Songs like Joliet Bound by Memphis Minnie & Kansas Joe
Based on a tempo of (+/- 10%) and a similar genre
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Josh White
Black And Evil Blues
112 bpm • G# Maj • 03:12 • -14.7db
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Memphis Minnie & Kansas Joe
Georgia Skin Blues
112 bpm • A Maj • 03:27 • -13.81db
0% Popularity • 56% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 56% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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David "Honeyboy" Edwards
Further Up on the Road
112 bpm • A Maj • 04:20 • -15db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Tampa Red
Seminole Blues
112 bpm • F Maj • 03:05 • -10.15db
16% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Charley Patton
Revenue Man Blues
112 bpm • D min • 02:43 • -13.78db
12% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Memphis Minnie & Kansas Joe
Preachers Blues
112 bpm • A# Maj • 03:15 • -13.59db
0% Popularity • 68% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 59% Positiveness
0% Popularity • 68% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 59% Positiveness
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Ishman Bracey
Saturday Blues
112 bpm • A# Maj • 03:29 • -17db
8% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Bo Carter
Warm My Weiner
112 bpm • G Maj • 02:56 • -13.36db
13% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Pink Anderson
You Don't Know My Mind
113 bpm • C# Maj • 02:39 • -17db
20% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmie Rodgers
Waiting for a Train
113 bpm • G Maj • 02:47 • -15.28db
10% Popularity • 57% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 57% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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J.B. Lenoir
When I Am Drinking
111 bpm • F Maj • 02:39 • -12db
40% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
40% Popularity • 71% Danceability • 34% Energy • 28% Liveness
44% Instrumentalness • 85% Positiveness
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Furry Lewis
Good Morning Judge
111 bpm • A Maj • 05:31 • -7.3db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Petway
Rockin Chair Blues
111 bpm • D# Maj • 03:01 • -8db
11% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Bukka White
Aberdeen Mississippi Blues
111 bpm • D Maj • 04:10 • -11.23db
11% Popularity • 64% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 64% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
18% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
18% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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Son House
Death Letter
111 bpm • D min • 05:51 • -8.65db
30% Popularity • 66% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 66% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Bessie Smith
Black Mountain Blues
114 bpm • C Maj • 03:06 • -12db
14% Popularity • 69% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 69% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Furry Lewis
Falling Down Blues
113 bpm • D Maj • 02:48 • -14db
17% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Memphis Minnie & Kansas Joe
Beat It Right
114 bpm • A Maj • 03:28 • -12.25db
0% Popularity • 68% Danceability • 24% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
0% Popularity • 68% Danceability • 24% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
10% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Skip James
I'm So Glad
110 bpm • A# Maj • 01:56 • -17db
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bukka White
Fixin' to Die Blues
110 bpm • B Maj • 02:48 • -11.71db
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
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Frank Stokes
'Tain't Nobody's Business If I Do, Pt. 1
110 bpm • D Maj • 03:16 • -16.85db
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Cannon's Jug Stompers
Minglewood Blues
114 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
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J.B. Lenoir
The Whale Has Swallowed Me
110 bpm • G Maj • 02:25 • -8db
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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David "Honeyboy" Edwards
Big Fat Mama
110 bpm • A Maj • 02:58 • -16.62db
9% Popularity • 78% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
9% Popularity • 78% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 88% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
12% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Memphis Minnie & Kansas Joe
You Got To Move - Part 2
110 bpm • D# Maj • 02:51 • -13.62db
0% Popularity • 62% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 62% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Robert Wilkins
Rollin' Stone, Pt. 1
110 bpm • G# Maj • 02:53 • -14.96db
14% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Blind Boy Fuller
Homesick and Lonesome Blues
114 bpm • G# Maj • 03:09 • -12.02db
