Songs like Just A Little While by The 502s
Based on a tempo of (+/- 10%) and a similar genre
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The 502s
Just A Little While
125 bpm • F min • 02:42 • -9.18db
67% Popularity • 64% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
67% Popularity • 64% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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HAPPY LANDING
Love Your Guts
125 bpm • C Maj • 04:53 • -3.14db
28% Popularity • 53% Danceability • 81% Energy • 53% Liveness
3% Instrumentalness • 49% Positiveness
28% Popularity • 53% Danceability • 81% Energy • 53% Liveness
3% Instrumentalness • 49% Positiveness
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hey, nothing
Flora
125 bpm • C Maj • 04:08 • -7.47db
46% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Harmaleighs
I Keep Ticking On
125 bpm • D# Maj • 02:36 • -4.49db
51% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 60% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Never Ending Fall
Like She Does
125 bpm • G Maj • 03:02 • -3.7db
37% Popularity • 67% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 67% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The 502s
Skinny Dipping & Mimosas
125 bpm • G# Maj • 02:43 • -7.69db
39% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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HARBOUR
Bahamas
125 bpm • E Maj • 03:47 • -4.22db
43% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Wilfred
Everything We Need
126 bpm • B Maj • 03:33 • -7.86db
40% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Mark Ambor
Company
124 bpm • F# Maj • 02:49 • -6.78db
51% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel Nunnelee
Rooftops at Sunset
125 bpm • C Maj • 02:56 • -6.36db
26% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Wilderado
Surefire
126 bpm • B Maj • 04:01 • -5.55db
61% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The 502s
Just A Little While - Live From The Van
125 bpm • D# Maj • 02:39 • -6.71db
23% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jam in the Van
Feels Good To Be Me - Live Session, Nash...
126 bpm • C Maj • 03:17 • -8.19db
32% Popularity • 48% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 48% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Sons Of The East
My Repair
124 bpm • D Maj • 03:05 • -8.28db
58% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Marcagi
The Other Side
124 bpm • E Maj • 02:44 • -9.98db
76% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
76% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Henrik
GO BIRDS
126 bpm • A Maj • 03:43 • -6.23db
40% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The 502s
Genevieve (The Whistle Song)
124 bpm • F Maj • 03:07 • -8.47db
29% Popularity • 73% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 73% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Dom Louis
Down Every Road
124 bpm • D Maj • 02:10 • -12.47db
35% Popularity • 51% Danceability • 46% Energy • 16% Liveness
3% Instrumentalness • 43% Positiveness
35% Popularity • 51% Danceability • 46% Energy • 16% Liveness
3% Instrumentalness • 43% Positiveness
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Northwest Stories
Douglas Fir
124 bpm • C Maj • 02:44 • -11.86db
47% Popularity • 71% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 71% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Oscar Blue
A Dance at the Crossroads
126 bpm • G Maj • 04:21 • -9db
39% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Cabin Boys
Too Late Now
123 bpm • F# Maj • 03:46 • -12.74db
22% Popularity • 50% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 50% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Caiola
Back Then
127 bpm • G# Maj • 04:41 • -6.99db
31% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The 502s
Magdalene
126 bpm • F Maj • 02:31 • -12.14db
59% Popularity • 61% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 61% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Birds of Bellwoods
Melatonin
123 bpm • G Maj • 03:09 • -5.92db
51% Popularity • 77% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 77% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Calum Bowie
Dancing In The Sun
123 bpm • F Maj • 02:42 • -7.22db
38% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Kingfishr
Heart In The Water
123 bpm • G min • 03:23 • -6.87db
50% Popularity • 61% Danceability • 94% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 61% Danceability • 94% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Kieran Rhodes
What Got Into You
123 bpm • F min • 03:35 • -11.1db
28% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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The 502s
Magdalene - Live
126 bpm • F Maj • 02:37 • -8.37db
41% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Wilderado
Rubble to Rubble - Audiotree Live Versio...
122 bpm • D Maj • 03:36 • -11.12db
28% Popularity • 54% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 54% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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HAPPY LANDING
Don't You Worry
122 bpm • G Maj • 02:54 • -5db
22% Popularity • 44% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 44% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sumbuck
Kissing Days (On the Pier)
128 bpm • B Maj • 04:21 • -8.81db
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Tors
Amsterdam
128 bpm • C Maj • 02:59 • -5.32db
43% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 58% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mark Ambor
Curls In The Wind
128 bpm • E Maj • 02:37 • -5.46db
69% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
69% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Morningsiders
Hang the Cedar
128 bpm • A# Maj • 03:07 • -6db
34% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Wild Rivers
I Do - Bonus Track
128 bpm • B min • 03:04 • -8.87db
60% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.65db
47% Popularity • 79% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 79% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Crowe Boys
Where Did I Go Wrong
128 bpm • A# Maj • 02:59 • -6.2db
58% Popularity • 67% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 67% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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The Heavy Hours
Days Since You're Gone
122 bpm • E Maj • 03:22 • -6.97db
16% Popularity • 76% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 76% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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The Copper Children
Mary Jane
122 bpm • E Maj • 02:47 • -6.23db
56% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Maeson
Hallucinogenics - Stripped
122 bpm • C Maj • 03:07 • -8.71db
51% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Wild Rivers
Weatherman
122 bpm • F Maj • 03:05 • -9db
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lua Flora
Night Glow
129 bpm • D# Maj • 03:41 • -9.39db
20% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Zach Bryan
Fear and Friday's
129 bpm • G Maj • 02:51 • -5.81db
73% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
73% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Rayland Baxter
The Mtn. Song
121 bpm • D Maj • 04:28 • -7.02db
42% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The 502s
Feels Good To Be Me
121 bpm • G Maj • 03:05 • -10.56db
40% Popularity • 72% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 72% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Matt Maeson
Hallucinogenics
