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Just Another Thing
Songs like
Just Another Thing
by
Maren Morris
Based on a tempo of (+/- 10%) and a similar genre
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Post Monroe
Half Hearted
99 bpm • F# Maj • 03:35 • -7db
18% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ashley McBryde
The Jacket
99 bpm • B Maj • 02:40 • -8db
37% Popularity • 71% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Maren Morris
Just Another Thing
99 bpm • C# min • 02:58 • -5.85db
36% Popularity • 59% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Maggie Rose
Same Sky
99 bpm • C# Maj • 03:11 • -3.9db
11% Popularity • 60% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Haley & Michaels
All Out
100 bpm • D Maj • 02:55 • -5.41db
15% Popularity • 46% Danceability • 87% Energy • 39% Liveness
2% Instrumentalness • 55% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
51% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Keith Urban
Your Body
99 bpm • D Maj • 02:45 • -6.05db
18% Popularity • 61% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Post Monroe
Lucky One
98 bpm • C Maj • 02:47 • -5.3db
12% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Hailey Whitters
The Days
98 bpm • C# Maj • 03:14 • -8db
27% Popularity • 72% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jana Kramer
When You're Lonely
100 bpm • C Maj • 03:31 • -5db
28% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cassadee Pope
Distracted
98 bpm • D# min • 02:48 • -4.3db
19% Popularity • 67% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Owen
Subliminal Love
100 bpm • F Maj • 03:19 • -6.04db
15% Popularity • 64% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Jordan Davis
Singles You Up - Stripped
100 bpm • G Maj • 03:00 • -5.13db
28% Popularity • 72% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Post Monroe
Coke & Rum
100 bpm • C Maj • 02:48 • -6.36db
17% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ross Ellis
Ghosts
98 bpm • E Maj • 04:03 • -8.09db
31% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Maren Morris
A Song for Everything
100 bpm • C# Maj • 03:14 • -7.86db
40% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Mitchell Tenpenny
Alcohol You Later
100 bpm • G# Maj • 03:06 • -7db
51% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sugarland
Bird In A Cage
100 bpm • C Maj • 03:29 • -4.49db
19% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
55% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Cam
My Mistake
97 bpm • G# Maj • 03:20 • -5db
36% Popularity • 55% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Caroline Jones
Tough Guys
97 bpm • C# min • 03:17 • -2.95db
5% Popularity • 67% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
53% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Carly Pearce
Honeysuckle
101 bpm • F Maj • 03:18 • -4db
24% Popularity • 63% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
64% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Russell Dickerson
Would You Love Me
97 bpm • C# Maj • 02:50 • -4.84db
37% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Morgan Evans
American
97 bpm • C# Maj • 03:03 • -6.44db
27% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
48% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Maren Morris
The Feels
97 bpm • F# min • 03:07 • -5.33db
44% Popularity • 69% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Dustin Lynch
Love Me Or Leave Me Alone
102 bpm • A Maj • 04:05 • -7.67db
44% Popularity • 51% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Alyssa Micaela
Clean Break
102 bpm • C Maj • 03:34 • -4.72db
19% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Old Dominion
Nowhere Fast
102 bpm • G Maj • 03:08 • -7.31db
53% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Brett Young
Memory Won't Let Me
102 bpm • F# Maj • 03:31 • -5.87db
38% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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ALISSA GRIFFITH
Glasses
102 bpm • G min • 03:38 • -7.25db
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kelleigh Bannen
Landlocked
96 bpm • E Maj • 03:01 • -4.24db
13% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Hayley Orrantia
Strong Sweet & Southern
96 bpm • G Maj • 03:20 • -4db
19% Popularity • 66% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Madeline Merlo
Honey Jack
96 bpm • A# Maj • 03:08 • -3.69db
26% Popularity • 72% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
66% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Maggie Rose
Too Many Love Songs
96 bpm • G Maj • 03:05 • -3.33db
19% Popularity • 60% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Maren Morris
Takes Two
96 bpm • C# min • 03:33 • -5.6db
29% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Bandi
Gone Girl
103 bpm • G min • 03:02 • -5.77db
24% Popularity • 63% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
35% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Rose
Sleeves
95 bpm • D# Maj • 02:54 • -6.42db
23% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Carly Pearce
Everybody Gonna Talk
95 bpm • D# min • 03:09 • -4.58db
25% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
56% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Devin Dawson
I Don't Care Who Sees
104 bpm • F Maj • 03:21 • -5.95db
30% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Hubbard
Park
104 bpm • G Maj • 02:44 • -4.11db
57% Popularity • 60% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Maren Morris
Detour
104 bpm • F# Maj • 04:07 • -7.97db
38% Popularity • 56% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Adam Doleac
Famous
95 bpm • G Maj • 03:06 • -5.58db
48% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jerrod Niemann
But I Do
94 bpm • B min • 03:44 • -7.65db
35% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Abby Anderson
