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Jodida
Songs like
Jodida
by
Fajardo
Based on a tempo of (+/- 10%) and a similar genre
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Gary O'Slide
Chasing you
139 bpm • G# Maj • 02:40 • -15.66db
9% Popularity • 44% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 55% Positiveness
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Discharge Police
Onerous Insurance
139 bpm • A# min • 01:51 • -23.62db
17% Popularity • 32% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Fajardo
Constantes
139 bpm • G Maj • 02:08 • -10.17db
3% Popularity • 65% Danceability • 51% Energy • 14% Liveness
96% Instrumentalness • 44% Positiveness
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John Zorn
Rokhev
139 bpm • F min • 03:10 • -16.41db
16% Popularity • 40% Danceability • 18% Energy • 13% Liveness
81% Instrumentalness • 51% Positiveness
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Lenny Breau
John Henry
138 bpm • A# Maj • 01:01 • -19.13db
19% Popularity • 56% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 89% Positiveness
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Gerardo Yembé
La Playa
140 bpm • E min • 03:55 • -12.22db
17% Popularity • 64% Danceability • 66% Energy • 94% Liveness
17% Instrumentalness • 65% Positiveness
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Sir Richard Bishop
Quiescent Return
140 bpm • F min • 02:48 • -12.75db
18% Popularity • 53% Danceability • 25% Energy • 16% Liveness
68% Instrumentalness • 28% Positiveness
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Shankara Andy Bole
That Way
140 bpm • G# Maj • 02:43 • -25.75db
4% Popularity • 38% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Fajardo
Jodida
139 bpm • F Maj • 01:07 • -12.92db
5% Popularity • 59% Danceability • 39% Energy • 11% Liveness
93% Instrumentalness • 96% Positiveness
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Tidiane Thiam
Minuit
140 bpm • A# Maj • 04:21 • -11.23db
8% Popularity • 25% Danceability • 37% Energy • 9% Liveness
97% Instrumentalness • 52% Positiveness
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蘇昭興
回娘家
138 bpm • D Maj • 01:56 • -17.68db
7% Popularity • 57% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
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Eden Ahbez
Nature Boy
141 bpm • C Maj • 02:59 • -16.71db
11% Popularity • 65% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 28% Positiveness
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Rev. Gary Davis
Yes Sir, That's My Baby Now
141 bpm • F Maj • 01:11 • -4.75db
10% Popularity • 74% Danceability • 44% Energy • 9% Liveness
82% Instrumentalness • 86% Positiveness
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John Spike
True Self
141 bpm • C Maj • 01:00 • -9.45db
13% Popularity • 30% Danceability • 24% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Fajardo
Letanía Torpe
140 bpm • A Maj • 02:10 • -26.72db
5% Popularity • 54% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Peter Finger
Second Love
137 bpm • G# Maj • 03:04 • -23.53db
10% Popularity • 41% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Lenny Breau
Cannon Ball Rag
141 bpm • G min • 01:59 • -19.9db
11% Popularity • 51% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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Emanuel Richardson
Riffage
136 bpm • A Maj • 00:51 • -22.63db
18% Popularity • 51% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Leonard Kwan
Opihi Moemoe
141 bpm • G Maj • 02:51 • -11.4db
9% Popularity • 57% Danceability • 39% Energy • 15% Liveness
87% Instrumentalness • 62% Positiveness
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S.E. Rogie
Advice to Schoolgirls
142 bpm • D Maj • 03:07 • -19.21db
7% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Fajardo
La Bruma
138 bpm • A min • 02:32 • -18.69db
5% Popularity • 41% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 7% Positiveness
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Derek Bailey
What's New
142 bpm • A min • 01:40 • -15.02db
9% Popularity • 55% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Robbie Basho
If I Had Possession
136 bpm • C# Maj • 04:19 • -9.74db
7% Popularity • 39% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Kevin Nolan
The Reception of an English Play in Pari...