121 bpm • C Maj • 03:07 • -7.47db
70% Popularity • 55% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 55% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Zane Christopher
Road Song
121 bpm • G# Maj • 03:54 • -7db
40% Popularity • 66% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 66% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Winterbourne
The Boy Prince
121 bpm • C Maj • 03:27 • -6.55db
47% Popularity • 65% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 65% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Marcagi
The Other Side - Sun Mountain Sessions
121 bpm • E Maj • 02:47 • -10.03db
48% Popularity • 81% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 81% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Briscoe
Dirty Shoes
129 bpm • D Maj • 03:15 • -11.16db
34% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Wild Rivers
Don't
121 bpm • C# Maj • 03:02 • -6db
49% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Matt Schuster
Vienna
129 bpm • F Maj • 03:09 • -8.69db
67% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Chance Peña
Bleeding Out
121 bpm • A min • 03:28 • -12.41db
72% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sumbuck
Heartbreak Swing
121 bpm • A# Maj • 03:29 • -9db
34% Popularity • 66% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 66% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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The 502s
Leading Lady
130 bpm • F Maj • 02:11 • -9.8db
37% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Morningsiders
Cherry
130 bpm • E min • 03:28 • -5.42db
32% Popularity • 66% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 66% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Briston Maroney
Small Talk
130 bpm • C Maj • 03:18 • -7.64db
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Dawson Hollow
Euphoria
120 bpm • E Maj • 05:39 • -7.29db
29% Popularity • 35% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 35% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Blue Water Highway
Pyramids
130 bpm • A Maj • 03:46 • -7.06db
24% Popularity • 62% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 62% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Jansz
Better Yesterdays
130 bpm • B Maj • 02:43 • -10.1db
36% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Morningsiders
Thinking It Over
130 bpm • C Maj • 03:31 • -5.85db
34% Popularity • 78% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Harbor & Home
Follow Me Home
130 bpm • F Maj • 03:21 • -6.01db
28% Popularity • 49% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 49% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 24% Positiveness
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The Dreggs
The Forest Song
130 bpm • F Maj • 04:03 • -11.2db
43% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Houndmouth
McKenzie
120 bpm • F Maj • 03:14 • -7.34db
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Darren Kiely
Sunrise
120 bpm • A# Maj • 03:32 • -7.89db
62% Popularity • 55% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 55% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Brenn!
Looking For
120 bpm • E Maj • 04:06 • -6.23db
38% Popularity • 64% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 64% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 41% Positiveness
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Morningsiders
Freida
130 bpm • C Maj • 03:24 • -4.65db
44% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sumbuck
Run so Wild
120 bpm • C# Maj • 04:36 • -11db
31% Popularity • 64% Danceability • 48% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 64% Danceability • 48% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
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asiris
mi amor
120 bpm • G# Maj • 02:44 • -5.38db
50% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Burchfield
Free
120 bpm • D Maj • 04:02 • -8.44db
33% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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The Heavy Hours
Back Porch
120 bpm • G Maj • 03:35 • -6.79db
19% Popularity • 56% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
19% Popularity • 56% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Arts Fishing Club
Horizon Eyes
120 bpm • C# min • 03:07 • -5.89db
33% Popularity • 72% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 72% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Morningsiders
25
120 bpm • G Maj • 03:59 • -7.33db
35% Popularity • 62% Danceability • 59% Energy • 6% Liveness
15% Instrumentalness • 42% Positiveness
35% Popularity • 62% Danceability • 59% Energy • 6% Liveness
15% Instrumentalness • 42% Positiveness
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Drew Holcomb & The Neighbors
On a Roll
120 bpm • A# Maj • 04:24 • -7.3db
44% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Floersch
Green Flash Sunset
120 bpm • C Maj • 02:55 • -4.81db
45% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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The 502s
Bad Haircuts
120 bpm • D Maj • 02:12 • -16.29db
45% Popularity • 82% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 82% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Dreggs
Gold
120 bpm • G Maj • 04:08 • -9db
48% Popularity • 62% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 62% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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HAPPY LANDING
Ole Magnolia
120 bpm • G Maj • 03:33 • -4.36db
25% Popularity • 59% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 59% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Boy Named Banjo
Feel For You
120 bpm • E min • 03:15 • -5.74db
46% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Rainbow Kitten Surprise
Cocaine Jesus
120 bpm • D Maj • 03:49 • -7.68db
70% Popularity • 82% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
70% Popularity • 82% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Wilderado
Help Me Down
120 bpm • C Maj • 03:40 • -12db
43% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Mowgli's
I Feel Good About This
120 bpm • G Maj • 03:21 • -6.05db
53% Popularity • 52% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 52% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Native
Halfway House
120 bpm • E Maj • 02:17 • -13.54db
52% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Vincent Mason
Everybody Loves Her
131 bpm • A# Maj • 03:27 • -6.54db
47% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Dreggs
For Your Love
131 bpm • C Maj • 04:12 • -5.83db
34% Popularity • 67% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 67% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Evan Honer
idk shit about cars
131 bpm • D# Maj • 02:38 • -6.17db
61% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
61% Popularity • 55% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Matt Schuster
Ophelia
132 bpm • F Maj • 02:48 • -10.79db
58% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The 502s
Because We Had To
132 bpm • G Maj • 03:29 • -6.7db
29% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tors
Miracle
132 bpm • C Maj • 03:02 • -4.24db
54% Popularity • 58% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 58% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Wilfred
Wildflower
132 bpm • B Maj • 03:46 • -11.17db
22% Popularity • 52% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 52% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Matty Reynolds
She’s All Right
132 bpm • G Maj • 02:33 • -8.91db
31% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