15% Popularity • 65% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 65% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Judy Henske
Good Old Wagon
109 bpm • G# Maj • 02:19 • -6.57db
18% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Henry Thomas
Bob McKinney
109 bpm • F# Maj • 02:53 • -14.32db
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Blind Blake
Blind Arthur's Breakdown
115 bpm • G# Maj • 03:00 • -11db
18% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
18% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
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Memphis Minnie & Kansas Joe
Tricks Ain't Walking No More
115 bpm • A# Maj • 03:07 • -12.93db
0% Popularity • 59% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
0% Popularity • 59% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 60% Positiveness
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J.D. Short
By The Spoonful
115 bpm • G Maj • 03:49 • -10.86db
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Big Joe Williams
Hellbound On My Trial
109 bpm • A Maj • 03:08 • -19.69db
14% Popularity • 57% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
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J.B. Lenoir
Korea Blues
115 bpm • F Maj • 02:50 • -13.87db
10% Popularity • 50% Danceability • 46% Energy • 16% Liveness
14% Instrumentalness • 67% Positiveness
10% Popularity • 50% Danceability • 46% Energy • 16% Liveness
14% Instrumentalness • 67% Positiveness
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Charley Patton
Mississippi Boweavil Blues
109 bpm • F# Maj • 03:11 • -10.2db
13% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
13% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
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Bukka White
Fixin' to Die Blues
109 bpm • B Maj • 02:51 • -10db
19% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
19% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
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Memphis Minnie & Kansas Joe
Crazy Cryin' Blues
115 bpm • C# Maj • 03:30 • -15.77db
1% Popularity • 52% Danceability • 17% Energy • 16% Liveness
76% Instrumentalness • 57% Positiveness
1% Popularity • 52% Danceability • 17% Energy • 16% Liveness
76% Instrumentalness • 57% Positiveness
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Son House
Death Letter Blues
116 bpm • G min • 04:19 • -15.42db
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
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Mance Lipscomb
Buck Dance - Version; Instrumental; Rema...
116 bpm • G# Maj • 01:33 • -15db
33% Popularity • 60% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 83% Positiveness
33% Popularity • 60% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 83% Positiveness
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J.B. Lenoir
Feelin' Good
115 bpm • A Maj • 03:01 • -11.65db
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Arthur "Big Boy" Crudup
My Baby Left Me - Remastered 2003
108 bpm • D Maj • 02:21 • -11.89db
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Bukka White
Poor Boy Long Ways From Home
116 bpm • F# Maj • 02:20 • -15db
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Memphis Minnie & Kansas Joe
Good Girl Blues
116 bpm • F Maj • 02:59 • -14.5db
0% Popularity • 49% Danceability • 19% Energy • 21% Liveness
6% Instrumentalness • 55% Positiveness
0% Popularity • 49% Danceability • 19% Energy • 21% Liveness
6% Instrumentalness • 55% Positiveness
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Charley Patton
Screamin' and Hollerin' the Blues
116 bpm • G# Maj • 03:05 • -13db
9% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
9% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
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Memphis Minnie
Good Biscuits
108 bpm • C Maj • 02:40 • -18.33db
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Sylvester Weaver
Guitar Rag
108 bpm • D Maj • 03:06 • -13db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
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Pink Anderson
My Baby Left Me This Morning
108 bpm • G Maj • 03:38 • -16.54db
9% Popularity • 69% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 69% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Tampa Red
Boogie Woogie Dance
108 bpm • D# Maj • 03:14 • -9db
12% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
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Memphis Minnie & Kansas Joe
Jailhouse Trouble Blues
108 bpm • B Maj • 03:16 • -20.23db
0% Popularity • 51% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
0% Popularity • 51% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Bo Carter
Pussy Cat Blues
108 bpm • E Maj • 02:54 • -11.64db
10% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmie Rodgers
Gambling Bar Room Blues
117 bpm • E Maj • 03:23 • -11.79db
18% Popularity • 80% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 80% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Bo Diddley
Before You Accuse Me (Take A Look At You...