GOOD LORD
94 bpm • B Maj • 03:10 • -4.81db
30% Popularity • 68% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
60% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Temecula Road
Hoping
94 bpm • A# Maj • 03:25 • -5.83db
13% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Niall Horan
Seeing Blind
94 bpm • A Maj • 03:05 • -7.57db
62% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Tyler
They Can't See
94 bpm • F Maj • 03:12 • -6.72db
31% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Maren Morris
Common
105 bpm • B min • 04:05 • -5.33db
38% Popularity • 51% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Post Monroe
No More
105 bpm • C Maj • 02:34 • -5.86db
9% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Levi Hummon
Songs We Sang
105 bpm • B min • 02:48 • -6.75db
29% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
42% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Young
Used To Missin’ You
105 bpm • F# Maj • 03:50 • -6.27db
38% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Cam
Untamed
105 bpm • F Maj • 03:30 • -3.91db
27% Popularity • 74% Danceability • 81% Energy • 17% Liveness
1% Instrumentalness • 46% Positiveness
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Tyler Dial
Hold You To It
105 bpm • C Maj • 02:56 • -5.84db
25% Popularity • 88% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Catherine McGrath
Just in Case
105 bpm • F Maj • 03:05 • -3.57db
18% Popularity • 54% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Rachel Wammack
Hard to Believe
105 bpm • G Maj • 03:26 • -4.95db
10% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Hannah Ellis
Home And A Hometown
93 bpm • B Maj • 03:13 • -4.98db
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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David Nail
I'm A Fire
93 bpm • D Maj • 04:03 • -6db
30% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Runaway June
Head Over Heels
93 bpm • E Maj • 03:09 • -4.91db
31% Popularity • 58% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Sisterhood Band
Get Up and Go
93 bpm • C Maj • 03:22 • -4.54db
15% Popularity • 61% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Kylie Morgan
Boys Girl
93 bpm • C min • 02:44 • -4.19db
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Temecula Road
What If I Kissed You
93 bpm • C# Maj • 03:40 • -5.34db
21% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Sara Evans
Marquee Sign
93 bpm • F min • 04:00 • -6.16db
18% Popularity • 57% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Old Dominion
Til It's Over
93 bpm • E Maj • 03:27 • -5.15db
38% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Carrie Underwood
End Up With You
93 bpm • A# min • 03:13 • -4.23db
42% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Cassadee Pope
One More Red Light
106 bpm • F# Maj • 03:30 • -4.65db
23% Popularity • 60% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sugarland
Still The Same
106 bpm • E Maj • 03:38 • -3.24db
31% Popularity • 64% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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AIMP Nashville
I Could Use a Love Song
92 bpm • F# Maj • 03:13 • -6.56db
12% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
63% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jo Dee Messina
I'm Done
92 bpm • F# Maj • 02:53 • -4.09db
26% Popularity • 72% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Rascal Flatts
Hopin' You Were Lookin'
92 bpm • G# Maj • 02:55 • -1.6db
25% Popularity • 60% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Seth Ennis
Fast Girl
92 bpm • D# Maj • 02:51 • -6db
23% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Zedd
The Middle
107 bpm • G Maj • 03:04 • -3.06db
79% Popularity • 75% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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AIMP Nashville
Wild Frontier
92 bpm • D min • 03:55 • -3.97db
5% Popularity • 51% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Logan Brill
World Still Round
107 bpm • C Maj • 03:42 • -3.39db
18% Popularity • 70% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Maren Morris
Gold Love
92 bpm • C Maj • 03:23 • -6.41db
36% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Runaway June
We Were Rich
107 bpm • B Maj • 03:38 • -6.66db
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
23% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lauren Alaina
Georgia Peaches
107 bpm • F# min • 03:07 • -2.43db
41% Popularity • 59% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Jana Kramer
I've Done Love
91 bpm • D min • 03:09 • -5db
32% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Levi Hummon
Patient
91 bpm • C# Maj • 02:51 • -7.53db
24% Popularity • 66% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Maren Morris
80s Mercedes (Live from SXSW 2016)
91 bpm • A Maj • 03:48 • -5.1db
21% Popularity • 59% Danceability • 79% Energy • 81% Liveness
0% Instrumentalness • 54% Positiveness
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Alee
Don’t Make Me Miss You
91 bpm • E Maj • 03:11 • -5.62db
15% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Brett Young
Left Side Of Leavin'
91 bpm • A Maj • 03:34 • -5.06db
40% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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The Reklaws
Hometown Kids
108 bpm • F Maj • 03:06 • -6db
37% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Ingrid Andress
Waste of Lime
108 bpm • A Maj • 03:08 • -5.35db
43% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Kassi Ashton
Pretty Shiny Things
108 bpm • C Maj • 03:08 • -10.82db
29% Popularity • 58% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Maren Morris
80s Mercedes - Bose City Sets
91 bpm • A Maj • 03:31 • -6.16db
16% Popularity • 56% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Just Another Thing