Songs like Just One Bite by Sara Murphy
Based on a tempo of (+/- 10%) and a similar genre
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Kyle Murphy
Murphy’s Breakdown
120 bpm • A Maj • 05:44 • -11.79db
0% Popularity • 46% Danceability • 45% Energy • 4% Liveness
48% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 45% Energy • 4% Liveness
48% Instrumentalness • 51% Positiveness
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Sara Murphy
Teacher
120 bpm • A Maj • 03:47 • -5.94db
0% Popularity • 72% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
0% Popularity • 72% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Hayde Bluegrass Orchestra
Wayfaring Stranger
120 bpm • D min • 04:46 • -11.79db
30% Popularity • 61% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 61% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Edgar Meyer
In the Nick of Time
120 bpm • A Maj • 06:09 • -15.63db
9% Popularity • 65% Danceability • 29% Energy • 9% Liveness
30% Instrumentalness • 28% Positiveness
9% Popularity • 65% Danceability • 29% Energy • 9% Liveness
30% Instrumentalness • 28% Positiveness
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Hawktail
Boatwoman
120 bpm • D Maj • 05:44 • -16.36db
13% Popularity • 42% Danceability • 28% Energy • 11% Liveness
52% Instrumentalness • 49% Positiveness
13% Popularity • 42% Danceability • 28% Energy • 11% Liveness
52% Instrumentalness • 49% Positiveness
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Francois Couture
Réveil du printemps (Valse)
120 bpm • C Maj • 02:53 • -12.97db
17% Popularity • 55% Danceability • 32% Energy • 18% Liveness
86% Instrumentalness • 47% Positiveness
17% Popularity • 55% Danceability • 32% Energy • 18% Liveness
86% Instrumentalness • 47% Positiveness
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Swamp Footprint
On the Brink
120 bpm • C# min • 03:44 • -17.25db
20% Popularity • 51% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
20% Popularity • 51% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Sara Murphy
Just One Bite
120 bpm • E min • 04:32 • -10.14db
0% Popularity • 71% Danceability • 40% Energy • 26% Liveness
4% Instrumentalness • 26% Positiveness
0% Popularity • 71% Danceability • 40% Energy • 26% Liveness
4% Instrumentalness • 26% Positiveness
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Nicholas Britell
Austerlitz - Allegro Moderato
120 bpm • D min • 01:15 • -27.45db
38% Popularity • 50% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
38% Popularity • 50% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Bruce Whyet
Shadow Grove Cherokee Shuffle
120 bpm • B Maj • 04:34 • -12.64db
27% Popularity • 59% Danceability • 31% Energy • 66% Liveness
47% Instrumentalness • 62% Positiveness
27% Popularity • 59% Danceability • 31% Energy • 66% Liveness
47% Instrumentalness • 62% Positiveness
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Mike Marshall
Seesaw - Instrumental
120 bpm • C Maj • 03:00 • -18.7db
23% Popularity • 43% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 35% Positiveness
23% Popularity • 43% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 35% Positiveness
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I'll Fly Away Country Hymns And Songs Of Faith Performers
Tis So Sweet To Trust In Jesus
120 bpm • G Maj • 04:15 • -11.83db
17% Popularity • 53% Danceability • 34% Energy • 9% Liveness
14% Instrumentalness • 37% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 9% Liveness
14% Instrumentalness • 37% Positiveness
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Kate Wolf
Sweet Love
120 bpm • G Maj • 03:46 • -21.72db
12% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Hurt
Poplar Bluff
120 bpm • G Maj • 02:21 • -22db
15% Popularity • 55% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
15% Popularity • 55% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
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Hawktail
Pomegranate in the Oak Tree
119 bpm • D min • 03:35 • -18.06db
15% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
15% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Dolly Parton
I Get a Kick out of You
119 bpm • D Maj • 02:30 • -9.97db
17% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Rodney Miller and Airdance
Tamlin/ Devil in the Strawstack / Fairwe...
121 bpm • D min • 04:53 • -9.52db
11% Popularity • 66% Danceability • 60% Energy • 6% Liveness
90% Instrumentalness • 90% Positiveness
11% Popularity • 66% Danceability • 60% Energy • 6% Liveness
90% Instrumentalness • 90% Positiveness
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Andy Thorn
The Morning Light
119 bpm • A# Maj • 01:25 • -17.41db
38% Popularity • 52% Danceability • 28% Energy • 12% Liveness
74% Instrumentalness • 95% Positiveness
38% Popularity • 52% Danceability • 28% Energy • 12% Liveness
74% Instrumentalness • 95% Positiveness
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Chris Thile
Kneel Before Him
121 bpm • D Maj • 04:41 • -11.12db
17% Popularity • 58% Danceability • 40% Energy • 15% Liveness
90% Instrumentalness • 52% Positiveness
17% Popularity • 58% Danceability • 40% Energy • 15% Liveness
90% Instrumentalness • 52% Positiveness
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Peter Rowan
Midnite Moonlite
121 bpm • A Maj • 04:13 • -14.3db
1% Popularity • 52% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 52% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Pa's Fiddle Band
Polly Put the Kettle On
119 bpm • G Maj • 02:43 • -10.03db
9% Popularity • 62% Danceability • 58% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
9% Popularity • 62% Danceability • 58% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
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Aselin Debison
Sweet is the Melody
119 bpm • B Maj • 03:28 • -8.78db
12% Popularity • 67% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 67% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Hot Buttered Rum
Idaho Pines
119 bpm • G min • 05:29 • -12.07db
31% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Foreign Landers
Finn's Rescue
119 bpm • G Maj • 02:41 • -12.98db
12% Popularity • 62% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
12% Popularity • 62% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
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The Dueling Fiddlers
Sweet Child O' Mine
121 bpm • C Maj • 04:54 • -9.88db
13% Popularity • 64% Danceability • 30% Energy • 18% Liveness
64% Instrumentalness • 93% Positiveness
13% Popularity • 64% Danceability • 30% Energy • 18% Liveness
64% Instrumentalness • 93% Positiveness
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Hawktail
Randy
121 bpm • E Maj • 04:45 • -17.49db
14% Popularity • 48% Danceability • 11% Energy • 70% Liveness
84% Instrumentalness • 29% Positiveness
14% Popularity • 48% Danceability • 11% Energy • 70% Liveness
84% Instrumentalness • 29% Positiveness
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Kyle Murphy
December Waltz / Richland
119 bpm • E Maj • 04:41 • -13.02db
0% Popularity • 46% Danceability • 29% Energy • 7% Liveness
16% Instrumentalness • 73% Positiveness
0% Popularity • 46% Danceability • 29% Energy • 7% Liveness
16% Instrumentalness • 73% Positiveness
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Elixir
Meredith
122 bpm • D Maj • 03:57 • -9.5db
11% Popularity • 48% Danceability • 21% Energy • 10% Liveness
55% Instrumentalness • 30% Positiveness
11% Popularity • 48% Danceability • 21% Energy • 10% Liveness
55% Instrumentalness • 30% Positiveness
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Natalie Merchant
Weeping Pilgrim
122 bpm • A# Maj • 04:14 • -16.25db
26% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Wu Fei
Water is Wide / Wusuli Boat Song (乌苏...
