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Johnnie's Coming Home
Songs like
Johnnie's Coming Home
by
George Mann
Based on a tempo of (+/- 10%) and a similar genre
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Mono Meadow
Way of Salvation
115 bpm • G Maj • 01:38 • -13.79db
30% Popularity • 48% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Kevin Costner & Modern West
Devil's a Long Way from Home
115 bpm • E Maj • 03:00 • -12.45db
21% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Trees
Revelations
115 bpm • C Maj • 05:30 • -12db
10% Popularity • 62% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Lucinda Williams
Ugly Truth
115 bpm • G Maj • 04:22 • -11.29db
11% Popularity • 43% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Loudon Wainwright III
Pretty Good Day
115 bpm • D Maj • 04:19 • -10.44db
14% Popularity • 35% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Adrianne Lenker
Sadness As A Gift
115 bpm • A Maj • 04:19 • -11.04db
61% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Matter
His Way Of Saying
115 bpm • G# Maj • 03:00 • -10.51db
15% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Charlie White
Nameless
115 bpm • G Maj • 02:54 • -11.58db
10% Popularity • 49% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Bruce Springsteen
Cautious Man
116 bpm • G Maj • 03:56 • -17.93db
35% Popularity • 47% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Neil Diamond
We - Early Take
114 bpm • C# Maj • 04:11 • -14.21db
11% Popularity • 66% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John Hiatt
Changes In My Mind
116 bpm • A Maj • 03:34 • -12.51db
33% Popularity • 42% Danceability • 29% Energy • 12% Liveness
4% Instrumentalness • 32% Positiveness
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Allan Taylor
Don't Stop - Thinking About Tomorrow
114 bpm • D Maj • 02:55 • -12.63db
11% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Other Favorites
Roses & Gloom
116 bpm • G Maj • 04:22 • -9.69db
20% Popularity • 59% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Skupien Brothers
Eulogy
116 bpm • G Maj • 02:59 • -15.36db
23% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Steve Moore Oldster
To the Mountains
114 bpm • D Maj • 01:57 • -12.43db
25% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jakob Dylan
Something Good This Way Comes
116 bpm • A Maj • 03:37 • -9.66db
35% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Case
Hidden Love
114 bpm • F# Maj • 03:07 • -10.73db
10% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Russell
Outbound Plane
116 bpm • G Maj • 02:48 • -9.89db
13% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Parr
Cheap Wine
114 bpm • G min • 04:58 • -9.69db
13% Popularity • 49% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jason Isbell and the 400 Unit
Tour Of Duty
114 bpm • G Maj • 03:27 • -10.24db
5% Popularity • 58% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Robertson
Only 17
117 bpm • C Maj • 03:08 • -12.31db
15% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Wolf
Some Other Time, Some Other Place
112 bpm • G Maj • 03:49 • -11.93db
22% Popularity • 59% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Vandaveer
However Many Takes It Takes
112 bpm • C min • 02:31 • -8.56db
23% Popularity • 56% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Yusuf / Cat Stevens
Gold Digger
118 bpm • F# min • 04:34 • -9.13db
14% Popularity • 71% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Parr
Twenty-Five Forty-One
117 bpm • C Maj • 03:52 • -7.53db
9% Popularity • 68% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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The Hillbilly Thomists
Floodwaters
118 bpm • C Maj • 04:13 • -9.88db
21% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Colman
Baby Rattlesnakes (Acoustic)
118 bpm • A# Maj • 02:42 • -9.18db
20% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Droptines
Army Green
119 bpm • D Maj • 03:56 • -8.33db
35% Popularity • 50% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Wishgarden
In Fifty Years
119 bpm • A min • 03:36 • -7.87db
11% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tangerine Flavour
Five Tears Of Dust
111 bpm • A Maj • 02:26 • -9.93db
13% Popularity • 43% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Trailplayer Stew
First Day of Summer
119 bpm • D Maj • 02:53 • -17.35db
25% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ad Vanderveen
Miss That World
111 bpm • C Maj • 05:11 • -9.06db
15% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Decemberists
January Hymn
111 bpm • D Maj • 03:12 • -10db
39% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Steve the Trailplayer
Rest Assured
111 bpm • C Maj • 02:04 • -12.36db
28% Popularity • 47% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Those Who Know the Son
