positiveness
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Shuhei Naruse
バトルワールド
71 bpm • A min • 02:27 • -7.88db
10% Popularity • 11% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
10% Popularity • 11% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
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Capcom Sound Team
英雄の証
73 bpm • D# Maj • 04:17 • -5.84db
40% Popularity • 25% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 21% Positiveness
40% Popularity • 25% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 21% Positiveness
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Shiro SAGISU
3EM07_C_15_take2
78 bpm • F min • 03:38 • -5.41db
20% Popularity • 8% Danceability • 71% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
20% Popularity • 8% Danceability • 71% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
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Hiroyuki Sawano
SymphonicsuiteNT No.5
70 bpm • A min • 07:42 • -15.49db
16% Popularity • 20% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Michiru Oshima
壮途
78 bpm • G Maj • 01:15 • -11.46db
11% Popularity • 15% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 15% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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London Symphony Orchestra
A Wish (9th Movement: Shizukanaru Heiwa ...
79 bpm • C Maj • 04:01 • -19.68db
7% Popularity • 15% Danceability • 10% Energy • 28% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 10% Energy • 28% Liveness
93% Instrumentalness • 4% Positiveness
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Yoshihiro Ike
HEROES N.C.1980
79 bpm • G min • 06:44 • -9.27db
16% Popularity • 27% Danceability • 46% Energy • 9% Liveness
36% Instrumentalness • 26% Positiveness
16% Popularity • 27% Danceability • 46% Energy • 9% Liveness
36% Instrumentalness • 26% Positiveness
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Kotaro Nakagawa
Rough Welcome
69 bpm • D min • 01:54 • -30.41db
12% Popularity • 44% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 0% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
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斉藤恒芳
音也
79 bpm • B min • 01:37 • -7.82db
15% Popularity • 30% Danceability • 32% Energy • 32% Liveness
69% Instrumentalness • 72% Positiveness
15% Popularity • 30% Danceability • 32% Energy • 32% Liveness
69% Instrumentalness • 72% Positiveness
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Kenta Matsukuma
MAIN THEME - LONG ver.
80 bpm • D Maj • 04:04 • -7.7db
17% Popularity • 12% Danceability • 70% Energy • 28% Liveness
70% Instrumentalness • 14% Positiveness
17% Popularity • 12% Danceability • 70% Energy • 28% Liveness
70% Instrumentalness • 14% Positiveness
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深澤恵梨香
ヒーローの出番です!
80 bpm • B Maj • 02:55 • -5.76db
16% Popularity • 31% Danceability • 78% Energy • 13% Liveness
35% Instrumentalness • 37% Positiveness
16% Popularity • 31% Danceability • 78% Energy • 13% Liveness
35% Instrumentalness • 37% Positiveness
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London Symphony Orchestra
Battle in the Space (3rd Movement: Senka...
78 bpm • E Maj • 04:13 • -12.18db
3% Popularity • 26% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 26% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Kow Otani
Kinsen ni Furete
81 bpm • F# min • 01:14 • -13.21db
12% Popularity • 8% Danceability • 43% Energy • 14% Liveness
80% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 43% Energy • 14% Liveness
80% Instrumentalness • 5% Positiveness
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Shiro SAGISU
3EM02_C17B_Nu_test02
68 bpm • B min • 02:00 • -7.81db
30% Popularity • 27% Danceability • 68% Energy • 31% Liveness
58% Instrumentalness • 14% Positiveness
30% Popularity • 27% Danceability • 68% Energy • 31% Liveness
58% Instrumentalness • 14% Positiveness
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斉藤恒芳
キバフォーム
80 bpm • G# Maj • 02:00 • -4.09db
13% Popularity • 31% Danceability • 85% Energy • 32% Liveness
84% Instrumentalness • 44% Positiveness
13% Popularity • 31% Danceability • 85% Energy • 32% Liveness
84% Instrumentalness • 44% Positiveness
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光宗信吉
千年の力(Re-arranged)
67 bpm • E Maj • 02:09 • -10.37db
15% Popularity • 39% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Shuhei Naruse
Final Atack Ride HIBIKI!!
