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Joy to the World
Songs like
Joy to the World
by
Robert Sund
Based on a tempo of (+/- 10%) and a similar genre
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
28% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Anonymous
Stadshotellet I Kalmar
100 bpm • G# Maj • 03:47 • -27.1db
0% Popularity • 54% Danceability • 32% Energy • 94% Liveness
0% Instrumentalness • 18% Positiveness
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Robert Sund
4 Songs for Male Choir: No. 2. Som forut
98 bpm • G# Maj • 00:41 • -17.84db
0% Popularity • 33% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
The Turtle Dove
98 bpm • B min • 03:15 • -34.55db
1% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hugo Alfvén
Papillon (Butterfly)
98 bpm • G Maj • 02:52 • -36.68db
2% Popularity • 15% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Petite messe solennelle: Cum Sancto Spir...
100 bpm • F Maj • 05:33 • -18.78db
15% Popularity • 37% Danceability • 20% Energy • 23% Liveness
65% Instrumentalness • 44% Positiveness
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Max Reger
Schlichte Weisen, Op. 76: No. 52. Maria ...
100 bpm • G# Maj • 02:08 • -26db
7% Popularity • 26% Danceability • 3% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Anonymous
Yuppie-Rap
100 bpm • F# min • 03:27 • -15.52db
0% Popularity • 57% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 16% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 1. Lo...
98 bpm • E Maj • 02:32 • -24db
14% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Arvo Pärt
Arvo Pärt: Bogoróditse Dévo
100 bpm • A Maj • 01:14 • -21db
17% Popularity • 33% Danceability • 11% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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Johannes Brahms
Three Songs, Op. 42: II. Vineta
101 bpm • F# Maj • 02:54 • -25.92db
9% Popularity • 25% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Lars-Erik Larsson
Recitation V, VI: Husbonden må vi prisa...
97 bpm • A min • 01:08 • -34.29db
0% Popularity • 52% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Praetorius
Audite, silete
101 bpm • C# min • 01:04 • -23db
33% Popularity • 26% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Wilhelm Peterson-Berger
En fjallfard (A Mountain Journey): III. ...
101 bpm • F Maj • 03:25 • -30db
5% Popularity • 19% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Helsingborg Symphony Orchestra
Pastoralsvit, Op. 19: Romanze
97 bpm • D# Maj • 04:27 • -28db
14% Popularity • 16% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Wilhelm Stenhammar
Sverige
101 bpm • F# Maj • 02:17 • -18.87db
17% Popularity • 25% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
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Hillevi Martinpelto
Forkladd gud (The Disguised God), Op. 24...
101 bpm • F Maj • 04:37 • -23db
12% Popularity • 14% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Lars-Erik Larsson
Vem spelar på en pipa / Who plays upon ...
101 bpm • G Maj • 03:32 • -20.91db
0% Popularity • 27% Danceability • 10% Energy • 10% Liveness
57% Instrumentalness • 19% Positiveness
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Thomas Morley
Now Is The Month Of Maying
97 bpm • A min • 02:07 • -19.13db
15% Popularity • 59% Danceability • 28% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
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Gioachino Rossini
Petite Messe solennelle - Kyrie: Kyrie (...
101 bpm • C Maj • 02:50 • -28.31db
12% Popularity • 22% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
5 Gesänge, Op. 104: II. Nachtwache
102 bpm • D# Maj • 01:22 • -25.57db
0% Popularity • 21% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Adolf Fredrik Lundblad
Drömmarne
96 bpm • A min • 12:48 • -29.42db
0% Popularity • 31% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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Lars-Erik Larsson
Vad faller över träden / What shimmers...
96 bpm • G Maj • 03:41 • -17.95db
0% Popularity • 24% Danceability • 16% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Kurt-Ã…ke Frisk
Till Osterland (To the East) (arr. for m...
102 bpm • B min • 02:18 • -28.14db
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Messiah, HWV 56: No. 12, Chorus "For unt...
102 bpm • G Maj • 04:04 • -18.62db
24% Popularity • 40% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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John Dowland
Come Again, Sweet Love Doth Now Invite
102 bpm • G Maj • 04:35 • -21.17db
11% Popularity • 36% Danceability • 5% Energy • 22% Liveness
3% Instrumentalness • 34% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
11% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Benny Andersson
Var hör vi hemma
95 bpm • G# Maj • 02:30 • -20.99db
10% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Knud Jeppesen
Juninat (June Evening)
102 bpm • F# Maj • 02:35 • -36db
3% Popularity • 14% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Vem spelar pa en p...
