Songs like July (Later On) by Lily Williams
Based on a tempo of (+/- 10%) and a similar genre
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
61% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matilda Mann
February
175 bpm • E Maj • 02:29 • -11.3db
43% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Suriel Hess
Hair
176 bpm • E Maj • 02:34 • -11.51db
53% Popularity • 49% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 49% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Hamilton
Too Tight
172 bpm • D Maj • 02:47 • -8.21db
27% Popularity • 47% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 47% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Haughey
My Love
176 bpm • A Maj • 03:11 • -10.09db
42% Popularity • 34% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 34% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Sophie Holohan
Good Mourning
172 bpm • C Maj • 03:06 • -12db
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jude York
Mr Porcelain - Acoustic Version
172 bpm • B Maj • 03:28 • -12db
40% Popularity • 43% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 43% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Lily Williams
Learning Curve
172 bpm • C min • 02:41 • -6.78db
28% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 38% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
Sweet Nothing
177 bpm • C Maj • 03:08 • -14.92db
73% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
73% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Hartke
Summer Of Love
171 bpm • A Maj • 02:22 • -11.9db
41% Popularity • 34% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 34% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Light The Heat
Fool for Your Love
170 bpm • E Maj • 02:48 • -8.05db
26% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Neptune
all over the world
170 bpm • E Maj • 02:42 • -10.95db
27% Popularity • 54% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 54% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Sabrina Sterling
Love Me That Way
170 bpm • D Maj • 02:44 • -9.34db
37% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Avery Lynch
Love of My Life
169 bpm • B Maj • 03:52 • -11.37db
40% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
51% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Jack Kane
Under Your Spell
180 bpm • G Maj • 01:52 • -9.9db
33% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jazzie Young
grown up & grown apart
180 bpm • G Maj • 03:10 • -8.88db
19% Popularity • 36% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 36% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Carla Wehbe
jupiter and mars
168 bpm • A Maj • 04:07 • -4.65db
38% Popularity • 21% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 21% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Sabrina Sterling
Ride Or Die
168 bpm • B Maj • 03:19 • -11.6db
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Matilda Mann
Margaux
167 bpm • D min • 02:26 • -14db
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Eva Snyder
i've got a crazy idea
181 bpm • F# Maj • 03:06 • -9.05db
30% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
51% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Joelle
Jealous of Paris
182 bpm • D# Maj • 02:21 • -9.27db
48% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Llunr
few and far between
166 bpm • C Maj • 02:46 • -16.65db
16% Popularity • 30% Danceability • 4% Energy • 4% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 4% Energy • 4% Liveness
0% Instrumentalness • 11% Positiveness
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Amber Ais
Pen
165 bpm • F# Maj • 02:28 • -12.19db
19% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lily Williams
July (Live)
165 bpm • G min • 03:04 • -14.69db
29% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Sanchez
Lady by the Sea
186 bpm • G# Maj • 03:02 • -10.03db
61% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Abby Holliday
Nothing From Me
187 bpm • E Maj • 04:23 • -7.74db
22% Popularity • 32% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 32% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
40% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Sabrina Sterling
World's Biggest Hypocrite
162 bpm • A# Maj • 02:21 • -10.81db
30% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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corner club
hot chocolate
187 bpm • C Maj • 00:58 • -10.37db
43% Popularity • 35% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 35% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Lily Williams
I Hope You Think Of Me
187 bpm • B Maj • 02:38 • -11.02db
43% Popularity • 44% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 44% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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J. Maya
Sunday Crossword
161 bpm • G# Maj • 03:04 • -7.75db
47% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Corrina
Tireswing Song
161 bpm • C# Maj • 03:54 • -9db
28% Popularity • 34% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 34% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
84% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
84% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Delaney Bailey
Love Letter From The Sea To The Shore
162 bpm • D Maj • 03:11 • -14.79db
51% Popularity • 38% Danceability • 26% Energy • 48% Liveness
7% Instrumentalness • 39% Positiveness
51% Popularity • 38% Danceability • 26% Energy • 48% Liveness
7% Instrumentalness • 39% Positiveness
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Haley Joelle
Red Lights
160 bpm • F# Maj • 02:54 • -9.64db
39% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
57% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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sundial
rollercoaster
160 bpm • D Maj • 02:31 • -14.02db
38% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Charlie Oriain
Grow Out Of It
159 bpm • A Maj • 02:31 • -14.97db
24% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Devin Kennedy
Poetry (Intimate)
158 bpm • C Maj • 02:33 • -11db
51% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sophia James
Still...
158 bpm • F Maj • 05:03 • -18.13db
30% Popularity • 37% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
30% Popularity • 37% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Haley Joelle
Something To Do
157 bpm • E Maj • 03:13 • -9.12db
31% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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hongjoin
If Venice Can Sink
157 bpm • F Maj • 04:19 • -14.35db
20% Popularity • 58% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 58% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Ber
Halfway
155 bpm • C Maj • 03:02 • -12db
22% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Sophia Alexa
Stones
155 bpm • C# Maj • 03:12 • -5.92db
32% Popularity • 50% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 50% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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BLÜ EYES
getting older
154 bpm • D Maj • 02:46 • -8.24db
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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Sophie Holohan
Codependent
198 bpm • G# Maj • 03:19 • -8.76db
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Sam MacPherson
Counts
200 bpm • D Maj • 02:35 • -8.65db
41% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Samuel Lim
Would That Change the Way U Felt
152 bpm • E Maj • 03:17 • -15.51db
21% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Katherine Li
If I Weren't Me
200 bpm • G Maj • 02:31 • -6.7db
45% Popularity • 29% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
45% Popularity • 29% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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Ashley Kutcher
Sleepy
200 bpm • D# Maj • 03:08 • -13.84db
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Charlie Oriain
Write off
151 bpm • B Maj • 02:49 • -12.81db
26% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Riley Biederer
proud
201 bpm • B Maj • 03:55 • -8.45db
33% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Caleb Hearn
We're Getting Older
151 bpm • G Maj • 02:41 • -9.44db
52% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sophie Holohan
Your New Girlfriend
150 bpm • F# Maj • 03:56 • -10db
20% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
20% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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sundial
grass is greener
150 bpm • C Maj • 03:19 • -8.51db
40% Popularity • 62% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 62% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Billianne
A Little Older
150 bpm • A# Maj • 03:02 • -10.78db
37% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Oriain
Wish I Could
150 bpm • C Maj • 02:40 • -12.67db
21% Popularity • 51% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 51% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Liang Lawrence
Undercover Martyn
150 bpm • B min • 02:41 • -9.36db
36% Popularity • 55% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 55% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Zeph
what does he have that i don't?
150 bpm • C# Maj • 01:31 • -16db
51% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sophia James
Life Is Gonna Change
202 bpm • D# Maj • 03:22 • -18.92db
31% Popularity • 41% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 41% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Alfie Jukes
Spiderwebs
150 bpm • G Maj • 02:33 • -9.39db
50% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Charlie Oriain
A Little Time
150 bpm • F# Maj • 02:50 • -7.6db
20% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Alexander 23
Live in me Forever
150 bpm • G Maj • 02:26 • -12.98db
27% Popularity • 58% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 58% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Lucy Blue
I Left My Heart
149 bpm • G# Maj • 03:40 • -8.51db
40% Popularity • 32% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 32% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Lily Williams
Happy For You
149 bpm • C Maj • 02:29 • -16.17db
18% Popularity • 77% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 77% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Katherine Li
Happening Again
149 bpm • C Maj • 02:53 • -6db
49% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Cayson Renshaw
Painted In Your Eyes (Intro)
148 bpm • A Maj • 01:08 • -14.19db
40% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Sam MacPherson
Safe to Say
148 bpm • A# Maj • 03:31 • -5.62db
31% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