81 bpm • E min • 01:24 • -8.95db
22% Popularity • 58% Danceability • 84% Energy • 10% Liveness
72% Instrumentalness • 57% Positiveness
22% Popularity • 58% Danceability • 84% Energy • 10% Liveness
72% Instrumentalness • 57% Positiveness
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Kenichiro Suehiro
FURIOUS BATTLE
82 bpm • B min • 01:54 • -3.96db
17% Popularity • 19% Danceability • 78% Energy • 14% Liveness
94% Instrumentalness • 39% Positiveness
17% Popularity • 19% Danceability • 78% Energy • 14% Liveness
94% Instrumentalness • 39% Positiveness
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Frying-Pan
Over the Horizen
82 bpm • F Maj • 02:13 • -17.31db
10% Popularity • 9% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Michiru Oshima
宿命
82 bpm • C Maj • 01:45 • -22.1db
14% Popularity • 17% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
14% Popularity • 17% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
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Hiroyuki Sawano
The Univers
66 bpm • A min • 04:22 • -17.61db
22% Popularity • 28% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
22% Popularity • 28% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Shigeaki Saegusa
AXCIS
82 bpm • F min • 02:16 • -12.05db
17% Popularity • 15% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
17% Popularity • 15% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Takashi Ohmama
Happy Birthday to You
66 bpm • D min • 03:41 • -13.74db
29% Popularity • 31% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
29% Popularity • 31% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
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London Symphony Orchestra
Opening (1st Movement: Unmei no Tobira H...
65 bpm • G Maj • 05:46 • -9.76db
8% Popularity • 13% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
8% Popularity • 13% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
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Kotaro Nakagawa
After the War
65 bpm • F Maj • 02:10 • -13.2db
19% Popularity • 17% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Fate/Grand Order
色彩 ～訣別の時来たれり～
84 bpm • C# Maj • 02:11 • -9.04db
32% Popularity • 27% Danceability • 45% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
32% Popularity • 27% Danceability • 45% Energy • 6% Liveness
89% Instrumentalness • 14% Positiveness
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Toshihiko Sahashi
Kakusei Shinn Asuka
65 bpm • D min • 01:49 • -8.74db
32% Popularity • 45% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 12% Positiveness
32% Popularity • 45% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 12% Positiveness
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Shigeaki Saegusa
DESTINY
84 bpm • F Maj • 03:09 • -11.21db
17% Popularity • 21% Danceability • 33% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 33% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Tatsuya Ishii
RIVER
87 bpm • D# Maj • 04:51 • -4.43db
44% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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London Symphony Orchestra
Finale (10th Movement: Tatakai no Hate T...
86 bpm • F min • 07:39 • -12.5db
8% Popularity • 14% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Takayuki Hattori
Loum no Akai Suisei
87 bpm • A# Maj • 02:29 • -10.04db
19% Popularity • 39% Danceability • 71% Energy • 27% Liveness
92% Instrumentalness • 33% Positiveness
19% Popularity • 39% Danceability • 71% Energy • 27% Liveness
92% Instrumentalness • 33% Positiveness
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Kotaro Nakagawa
Blue Mind
63 bpm • D min • 01:34 • -18.56db
13% Popularity • 52% Danceability • 1% Energy • 15% Liveness
76% Instrumentalness • 10% Positiveness
13% Popularity • 52% Danceability • 1% Energy • 15% Liveness
76% Instrumentalness • 10% Positiveness
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Yoshihiro Ike
TIGER & BUNNY
87 bpm • F min • 02:13 • -9.48db
17% Popularity • 44% Danceability • 51% Energy • 52% Liveness
35% Instrumentalness • 30% Positiveness
17% Popularity • 44% Danceability • 51% Energy • 52% Liveness
35% Instrumentalness • 30% Positiveness
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Shigeaki Saegusa
NEO ZION
84 bpm • G min • 04:01 • -12db
20% Popularity • 13% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
20% Popularity • 13% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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三宅一徳
最強!