122 bpm • D Maj • 04:16 • -10.02db
13% Popularity • 58% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 58% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Skip Gorman
Buffalo Hump
122 bpm • A min • 04:03 • -11.37db
10% Popularity • 44% Danceability • 39% Energy • 9% Liveness
84% Instrumentalness • 78% Positiveness
10% Popularity • 44% Danceability • 39% Energy • 9% Liveness
84% Instrumentalness • 78% Positiveness
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Gurrumul
Amazing Grace
122 bpm • D Maj • 04:06 • -13.77db
35% Popularity • 30% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 30% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Béla Fleck
Psalm 136
122 bpm • D Maj • 03:52 • -15.07db
16% Popularity • 63% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 94% Positiveness
16% Popularity • 63% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 94% Positiveness
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Jessica Manuputty
Apa Apa
122 bpm • A Maj • 03:12 • -20.37db
12% Popularity • 51% Danceability • 11% Energy • 10% Liveness
9% Instrumentalness • 38% Positiveness
12% Popularity • 51% Danceability • 11% Energy • 10% Liveness
9% Instrumentalness • 38% Positiveness
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The Steve Pettit Band
All Hail the Power
122 bpm • D Maj • 02:43 • -9.08db
16% Popularity • 63% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 63% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Mr. Sun
A Little Heart's Ease
122 bpm • G Maj • 04:29 • -9.16db
13% Popularity • 66% Danceability • 32% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
13% Popularity • 66% Danceability • 32% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
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Ben Sollee
Keep on Sailing
118 bpm • E min • 01:47 • -27.09db
17% Popularity • 76% Danceability • 14% Energy • 5% Liveness
89% Instrumentalness • 24% Positiveness
17% Popularity • 76% Danceability • 14% Energy • 5% Liveness
89% Instrumentalness • 24% Positiveness
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Kyle Murphy
Backflip Breakdown
122 bpm • A Maj • 03:36 • -11.68db
0% Popularity • 70% Danceability • 50% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
0% Popularity • 70% Danceability • 50% Energy • 9% Liveness
85% Instrumentalness • 96% Positiveness
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Stuart Duncan
Hill Justice
118 bpm • B min • 04:29 • -11.85db
26% Popularity • 49% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 62% Positiveness
26% Popularity • 49% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 62% Positiveness
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The Deadwood Wedding Band
Chorus Jig
118 bpm • G Maj • 03:04 • -22.75db
13% Popularity • 67% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 93% Positiveness
13% Popularity • 67% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 93% Positiveness
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10 String Symphony
Rocky Pallet
118 bpm • C Maj • 02:11 • -9.69db
29% Popularity • 64% Danceability • 40% Energy • 25% Liveness
97% Instrumentalness • 94% Positiveness
29% Popularity • 64% Danceability • 40% Energy • 25% Liveness
97% Instrumentalness • 94% Positiveness
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Sarah Jarosz
Broussard's Lament
122 bpm • E Maj • 03:35 • -7.59db
16% Popularity • 44% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 44% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Jennifer Knapp
Faithful to Me (Reprise)
118 bpm • C Maj • 01:36 • -11.72db
22% Popularity • 62% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major (K. 159, L. 1...
118 bpm • A Maj • 02:15 • -17.21db
16% Popularity • 47% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
16% Popularity • 47% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
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Andy Thorn
Whisker Twitchin'
123 bpm • C Maj • 01:01 • -15.84db
39% Popularity • 53% Danceability • 45% Energy • 20% Liveness
80% Instrumentalness • 68% Positiveness
39% Popularity • 53% Danceability • 45% Energy • 20% Liveness
80% Instrumentalness • 68% Positiveness
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Peter Knight's Gigspanner
Si Beg Si Mor
117 bpm • D Maj • 05:07 • -10.71db
9% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Country Western Band
Corny Moments
123 bpm • G# Maj • 03:07 • -10.74db
19% Popularity • 81% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 87% Positiveness
19% Popularity • 81% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 87% Positiveness
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MaMuse
One Woman's Prayer
117 bpm • E Maj • 02:33 • -16.11db
23% Popularity • 57% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 57% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Hurt
Sandy River Belle
123 bpm • G Maj • 02:17 • -18.24db
12% Popularity • 55% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
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Calvin Vollrath
Red River Jig
116 bpm • D Maj • 02:47 • -12.29db
11% Popularity • 69% Danceability • 58% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
11% Popularity • 69% Danceability • 58% Energy • 8% Liveness
91% Instrumentalness • 84% Positiveness
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Lonesome Ace Stringband
Waynesboro/Wolf Creek
124 bpm • D Maj • 03:32 • -13.43db
17% Popularity • 48% Danceability • 44% Energy • 13% Liveness
9% Instrumentalness • 55% Positiveness
17% Popularity • 48% Danceability • 44% Energy • 13% Liveness
9% Instrumentalness • 55% Positiveness
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Sara Watkins
The Late John Garfield Blues
117 bpm • D Maj • 04:06 • -16.22db
17% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Flinner
The View From Here
116 bpm • G Maj • 04:31 • -11.42db
13% Popularity • 62% Danceability • 26% Energy • 12% Liveness
43% Instrumentalness • 60% Positiveness
13% Popularity • 62% Danceability • 26% Energy • 12% Liveness
43% Instrumentalness • 60% Positiveness
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Kyle Murphy
Eucalyptus
116 bpm • D min • 03:29 • -14.5db
0% Popularity • 65% Danceability • 44% Energy • 9% Liveness
86% Instrumentalness • 94% Positiveness
0% Popularity • 65% Danceability • 44% Energy • 9% Liveness
86% Instrumentalness • 94% Positiveness
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No Land
Loud Dreams
124 bpm • A Maj • 01:32 • -9.76db
17% Popularity • 62% Danceability • 49% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
17% Popularity • 62% Danceability • 49% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
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Chance McCoy & The Appalachian String Band
Yew Piney Mountain
116 bpm • C Maj • 03:08 • -9.86db
15% Popularity • 44% Danceability • 32% Energy • 36% Liveness
91% Instrumentalness • 82% Positiveness
15% Popularity • 44% Danceability • 32% Energy • 36% Liveness
91% Instrumentalness • 82% Positiveness
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Yamandu Costa
Inocente
116 bpm • G Maj • 03:40 • -12db
14% Popularity • 60% Danceability • 38% Energy • 11% Liveness
43% Instrumentalness • 76% Positiveness
14% Popularity • 60% Danceability • 38% Energy • 11% Liveness
43% Instrumentalness • 76% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
116 bpm • D# Maj • 10:13 • -19.17db
0% Popularity • 17% Danceability • 32% Energy • 17% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 32% Energy • 17% Liveness
84% Instrumentalness • 7% Positiveness
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Brittany Haas
Fisher's Hornpipe
116 bpm • D Maj • 03:59 • -11.8db
10% Popularity • 52% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 98% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 98% Positiveness
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Linda Ronstadt
Ramblin' 'Round
116 bpm • D Maj • 03:22 • -17.51db
14% Popularity • 41% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 41% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Deadwood Wedding Band
Speed the Plow
125 bpm • A Maj • 02:31 • -23.64db
15% Popularity • 64% Danceability • 20% Energy • 36% Liveness
86% Instrumentalness • 96% Positiveness
15% Popularity • 64% Danceability • 20% Energy • 36% Liveness
86% Instrumentalness • 96% Positiveness
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Kruger Brothers
Slow Clouds
125 bpm • D Maj • 05:34 • -16.68db
19% Popularity • 74% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 28% Positiveness
19% Popularity • 74% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 28% Positiveness
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I'm With Her
Crossing Muddy Waters
115 bpm • D Maj • 03:48 • -9.95db
40% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kevin Costner & Modern West
The Land I Call Home (Instrumental Repri...
125 bpm • G Maj • 03:27 • -14.02db
24% Popularity • 27% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
24% Popularity • 27% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Andy Thorn
Aesop Mountain (Solo)
115 bpm • A# Maj • 02:20 • -19.74db
30% Popularity • 56% Danceability • 22% Energy • 9% Liveness
80% Instrumentalness • 96% Positiveness
30% Popularity • 56% Danceability • 22% Energy • 9% Liveness
80% Instrumentalness • 96% Positiveness
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Hawktail
Abbzug
125 bpm • E min • 03:37 • -13.41db
26% Popularity • 44% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 50% Positiveness
26% Popularity • 44% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 50% Positiveness
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Scott Vestal
Whiskey Before Breakfast
125 bpm • D Maj • 02:51 • -14.78db
15% Popularity • 49% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 93% Positiveness
15% Popularity • 49% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 93% Positiveness
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Noam Pikelny
In the Maze
115 bpm • G Maj • 03:29 • -15.48db
19% Popularity • 53% Danceability • 18% Energy • 12% Liveness
38% Instrumentalness • 48% Positiveness
19% Popularity • 53% Danceability • 18% Energy • 12% Liveness
38% Instrumentalness • 48% Positiveness
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Billy Strings
The String Changing Tune
125 bpm • A Maj • 01:16 • -9.82db
26% Popularity • 63% Danceability • 52% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
26% Popularity • 63% Danceability • 52% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
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Mike Marshall
Harvest Time
126 bpm • G Maj • 03:23 • -10.79db
19% Popularity • 43% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 79% Positiveness
19% Popularity • 43% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 79% Positiveness
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Haas Kowert Tice
Better Off
126 bpm • D Maj • 04:11 • -22.28db
13% Popularity • 63% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
13% Popularity • 63% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Marcel Victor
Hamilton County Collapse
126 bpm • F Maj • 02:07 • -16db
21% Popularity • 60% Danceability • 34% Energy • 36% Liveness
86% Instrumentalness • 89% Positiveness
21% Popularity • 60% Danceability • 34% Energy • 36% Liveness
86% Instrumentalness • 89% Positiveness
► Preview
Ginny Snowe
Two Rivers
126 bpm • B min • 04:53 • -10.43db
17% Popularity • 53% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 53% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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Gontiti
Himitsu
114 bpm • C Maj • 02:02 • -9.65db
14% Popularity • 74% Danceability • 36% Energy • 14% Liveness
80% Instrumentalness • 97% Positiveness
14% Popularity • 74% Danceability • 36% Energy • 14% Liveness
80% Instrumentalness • 97% Positiveness
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Watchhouse
Mother Deer
126 bpm • F Maj • 03:20 • -19.83db
26% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Gothard Sisters
The Golden Thread
126 bpm • B min • 03:11 • -9.3db
26% Popularity • 20% Danceability • 46% Energy • 31% Liveness
57% Instrumentalness • 33% Positiveness
26% Popularity • 20% Danceability • 46% Energy • 31% Liveness
57% Instrumentalness • 33% Positiveness
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Kyle Murphy
Material Possessions
114 bpm • F Maj • 03:41 • -13.24db
0% Popularity • 71% Danceability • 41% Energy • 7% Liveness
35% Instrumentalness • 82% Positiveness
0% Popularity • 71% Danceability • 41% Energy • 7% Liveness
35% Instrumentalness • 82% Positiveness
► Preview
Chris Thile
The Auld Beagle
114 bpm • A Maj • 04:03 • -29db
15% Popularity • 62% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 22% Positiveness
15% Popularity • 62% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 22% Positiveness
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Late for the Train
The Flowers of Yesteryear
114 bpm • D Maj • 04:17 • -12.25db
5% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Edgar Meyer
BP - Instrumental
127 bpm • E min • 03:26 • -15.25db
8% Popularity • 61% Danceability • 49% Energy • 7% Liveness
51% Instrumentalness • 80% Positiveness
8% Popularity • 61% Danceability • 49% Energy • 7% Liveness
51% Instrumentalness • 80% Positiveness
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Crooked Still
Cold Mountains
114 bpm • E Maj • 03:13 • -11db
19% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Stuart Duncan
Overbellow Reel
113 bpm • G min • 03:20 • -12.8db
18% Popularity • 40% Danceability • 38% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
18% Popularity • 40% Danceability • 38% Energy • 12% Liveness
91% Instrumentalness • 87% Positiveness
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Steve Martin
Who You Gonna Take?
127 bpm • C Maj • 02:41 • -9.12db
15% Popularity • 67% Danceability • 55% Energy • 16% Liveness
3% Instrumentalness • 88% Positiveness
15% Popularity • 67% Danceability • 55% Energy • 16% Liveness
3% Instrumentalness • 88% Positiveness
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Lena Jonsson Trio
Larven
127 bpm • A min • 02:14 • -11.59db
10% Popularity • 60% Danceability • 44% Energy • 17% Liveness
72% Instrumentalness • 75% Positiveness
10% Popularity • 60% Danceability • 44% Energy • 17% Liveness
72% Instrumentalness • 75% Positiveness
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Rising Appalachia
Handsome Molly
127 bpm • C# Maj • 03:14 • -10.54db
15% Popularity • 57% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 57% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Kevin McElroy
the Orphan, Queen of the Fair
113 bpm • D Maj • 03:33 • -9.23db
8% Popularity • 71% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 90% Positiveness
8% Popularity • 71% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 90% Positiveness
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Jewelle Blackman
Nothing Changes
127 bpm • F min • 01:11 • -11.5db
47% Popularity • 56% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 56% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Three Tall Pines
Little Suzie
127 bpm • C Maj • 04:07 • -13.49db
8% Popularity • 53% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 53% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Bruce Molsky
Jeff Sturgeon
128 bpm • E Maj • 02:02 • -7.98db
10% Popularity • 59% Danceability • 54% Energy • 14% Liveness
90% Instrumentalness • 97% Positiveness
10% Popularity • 59% Danceability • 54% Energy • 14% Liveness
90% Instrumentalness • 97% Positiveness
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Pa's Fiddle Band
Irish Washerwoman
128 bpm • G Maj • 02:49 • -11.32db
29% Popularity • 70% Danceability • 29% Energy • 30% Liveness
56% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 29% Energy • 30% Liveness
56% Instrumentalness • 96% Positiveness
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Noam Pikelny
Bye
128 bpm • C min • 01:44 • -17.92db
11% Popularity • 67% Danceability • 17% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
11% Popularity • 67% Danceability • 17% Energy • 11% Liveness
25% Instrumentalness • 82% Positiveness
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Rising Appalachia
Across the Blue Ridge Mountains
112 bpm • G# min • 04:40 • -13db
21% Popularity • 41% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 41% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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The Duhks
Mountains O' Things
112 bpm • D Maj • 03:49 • -9db
14% Popularity • 55% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 55% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Tony Rice Unit
Jerusalem Ridge
128 bpm • A min • 06:38 • -11db
26% Popularity • 50% Danceability • 68% Energy • 15% Liveness
83% Instrumentalness • 95% Positiveness
26% Popularity • 50% Danceability • 68% Energy • 15% Liveness
83% Instrumentalness • 95% Positiveness
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Todd Phillips
Midnight On The Stormy Deep
112 bpm • E Maj • 03:04 • -22.46db
10% Popularity • 43% Danceability • 7% Energy • 17% Liveness
3% Instrumentalness • 38% Positiveness
10% Popularity • 43% Danceability • 7% Energy • 17% Liveness
3% Instrumentalness • 38% Positiveness
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Sierra Hull
The In-Between
128 bpm • D min • 05:09 • -14.16db
15% Popularity • 72% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ken & Brad Kolodner
Bethany Beach/Blackberry Blossom
128 bpm • G Maj • 03:54 • -27.04db
9% Popularity • 37% Danceability • 10% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
9% Popularity • 37% Danceability • 10% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
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Gregory Alan Isakov
black & blue
128 bpm • D Maj • 03:59 • -10.81db
28% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
