Songs like Just Breathe (feat. Lukas Nelson) by Willie Nelson
Based on a tempo of (+/- 10%) and a similar genre
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Bonnie Raitt
Feels Like Home
100 bpm • C Maj • 04:24 • -11.99db
43% Popularity • 43% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 43% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Willie Nelson
Crazy
99 bpm • C Maj • 02:53 • -12.42db
48% Popularity • 51% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 51% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
50% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
50% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Sturgill Simpson
Sam
101 bpm • C Maj • 01:12 • -11db
68% Popularity • 71% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 71% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Tyler Childers
Universal Sound
102 bpm • F Maj • 03:41 • -10db
67% Popularity • 67% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
67% Popularity • 67% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
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Willie Nelson
Just Breathe
100 bpm • C Maj • 04:02 • -12.52db
52% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -10db
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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The Marshall Tucker Band
Fire on the Mountain
102 bpm • E min • 03:56 • -6.36db
58% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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George Strait
Sing One With Willie
98 bpm • G Maj • 04:21 • -5.84db
35% Popularity • 62% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 62% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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John Moreland
Hang Me in the Tulsa County Stars
102 bpm • C Maj • 03:41 • -9.8db
37% Popularity • 46% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Waylon Jennings
The Year 2003 Minus 25 - Remastered
102 bpm • E Maj • 03:04 • -13.79db
38% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Willie Nelson
Me and Paul
102 bpm • A Maj • 03:48 • -12.81db
45% Popularity • 71% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 71% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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John Eddie
If You're Here When I Get Back
98 bpm • D Maj • 04:00 • -9db
16% Popularity • 67% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
16% Popularity • 67% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
38% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Gillian Welch
The Way It Goes
98 bpm • F min • 04:01 • -9.08db
37% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bonnie Raitt
Something To Talk About
103 bpm • C# Maj • 03:47 • -13.48db
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 80% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Colter Wall
Thirteen Silver Dollars
103 bpm • F Maj • 02:30 • -12.5db
61% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
61% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
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Willie Nelson
Don't Let the Old Man In
98 bpm • E Maj • 03:07 • -12.45db
34% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Sturgill Simpson
All Around You
97 bpm • B Maj • 03:09 • -8.82db
55% Popularity • 66% Danceability • 63% Energy • 36% Liveness
58% Instrumentalness • 43% Positiveness
55% Popularity • 66% Danceability • 63% Energy • 36% Liveness
58% Instrumentalness • 43% Positiveness
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Merle Haggard & The Strangers
Mama Tried - Remastered 2001
97 bpm • D Maj • 02:12 • -6db
66% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
66% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Waylon Jennings
Luckenbach, Texas (Back to the Basics of...
103 bpm • G Maj • 03:22 • -9.86db
63% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Jackson Browne
The Pretender
103 bpm • G Maj • 05:51 • -7.98db
53% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 62% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Colter Wall
Thinkin' on a Woman
103 bpm • D Maj • 03:20 • -9.79db
52% Popularity • 67% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 67% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Willie Nelson
The Border
103 bpm • A min • 05:09 • -12.12db
55% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Pat Green
Wave on Wave
104 bpm • D Maj • 04:04 • -5.27db
55% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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The Steeldrivers
I Choose You
104 bpm • D Maj • 03:05 • -7.79db
59% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
59% Popularity • 64% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Justin Townes Earle
Graceland
104 bpm • B Maj • 03:14 • -13.72db
51% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Blaze Foley
If I Could Only Fly
96 bpm • B Maj • 04:04 • -15.67db
41% Popularity • 60% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
41% Popularity • 60% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Nelson
Midnight Rider
97 bpm • D Maj • 02:50 • -12.84db
34% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Merle Haggard
Fightin' Side of Me
96 bpm • E Maj • 02:50 • -8.08db
57% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Kimmie Rhodes
Love Me Like A Song
96 bpm • A Maj • 03:40 • -14db
28% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jackson Browne
For a Dancer - Single Version
105 bpm • C Maj • 04:48 • -8.73db
43% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Hank Williams, Jr.