135 bpm • C# min • 04:14 • -15.96db
9% Popularity • 33% Danceability • 9% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Traditional
Sandzi et chant
143 bpm • F Maj • 01:12 • -15.88db
10% Popularity • 65% Danceability • 40% Energy • 12% Liveness
97% Instrumentalness • 92% Positiveness
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Will
Hole in the Dirt
143 bpm • F# Maj • 02:11 • -9.77db
27% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Fajardo
Pliegues
140 bpm • D min • 03:47 • -13.12db
1% Popularity • 65% Danceability • 32% Energy • 15% Liveness
16% Instrumentalness • 69% Positiveness
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Obijuan
LNDOFSIN
135 bpm • G# Maj • 01:34 • -17.59db
11% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Dad-ADog
Its the morning time
135 bpm • D min • 01:07 • -14.78db
30% Popularity • 67% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Sexual Kill
Zesty Plan
143 bpm • D# Maj • 01:48 • -7.23db
17% Popularity • 68% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 68% Positiveness
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Morris Lewis
Roof
144 bpm • A Maj • 02:42 • -18.17db
25% Popularity • 48% Danceability • 20% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Neil Young
The Ballad of Peggy Grover - Mono
135 bpm • C Maj • 02:48 • -14db
16% Popularity • 70% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Fajardo
Vamos A Gozar El Mambo
140 bpm • A Maj • 02:44 • -9.34db
0% Popularity • 60% Danceability • 63% Energy • 32% Liveness
73% Instrumentalness • 88% Positiveness
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Robbie Basho
Tatanika
134 bpm • G# Maj • 02:41 • -11.22db
7% Popularity • 44% Danceability • 49% Energy • 12% Liveness
80% Instrumentalness • 72% Positiveness
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Etta Baker
Mississippi Blues
144 bpm • A Maj • 03:46 • -23.34db
7% Popularity • 50% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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The Forum
Zaghouan
144 bpm • C Maj • 01:06 • -17.87db
11% Popularity • 33% Danceability • 12% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Lang
Snow Toad
134 bpm • C Maj • 01:26 • -13.11db
32% Popularity • 35% Danceability • 43% Energy • 13% Liveness
85% Instrumentalness • 96% Positiveness
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James Blackshaw
Memories of the Fox-headed Boy
145 bpm • A Maj • 01:42 • -15.28db
12% Popularity • 49% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
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Fajardo
De alante
142 bpm • E min • 03:06 • -12.97db
3% Popularity • 51% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Robbie Basho
Bengali Prayer
134 bpm • G# Maj • 01:18 • -14.38db
31% Popularity • 66% Danceability • 15% Energy • 23% Liveness
91% Instrumentalness • 55% Positiveness
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Joker Beats
Evening Tide
133 bpm • C# Maj • 04:09 • -24.54db
1% Popularity • 73% Danceability • 37% Energy • 94% Liveness
86% Instrumentalness • 28% Positiveness
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Michael Gelinas
Any Semblance of Clarity
144 bpm • C# Maj • 01:55 • -2.48db
15% Popularity • 31% Danceability • 58% Energy • 25% Liveness
93% Instrumentalness • 7% Positiveness
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The Forum
Djerba
145 bpm • C Maj • 01:07 • -18.03db
12% Popularity • 34% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Mandel Yerkes
Crossing Road
133 bpm • F Maj • 01:40 • -18.07db
17% Popularity • 54% Danceability • 16% Energy • 12% Liveness
50% Instrumentalness • 44% Positiveness
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Fajardo
Naquever
136 bpm • G min • 01:30 • -12.14db
4% Popularity • 70% Danceability • 40% Energy • 20% Liveness
86% Instrumentalness • 58% Positiveness
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Milkweed
Mordred, King Arthur's Son
133 bpm • C# Maj • 01:37 • -12.69db
12% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Salsburg
Sought & Hidden
145 bpm • D Maj • 03:10 • -9.6db
13% Popularity • 34% Danceability • 35% Energy • 9% Liveness
97% Instrumentalness • 66% Positiveness
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Jose Antonio Corea el Rey de Nicaragua
Disculpame (Desesperado)
145 bpm • F Maj • 03:50 • -8.39db
11% Popularity • 63% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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The Forum
El Gem
145 bpm • C Maj • 01:07 • -14.91db
13% Popularity • 40% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 43% Positiveness
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Drunk Driver
Determined Friendship
133 bpm • C min • 03:37 • -18.84db
17% Popularity • 46% Danceability • 17% Energy • 58% Liveness
48% Instrumentalness • 6% Positiveness
