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Just Another - Live
Songs like
Just Another - Live
by
Pete Yorn
Based on a tempo of (+/- 10%) and a similar genre
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Grant Lee Buffalo
Happiness
113 bpm • B Maj • 03:00 • -12.12db
38% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Pete Yorn
June
114 bpm • D Maj • 02:34 • -8.2db
24% Popularity • 75% Danceability • 74% Energy • 16% Liveness
66% Instrumentalness • 97% Positiveness
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Cary Brothers
Blue Eyes
112 bpm • E Maj • 04:21 • -10.47db
44% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rachael Yamagata
Worn Me Down
114 bpm • G# Maj • 04:34 • -5.56db
21% Popularity • 62% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
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Jenny Lewis
You Are What You Love
112 bpm • E Maj • 02:54 • -7db
27% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Butch Walker and The Black Widows
Pretty Melody
114 bpm • C Maj • 04:21 • -6db
18% Popularity • 51% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 28% Positiveness
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Rogue Wave
Publish My Love
112 bpm • F# min • 03:43 • -7.75db
31% Popularity • 56% Danceability • 78% Energy • 42% Liveness
4% Instrumentalness • 28% Positiveness
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Pete Yorn
Close
112 bpm • C Maj • 04:23 • -8.77db
9% Popularity • 54% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Freedy Johnston
Bad Reputation
114 bpm • E min • 04:08 • -9.95db
42% Popularity • 61% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Eels
Mr. E's Beautiful Blues
114 bpm • D Maj • 04:18 • -6.63db
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Maria Taylor
A Good Start
112 bpm • C# min • 04:13 • -8.32db
26% Popularity • 74% Danceability • 73% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Brighton MA
Bet You Never Thought
114 bpm • C# Maj • 05:02 • -5.74db
11% Popularity • 37% Danceability • 69% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
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Travis
Follow The Light
112 bpm • A Maj • 03:08 • -6.41db
40% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Costa
Cold December
111 bpm • A# Maj • 04:15 • -7.42db
31% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Jayhawks
Quiet Corners & Empty Spaces
115 bpm • C# min • 03:06 • -6.28db
37% Popularity • 54% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Pete Yorn
Just Another
115 bpm • G# min • 03:14 • -6.98db
37% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Freedy Johnston
Evie's Tears
115 bpm • E Maj • 03:01 • -11.31db
23% Popularity • 65% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Eels
To Lick Your Boots
111 bpm • G Maj • 03:30 • -7.73db
19% Popularity • 71% Danceability • 54% Energy • 17% Liveness
96% Instrumentalness • 83% Positiveness
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Eef Barzelay
Love The Unknown
115 bpm • D Maj • 02:45 • -7db
19% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Summer Fiction
She's Bound to Get Hurt
115 bpm • D Maj • 04:56 • -6.32db
12% Popularity • 61% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Decemberists
Sons & Daughters
115 bpm • D Maj • 05:13 • -8.26db
49% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Pete Yorn
Same Thing
111 bpm • G Maj • 03:45 • -6.9db
10% Popularity • 60% Danceability • 76% Energy • 15% Liveness
51% Instrumentalness • 47% Positiveness
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The Thrills
Not For All The Love In The World
111 bpm • D# Maj • 04:06 • -5.51db
32% Popularity • 36% Danceability • 56% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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The Shins
Pink Bullets - 2023 Remaster
111 bpm • G min • 03:52 • -8.92db
45% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Joseph Arthur
In the Sun
111 bpm • A# Maj • 05:36 • -7db
41% Popularity • 51% Danceability • 63% Energy • 18% Liveness
4% Instrumentalness • 28% Positiveness
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Mike Doughty
Looking At the World from the Bottom of ...
110 bpm • F# Maj • 03:59 • -4db
32% Popularity • 66% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Watson Twins
How Am I To Be
116 bpm • C Maj • 03:05 • -9.73db
13% Popularity • 66% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Yorn
Ice Age
115 bpm • D# Maj • 05:13 • -7.9db
20% Popularity • 57% Danceability • 64% Energy • 9% Liveness
35% Instrumentalness • 39% Positiveness
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The Airborne Toxic Event
Happiness Is Overrated
116 bpm • A Maj • 03:11 • -3.46db
30% Popularity • 36% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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The New Pornographers
Adventures In Solitude
116 bpm • G Maj • 04:16 • -8.58db
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Benjamin Gibbard
A Hard One to Know
116 bpm • A Maj • 02:40 • -7.1db
3% Popularity • 55% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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The Decemberists
This Is Why We Fight
110 bpm • D Maj • 05:30 • -5db
37% Popularity • 50% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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The Watson Twins
Just Like Heaven
116 bpm • A Maj • 04:17 • -9.52db
31% Popularity • 46% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Pete Yorn
Splendid Isolation
116 bpm • E min • 03:46 • -4.81db
13% Popularity • 52% Danceability • 80% Energy • 18% Liveness
11% Instrumentalness • 70% Positiveness
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Cracker
Turn On Tune In Drop Out With Me
110 bpm • C Maj • 04:11 • -4.59db
32% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Halloween, Alaska
All the Arms Around You
116 bpm • F# Maj • 04:05 • -8.15db
25% Popularity • 72% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Costa
Mr. Pitiful
110 bpm • C Maj • 02:55 • -7.14db
40% Popularity • 76% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Alternate Routes
Time Is A Runaway
116 bpm • C# Maj • 04:16 • -5db
16% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
48% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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Okkervil River
Lost Coastlines
110 bpm • A Maj • 05:31 • -5db
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Fountains Of Wayne
Radiation Vibe
110 bpm • A Maj • 03:41 • -6db
42% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Wallflowers
Letters From The Wasteland
116 bpm • D Maj • 04:27 • -5.92db
36% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Blitzen Trapper
God & Suicide
109 bpm • C Maj • 02:21 • -7.61db
41% Popularity • 70% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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The New Pornographers
Go Places
117 bpm • C Maj • 04:32 • -8.02db
30% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Pete Yorn
Sleep Better
117 bpm • D Maj • 04:28 • -7.13db
22% Popularity • 58% Danceability • 88% Energy • 27% Liveness
35% Instrumentalness • 95% Positiveness
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The Jayhawks
Stumbling Through The Dark
117 bpm • D Maj • 02:24 • -4.26db
32% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Cardigans
Live And Learn
109 bpm • D Maj • 04:16 • -7db
42% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Fountains Of Wayne
Hackensack
117 bpm • D# Maj • 03:00 • -10db
45% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Beth Orton
Concrete Sky
117 bpm • B Maj • 04:34 • -9db
31% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Royal Wood
Juliet
117 bpm • A Maj • 03:42 • -9db
28% Popularity • 59% Danceability • 58% Energy • 9% Liveness
21% Instrumentalness • 44% Positiveness
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Jets Overhead
Weathervanes - In the Way
109 bpm • F Maj • 04:36 • -7.26db
22% Popularity • 63% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
51% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Pete Yorn
Turn of the Century
117 bpm • G Maj • 03:03 • -7.21db
17% Popularity • 50% Danceability • 69% Energy • 40% Liveness
5% Instrumentalness • 19% Positiveness
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Paul Westerberg
Love Untold
117 bpm • A# Maj • 04:17 • -5db
27% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Ben Folds Five
Don't Change Your Plans
118 bpm • C Maj • 05:10 • -11.31db
31% Popularity • 39% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Tired Pony
Dead American Writers
118 bpm • F# Maj • 02:34 • -6db
30% Popularity • 55% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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Thao
When We Swam
117 bpm • C Maj • 02:58 • -5db
32% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Stars
Hold On When You Get Love And Let Go Whe...
118 bpm • G# Maj • 04:39 • -6.56db
9% Popularity • 61% Danceability • 82% Energy • 10% Liveness
20% Instrumentalness • 56% Positiveness
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Pete Yorn
EZ
118 bpm • D Maj • 04:41 • -8.58db
27% Popularity • 59% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Joseph Arthur
You Are Free
118 bpm • G Maj • 04:15 • -5.25db
7% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Collett
We All Lose One Another
118 bpm • G Maj • 04:21 • -8.34db
16% Popularity • 63% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Rogue Wave
Let My Love Open the Door
118 bpm • G Maj • 03:33 • -10.78db
33% Popularity • 71% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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The Boy Least Likely To
Be Gentle With Me
108 bpm • B min • 03:47 • -6db
29% Popularity • 73% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Eels
The Good Old Days
118 bpm • C Maj • 03:01 • -12.79db
22% Popularity • 54% Danceability • 24% Energy • 10% Liveness
8% Instrumentalness • 11% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Maria Taylor
Song Beneath the Song
108 bpm • E Maj • 03:59 • -8.86db
39% Popularity • 53% Danceability • 65% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Snow Patrol
Chocolate
118 bpm • D Maj • 03:01 • -4.34db
54% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Admiral Fallow
Beetle In The Box
108 bpm • A Maj • 03:35 • -6.82db
18% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Benjamin Gibbard
Teardrop Windows
108 bpm • G Maj • 02:47 • -6.48db
4% Popularity • 51% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Nada Surf
What is Your Secret
118 bpm • G Maj • 03:26 • -5.63db
2% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Band of Horses
Monsters
118 bpm • D Maj • 05:21 • -7.04db
36% Popularity • 39% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
41% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Boss Selection
Kellen Winslow
119 bpm • E min • 04:14 • -12.93db
4% Popularity • 65% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Wallflowers
Three Marlenas
107 bpm • G# Maj • 04:59 • -10.83db
52% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Semisonic
Chemistry
119 bpm • A Maj • 04:08 • -6db
41% Popularity • 62% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Pernice Brothers
Saddest Quo
119 bpm • C# Maj • 03:32 • -4.8db
15% Popularity • 55% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Band of Horses
Our Swords
107 bpm • B Maj • 02:26 • -9.29db
56% Popularity • 64% Danceability • 79% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
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Beck
Strange Invitation
107 bpm • D Maj • 04:06 • -10.79db
22% Popularity • 41% Danceability • 32% Energy • 9% Liveness
48% Instrumentalness • 24% Positiveness
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The Decemberists
Make You Better
119 bpm • D Maj • 05:07 • -5db
43% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight - Acoustic Vers...
119 bpm • G# Maj • 04:52 • -5db
28% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Thrills
Saturday Night
119 bpm • A# Maj • 02:31 • -4db
23% Popularity • 50% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Pete Yorn
Strange Condition
120 bpm • G Maj • 03:57 • -6.15db
42% Popularity • 52% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
52% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Beck
Lost Cause
120 bpm • C Maj • 03:47 • -8.73db
54% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Semisonic
Never You Mind
120 bpm • D# Maj • 04:24 • -6db
34% Popularity • 57% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Frightened Rabbit
The Twist
120 bpm • G Maj • 03:32 • -6.88db
19% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Greg Laswell
How The Day Sounds
120 bpm • D Maj • 04:49 • -7db
23% Popularity • 45% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jets Overhead
Heading for Nowhere
120 bpm • G Maj • 04:00 • -5db
26% Popularity • 67% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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Earlimart
Happy Alone
120 bpm • G min • 04:42 • -8.32db
10% Popularity • 64% Danceability • 48% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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Rilo Kiley
Dreamworld
120 bpm • G min • 04:43 • -5db
32% Popularity • 72% Danceability • 74% Energy • 9% Liveness
51% Instrumentalness • 98% Positiveness
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OK Go
Here It Goes Again
120 bpm • B min • 03:17 • -5db
12% Popularity • 66% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Greg Laswell
How The Day Sounds
120 bpm • D Maj • 04:49 • -6.49db
14% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hawksley Workman
No Reason To Cry Out Your Eyes
120 bpm • F Maj • 03:16 • -5.8db
19% Popularity • 73% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
52% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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Treeball
Not Happy Now
120 bpm • D Maj • 03:54 • -5.77db
13% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Rilo Kiley
With Arms Outstretched
106 bpm • E Maj • 03:43 • -7db
48% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Just Another - Live