Whiskey Bent And Hell Bound
105 bpm • G Maj • 03:08 • -7.73db
64% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
60% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Willie Nelson
Every Time He Drinks He Thinks of Her
105 bpm • G Maj • 02:47 • -9.62db
22% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lukas Nelson and Promise of the Real
Carolina
105 bpm • G Maj • 03:15 • -5db
42% Popularity • 83% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 83% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Trampled by Turtles
Wildflowers
105 bpm • F Maj • 02:48 • -8.62db
52% Popularity • 50% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 50% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Gordon Lightfoot
Early Morning Rain
105 bpm • F Maj • 03:18 • -16db
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Watchhouse
Hey Stranger
95 bpm • C Maj • 03:27 • -10.2db
46% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
46% Popularity • 61% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Merle Haggard
No Reason to Quit
106 bpm • E Maj • 03:15 • -13.1db
32% Popularity • 76% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
32% Popularity • 76% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Willie Nelson
I Never Cared For You
105 bpm • A min • 02:18 • -13.21db
31% Popularity • 53% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 53% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Waylon Jennings
Never Been to Spain
106 bpm • D Maj • 02:37 • -11.29db
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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The Highwaymen
Live Forever
106 bpm • G Maj • 02:47 • -11.25db
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Gordon Lightfoot
Sundown
106 bpm • B Maj • 03:33 • -15.49db
69% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
69% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Cody Johnson
Sad Songs and Waltzes
106 bpm • B Maj • 03:32 • -8.48db
41% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Willie Nelson
Unfair Weather Friend
95 bpm • D Maj • 04:14 • -13.66db
19% Popularity • 57% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
19% Popularity • 57% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
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Lukas Nelson and Promise of the Real
Can You Hear Me Love You
106 bpm • F# Maj • 05:46 • -7.69db
24% Popularity • 38% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 38% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
47% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lukas Nelson
Mammas Don't Let Your Babies Grow Up To ...
94 bpm • G Maj • 04:08 • -6db
42% Popularity • 60% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
42% Popularity • 60% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Whitey Morgan and the 78's
I'm on Fire
94 bpm • A Maj • 03:16 • -7.28db
54% Popularity • 56% Danceability • 63% Energy • 21% Liveness
39% Instrumentalness • 35% Positiveness
54% Popularity • 56% Danceability • 63% Energy • 21% Liveness
39% Instrumentalness • 35% Positiveness
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The Panhandlers
West Texas in My Eye
94 bpm • D Maj • 03:08 • -10.8db
60% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Willie Nelson
Live Forever
105 bpm • G Maj • 03:00 • -9.34db
37% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Sturgill Simpson
Breakers Roar
107 bpm • B min • 02:29 • -9db
51% Popularity • 59% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
51% Popularity • 59% Danceability • 62% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
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Bob Dylan
Shelter from the Storm
107 bpm • E Maj • 05:01 • -17.34db
59% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Waylon Jennings
Good Hearted Woman
107 bpm • D Maj • 03:01 • -14.42db
61% Popularity • 48% Danceability • 41% Energy • 38% Liveness
4% Instrumentalness • 77% Positiveness
61% Popularity • 48% Danceability • 41% Energy • 38% Liveness
4% Instrumentalness • 77% Positiveness
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Toby Keith
Don't Let the Old Man In
94 bpm • D Maj • 02:52 • -16.68db
59% Popularity • 63% Danceability • 13% Energy • 14% Liveness
19% Instrumentalness • 15% Positiveness
59% Popularity • 63% Danceability • 13% Energy • 14% Liveness
19% Instrumentalness • 15% Positiveness
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Ian Noe
Letter to Madeline
107 bpm • F min • 04:29 • -8.64db
52% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Willie Nelson
Don't Think Twice, It's Alright
105 bpm • D Maj • 04:10 • -12.14db
34% Popularity • 54% Danceability • 60% Energy • 34% Liveness
8% Instrumentalness • 52% Positiveness
34% Popularity • 54% Danceability • 60% Energy • 34% Liveness
8% Instrumentalness • 52% Positiveness
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The Steeldrivers
Heaven Sent
107 bpm • G Maj • 03:48 • -6.89db
58% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Don Edwards
Coyotes
93 bpm • D Maj • 04:28 • -14.63db
43% Popularity • 56% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 56% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ray LaMontagne
Let It Be Me
108 bpm • C Maj • 04:40 • -8db
54% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hootie & The Blowfish
I Hope That I Don't Fall in Love with Yo...
93 bpm • G Maj • 02:58 • -14.46db
42% Popularity • 49% Danceability • 16% Energy • 64% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 49% Danceability • 16% Energy • 64% Liveness
0% Instrumentalness • 34% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
49% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Willie Nelson
Roll Me Up and Smoke Me When I Die - Liv...
107 bpm • C Maj • 02:14 • -9.02db
62% Popularity • 43% Danceability • 81% Energy • 87% Liveness
11% Instrumentalness • 34% Positiveness
62% Popularity • 43% Danceability • 81% Energy • 87% Liveness
11% Instrumentalness • 34% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
43% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
43% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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John Mellencamp
Longest Days
108 bpm • C# Maj • 03:10 • -13db
37% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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William Prince
You Got Me
108 bpm • D Maj • 03:33 • -11.56db
25% Popularity • 61% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
25% Popularity • 61% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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David Allan Coe
Longhaired Redneck
92 bpm • G Maj • 03:20 • -7.85db
53% Popularity • 41% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 41% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Orville Peck
Cowboys Are Frequently Secretly Fond Of ...
92 bpm • A Maj • 03:38 • -7.23db
53% Popularity • 68% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 68% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Willie Nelson
Hands on the Wheel
93 bpm • A Maj • 04:22 • -17db
45% Popularity • 60% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 60% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Flatland Cavalry
Mountain Song
92 bpm • B Maj • 04:09 • -10.68db
59% Popularity • 55% Danceability • 45% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
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Justin Townes Earle
Mama's Eyes
92 bpm • F Maj • 02:18 • -10.09db
45% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Waylon Jennings
Don't Cuss the Fiddle - Remastered
109 bpm • D Maj • 03:03 • -13db
38% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Brent Cobb
Soapbox
109 bpm • C Maj • 04:02 • -8db
38% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Eilen Jewell
Worried Mind
92 bpm • A Maj • 03:15 • -8db
43% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
43% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
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Glen Campbell
Gentle On My Mind - Remastered 2001
109 bpm • D# Maj • 02:58 • -14db
61% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
61% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Watchhouse
Waltz About Whiskey
109 bpm • C Maj • 03:46 • -10db
52% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ian Noe
Irene (Ravin' Bomb)
109 bpm • D# Maj • 03:58 • -8.76db
39% Popularity • 68% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 68% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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The Avett Brothers
I Wish I Was
109 bpm • B Maj • 05:16 • -8.86db
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Margo Price
Hurtin' (On the Bottle)
91 bpm • G Maj • 04:12 • -5db
45% Popularity • 66% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 66% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Brent Cobb
Solving Problems
91 bpm • D Maj • 02:34 • -11db
42% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
60% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Willie Nelson
Uncloudy Day
91 bpm • F Maj • 04:39 • -7.69db
23% Popularity • 61% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 61% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Seger
Against The Wind
110 bpm • G Maj • 05:33 • -5.61db
65% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
65% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
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Yola
Love All Night (Work All Day)
110 bpm • C Maj • 03:33 • -6db
41% Popularity • 54% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 54% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Sturgill Simpson
Juanita
110 bpm • C Maj • 03:40 • -10.82db
49% Popularity • 70% Danceability • 29% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
49% Popularity • 70% Danceability • 29% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
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Rosanne Cash
A Feather's Not A Bird
110 bpm • C min • 03:18 • -6.26db
35% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Tom T. Hall
That's How I Got To Memphis
110 bpm • E Maj • 03:02 • -13.43db
57% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Willie Nelson
If You've Got the Money I've Got the Tim...
110 bpm • D Maj • 02:02 • -12db
43% Popularity • 70% Danceability • 61% Energy • 35% Liveness
4% Instrumentalness • 92% Positiveness
43% Popularity • 70% Danceability • 61% Energy • 35% Liveness
4% Instrumentalness • 92% Positiveness
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Andrew Duhon
Coming Down Over Here
110 bpm • F# Maj • 04:32 • -9.15db
36% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Gordon Lightfoot
Early Mornin' Rain
110 bpm • F Maj • 03:08 • -13db
51% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Marshall Tucker Band
Desert Skies
110 bpm • E Maj • 06:23 • -8.49db
40% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
John Moreland
You Don't Care for Me Enough to Cry
90 bpm • D Maj • 04:14 • -11.67db
44% Popularity • 39% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 39% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Combs
The Great Divide
111 bpm • G# min • 03:31 • -8.27db
61% Popularity • 67% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 67% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