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Fajardo
La Batea
136 bpm • C Maj • 02:48 • -8.65db
0% Popularity • 70% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Abdul Wadud
Camille
145 bpm • A# min • 05:09 • -28db
7% Popularity • 56% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Sugarlegg
Roll Me Over
133 bpm • E Maj • 04:20 • -16.65db
16% Popularity • 72% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 66% Positiveness
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Muhamad sound
Not a Big Problem
133 bpm • C min • 01:37 • -17db
18% Popularity • 46% Danceability • 46% Energy • 17% Liveness
65% Instrumentalness • 57% Positiveness
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Max Ochs
Victor's Rag
132 bpm • C Maj • 01:54 • -9db
20% Popularity • 47% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 61% Positiveness
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Jayden Souter
Sweet Love
132 bpm • G Maj • 01:22 • -10.4db
21% Popularity • 67% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Fajardo
Alegando Sobre la Favorita
136 bpm • E Maj • 03:22 • -16.37db
5% Popularity • 57% Danceability • 58% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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Bruce Cockburn
Juan Carlos Theme
146 bpm • D Maj • 01:20 • -12.93db
8% Popularity • 29% Danceability • 14% Energy • 7% Liveness
84% Instrumentalness • 34% Positiveness
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Steven Lauzon
Degen Rock
132 bpm • D Maj • 01:04 • -19.11db
16% Popularity • 93% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 90% Positiveness
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John Zorn
Katanot
146 bpm • C# Maj • 04:34 • -11.26db
11% Popularity • 61% Danceability • 37% Energy • 7% Liveness
89% Instrumentalness • 69% Positiveness
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Elizabeth Cotten
Washington Blues
147 bpm • C# Maj • 04:36 • -17.24db
7% Popularity • 42% Danceability • 37% Energy • 73% Liveness
52% Instrumentalness • 73% Positiveness
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The Ukuleleist
Bright
147 bpm • G Maj • 00:58 • -8.29db
9% Popularity • 72% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 29% Positiveness
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Fajardo
La cantina
133 bpm • G Maj • 02:47 • -4.1db
0% Popularity • 78% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Tom Csatari
Trauma Dogs
147 bpm • E Maj • 01:20 • -11.37db
12% Popularity • 36% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Isato Nakagawa
三文楽士の休日
147 bpm • C Maj • 01:42 • -24.09db
13% Popularity • 55% Danceability • 9% Energy • 12% Liveness
71% Instrumentalness • 64% Positiveness
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Milkweed
Obituaries
147 bpm • G Maj • 00:56 • -21.32db
11% Popularity • 51% Danceability • 43% Energy • 96% Liveness
81% Instrumentalness • 93% Positiveness
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Arlo Vega
Festival
131 bpm • C# Maj • 02:38 • -13.99db
16% Popularity • 59% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 30% Positiveness
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Daniel lork
Cupcake
131 bpm • D Maj • 02:22 • -34.46db
11% Popularity • 70% Danceability • 3% Energy • 11% Liveness
54% Instrumentalness • 80% Positiveness
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Fajardo
Clavelitos
131 bpm • C Maj • 02:12 • -5.05db
0% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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Rev. Gary Davis
Coco Blues
148 bpm • F min • 02:17 • -22.68db
9% Popularity • 39% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 77% Positiveness
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Johnny Dyani
Lonely Flowers - Remastered 2024
131 bpm • C Maj • 09:06 • -16.05db
10% Popularity • 50% Danceability • 53% Energy • 25% Liveness
89% Instrumentalness • 40% Positiveness
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The Ukuleleist
Music Box
148 bpm • C Maj • 01:01 • -19.25db
12% Popularity • 57% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 96% Positiveness
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Marisa Anderson
Just a Closer Walk With Thee
130 bpm • C Maj • 02:32 • -22.35db
11% Popularity • 37% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
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Sleepy Tiger
Vivid Dreams
148 bpm • C Maj • 01:19 • -49.25db
11% Popularity • 41% Danceability • 0% Energy • 11% Liveness
35% Instrumentalness • 19% Positiveness
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Sir Richard Bishop
Rose Room
148 bpm • A Maj • 01:51 • -10.05db
12% Popularity • 45% Danceability • 55% Energy • 33% Liveness
91% Instrumentalness • 90% Positiveness
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G.F.
Komorebi
130 bpm • C# Maj • 03:04 • -11.51db
7% Popularity • 69% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 92% Positiveness
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Tiny
Phillip's
130 bpm • A# Maj • 01:25 • -14.27db
9% Popularity • 49% Danceability • 19% Energy • 28% Liveness
82% Instrumentalness • 6% Positiveness
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John Zorn
Makahaa
129 bpm • A min • 05:18 • -9.67db
11% Popularity • 73% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 34% Positiveness
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Fajardo
Qué Rico Mambo
130 bpm • A min • 02:38 • -10.36db
0% Popularity • 36% Danceability • 40% Energy • 28% Liveness
60% Instrumentalness • 41% Positiveness
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JJ Sabado
Yokohama
150 bpm • A min • 04:54 • -13.26db
13% Popularity • 56% Danceability • 35% Energy • 35% Liveness
20% Instrumentalness • 74% Positiveness
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Peter Lang
Muggy Friday
129 bpm • G Maj • 01:32 • -15.62db
13% Popularity • 34% Danceability • 32% Energy • 9% Liveness
91% Instrumentalness • 85% Positiveness
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Famous Dad
Perpetual Classroom
129 bpm • E Maj • 02:33 • -13.44db
17% Popularity • 67% Danceability • 15% Energy • 40% Liveness
73% Instrumentalness • 31% Positiveness
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Nash Kariuki
مېھىر-شەپقەت
150 bpm • G Maj • 01:04 • -22.9db
22% Popularity • 91% Danceability • 37% Energy • 8% Liveness
42% Instrumentalness • 99% Positiveness
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Muhamad
Journey of Life - Acoustic
150 bpm • G# Maj • 02:03 • -20db
19% Popularity • 60% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 29% Positiveness
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Daniel lork
Silence
151 bpm • E min • 02:22 • -38.05db
11% Popularity • 59% Danceability • 3% Energy • 30% Liveness
97% Instrumentalness • 87% Positiveness
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Luiz Bonfá
Granada / Santa
128 bpm • A Maj • 02:27 • -9.47db
9% Popularity • 71% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 90% Positiveness
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Traditional
Arc musical
128 bpm • G# Maj • 01:30 • -20.83db
8% Popularity • 81% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 64% Positiveness
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Clyde Marcellus
Breakfast Beer
151 bpm • A Maj • 02:48 • -6.57db
28% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Neil Young
String Quartet from Whiskey Boot Hill - ...
128 bpm • F Maj • 01:05 • -14.22db
25% Popularity • 18% Danceability • 30% Energy • 47% Liveness
26% Instrumentalness • 23% Positiveness
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Eddie Lang
Hot Fingers
128 bpm • D Maj • 02:58 • -12.35db
10% Popularity • 64% Danceability • 40% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
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Ergo-Connected
Go and See
127 bpm • C Maj • 01:13 • -14.31db
8% Popularity • 58% Danceability • 25% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Fajardo
El trago
127 bpm • A Maj • 02:48 • -4.28db
0% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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AUST1N VIBES
Scary Feelin' - Instrumental Version
127 bpm • G# min • 01:22 • -10.43db
16% Popularity • 86% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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The Forum
Carthage
127 bpm • C Maj • 01:07 • -14.78db
12% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Rob Carr
Johnny's so Long at the Fair
152 bpm • G# Maj • 03:22 • -16.18db
7% Popularity • 33% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Daniel lork
Bedsheets
152 bpm • D min • 02:08 • -36.39db
11% Popularity • 55% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 57% Positiveness
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Nash Kariuki
Orner
127 bpm • A# Maj • 01:07 • -16.35db
25% Popularity • 45% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
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The Wave Pictures
Cincinatti Flow Rag
125 bpm • G Maj • 02:00 • -10.26db
10% Popularity • 64% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Sir Richard Bishop
Bound in Morocco
154 bpm • B min • 03:33 • -10.3db
12% Popularity • 45% Danceability • 32% Energy • 12% Liveness
60% Instrumentalness • 66% Positiveness
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Elizabeth Cotten
Run, Run
126 bpm • F Maj • 00:57 • -35.34db
19% Popularity • 39% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 36% Positiveness
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Jodida