Songs like Jonathan by Adrianne Lenker
Based on a tempo of (+/- 10%) and a similar genre
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Weyes Blood
Something to Believe
137 bpm • E Maj • 04:45 • -8.59db
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
61% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Big Thief
Objects
138 bpm • G min • 02:41 • -10.36db
57% Popularity • 68% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
57% Popularity • 68% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 51% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Odie Leigh
Crop Circles
138 bpm • F min • 03:46 • -9.49db
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Mazzy Star
I've Been Let Down
138 bpm • C Maj • 03:17 • -21db
50% Popularity • 56% Danceability • 10% Energy • 9% Liveness
9% Instrumentalness • 31% Positiveness
50% Popularity • 56% Danceability • 10% Energy • 9% Liveness
9% Instrumentalness • 31% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
47% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Route 500
I'll Play You Out
138 bpm • E Maj • 02:44 • -13.07db
12% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
12% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
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Adrianne Lenker
Gone
138 bpm • G Maj • 04:06 • -7.14db
39% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mia Joy
See Us
138 bpm • A# Maj • 02:10 • -14.29db
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
66% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Would You Rather
136 bpm • A# Maj • 03:19 • -10.93db
51% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Labi Siffre
Bless the Telephone
136 bpm • D min • 01:40 • -17.47db
63% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Big Thief
Velvet Ring - 2023 Remaster
139 bpm • C Maj • 02:35 • -11.94db
64% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
64% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Charlotte Cornfield
In My Corner
135 bpm • C min • 03:44 • -10.07db
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Twain
Noon
139 bpm • F Maj • 04:24 • -16.88db
27% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Adrianne Lenker
Ringing Bells
139 bpm • C Maj • 03:49 • -17db
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Greg Mendez
Maria
139 bpm • D# Maj • 01:58 • -11.27db
45% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 68% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Free Cake For Every Creature
Christina's World
139 bpm • C Maj • 01:53 • -14.76db
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mazzy Star
Blue Light
139 bpm • E Maj • 05:10 • -15.51db
63% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
63% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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Skullcrusher
Pass Through Me
135 bpm • F# Maj • 02:24 • -10.31db
30% Popularity • 44% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
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Adrianne Lenker
from
135 bpm • D# Maj • 03:38 • -13.42db
16% Popularity • 49% Danceability • 27% Energy • 11% Liveness
35% Instrumentalness • 32% Positiveness
16% Popularity • 49% Danceability • 27% Energy • 11% Liveness
35% Instrumentalness • 32% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Slow Pulp
Gone 2
139 bpm • D# Maj • 02:54 • -9.15db
43% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Crane Like the Bird
All I Can Do Is Ride
135 bpm • F Maj • 03:21 • -12.95db
4% Popularity • 51% Danceability • 25% Energy • 13% Liveness
42% Instrumentalness • 35% Positiveness
4% Popularity • 51% Danceability • 25% Energy • 13% Liveness
42% Instrumentalness • 35% Positiveness
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Buck Meek
Swan Dive
139 bpm • C Maj • 01:26 • -13.68db
31% Popularity • 48% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
31% Popularity • 48% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Helena Deland
Swimmer
135 bpm • F Maj • 03:33 • -15.27db
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Adrianne Lenker
cradle
135 bpm • G min • 03:17 • -13.91db
20% Popularity • 62% Danceability • 29% Energy • 8% Liveness
43% Instrumentalness • 49% Positiveness
20% Popularity • 62% Danceability • 29% Energy • 8% Liveness
43% Instrumentalness • 49% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Jolie Holland
Highway 72
134 bpm • G# Maj • 04:52 • -11.32db
31% Popularity • 47% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 47% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Slow Pulp
Montana
135 bpm • G# Maj • 03:20 • -8.21db
46% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
59% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Adrianne Lenker
heavy focus
139 bpm • A# Maj • 02:34 • -16.91db
51% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Evian
Apple
140 bpm • G# Maj • 01:43 • -11.67db
48% Popularity • 68% Danceability • 34% Energy • 13% Liveness
53% Instrumentalness • 79% Positiveness
48% Popularity • 68% Danceability • 34% Energy • 13% Liveness
53% Instrumentalness • 79% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Field Medic
uuu
134 bpm • E Maj • 03:31 • -7db
45% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Whatever, Dad
Waffles
141 bpm • A Maj • 01:19 • -18db
59% Popularity • 38% Danceability • 54% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
59% Popularity • 38% Danceability • 54% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
64% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
64% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Sadurn
radiator
133 bpm • D Maj • 03:54 • -14.84db
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Big Thief
Heavy Bend
133 bpm • C# Maj • 01:36 • -9db
52% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Adrianne Lenker
Butterfly
135 bpm • G min • 02:43 • -16.14db
44% Popularity • 66% Danceability • 16% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
44% Popularity • 66% Danceability • 16% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Lucy Dacus
Body to Flame
133 bpm • D Maj • 03:05 • -9.65db
47% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hand Habits
Graves
133 bpm • F# Maj • 03:12 • -14.21db
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Pinegrove
Need
141 bpm • A# Maj • 01:50 • -9.03db
49% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
49% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Adrianne Lenker
Hours Were the Birds
135 bpm • A Maj • 03:11 • -13db
47% Popularity • 67% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 67% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kara Jackson
no fun/party
141 bpm • C Maj • 05:56 • -11.82db
42% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Weyes Blood
Wild Time
141 bpm • G Maj • 06:09 • -10db
49% Popularity • 38% Danceability • 42% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
49% Popularity • 38% Danceability • 42% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Cornelia Murr
You Got Me
142 bpm • C# min • 03:57 • -14.95db
39% Popularity • 43% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 19% Positiveness
39% Popularity • 43% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 19% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Adrianne Lenker
come
140 bpm • D Maj • 05:17 • -18.3db
51% Popularity • 29% Danceability • 19% Energy • 35% Liveness
23% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 19% Energy • 35% Liveness
23% Instrumentalness • 10% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Dear Nora
flag (into the fray)
132 bpm • D Maj • 02:05 • -19.09db
43% Popularity • 57% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
43% Popularity • 57% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Jana Horn
Optimism
142 bpm • A Maj • 01:59 • -13.19db
39% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
44% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Adrianne Lenker
my angel
134 bpm • C# min • 05:04 • -17.76db
52% Popularity • 47% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
52% Popularity • 47% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Elliott Smith
Clementine
142 bpm • C Maj • 02:46 • -18.02db
49% Popularity • 59% Danceability • 16% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
49% Popularity • 59% Danceability • 16% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
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Julie Byrne
Emeralds
132 bpm • G min • 03:12 • -21.18db
38% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
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Linda Perhacs
Hey, Who Really Cares
132 bpm • C min • 02:37 • -21db
52% Popularity • 59% Danceability • 16% Energy • 11% Liveness
54% Instrumentalness • 39% Positiveness
52% Popularity • 59% Danceability • 16% Energy • 11% Liveness
54% Instrumentalness • 39% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Babehoven
Often
132 bpm • D Maj • 04:01 • -13.28db
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
40% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Okay Kaya
Insert Generic Name
132 bpm • A Maj • 02:25 • -8.69db
38% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Sadurn
snail / alwase
132 bpm • D Maj • 02:06 • -12.29db
33% Popularity • 58% Danceability • 23% Energy • 33% Liveness
8% Instrumentalness • 13% Positiveness
33% Popularity • 58% Danceability • 23% Energy • 33% Liveness
8% Instrumentalness • 13% Positiveness
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Adrianne Lenker
Lighthouse
132 bpm • A Maj • 03:29 • -8.02db
47% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Skullcrusher
Places/Plans
132 bpm • F Maj • 03:03 • -14db
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Cornelia Murr
I Have A Woman Inside My Soul
143 bpm • A Maj • 05:12 • -8.7db
38% Popularity • 54% Danceability • 48% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
38% Popularity • 54% Danceability • 48% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Adrianne Lenker
terminal paradise
132 bpm • F Maj • 03:59 • -14.87db
18% Popularity • 34% Danceability • 14% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
18% Popularity • 34% Danceability • 14% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Whatever, Dad
O.K.
131 bpm • G Maj • 01:42 • -17.67db
58% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
58% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Jessica Pratt
Back, Baby
143 bpm • D# Maj • 03:55 • -11.55db
51% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Skullcrusher
Quiet the Room
131 bpm • A# Maj • 03:24 • -16db
28% Popularity • 23% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 5% Positiveness
28% Popularity • 23% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 5% Positiveness
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Adrianne Lenker
two reverse
143 bpm • C# Maj • 03:33 • -15.4db
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
52% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness