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Just About Over You
Songs like
Just About Over You
by
Priscilla Block
Based on a tempo of (+/- 10%) and a similar genre
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Michael Ray
Spirits and Demons
150 bpm • C Maj • 03:19 • -5.75db
39% Popularity • 50% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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Lainey Wilson
Hold My Halo
150 bpm • G# Maj • 03:26 • -4.24db
58% Popularity • 57% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Priscilla Block
Just About Over You - Radio Edit
150 bpm • E Maj • 03:08 • -4db
36% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
51% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Kent
This Heart
150 bpm • A# min • 03:06 • -5.12db
68% Popularity • 41% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Austin Snell
Wasting All These Tears
150 bpm • A Maj • 03:15 • -7db
62% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Restless Road
You Don't Have to Love Me
150 bpm • G# Maj • 03:32 • -5.9db
39% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Ella Langley
Excuse The Mess
150 bpm • B Maj • 03:25 • -5.31db
44% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Abby Anderson
The Reason I Stay
149 bpm • G Maj • 02:54 • -4.15db
52% Popularity • 57% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
44% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Corey Kent
How You Know You Made It
152 bpm • F Maj • 03:37 • -5.04db
40% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
44% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Lily Rose
Know My Way Around
152 bpm • G# Maj • 02:54 • -3db
40% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
72% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Hailey Whitters
I’m In Love
152 bpm • B Maj • 02:26 • -4.28db
55% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bailey Zimmerman
Fix'n To Break
152 bpm • F Maj • 03:52 • -6.42db
60% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Braden
Neon Grave
148 bpm • C Maj • 03:53 • -4.89db
48% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Brian Kelley
How We’re Livin’
148 bpm • C# Maj • 02:43 • -3.91db
43% Popularity • 56% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Young
Right Now
148 bpm • E Maj • 03:04 • -6.24db
40% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
64% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Robyn Ottolini
F-150
148 bpm • B Maj • 02:48 • -5.81db
53% Popularity • 43% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Carly Pearce
heels over head
147 bpm • C# Maj • 03:14 • -3.86db
48% Popularity • 59% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Priscilla Block
Sad Girls Do Sad Things
147 bpm • F# Maj • 03:45 • -6.43db
25% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Scott
I'll Be A Bartender
153 bpm • E Maj • 03:17 • -5.91db
51% Popularity • 57% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Alexandra Kay
I Hate Airplanes
146 bpm • A Maj • 03:05 • -5.75db
46% Popularity • 52% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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BRELAND
For What It’s Worth
146 bpm • C# Maj • 02:56 • -5db
49% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
75% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Morgan Wallen
Me + All Your Reasons
146 bpm • F Maj • 02:54 • -5.48db
66% Popularity • 50% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
65% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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George Birge
Whiskey Go 'Round
146 bpm • C# Maj • 03:11 • -2.73db
38% Popularity • 44% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
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Alexandra Kay
I Kinda Don't
154 bpm • D# Maj • 03:46 • -8db
47% Popularity • 55% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Priscilla Block
Hey, Jack
154 bpm • A# min • 02:47 • -3.54db
51% Popularity • 48% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
60% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kylie Morgan
Don't Stay Gone Too Long
146 bpm • D# Maj • 03:00 • -5.75db
35% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
67% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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RaeLynn
Lonely Call
146 bpm • F# Maj • 03:44 • -5db
52% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Priscilla Block
I've Gotten Good
146 bpm • A# Maj • 02:48 • -2.9db
30% Popularity • 46% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Megan Moroney
Fix You Too
146 bpm • A# Maj • 03:07 • -7db
50% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Morgan Wallen
Bandaid On A Bullet Hole
155 bpm • D Maj • 03:54 • -6.75db
69% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Shaylen
Do It Right The First Time
155 bpm • D# Maj • 03:05 • -5.36db
43% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
45% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Madeline Merlo
Same Car
155 bpm • C# min • 03:39 • -4.34db
45% Popularity • 53% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Derek Austin
The Bullet
145 bpm • B Maj • 03:21 • -8.04db
39% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Trey Lewis
How Bout We Don't
156 bpm • G Maj • 02:59 • -4.98db
43% Popularity • 52% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Lily Rose
Truth Is
156 bpm • D Maj • 02:44 • -4.64db
40% Popularity • 46% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
53% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Priscilla Block
Better Alone
146 bpm • G# Maj • 03:14 • -7db
20% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Chase Matthew
Where There’s Smoke
156 bpm • D Maj • 02:42 • -4.91db
50% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Justin Moore
This Is My Dirt
156 bpm • C# Maj • 03:37 • -4.68db
54% Popularity • 51% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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RaeLynn
Get That All The Time
156 bpm • C Maj • 02:58 • -4.05db
37% Popularity • 55% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
53% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Priscilla Block
Little Bit
145 bpm • D min • 03:19 • -3db
32% Popularity • 46% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Jameson Rodgers
Mine for the Summer
156 bpm • E Maj • 03:29 • -4.59db
43% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Avery Anna
I Will (When You Do)
156 bpm • C# Maj • 03:27 • -5.31db
70% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler Hubbard
Turn
156 bpm • G Maj • 03:25 • -4.95db
60% Popularity • 47% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Alexandra Kay
Backroad Therapy
144 bpm • D# Maj • 03:39 • -6.75db
54% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
45% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Ashley Cooke
dirt on 'em
144 bpm • A Maj • 02:49 • -3.96db
33% Popularity • 55% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Priscilla Block
Bad Part Of Good
156 bpm • E Maj • 03:12 • -3.33db
33% Popularity • 43% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
52% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
48% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Alexandra Kay
How Do We Go
144 bpm • F Maj • 03:26 • -5.69db
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Justin Moore
You, Me, And Whiskey - Acoustic
144 bpm • D# Maj • 03:07 • -6.03db
36% Popularity • 61% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Shaylen
What If I Don't
144 bpm • E Maj • 03:21 • -5.79db
61% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
48% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Robyn Ottolini
Match For My Memory
144 bpm • F Maj • 02:59 • -5db
50% Popularity • 49% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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Alana Springsteen
ghost in my guitar
143 bpm • C min • 03:20 • -5.93db
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lainey Wilson
Dreamcatcher
144 bpm • E min • 03:24 • -10db
56% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kelsea Ballerini
YOU'RE DRUNK, GO HOME
158 bpm • G# Maj • 02:55 • -3.71db
52% Popularity • 48% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 63% Positiveness
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Mackenzie Carpenter
Can't Nobody
143 bpm • C# Maj • 03:23 • -5db
36% Popularity • 49% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Trey Lewis
Always You
158 bpm • G Maj • 03:08 • -4.03db
42% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Just About Over You