87 bpm • G Maj • 01:35 • -12.19db
13% Popularity • 44% Danceability • 77% Energy • 28% Liveness
65% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 77% Energy • 28% Liveness
65% Instrumentalness • 44% Positiveness
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Kow Otani
Zero no Densetsu -XXXG-OOWO
88 bpm • E min • 01:37 • -7.35db
19% Popularity • 28% Danceability • 62% Energy • 16% Liveness
94% Instrumentalness • 28% Positiveness
19% Popularity • 28% Danceability • 62% Energy • 16% Liveness
94% Instrumentalness • 28% Positiveness
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Kenichiro Suehiro
Kakeru
88 bpm • G Maj • 02:41 • -6.56db
9% Popularity • 44% Danceability • 81% Energy • 13% Liveness
58% Instrumentalness • 30% Positiveness
9% Popularity • 44% Danceability • 81% Energy • 13% Liveness
58% Instrumentalness • 30% Positiveness
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Takashi Ohmama
Asticassia
89 bpm • E Maj • 03:37 • -14.95db
28% Popularity • 38% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 38% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kuniaki Haishima
キャストオフ
89 bpm • A# Maj • 01:06 • -7.72db
10% Popularity • 46% Danceability • 72% Energy • 33% Liveness
90% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 72% Energy • 33% Liveness
90% Instrumentalness • 50% Positiveness
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Shigeaki Saegusa
N GUNDAM
88 bpm • C min • 04:31 • -10db
26% Popularity • 23% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 15% Positiveness
26% Popularity • 23% Danceability • 52% Energy • 12% Liveness
81% Instrumentalness • 15% Positiveness
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三宅一徳
華麗なるブレイド
87 bpm • E min • 01:32 • -8.47db
13% Popularity • 40% Danceability • 89% Energy • 32% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 40% Danceability • 89% Energy • 32% Liveness
90% Instrumentalness • 33% Positiveness
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FictionJunction
Distance
89 bpm • C Maj • 04:07 • -6.59db
44% Popularity • 18% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 18% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Kenichiro Suehiro
HERE COMES
88 bpm • B Maj • 02:10 • -6.64db
17% Popularity • 10% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Memory (4th Movement: Itsukushimi no Sen...
89 bpm • C Maj • 03:35 • -24.01db
31% Popularity • 12% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Hideakira Kimura
Hero on the Brink
90 bpm • F Maj • 01:43 • -9.24db
22% Popularity • 38% Danceability • 93% Energy • 26% Liveness
74% Instrumentalness • 64% Positiveness
22% Popularity • 38% Danceability • 93% Energy • 26% Liveness
74% Instrumentalness • 64% Positiveness
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Hiroyuki Sawano
Mobile Suit - W-Rec Mix
90 bpm • E min • 04:10 • -10.75db
26% Popularity • 45% Danceability • 89% Energy • 23% Liveness
85% Instrumentalness • 37% Positiveness
26% Popularity • 45% Danceability • 89% Energy • 23% Liveness
85% Instrumentalness • 37% Positiveness
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斉藤恒芳
仮面ライダーレイ
90 bpm • A min • 00:58 • -6.16db
18% Popularity • 42% Danceability • 81% Energy • 32% Liveness
86% Instrumentalness • 62% Positiveness
18% Popularity • 42% Danceability • 81% Energy • 32% Liveness
86% Instrumentalness • 62% Positiveness
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Toshihiko Sahashi
Kantai-Shiki
92 bpm • G min • 02:26 • -12.12db
17% Popularity • 57% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
17% Popularity • 57% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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Kenichiro Suehiro
親竜王国ルグニカ
91 bpm • G min • 02:43 • -11.48db
15% Popularity • 29% Danceability • 27% Energy • 4% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 27% Energy • 4% Liveness
90% Instrumentalness • 4% Positiveness
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Go Sakabe
仮面ライダーアークゼロ
92 bpm • C Maj • 01:35 • -6.99db
10% Popularity • 48% Danceability • 58% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 58% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Hideakira Kimura
GUNDAM SELTSAM
90 bpm • A min • 01:54 • -12.31db
18% Popularity • 53% Danceability • 60% Energy • 30% Liveness
53% Instrumentalness • 54% Positiveness
18% Popularity • 53% Danceability • 60% Energy • 30% Liveness
53% Instrumentalness • 54% Positiveness
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MAYUKO
私はあなたを守れます
92 bpm • A min • 02:58 • -8.47db
9% Popularity • 52% Danceability • 69% Energy • 30% Liveness
83% Instrumentalness • 19% Positiveness
9% Popularity • 52% Danceability • 69% Energy • 30% Liveness
83% Instrumentalness • 19% Positiveness
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Hiroyuki Sawano
Mobile Suit
90 bpm • E min • 02:46 • -11.36db
35% Popularity • 51% Danceability • 81% Energy • 59% Liveness
40% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 81% Energy • 59% Liveness
40% Instrumentalness • 56% Positiveness
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Toshihiko Sahashi
Daikantai Saigo no Tatakai
92 bpm • E min • 04:09 • -5.36db
13% Popularity • 48% Danceability • 89% Energy • 30% Liveness
91% Instrumentalness • 17% Positiveness
13% Popularity • 48% Danceability • 89% Energy • 30% Liveness
91% Instrumentalness • 17% Positiveness
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London Symphony Orchestra
Gundam (7th Movement: Yureru Kokoro to C...
