Songs like Jugendlieder, Vol. 1: Grenzen der Menschenheit by Alban Berg
Based on a tempo of (+/- 10%) and a similar genre
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Alban Berg
Lulu / Act 1: "Den hab' ich mir auch gan...
93 bpm • F# min • 03:31 • -21.84db
0% Popularity • 40% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 40% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 14% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Introducti...
92 bpm • D Maj • 06:20 • -23.4db
14% Popularity • 15% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
14% Popularity • 15% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
92 bpm • A# Maj • 04:54 • -25db
13% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Samuel Barber
Mutations from Bach
92 bpm • A# Maj • 05:38 • -19db
11% Popularity • 11% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Britten
Suite for Violin and Piano, Op. 6: IV. L...
92 bpm • F min • 05:23 • -30.83db
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Alban Berg
7 frühe Lieder: IV. Traumgekrönt "Das ...
93 bpm • F min • 02:32 • -22.73db
0% Popularity • 21% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Anton Webern
Webern - Langsamer Satz, M.78
92 bpm • D# Maj • 11:07 • -17.62db
11% Popularity • 13% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Symphony No.1 in E Major, Op. 26: IV. Vi...
92 bpm • G Maj • 03:22 • -36.62db
8% Popularity • 28% Danceability • 2% Energy • 5% Liveness
66% Instrumentalness • 6% Positiveness
8% Popularity • 28% Danceability • 2% Energy • 5% Liveness
66% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Carl Nielsen
Symphony No. 1 in G Minor, Op. 7: III. A...
94 bpm • G min • 07:48 • -18.01db
6% Popularity • 13% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Alban Berg
Lulu / Act 1: Melodram "Machen Sie auf!"...
93 bpm • G Maj • 04:50 • -21.43db
1% Popularity • 31% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 31% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Witold Lutosławski
Dance Preludes *: No. 3. Allegro giocoso
95 bpm • A# min • 01:12 • -18db
11% Popularity • 45% Danceability • 24% Energy • 29% Liveness
91% Instrumentalness • 33% Positiveness
11% Popularity • 45% Danceability • 24% Energy • 29% Liveness
91% Instrumentalness • 33% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
95 bpm • A min • 07:44 • -25.18db
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Symphony No. 2 "The Age of Anxiety" / Pa...
95 bpm • A Maj • 07:34 • -22.01db
9% Popularity • 20% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Friedrich RĂĽckert
Ferne Lieder
95 bpm • A# min • 02:28 • -19.85db
4% Popularity • 27% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
4% Popularity • 27% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Aaron Copland
Violin Sonata: I. Andante semplice
95 bpm • G Maj • 07:41 • -25.35db
11% Popularity • 27% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Alban Berg
Lyric Suite For String Quartet (1926): I...
92 bpm • F# Maj • 02:57 • -20.79db
3% Popularity • 30% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
3% Popularity • 30% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
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Otar Taktakishvili
Taktakishvili: Sonata: Aria: Moderato co...
95 bpm • D min • 04:15 • -22db
10% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
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Hans Werner Henze
Tristan: I. Prologue
95 bpm • E min • 06:26 • -35db
8% Popularity • 27% Danceability • 0% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 27% Danceability • 0% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Sonata for Viola and Piano, Op. 147: 1. ...
95 bpm • C Maj • 09:50 • -21.17db
7% Popularity • 27% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Lili Boulanger
Nocturne
95 bpm • F Maj • 03:03 • -22.88db
17% Popularity • 19% Danceability • 5% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 5% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Charles Ives
Ives: Set No. 3 for Chamber Orchestra: I...
95 bpm • G Maj • 01:07 • -41.99db
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alban Berg
3 Pieces for Orchestra, Op. 6: No. 2, Re...
94 bpm • D min • 05:31 • -22.7db
2% Popularity • 13% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 13% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Concerto in E-Flat Major, "Dumbarton Oak...