108 bpm • B min • 03:04 • -16db
35% Popularity • 72% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 72% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Bukka White
Bukka's Jitterbug Swing
117 bpm • F# Maj • 02:39 • -13db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
22% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Memphis Minnie & Kansas Joe
You Got To Move - Part 1
117 bpm • E min • 03:06 • -13.7db
0% Popularity • 65% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 65% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
18% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
18% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1
117 bpm • B Maj • 03:08 • -11db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
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Memphis Jug Band
He's In The Jail House Now
107 bpm • C Maj • 03:12 • -12.13db
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Bukka White
High Fever Blues
107 bpm • A Maj • 02:50 • -12db
21% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
21% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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J.B. Lenoir
Slow Down
107 bpm • A Maj • 01:34 • -11db
46% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Lil Johnson
Press My Button, Ring My Bell
118 bpm • E Maj • 03:18 • -7.87db
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
107 bpm • F min • 02:56 • -13.86db
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
36% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Barbecue Bob
Mississippi Heavy Water Blues
118 bpm • E min • 03:09 • -13.2db
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Lonnie Johnson
Best Jockey in Town
106 bpm • A Maj • 02:57 • -16.11db
10% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 72% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bukka White
Bukka Jitterburg Swing
118 bpm • D Maj • 02:35 • -17db
34% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
34% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
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Cephas & Wiggins
Dog Days of August
106 bpm • A Maj • 04:11 • -9.33db
15% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
15% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Frank Stokes
I Got Mine
106 bpm • C# Maj • 03:06 • -12db
18% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 76% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Charley Patton
Down The Dirt Road Blues
118 bpm • C# Maj • 02:56 • -9.68db
10% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Memphis Minnie & Kansas Joe
I Don't Want That Junk Out You
106 bpm • F# min • 02:26 • -15.14db
1% Popularity • 70% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 70% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Blind Roosevelt Graves
I'll Be Rested (When The Roll Is Called)
118 bpm • B Maj • 02:33 • -12db
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Dock Boggs
Sugar Baby
118 bpm • G# min • 02:57 • -13db
26% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
9% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Son House
Dead Letter Blues
106 bpm • G Maj • 03:31 • -7db
8% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1 (Alternate ...
118 bpm • E Maj • 03:04 • -13db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
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Albert King
Kansas City
118 bpm • A# Maj • 02:32 • -9.19db
36% Popularity • 78% Danceability • 47% Energy • 27% Liveness
9% Instrumentalness • 72% Positiveness
36% Popularity • 78% Danceability • 47% Energy • 27% Liveness
9% Instrumentalness • 72% Positiveness
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Furry Lewis
John Henry
119 bpm • C# Maj • 04:51 • -16db
16% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Sugar Blue
Another Man Done Gone
119 bpm • D min • 02:18 • -10db
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
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Warner Williams
Hey Bartender, There's a Big Bug in My B...
106 bpm • F Maj • 02:43 • -10db
12% Popularity • 82% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 82% Danceability • 55% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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Memphis Minnie & Kansas Joe
Socket Blues
119 bpm • G# Maj • 02:57 • -14.82db
0% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Geeshie Wiley
Skinny Leg Blues
106 bpm • C Maj • 03:13 • -13.39db
8% Popularity • 49% Danceability • 25% Energy • 40% Liveness
30% Instrumentalness • 57% Positiveness
8% Popularity • 49% Danceability • 25% Energy • 40% Liveness
30% Instrumentalness • 57% Positiveness
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Mississippi Sheiks
The Jazz Fiddler
106 bpm • D# Maj • 03:12 • -6db
11% Popularity • 75% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Furry Lewis
Judge Harsh Blues
105 bpm • D Maj • 03:05 • -11db
23% Popularity • 49% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 49% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Lucille Bogan
Pot Hound Blues
119 bpm • F Maj • 03:22 • -12.02db
12% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Memphis Minnie & Kansas Joe
Meat Cutter Blues
119 bpm • A# Maj • 02:56 • -15.88db
0% Popularity • 63% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 48% Positiveness
0% Popularity • 63% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 48% Positiveness
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Corey Harris
Take Me Back
119 bpm • C Maj • 02:19 • -14.99db
32% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness