Songs like Joropo by Johan de Meij
Based on a tempo of (+/- 10%) and a similar genre
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Otto M. Schwarz
Glory Fanfare
115 bpm • A# Maj • 03:00 • -11.33db
15% Popularity • 35% Danceability • 57% Energy • 73% Liveness
94% Instrumentalness • 26% Positiveness
15% Popularity • 35% Danceability • 57% Energy • 73% Liveness
94% Instrumentalness • 26% Positiveness
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Vladimir Cosma
Euphonium Concerto: I. Allegro assai
115 bpm • C Maj • 09:14 • -19.11db
11% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Johan de Meij
Joropo
115 bpm • D min • 03:17 • -13db
21% Popularity • 53% Danceability • 30% Energy • 17% Liveness
88% Instrumentalness • 69% Positiveness
21% Popularity • 53% Danceability • 30% Energy • 17% Liveness
88% Instrumentalness • 69% Positiveness
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Norman Dello Joio
Satiric Dances: I. Allegro pesante
115 bpm • A min • 02:03 • -14db
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
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Emily Hall
Tenth Regiment March, "Death or Glory"
115 bpm • A# Maj • 03:42 • -16.28db
16% Popularity • 52% Danceability • 37% Energy • 6% Liveness
23% Instrumentalness • 50% Positiveness
16% Popularity • 52% Danceability • 37% Energy • 6% Liveness
23% Instrumentalness • 50% Positiveness
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Henry VIII
Pastime with good company
116 bpm • F min • 02:46 • -14.86db
17% Popularity • 74% Danceability • 63% Energy • 96% Liveness
90% Instrumentalness • 45% Positiveness
17% Popularity • 74% Danceability • 63% Energy • 96% Liveness
90% Instrumentalness • 45% Positiveness
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Otto M. Schwarz
Around the World in 80 Days
115 bpm • G# Maj • 10:27 • -15db
22% Popularity • 26% Danceability • 31% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
22% Popularity • 26% Danceability • 31% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Sea Songs
116 bpm • G# Maj • 03:57 • -23db
14% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
14% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
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Thomas Doss
Romanian Overture
116 bpm • G min • 08:02 • -12db
8% Popularity • 36% Danceability • 29% Energy • 27% Liveness
44% Instrumentalness • 24% Positiveness
8% Popularity • 36% Danceability • 29% Energy • 27% Liveness
44% Instrumentalness • 24% Positiveness
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Samuel R. Hazo
Perthshire Majesty
116 bpm • A# Maj • 04:35 • -16db
20% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: I. -
113 bpm • C min • 03:08 • -15db
15% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
15% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
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Julie Giroux
Bookmarks from Japan: IV. Kinryuzan Temp...
114 bpm • C# Maj • 03:09 • -16.64db
18% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
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Erich Wolfgang Korngold
The Seahawk
117 bpm • A# Maj • 07:56 • -11.1db
10% Popularity • 45% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
10% Popularity • 45% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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Rossano Galante
The Falls (Live)
117 bpm • F Maj • 05:19 • -21.67db
9% Popularity • 24% Danceability • 16% Energy • 52% Liveness
95% Instrumentalness • 9% Positiveness
9% Popularity • 24% Danceability • 16% Energy • 52% Liveness
95% Instrumentalness • 9% Positiveness
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Joseph Alessi
T-Bone Concerto
113 bpm • C Maj • 06:06 • -14db
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
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David Maslanka
Concerto for Alto Saxophone and Wind Ens...
117 bpm • F Maj • 09:29 • -24db
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
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William Rimmer
The Cossack
117 bpm • G min • 04:24 • -18db
6% Popularity • 46% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
6% Popularity • 46% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
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The Black Dyke Mills Band
Napoli
117 bpm • D# Maj • 04:20 • -18.46db
16% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 60% Positiveness
16% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 60% Positiveness
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Harmonie De Charlesbourg
Gulliver's Travels - Brobdingnag - Land ...
113 bpm • G# Maj • 02:12 • -16db
14% Popularity • 43% Danceability • 13% Energy • 18% Liveness
54% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 18% Liveness
54% Instrumentalness • 38% Positiveness
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Johan de Meij
Pennsylvania Faux Songs
118 bpm • G Maj • 13:11 • -18.11db
1% Popularity • 25% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
1% Popularity • 25% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Otto M. Schwarz
The last call
118 bpm • G# Maj • 04:59 • -11db
18% Popularity • 52% Danceability • 68% Energy • 84% Liveness
96% Instrumentalness • 71% Positiveness
18% Popularity • 52% Danceability • 68% Energy • 84% Liveness
96% Instrumentalness • 71% Positiveness
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Ernesto Lecuona
Malaguena
112 bpm • C min • 03:58 • -13.57db
8% Popularity • 29% Danceability • 50% Energy • 83% Liveness
84% Instrumentalness • 40% Positiveness
8% Popularity • 29% Danceability • 50% Energy • 83% Liveness
84% Instrumentalness • 40% Positiveness
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The Band of Her Majesty's Royal Marines Scotland
Pentland Hills
112 bpm • A# Maj • 03:06 • -14db
16% Popularity • 54% Danceability • 50% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
16% Popularity • 54% Danceability • 50% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
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Johann Sebastian Bach
Fugue à la gigue
118 bpm • A# Maj • 03:12 • -22.75db
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
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The Philip Jones Brass Ensemble
Tico Tico
118 bpm • A# min • 04:06 • -18db
17% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
17% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Johan de Meij
Aquarium, Op. 5: III. Finale. Allegro gi...
113 bpm • F Maj • 02:37 • -14.09db
3% Popularity • 42% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
3% Popularity • 42% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
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Julius Fučík
Florentiner Marsch, Op. 214
119 bpm • F Maj • 05:43 • -15.9db
22% Popularity • 35% Danceability • 36% Energy • 67% Liveness
78% Instrumentalness • 39% Positiveness
22% Popularity • 35% Danceability • 36% Energy • 67% Liveness
78% Instrumentalness • 39% Positiveness
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Jacob de Haan
Ross Roj
118 bpm • D# Maj • 09:39 • -12db
19% Popularity • 27% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
19% Popularity • 27% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Arturo Márquez
Conga del Fuego Nuevo (Arr. O. Nickel fo...
119 bpm • A min • 05:02 • -14.64db
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
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Percy Grainger
The Gum-Suckers March (Cornstalks' March...
111 bpm • D# Maj • 03:44 • -19.56db
19% Popularity • 45% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 56% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 56% Positiveness
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Johan de Meij
Finale from Jazz Suite No. 2 Dmitri Shos...
119 bpm • F Maj • 02:16 • -19.65db
23% Popularity • 54% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
23% Popularity • 54% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
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José Alberto Pina
The Island Of Light, Pt. 1: Cova D'en Xo...
120 bpm • A# Maj • 04:30 • -18.91db
11% Popularity • 39% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
11% Popularity • 39% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Jacob de Haan
Ross Roy, Overture for Band
119 bpm • D# Maj • 09:57 • -14.31db
17% Popularity • 29% Danceability • 26% Energy • 95% Liveness
87% Instrumentalness • 10% Positiveness
17% Popularity • 29% Danceability • 26% Energy • 95% Liveness
87% Instrumentalness • 10% Positiveness
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Philip Sparke
Hymn of the Highlands: V. Dundonnell - F...
110 bpm • F min • 05:50 • -15db
18% Popularity • 31% Danceability • 32% Energy • 17% Liveness
94% Instrumentalness • 23% Positiveness
18% Popularity • 31% Danceability • 32% Energy • 17% Liveness
94% Instrumentalness • 23% Positiveness
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USAF ACC Heritage of America Band
The Big Cage
110 bpm • F min • 01:28 • -16.97db
4% Popularity • 41% Danceability • 39% Energy • 26% Liveness
90% Instrumentalness • 69% Positiveness
4% Popularity • 41% Danceability • 39% Energy • 26% Liveness
90% Instrumentalness • 69% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
28% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Johan de Meij
Klezmer Classics
120 bpm • F Maj • 08:32 • -20.98db
5% Popularity • 37% Danceability • 16% Energy • 65% Liveness
12% Instrumentalness • 24% Positiveness
5% Popularity • 37% Danceability • 16% Energy • 65% Liveness
12% Instrumentalness • 24% Positiveness
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Bert Appermont
Ivanhoe
120 bpm • G# Maj • 08:33 • -16.04db
8% Popularity • 26% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
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Jacob de Haan
Jakob de Haan: Caribbean Variation on a ...
111 bpm • F Maj • 06:03 • -16.05db
10% Popularity • 39% Danceability • 34% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
10% Popularity • 39% Danceability • 34% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
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Militärmusik Kärnten
African Symphony
120 bpm • D min • 04:13 • -10.17db
17% Popularity • 35% Danceability • 44% Energy • 8% Liveness
70% Instrumentalness • 35% Positiveness
17% Popularity • 35% Danceability • 44% Energy • 8% Liveness
70% Instrumentalness • 35% Positiveness
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Malcolm Arnold
Fantasy for Brass Band, Op. 114
121 bpm • A min • 09:24 • -20.81db
8% Popularity • 35% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Jan van der Roost
Dublin Dances: I. Brian Boru's March
109 bpm • D min • 02:34 • -22.29db
13% Popularity • 35% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
13% Popularity • 35% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
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Johan de Meij
UFO Concerto: V. Marcia - Vivace
110 bpm • F Maj • 03:11 • -14.52db
4% Popularity • 40% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 24% Positiveness
4% Popularity • 40% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 24% Positiveness
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Chris Hazell
Cat Suite: I. Kraken
121 bpm • A# Maj • 03:28 • -19db
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Jacob de Haan
Ross Roy
119 bpm • D# Maj • 09:26 • -20.74db
12% Popularity • 28% Danceability • 9% Energy • 17% Liveness
90% Instrumentalness • 16% Positiveness
12% Popularity • 28% Danceability • 9% Energy • 17% Liveness
90% Instrumentalness • 16% Positiveness
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Willy Brandt
Concert Piece No. 1 in F Minor, Op. 11 -...
109 bpm • F min • 06:53 • -16db
10% Popularity • 46% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
10% Popularity • 46% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Frank Ticheli
Simple Gifts: Four Shaker Songs: No. 2. ...
109 bpm • D min • 01:37 • -17.53db
23% Popularity • 65% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
23% Popularity • 65% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Die Hornisten der Berliner Philharmoniker
Der Freischütz : Jäger-Chor
109 bpm • D Maj • 01:51 • -16db
13% Popularity • 55% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
13% Popularity • 55% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Johan de Meij
UFO Concerto (version for euphonium and ...
110 bpm • F Maj • 03:27 • -20.18db
3% Popularity • 37% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 38% Positiveness
3% Popularity • 37% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 38% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
11% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Robert Jager
Third Suite, II: Vals - Robert E. Jager
109 bpm • A# Maj • 02:27 • -25db
13% Popularity • 39% Danceability • 7% Energy • 50% Liveness
72% Instrumentalness • 12% Positiveness
13% Popularity • 39% Danceability • 7% Energy • 50% Liveness
72% Instrumentalness • 12% Positiveness
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![Paconchita - Latin Overture for Symphony Orchestra [Live] cover art](https://i.scdn.co/image/ab67616d00001e020951bfcc849cef21e77390f8)
Oscar Navarro Gonzalez
Paconchita - Latin Overture for Symphony...
121 bpm • G min • 05:12 • -14.37db
12% Popularity • 38% Danceability • 76% Energy • 75% Liveness
87% Instrumentalness • 33% Positiveness
12% Popularity • 38% Danceability • 76% Energy • 75% Liveness
87% Instrumentalness • 33% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: II. -
122 bpm • C Maj • 02:29 • -17.29db
12% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Alfred Reed
2 Suite for Band: I. Son Montuno
122 bpm • C min • 02:44 • -20db
10% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
10% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
José Alberto Pina
The Legend Of Maracaibo
122 bpm • D min • 10:58 • -15.09db
18% Popularity • 25% Danceability • 35% Energy • 24% Liveness
80% Instrumentalness • 10% Positiveness
18% Popularity • 25% Danceability • 35% Energy • 24% Liveness
80% Instrumentalness • 10% Positiveness
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The University of Illinois Symphonic Band
Candide Suite III. Auto-Da-Fe
109 bpm • G Maj • 01:53 • -17db
9% Popularity • 40% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 27% Positiveness
9% Popularity • 40% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 27% Positiveness
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Otto M. Schwarz
Funky Brass
122 bpm • A# Maj • 03:30 • -11.91db
11% Popularity • 60% Danceability • 87% Energy • 78% Liveness
83% Instrumentalness • 46% Positiveness
11% Popularity • 60% Danceability • 87% Energy • 78% Liveness
83% Instrumentalness • 46% Positiveness
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German Brass
Mambo NR. 1
108 bpm • D Maj • 03:00 • -17db
9% Popularity • 65% Danceability • 28% Energy • 2% Liveness
91% Instrumentalness • 75% Positiveness
9% Popularity • 65% Danceability • 28% Energy • 2% Liveness
91% Instrumentalness • 75% Positiveness
► Preview
Jan van der Roost
Puszta: Four Gipsy Dances: IV. -
109 bpm • A min • 04:28 • -18db
10% Popularity • 41% Danceability • 22% Energy • 74% Liveness
78% Instrumentalness • 20% Positiveness
10% Popularity • 41% Danceability • 22% Energy • 74% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Alfred Reed
Armenian Dances: I. The Apricot Tree - T...
108 bpm • A# Maj • 11:04 • -19db
17% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
17% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
► Preview
Johan de Meij
T-bone Concerto: III. Well Done
123 bpm • C Maj • 06:14 • -20.69db
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
US Navy Band
Florentiner March
108 bpm • G# Maj • 05:50 • -16.79db
17% Popularity • 49% Danceability • 34% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
17% Popularity • 49% Danceability • 34% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Tredegar Town Band
The Great Escape
123 bpm • G# Maj • 02:10 • -16.81db
26% Popularity • 61% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 70% Positiveness
26% Popularity • 61% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 70% Positiveness
► Preview
US Military Academy Concert Band
Entry March of the Boyars
107 bpm • G min • 04:35 • -17.77db
17% Popularity • 42% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
17% Popularity • 42% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
► Preview
Jan van der Roost
Arsenal
107 bpm • G# Maj • 03:38 • -17db
27% Popularity • 30% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 46% Positiveness
27% Popularity • 30% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 46% Positiveness
► Preview
James Barnes
Danza Sinfonica
124 bpm • C# Maj • 10:43 • -16.93db
11% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
11% Popularity • 36% Danceability • 23% Energy • 5% Liveness
59% Instrumentalness • 11% Positiveness
► Preview
Johan de Meij
T-bone Concerto: I. Rare
123 bpm • C min • 09:40 • -21.64db
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Richard Saucedo
Into the Clouds!
107 bpm • A# Maj • 01:49 • -9db
28% Popularity • 32% Danceability • 38% Energy • 19% Liveness
5% Instrumentalness • 28% Positiveness
28% Popularity • 32% Danceability • 38% Energy • 19% Liveness
5% Instrumentalness • 28% Positiveness
► Preview
José Alberto Pina
The Island Of Light, Pt. 2: Sobre Las Nu...
124 bpm • F Maj • 08:37 • -17.85db
10% Popularity • 18% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
River City Brass Band
Gaelforce
124 bpm • C# Maj • 06:37 • -15.12db
19% Popularity • 34% Danceability • 48% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
19% Popularity • 34% Danceability • 48% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Stadtmusikkapelle Innsbruck Arzl
Free world fantasy
124 bpm • D# Maj • 07:55 • -14.46db
18% Popularity • 36% Danceability • 14% Energy • 9% Liveness
64% Instrumentalness • 14% Positiveness
18% Popularity • 36% Danceability • 14% Energy • 9% Liveness
64% Instrumentalness • 14% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
107 bpm • A min • 02:03 • -18.49db
20% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
20% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
19% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
19% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Julius Fučík
Florentiner March, Op. 214
106 bpm • C min • 06:50 • -13.55db
9% Popularity • 27% Danceability • 52% Energy • 79% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 27% Danceability • 52% Energy • 79% Liveness
89% Instrumentalness • 11% Positiveness
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John Williams
Hymn To The Fallen
124 bpm • F# Maj • 06:12 • -16.06db
13% Popularity • 21% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Philip Sparke
Party Piece
125 bpm • D# Maj • 07:34 • -26.51db
12% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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Johan de Meij
March from Jazz Suite No. 2 Dmitri Shost...
124 bpm • F Maj • 02:58 • -18.23db
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
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Otto M. Schwarz
Cape Horn
125 bpm • A# min • 08:17 • -15db
16% Popularity • 36% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 14% Positiveness
16% Popularity • 36% Danceability • 12% Energy • 7% Liveness
79% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Frank Erickson
Toccata for Band
125 bpm • G Maj • 05:27 • -16db
17% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 10% Positiveness
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Tredegar Town Band
Children of Sanchez
125 bpm • A# Maj • 06:19 • -18.95db
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
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Robert W. Smith
Songs of Sailor and Sea
125 bpm • A# Maj • 08:29 • -19db
12% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 21% Energy • 90% Liveness
87% Instrumentalness • 12% Positiveness
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Johan de Meij
The Wind in the Willows: IV. The Return ...
106 bpm • F Maj • 04:25 • -21.72db
11% Popularity • 24% Danceability • 4% Energy • 67% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 24% Danceability • 4% Energy • 67% Liveness
94% Instrumentalness • 6% Positiveness
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Intrada Brass of Oakville & Bram Gregson
Windows of the World: Amazonia
125 bpm • G# Maj • 01:51 • -11.55db
14% Popularity • 29% Danceability • 53% Energy • 16% Liveness
60% Instrumentalness • 19% Positiveness
14% Popularity • 29% Danceability • 53% Energy • 16% Liveness
60% Instrumentalness • 19% Positiveness
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Percy Grainger
Children's March "Over the Hills and Far...
126 bpm • A# Maj • 06:44 • -15.5db
14% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 43% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Jacob de Haan
La Storia
126 bpm • D# Maj • 07:09 • -22.91db
20% Popularity • 26% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
20% Popularity • 26% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Ron Nelson
Courtly Airs and Dances: VI. Allemande
126 bpm • A# Maj • 02:24 • -20db
11% Popularity • 50% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
11% Popularity • 50% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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Brass Band Rekrutenschule Schweizer Militärmusik - Hptm Bernhard Meier
Cry Of The Celts - Victory
126 bpm • G# Maj • 03:06 • -20.01db
17% Popularity • 41% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
17% Popularity • 41% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Johan de Meij
UFO Concerto: IV. —
105 bpm • D# Maj • 06:19 • -16.28db
5% Popularity • 33% Danceability • 20% Energy • 24% Liveness
94% Instrumentalness • 24% Positiveness
5% Popularity • 33% Danceability • 20% Energy • 24% Liveness
94% Instrumentalness • 24% Positiveness
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Cory Band
Main Theme
126 bpm • G Maj • 02:51 • -13db
21% Popularity • 40% Danceability • 42% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
21% Popularity • 40% Danceability • 42% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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Georges Bizet
Carmen Suite No. 2: 5. Danse bohème I
126 bpm • A# Maj • 01:08 • -25db
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
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Carl Wittrock
Lord Tullamore
127 bpm • D# Maj • 07:57 • -13.91db
16% Popularity • 37% Danceability • 26% Energy • 70% Liveness
93% Instrumentalness • 22% Positiveness
16% Popularity • 37% Danceability • 26% Energy • 70% Liveness
93% Instrumentalness • 22% Positiveness
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Oscar Navarro
El Olimpo de los Dioses: IV. Poseidon
127 bpm • C Maj • 07:13 • -17.19db
9% Popularity • 17% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Graham
Gaelforce
127 bpm • C# Maj • 06:11 • -15db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Johan de Meij
The Witches’ Sabbath ('La Tregenda' fr...
128 bpm • C min • 03:42 • -19.26db
4% Popularity • 42% Danceability • 26% Energy • 21% Liveness
86% Instrumentalness • 37% Positiveness
4% Popularity • 42% Danceability • 26% Energy • 21% Liveness
86% Instrumentalness • 37% Positiveness