91 bpm • D# Maj • 04:14 • -21.48db
19% Popularity • 55% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
19% Popularity • 55% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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![Vetrate di chiesa (Church Windows), P. 150: III. Il Mattutino di Santa Chiara [the Matins of St. Clare] cover art](https://i.scdn.co/image/ab67616d00001e02ca7e807eaeeab0c8a3605e65)
Ottorino Respighi
Vetrate di chiesa (Church Windows), P. 1...
95 bpm • F# min • 05:04 • -32db
12% Popularity • 12% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Paul Hindemith
Der Schwanendreher · Konzert nach alten...
96 bpm • C Maj • 08:10 • -23db
6% Popularity • 28% Danceability • 7% Energy • 36% Liveness
83% Instrumentalness • 7% Positiveness
6% Popularity • 28% Danceability • 7% Energy • 36% Liveness
83% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Prélude: Très l...
90 bpm • G Maj • 03:28 • -31db
25% Popularity • 14% Danceability • 1% Energy • 29% Liveness
59% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 29% Liveness
59% Instrumentalness • 3% Positiveness
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Alban Berg
Berg: Seven Early Songs: Schilflied
92 bpm • F min • 02:14 • -22.79db
3% Popularity • 19% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Igor Stravinsky
In Memoriam Dylan Thomas: Do Not Go Gent...
96 bpm • E min • 07:48 • -26db
11% Popularity • 20% Danceability • 5% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2, Op. 67: 4. Allegretto ...
96 bpm • A Maj • 10:15 • -14.12db
9% Popularity • 38% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: IV. Interm...
96 bpm • F# Maj • 01:41 • -17db
18% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
18% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 1. Allegro
90 bpm • C min • 02:39 • -19.07db
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: IV. Molto viv...
96 bpm • F Maj • 04:58 • -21.03db
8% Popularity • 34% Danceability • 15% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 15% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
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Alban Berg
KlavierstĂĽck in B Minor
92 bpm • B min • 01:00 • -24.64db
30% Popularity • 37% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
30% Popularity • 37% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Nikolai Medtner
Piano Concerto No. 1 in C Minor, Op. 33:...
90 bpm • G Maj • 08:50 • -19.73db
10% Popularity • 24% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 24% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): XVIII. R...
90 bpm • A# min • 02:45 • -24db
11% Popularity • 10% Danceability • 0% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
11% Popularity • 10% Danceability • 0% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: II. L...
96 bpm • C Maj • 02:33 • -18db
13% Popularity • 22% Danceability • 12% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 12% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Samuel Barber
III. Presto in moto perpetuo
96 bpm • A min • 03:48 • -25.2db
6% Popularity • 36% Danceability • 25% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
6% Popularity • 36% Danceability • 25% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
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Alban Berg
Berg: Seven Early Songs: Die Nachtigall
95 bpm • F# min • 02:14 • -20.73db
3% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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William Bolcom
Three Rags: Poltergeist (arr. by Hamilto...
89 bpm • D# min • 04:12 • -21.08db
21% Popularity • 38% Danceability • 7% Energy • 20% Liveness
48% Instrumentalness • 39% Positiveness
21% Popularity • 38% Danceability • 7% Energy • 20% Liveness
48% Instrumentalness • 39% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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David Abramovitz
Reves
89 bpm • G min • 01:25 • -30.1db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Interlude
97 bpm • A min • 01:35 • -38.58db
20% Popularity • 12% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
20% Popularity • 12% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Alban Berg
Berg: Seven Early Songs: Nacht
91 bpm • F Maj • 03:58 • -24.13db
3% Popularity • 22% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 3% Positiveness
3% Popularity • 22% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
97 bpm • F Maj • 02:37 • -19.94db
13% Popularity • 29% Danceability • 28% Energy • 43% Liveness
90% Instrumentalness • 50% Positiveness
13% Popularity • 29% Danceability • 28% Energy • 43% Liveness
90% Instrumentalness • 50% Positiveness
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Paul Hindemith
Der Schwanendreher - Concerto For Viola ...