I Got Nothin'
119 bpm • D Maj • 01:30 • -14.05db
25% Popularity • 52% Danceability • 11% Energy • 12% Liveness
35% Instrumentalness • 23% Positiveness
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Alejandro Escovedo
Rosalie
111 bpm • G Maj • 03:49 • -6.72db
31% Popularity • 55% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Marc Miner
Sleepy Sunshine
120 bpm • C Maj • 02:59 • -11.9db
13% Popularity • 52% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Ad Vanderveen
Days that Used to Be
119 bpm • G Maj • 03:03 • -7.35db
11% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Alexander Meadows
If It Could Be Me
120 bpm • F Maj • 03:25 • -11db
14% Popularity • 68% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Ewan Currie
The Stranger
120 bpm • C Maj • 01:39 • -9db
18% Popularity • 63% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Wheatley
Sailing Life's Ocean
120 bpm • G Maj • 05:01 • -18.13db
21% Popularity • 72% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Watershed
Yesterday Again
120 bpm • C Maj • 03:05 • -11.83db
27% Popularity • 70% Danceability • 54% Energy • 11% Liveness
26% Instrumentalness • 93% Positiveness
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Jim Fine
The Tattler
120 bpm • C Maj • 03:24 • -12.11db
8% Popularity • 58% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 71% Positiveness
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Jason Isbell and the 400 Unit
Chaos And Clothes
120 bpm • F Maj • 03:34 • -15db
15% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Holmes
Annie Laurie
110 bpm • C Maj • 02:49 • -11.87db
10% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Greg Brown
The Poet Game
110 bpm • G Maj • 05:32 • -13.73db
17% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Owen Temple
One Day Closer to Rain
110 bpm • C# Maj • 02:50 • -8.05db
9% Popularity • 78% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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John Bramwell
Times Arrow
120 bpm • G Maj • 03:09 • -10.85db
24% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Wax Fang
Oh, Recklessness
121 bpm • D Maj • 02:29 • -19.65db
14% Popularity • 47% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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James McMurtry
Angeline
121 bpm • G Maj • 04:04 • -21.95db
22% Popularity • 62% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mountain Saddle Band
He's an Ol' Cowboy
109 bpm • D Maj • 04:59 • -14.21db
35% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 17% Positiveness
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Mister Valentine
Most of All
121 bpm • E Maj • 02:16 • -14.6db
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Jeff M Evans
Burns Like Hell When You Play with Fire
121 bpm • B min • 04:03 • -14.48db
26% Popularity • 39% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Corb Lund
Remains of You
121 bpm • B min • 02:47 • -11.25db
10% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Moil
Gold
122 bpm • G Maj • 05:25 • -12.27db
19% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Waterboys
The Christ in You
109 bpm • F Maj • 03:18 • -20.67db
15% Popularity • 38% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Danny Schmidt
Firestorm
122 bpm • C min • 03:46 • -10.48db
21% Popularity • 47% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Minor Majority
What You Do to Me
109 bpm • C Maj • 02:11 • -12.45db
28% Popularity • 69% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Barenaked Ladies
Have You Seen My Love
122 bpm • C Maj • 02:53 • -10.81db
14% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Runrig
Forever Eyes of Blue
122 bpm • A Maj • 04:09 • -17.62db
22% Popularity • 76% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Woodpecker Stew
Here In California
122 bpm • B min • 02:52 • -16.38db
25% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Man Mountain Moore
It Is Finished
108 bpm • D Maj • 01:01 • -7.49db
25% Popularity • 46% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 61% Positiveness
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Lynn Crossett
Stay Awhile
108 bpm • E Maj • 04:08 • -9.94db
11% Popularity • 57% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Neil Diamond
No Words
123 bpm • C Maj • 04:48 • -10.43db
14% Popularity • 59% Danceability • 52% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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Calvary Power and Light
He Reigns Everywhere
122 bpm • C Maj • 01:26 • -11.88db
30% Popularity • 39% Danceability • 24% Energy • 15% Liveness
6% Instrumentalness • 31% Positiveness
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AJJ
Candle in the Wind
108 bpm • G Maj • 02:38 • -8.89db
23% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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T Bone Burnett
Every Little Thing
123 bpm • F# min • 02:52 • -9.47db
19% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Hackensaw Boys
Pass Unloving Eyes
108 bpm • E Maj • 03:29 • -8.3db
12% Popularity • 64% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Trampled by Turtles
Pocahontas
123 bpm • A Maj • 04:30 • -8.01db
22% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Dead South
Will the Circle Be Unbroken
123 bpm • A# Maj • 03:55 • -11.42db
40% Popularity • 39% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Yusuf / Cat Stevens
Maybe There's a World
107 bpm • D Maj • 03:06 • -10.64db
35% Popularity • 78% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Eric Brace
Burn
124 bpm • D# Maj • 02:40 • -15.52db
16% Popularity • 66% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Marra
Frida Kahlo's Visit to the Taybridge Bar
107 bpm • D Maj • 03:07 • -12.48db
22% Popularity • 69% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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GANGgajang
Australian Medley
124 bpm • F Maj • 02:42 • -9.74db
21% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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No-No Boy
Two Candles in the Dark
107 bpm • D Maj • 03:27 • -10.94db
12% Popularity • 67% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Doug Paisley
All About You
107 bpm • C Maj • 02:48 • -7.51db
16% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Warren Zevon
Ourselves to Know
107 bpm • D Maj • 03:17 • -9.44db
20% Popularity • 65% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Shulman Smith
Sunday
124 bpm • A Maj • 04:26 • -12.11db
16% Popularity • 66% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Songs: Ohia
The Old Black Hen
124 bpm • D Maj • 05:48 • -8db
36% Popularity • 34% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Bruce Springsteen
Terry's Song
125 bpm • G Maj • 04:11 • -10.1db
30% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Jim Stanard
Color Outside The Lines
125 bpm • E Maj • 03:42 • -7.16db
17% Popularity • 61% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Carroll
Red Bandanna Blues
125 bpm • E Maj • 04:00 • -6.98db
28% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Colin Hay
My Brilliant Feat
125 bpm • G Maj • 03:26 • -13db
29% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Roger Alan Wade
Lonlieness is My Only True Friend
105 bpm • A# Maj • 03:18 • -6.94db
12% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Forrest
Moonshiner
105 bpm • C# min • 04:55 • -9.3db
19% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Strahan
Time for a Change Again
126 bpm • D Maj • 04:40 • -18.94db
29% Popularity • 36% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Bap Kennedy
Nothing Can Stand in the Way of Love
105 bpm • C Maj • 02:51 • -7db
12% Popularity • 76% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Gerd Baumann
Nothing Else To Lose
105 bpm • G Maj • 03:32 • -11.47db
9% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Colin Hay
Who Can It Be Now? - Acoustic Version
126 bpm • D Maj • 03:24 • -9db
37% Popularity • 61% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jonny J Solo
The Empathetic Pirate - Acoustic
105 bpm • C Maj • 03:44 • -7.3db
27% Popularity • 76% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Kade Hoffman
Hungover & Heartbroken
126 bpm • D Maj • 02:25 • -12.05db
45% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Memphis and the Grande
Slow Life
126 bpm • A Maj • 03:42 • -8.03db
28% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Blair Adams
Shelley's Song
127 bpm • B Maj • 02:18 • -13.28db
14% Popularity • 57% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Levellers
Man O' War
126 bpm • E Maj • 02:53 • -5.44db
17% Popularity • 40% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Smither
She Said She Said
104 bpm • D Maj • 02:54 • -8.95db
35% Popularity • 65% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Trailplayer Stew
Holy Ground
127 bpm • G min • 02:50 • -15.44db
25% Popularity • 50% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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The Nadas
Small Crush
127 bpm • E min • 02:31 • -5.94db
17% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The White Buffalo
I Believe
127 bpm • C Maj • 03:26 • -9.77db
27% Popularity • 62% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 32% Positiveness
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Gene Clark
For A Spanish Guitar
127 bpm • C# min • 04:58 • -7.13db
23% Popularity • 39% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Last Knife Fighter
Testing 123
127 bpm • C Maj • 04:19 • -11.1db
26% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Johnnie's Coming Home