93 bpm • G Maj • 04:59 • -12.68db
8% Popularity • 20% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Audio Highs
鎮魂曲
93 bpm • A# Maj • 02:13 • -9.88db
12% Popularity • 23% Danceability • 49% Energy • 36% Liveness
87% Instrumentalness • 41% Positiveness
12% Popularity • 23% Danceability • 49% Energy • 36% Liveness
87% Instrumentalness • 41% Positiveness
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坂部剛
Taikan No Hi
94 bpm • D Maj • 01:30 • -6.63db
10% Popularity • 58% Danceability • 66% Energy • 20% Liveness
87% Instrumentalness • 36% Positiveness
10% Popularity • 58% Danceability • 66% Energy • 20% Liveness
87% Instrumentalness • 36% Positiveness
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Kohei Tanaka
Goldion Crusher
94 bpm • A# Maj • 01:32 • -10.77db
5% Popularity • 40% Danceability • 67% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
5% Popularity • 40% Danceability • 67% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Hiroyuki Sawano
Mad-Nug
93 bpm • A min • 04:22 • -12db
29% Popularity • 42% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
29% Popularity • 42% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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ats-
To Heart
94 bpm • G# min • 01:31 • -7db
13% Popularity • 35% Danceability • 63% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 35% Danceability • 63% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Takashi Ohmama
Get Ready for the Duel
94 bpm • A Maj • 02:19 • -11.32db
23% Popularity • 20% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
23% Popularity • 20% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Rie fu
I Wanna Go To A Place...
95 bpm • G Maj • 05:08 • -6.87db
41% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Kow Otani
Bohyounaki Senshitachi
95 bpm • A min • 01:06 • -10.91db
12% Popularity • 36% Danceability • 41% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
12% Popularity • 36% Danceability • 41% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Takayuki Hattori
MOBILE SUIT GUNDAM THE ORIGIN Main Theme
96 bpm • A# Maj • 03:22 • -9db
21% Popularity • 41% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
21% Popularity • 41% Danceability • 65% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Hideakira Kimura
Re:RISE
96 bpm • G min • 02:15 • -11db
25% Popularity • 48% Danceability • 70% Energy • 23% Liveness
95% Instrumentalness • 56% Positiveness
25% Popularity • 48% Danceability • 70% Energy • 23% Liveness
95% Instrumentalness • 56% Positiveness
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ats-
My Destiny
95 bpm • E min • 02:32 • -6db
11% Popularity • 54% Danceability • 67% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
11% Popularity • 54% Danceability • 67% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
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Toshihiko Sahashi
Minerva Take-off
97 bpm • G# Maj • 02:04 • -8db
9% Popularity • 46% Danceability • 40% Energy • 12% Liveness
36% Instrumentalness • 26% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 12% Liveness
36% Instrumentalness • 26% Positiveness
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London Symphony Orchestra
Spaceship Mineeva (7th Movement: Somei-n...
98 bpm • G# Maj • 02:52 • -11.11db
5% Popularity • 23% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
5% Popularity • 23% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Katsuo Ohno
怪盗キッド出現
99 bpm • F min • 01:05 • -15.65db
17% Popularity • 27% Danceability • 29% Energy • 24% Liveness
99% Instrumentalness • 9% Positiveness
17% Popularity • 27% Danceability • 29% Energy • 24% Liveness
99% Instrumentalness • 9% Positiveness
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Takayuki Hattori
Mirai no Senshitachi
98 bpm • A min • 03:34 • -11db
10% Popularity • 30% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
10% Popularity • 30% Danceability • 59% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Go Sakabe
仮面ライダーバルカン&バルキ...
98 bpm • G Maj • 01:38 • -2.76db
20% Popularity • 45% Danceability • 88% Energy • 18% Liveness
84% Instrumentalness • 78% Positiveness
20% Popularity • 45% Danceability • 88% Energy • 18% Liveness
84% Instrumentalness • 78% Positiveness
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甲田雅人
戦いの胎動
99 bpm • G Maj • 01:25 • -10.23db
8% Popularity • 37% Danceability • 45% Energy • 16% Liveness
62% Instrumentalness • 33% Positiveness
8% Popularity • 37% Danceability • 45% Energy • 16% Liveness
62% Instrumentalness • 33% Positiveness
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Toshihiko Sahashi
Coresplendor Lift-off
99 bpm • D Maj • 01:27 • -6.86db
13% Popularity • 43% Danceability • 60% Energy • 9% Liveness
78% Instrumentalness • 34% Positiveness
13% Popularity • 43% Danceability • 60% Energy • 9% Liveness
78% Instrumentalness • 34% Positiveness
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Kohei Tanaka
Waga kokoro Meikyo-Shisui-Saredo kono Sy...