97 bpm • G Maj • 08:30 • -19.75db
8% Popularity • 28% Danceability • 16% Energy • 29% Liveness
87% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 16% Energy • 29% Liveness
87% Instrumentalness • 12% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Gustav Mahler
Das Lied von der Erde: Der Trunkene im F...
97 bpm • A Maj • 04:36 • -17.16db
13% Popularity • 34% Danceability • 16% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
13% Popularity • 34% Danceability • 16% Energy • 6% Liveness
1% Instrumentalness • 14% Positiveness
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Maurice Ravel
Rhapsodie espagnole, M. 54: II. Malagueďż˝...
97 bpm • A Maj • 02:09 • -29.16db
21% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Alban Berg
Wozzeck, Op. 7 / Act 2: "Wohin so eilig,...
89 bpm • G Maj • 09:03 • -18.24db
0% Popularity • 39% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 39% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
George Enescu
Symphony No. 1, Op. 13: III. Vif et vigo...
89 bpm • F min • 09:11 • -20.9db
7% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Henri Dutilleux
Dutilleux: Sonatina for Flute and Piano:...
88 bpm • A# min • 01:17 • -25db
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Amy Beach
Piano Quintet in F-Sharp Minor, Op. 67: ...
89 bpm • C# Maj • 09:26 • -23db
10% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: VIII. ...
88 bpm • D# Maj • 04:56 • -37.18db
17% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
String Quartet in F Major, M. 35: I. All...
88 bpm • A# Maj • 08:00 • -18db
9% Popularity • 21% Danceability • 20% Energy • 63% Liveness
38% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 20% Energy • 63% Liveness
38% Instrumentalness • 11% Positiveness
► Preview
Alban Berg
Wozzeck, Op. 7, Act II Scene 3: Street B...
91 bpm • F min • 03:28 • -21.7db
4% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
4% Popularity • 34% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Arnold Schoenberg
Verklärte Nacht, Op. 4 - Version For St...
88 bpm • C# Maj • 02:09 • -22db
8% Popularity • 12% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Ottorino Respighi
Fontane di Roma, P. 106: I. La fontana d...
88 bpm • C Maj • 04:01 • -38.18db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Piano Concerto in C-Sharp Minor, Op. 45:...
88 bpm • F# min • 05:21 • -24db
14% Popularity • 22% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
14% Popularity • 22% Danceability • 3% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Erwin Schulhoff
5 Pieces for String Quartet: No. 3, Alla...
99 bpm • F min • 01:42 • -17.77db
12% Popularity • 50% Danceability • 39% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
12% Popularity • 50% Danceability • 39% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
► Preview
Alban Berg
Lulu / Act 1: "Darf ich eintreten?" / "M...
91 bpm • C# Maj • 01:54 • -21.29db
1% Popularity • 49% Danceability • 9% Energy • 86% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 49% Danceability • 9% Energy • 86% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Leoš Janáček
String Quartet No. 2 'Intimate Pages': S...
88 bpm • C# min • 05:27 • -19.84db
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Symphonie "Mathis der Maler": 2. Grableg...
88 bpm • F# min • 04:09 • -20.26db
10% Popularity • 20% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 20% Danceability • 8% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
David Abramovitz
Chants Populaires: Chanson Espagnole
99 bpm • G Maj • 02:25 • -27db
29% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Francis Poulenc
Organ Concerto, FP 93: Allegro giocoso
99 bpm • G Maj • 01:53 • -17.51db
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Claude Debussy
Fantaisie for Piano and Orchestra, L. 73...
87 bpm • G# Maj • 08:34 • -21.39db
8% Popularity • 25% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Alban Berg
7 frühe Lieder: I. Nacht "Dämmern Wolk...
95 bpm • E min • 03:48 • -24.05db
0% Popularity • 18% Danceability • 9% Energy • 27% Liveness
41% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 27% Liveness
41% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Preludes: Un reflect dans le vent (A Ref...
87 bpm • D Maj • 04:57 • -25db
11% Popularity • 28% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Violin Sonata: I. Moderato assai
99 bpm • F Maj • 04:43 • -22db
9% Popularity • 22% Danceability • 7% Energy • 8% Liveness
14% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 8% Liveness
14% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: I. ...
87 bpm • C Maj • 08:01 • -23db
17% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:20 • -24db
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Claude Debussy
Première Rapsodie, L. 116
87 bpm • F# Maj • 08:12 • -25.8db
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Alban Berg
Chamber Concerto: IIIa. Rondo. Introduti...
87 bpm • C Maj • 02:39 • -24.52db
0% Popularity • 30% Danceability • 17% Energy • 25% Liveness
5% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 17% Energy • 25% Liveness
5% Instrumentalness • 12% Positiveness
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Witold Lutosławski
Dance Preludes *: No. 1. Allegro molto
100 bpm • B Maj • 00:52 • -19db
13% Popularity • 56% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
13% Popularity • 56% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Ferruccio Busoni
Piano Concerto in C Major, Op. 39: II. P...
100 bpm • F# min • 09:13 • -19.1db
10% Popularity • 31% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
10% Popularity • 31% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Francis Poulenc
Concerto for 2 Pianos, FP 61: III. Final...
100 bpm • B min • 05:34 • -16db
12% Popularity • 41% Danceability • 28% Energy • 6% Liveness
86% Instrumentalness • 15% Positiveness
12% Popularity • 41% Danceability • 28% Energy • 6% Liveness
86% Instrumentalness • 15% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Alban Berg
Lulu / Act 2: "Die Matinée wird, wie ic...
96 bpm • A Maj • 07:40 • -20.72db
0% Popularity • 31% Danceability • 14% Energy • 75% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 31% Danceability • 14% Energy • 75% Liveness
0% Instrumentalness • 6% Positiveness
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BĂ©la BartĂłk
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
10% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
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Claude Debussy
Debussy: Nocturnes, CD 98, L. 91: No. 1,...
86 bpm • C Maj • 08:07 • -37.25db
0% Popularity • 14% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Variation ...
86 bpm • D min • 01:10 • -14.72db
10% Popularity • 16% Danceability • 29% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 29% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
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Jean Sibelius
Symphony No. 7 in C Major, Op. 105: II. ...
86 bpm • C min • 02:51 • -18.35db
10% Popularity • 26% Danceability • 37% Energy • 36% Liveness
95% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 37% Energy • 36% Liveness
95% Instrumentalness • 13% Positiveness
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Carl Nielsen
Symphony No. 5, Op. 50: IId. Allegro
101 bpm • D# Maj • 02:55 • -14.96db
8% Popularity • 26% Danceability • 46% Energy • 21% Liveness
86% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 46% Energy • 21% Liveness
86% Instrumentalness • 15% Positiveness
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Alban Berg
7 frĂĽhe Lieder: II. Schilflied "Auf geh...
90 bpm • G# Maj • 02:26 • -24.95db
0% Popularity • 17% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
BĂ©la BartĂłk
BartĂłk: String Quartet No. 1 in A Minor...
86 bpm • G# Maj • 09:05 • -25db
15% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Alma Mahler
FĂĽnf Lieder: Ich Wandle Unter Blumen
101 bpm • G Maj • 01:06 • -27.47db
24% Popularity • 27% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Debussy: Le Roi Lear, CD 116, L. 107: II...
86 bpm • D min • 03:23 • -43.65db
14% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Alpensymphonie, Op. 64: Nacht (II)
86 bpm • A# min • 02:24 • -39.37db
9% Popularity • 9% Danceability • 0% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 0% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
85 bpm • G min • 03:14 • -45.37db
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Alban Berg
7 frĂĽhe Lieder: III. Die Nachtigall "Da...
96 bpm • G Maj • 02:25 • -17.31db
0% Popularity • 30% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