103 bpm • G Maj • 03:31 • -18.2db
11% Popularity • 23% Danceability • 12% Energy • 14% Liveness
37% Instrumentalness • 21% Positiveness
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Hugo Alfvén
Berceuse
103 bpm • F Maj • 02:55 • -36.44db
3% Popularity • 16% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
25% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Julian Kershaw
At the Hop - Rock Around the Clock (arr....
104 bpm • A Maj • 04:11 • -17.66db
0% Popularity • 38% Danceability • 24% Energy • 77% Liveness
4% Instrumentalness • 38% Positiveness
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Jean Sibelius
2 Schybergson Songs, JS 224: No. 2, Brus...
95 bpm • C Maj • 01:27 • -20.34db
0% Popularity • 27% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Toivo Kuula
Auringon noustessa, Op. 11/3
104 bpm • E Maj • 03:38 • -20.07db
11% Popularity • 17% Danceability • 15% Energy • 24% Liveness
56% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
21% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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David Wikander
Kung Liljekonvalje av dungen
94 bpm • G# min • 03:48 • -27.44db
0% Popularity • 24% Danceability • 5% Energy • 15% Liveness
34% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Anders Hillborg
Mouyayoum
104 bpm • C Maj • 09:49 • -27.34db
0% Popularity • 15% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Joseph Haydn
Te Deum, Hob. XXIIIc:2
104 bpm • C Maj • 08:21 • -19.64db
18% Popularity • 35% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Wilhelm Stenhammar
I Seraillets have
104 bpm • F# Maj • 02:07 • -15db
17% Popularity • 23% Danceability • 9% Energy • 15% Liveness
16% Instrumentalness • 8% Positiveness
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Kurt Weill
Das Berliner Requiem: III. Marterl: ''Hi...
94 bpm • D Maj • 02:00 • -32.6db
0% Popularity • 17% Danceability • 1% Energy • 5% Liveness
40% Instrumentalness • 4% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
17% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
105 bpm • G min • 01:42 • -24.55db
34% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Robert Sund
Balladen om herr Rosenbloms Speleman (ar...
93 bpm • D Maj • 03:01 • -19.23db
0% Popularity • 44% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 42% Positiveness
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Johannes Brahms
Seven Songs, Op. 62: III. Waldesnacht
105 bpm • D Maj • 05:40 • -30.17db
10% Popularity • 15% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Oslo Kammerkor
Bruremarsj Fra Østerdalen
105 bpm • F Maj • 01:39 • -15.24db
14% Popularity • 19% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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David Fanshawe
African Sanctus: VIII. Sanctus (Bwala Da...
106 bpm • C Maj • 04:16 • -16.99db
1% Popularity • 60% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Jussi Björling
Au Fond Du Temple Saint (Les Pècheurs d...
93 bpm • D# Maj • 04:36 • -9db
18% Popularity • 15% Danceability • 42% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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Robert Sund
Till gladjens varn och ara, "Fyra satser...
93 bpm • D Maj • 03:57 • -21.24db
0% Popularity • 36% Danceability • 16% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
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Jean Sibelius
Fridolins darskap (Fridolin's Folly), JS...
93 bpm • G# Maj • 02:34 • -30.58db
2% Popularity • 18% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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John Tavener
Tavener: Funeral Ikos
106 bpm • G# Maj • 07:36 • -34.34db
14% Popularity • 18% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Adolf Fredrik Lindblad
En sommarafton (A Summer Eve), "Over sko...
106 bpm • G# Maj • 02:29 • -32db
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
35% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Kurt-Ã…ke Frisk
Sveriges Flaggstang
106 bpm • D# Maj • 03:46 • -21.21db
0% Popularity • 32% Danceability • 7% Energy • 71% Liveness
0% Instrumentalness • 18% Positiveness
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Johannes Brahms
Three Songs, Op. 42: I. Abendständchen
106 bpm • G Maj • 02:10 • -29.93db
8% Popularity • 17% Danceability • 4% Energy • 8% Liveness
32% Instrumentalness • 3% Positiveness
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David Fanshawe
African Sanctus: I. African Sanctus
107 bpm • C Maj • 02:59 • -17.15db
3% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Sven-Eric Johanson
Snabbt jagar stormen våra år
92 bpm • D# Maj • 02:23 • -23.52db
0% Popularity • 26% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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South Jutland Symphony Orchestra
Moderen (The Mother), Op. 41, FS 94: Taa...
107 bpm • C Maj • 03:45 • -24db
19% Popularity • 26% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Passereau
Il est bel et bon
107 bpm • G# min • 01:19 • -19.88db
12% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben, Motet für ...