99 bpm • F min • 01:18 • -11.69db
30% Popularity • 32% Danceability • 68% Energy • 10% Liveness
91% Instrumentalness • 72% Positiveness
30% Popularity • 32% Danceability • 68% Energy • 10% Liveness
91% Instrumentalness • 72% Positiveness
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ats-
trust me
100 bpm • C# min • 01:30 • -9.46db
13% Popularity • 54% Danceability • 44% Energy • 12% Liveness
50% Instrumentalness • 10% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 12% Liveness
50% Instrumentalness • 10% Positiveness
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Hideakira Kimura
四の五の言わずに東大に行�...
100 bpm • F Maj • 02:02 • -18.68db
10% Popularity • 48% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 48% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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MAYUKO
王様ランキング -勇気!-
100 bpm • A Maj • 01:39 • -9.52db
23% Popularity • 48% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
23% Popularity • 48% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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斉藤恒芳
マークザイン
100 bpm • A Maj • 02:41 • -9.67db
15% Popularity • 33% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
15% Popularity • 33% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Hiroyuki Sawano
Mobile Armor
100 bpm • F Maj • 06:46 • -13.92db
25% Popularity • 22% Danceability • 54% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 22% Danceability • 54% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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London Symphony Orchestra
The Song (8th Movement: Annani issyo dat...
102 bpm • G min • 03:22 • -13.96db
18% Popularity • 26% Danceability • 25% Energy • 22% Liveness
94% Instrumentalness • 24% Positiveness
18% Popularity • 26% Danceability • 25% Energy • 22% Liveness
94% Instrumentalness • 24% Positiveness
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Takashi Ohmama
GUNDAM PHARACT
102 bpm • A# min • 03:09 • -13.98db
23% Popularity • 40% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
23% Popularity • 40% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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亀岡夏海
全力出撃
103 bpm • A# min • 04:15 • -8.81db
15% Popularity • 56% Danceability • 82% Energy • 21% Liveness
82% Instrumentalness • 44% Positiveness
15% Popularity • 56% Danceability • 82% Energy • 21% Liveness
82% Instrumentalness • 44% Positiveness
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Hitomi Takahashi
僕たちの行方
102 bpm • G# Maj • 04:33 • -3db
40% Popularity • 54% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 54% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Hideakira Kimura
Last Mission
103 bpm • A min • 02:22 • -8.04db
14% Popularity • 57% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 62% Positiveness
14% Popularity • 57% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 62% Positiveness
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Michiru Oshima
シャリオのテーマ
104 bpm • F Maj • 02:02 • -6.81db
8% Popularity • 47% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
8% Popularity • 47% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Shinji Kakishima
REY ZA BURREL'S PIANO Omokage
104 bpm • B min • 02:41 • -22.55db
9% Popularity • 53% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
9% Popularity • 53% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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深澤恵梨香
ひろがるスカイ!
106 bpm • C Maj • 03:05 • -6.57db
14% Popularity • 18% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 23% Positiveness
14% Popularity • 18% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 23% Positiveness
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Hiroyuki Sawano
[Symphonic-Mobile Suite "UC"] 6thMob. :U...
106 bpm • A min • 05:25 • -13.05db
28% Popularity • 56% Danceability • 51% Energy • 28% Liveness
89% Instrumentalness • 25% Positiveness
28% Popularity • 56% Danceability • 51% Energy • 28% Liveness
89% Instrumentalness • 25% Positiveness
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T.M.Revolution
Meteor -ミーティア-
106 bpm • A# min • 04:10 • -6db
56% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Hideakira Kimura
He's a Champion
105 bpm • F Maj • 02:03 • -10.67db
11% Popularity • 30% Danceability • 78% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
11% Popularity • 30% Danceability • 78% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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Takashi Ohmama
The Way We Wanna Go
107 bpm • A# Maj • 03:34 • -10.8db
24% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
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羽岡 佳
覚悟
106 bpm • B min • 01:15 • -8.49db
12% Popularity • 31% Danceability • 81% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
12% Popularity • 31% Danceability • 81% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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FictionJunction YUUKA
焔の扉
107 bpm • D min • 04:52 • -6.95db
46% Popularity • 47% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 47% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