92 bpm • F Maj • 10:19 • -20.51db
8% Popularity • 20% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: 1. Dixit Dominus
92 bpm • F# min • 06:09 • -19db
11% Popularity • 42% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Robert Sund
I Could Have Danced All Night (arr. R. S...
107 bpm • C Maj • 03:03 • -15.61db
0% Popularity • 45% Danceability • 35% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga, Op. 18: Epilog aus "Ein W...
92 bpm • D min • 03:35 • -24.9db
19% Popularity • 11% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Orlando Gibbons
Gibbons: Drop, Drop, Slow Tears
91 bpm • F Maj • 01:21 • -32.36db
24% Popularity • 14% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Johann Steuerlein
All varlden nu sig glader
91 bpm • A Maj • 01:12 • -23db
14% Popularity • 35% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Hildor Lundvik
Som ett blommande mandelträd
107 bpm • F Maj • 01:57 • -33.44db
0% Popularity • 22% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Jean Sibelius
Jone havsfard (Jonah's Voyage), JS 100
108 bpm • G# Maj • 02:37 • -23.69db
0% Popularity • 41% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z. 323 "Ode f...
107 bpm • F Maj • 02:25 • -24.21db
25% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
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David Fanshawe
African Sanctus: XIII. Gloria
108 bpm • C Maj • 03:40 • -13.89db
1% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Maurice Ravel
Ravel: 3 Chansons, M. 69: No. 2, Trois b...
108 bpm • A# min • 02:40 • -27.61db
10% Popularity • 27% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Γιάννη Yang
Underlige Aftenlufte
91 bpm • D# Maj • 01:50 • -5db
17% Popularity • 32% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Frank Havrøy
Sov, sov, liten gut
91 bpm • F Maj • 02:01 • -29db
7% Popularity • 23% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Lars Magnus Béen
Majsång - Sköna maj, välkommen: Skona...
108 bpm • D Maj • 04:13 • -26.45db
10% Popularity • 24% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Ole Bull
Et Sæterbesøk - A Mountain Vision
91 bpm • A Maj • 07:12 • -18.9db
15% Popularity • 24% Danceability • 12% Energy • 5% Liveness
68% Instrumentalness • 11% Positiveness
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Orlande de Lassus
Matona Mia Cara
91 bpm • B min • 02:46 • -24db
9% Popularity • 40% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Gloria in exce...
108 bpm • G# Maj • 04:37 • -16db
14% Popularity • 20% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Γιάννη Yang
In Solitaria Stanza
108 bpm • F# Maj • 03:21 • -4.81db
12% Popularity • 27% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Kurt Weill
Das Berliner Requiem: IV. Wir kamen von ...
90 bpm • G min • 03:47 • -21.8db
0% Popularity • 44% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Ole Bull
Saeterjentens Sondag, "The Herd-girls' S...
90 bpm • D Maj • 02:28 • -24db
15% Popularity • 11% Danceability • 6% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Wilhelm Peterson-Berger
I furuskogen (In the Pine Forest)
108 bpm • A Maj • 01:12 • -28db
17% Popularity • 19% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Requiem
91 bpm • G min • 05:35 • -30.66db
8% Popularity • 12% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: XII....
109 bpm • C# Maj • 03:09 • -16.69db
27% Popularity • 28% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
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Thomas Morley
Now is the Month of Maying
109 bpm • A Maj • 00:40 • -29.46db
0% Popularity • 48% Danceability • 10% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Dobrogosz
Mass: I. Introitus
109 bpm • G min • 01:16 • -20db
12% Popularity • 24% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Jan Sandström
The Singing Apes of Khao Yai
90 bpm • C Maj • 06:58 • -21.92db
0% Popularity • 38% Danceability • 43% Energy • 34% Liveness
4% Instrumentalness • 10% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: V. Ihr ha...
90 bpm • G Maj • 06:52 • -29.62db
13% Popularity • 14% Danceability • 4% Energy • 17% Liveness
23% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Gladjens blomster (The Flowers of Joy)
109 bpm • D min • 02:01 • -32.38db
1% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Evert Taube
Vals i Valparaiso
109 bpm • F min • 03:05 • -19.49db
1% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Pablo Casals
O vos omnes
90 bpm • F min • 03:35 • -23db
20% Popularity • 12% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Lars-Erik Larsson
Tror du fåren skulle / Think you that s...
89 bpm • A Maj • 06:46 • -23.54db
0% Popularity • 15% Danceability • 4% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
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Robert Sund
Operetten ar dod
109 bpm • C# Maj • 03:01 • -14.37db
0% Popularity • 44% Danceability • 55% Energy • 11% Liveness
19% Instrumentalness • 20% Positiveness
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Joy to the World