Songs like Just Us by Trent Reznor and Atticus Ross
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Christoffer Moe Ditlevsen
The Guiding Light
120 bpm • C Maj • 02:49 • -16db
26% Popularity • 58% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
26% Popularity • 58% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Trent Reznor and Atticus Ross
Ship Chase
120 bpm • B min • 01:40 • -15.38db
24% Popularity • 61% Danceability • 68% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
24% Popularity • 61% Danceability • 68% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
► Preview
Carlos Rafael Rivera
Mexico City Invitational 1966
120 bpm • G# Maj • 02:21 • -19.98db
38% Popularity • 49% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
38% Popularity • 49% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
► Preview
Theodore Shapiro
Walter Time
120 bpm • B min • 00:59 • -24.47db
40% Popularity • 83% Danceability • 11% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
40% Popularity • 83% Danceability • 11% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
53% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
53% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Paul Haslinger
Mishkin
120 bpm • A Maj • 03:15 • -24.21db
17% Popularity • 20% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Trent Reznor and Atticus Ross
Just Us
120 bpm • G Maj • 02:42 • -19.63db
43% Popularity • 54% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
43% Popularity • 54% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
James Sizemore
Focus
120 bpm • C Maj • 04:10 • -12.19db
29% Popularity • 53% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 39% Positiveness
29% Popularity • 53% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 39% Positiveness
► Preview
Theodore Shapiro
Skateboard Delivery
120 bpm • A# min • 00:59 • -27.96db
43% Popularity • 58% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
43% Popularity • 58% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Trent Reznor and Atticus Ross
Portal/The Hall of Everything
120 bpm • D Maj • 02:18 • -21.15db
28% Popularity • 52% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 56% Positiveness
28% Popularity • 52% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 56% Positiveness
► Preview
Peter Sandberg
Resonant
120 bpm • F# min • 04:04 • -19.54db
28% Popularity • 26% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
Funeral and Far Between
121 bpm • A# min • 01:45 • -21.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Ludovico Einaudi
Seven Days Walking / Day 1: Golden Butte...
121 bpm • F# min • 05:53 • -20.58db
31% Popularity • 33% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 33% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Andre Corea
Yu Yi
121 bpm • A# min • 04:41 • -19.62db
26% Popularity • 17% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
26% Popularity • 17% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
49% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Alexis Grapsas
Wasted Space
119 bpm • E Maj • 01:40 • -23.56db
13% Popularity • 18% Danceability • 30% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 30% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ben Sollee
Over The Pines
118 bpm • D Maj • 03:11 • -16.38db
45% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
45% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
► Preview
Daniel Hart
Safe Safe Safe
118 bpm • C Maj • 03:02 • -18.92db
23% Popularity • 55% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 11% Positiveness
23% Popularity • 55% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Ludovico Einaudi
Berlin Song
118 bpm • C Maj • 06:40 • -27.1db
27% Popularity • 35% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 35% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Michael Andrews
Liquid Spear Waltz
123 bpm • C min • 01:33 • -19.3db
41% Popularity • 43% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 43% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Steven Price
Life's Talent For Change
118 bpm • C min • 05:03 • -20db
12% Popularity • 17% Danceability • 13% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 13% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
45% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
45% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Kevin Smuts
Playing With Fish
117 bpm • A Maj • 02:38 • -21.7db
32% Popularity • 17% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
38% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Jon Batiste
Bigger Than Us
117 bpm • C# Maj • 01:51 • -12db
34% Popularity • 32% Danceability • 46% Energy • 7% Liveness
87% Instrumentalness • 46% Positiveness
34% Popularity • 32% Danceability • 46% Energy • 7% Liveness
87% Instrumentalness • 46% Positiveness
► Preview
Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Jónsi
We Bought A Zoo
124 bpm • C Maj • 04:20 • -11.76db
42% Popularity • 36% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 36% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Cornbread Compton
Let's Just Get It Over With
124 bpm • C# min • 01:25 • -28db
23% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
23% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Justin Hurwitz
Armstrong Cabin
116 bpm • G min • 01:15 • -27.18db
67% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
67% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Martin Phipps
Voices
124 bpm • C min • 03:30 • -17db
36% Popularity • 18% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Johannes Bornlöf
Walk Tall
116 bpm • C Maj • 03:22 • -17.74db
24% Popularity • 60% Danceability • 18% Energy • 54% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 60% Danceability • 18% Energy • 54% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Kevin Smuts
The Wonders of Nature
125 bpm • E min • 02:59 • -23.64db
32% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Federico Albanese
The Stars We Follow
125 bpm • A min • 03:54 • -24.91db
48% Popularity • 46% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
48% Popularity • 46% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Thomas Farnon
Transcendence
125 bpm • G min • 02:16 • -12.87db
33% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Keith Merrill
Release
115 bpm • B Maj • 03:07 • -17.84db
33% Popularity • 32% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 19% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Gustavo Santaolalla
Trembling
125 bpm • E min • 05:01 • -18.83db
18% Popularity • 24% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
18% Popularity • 24% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Ludwig Göransson
WINDMILLS
115 bpm • D# min • 05:16 • -21.8db
42% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
42% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
David Hirschfelder
They Were Starting to Like Me
115 bpm • G min • 02:16 • -22.94db
30% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
► Preview
Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
35% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Martin Gauffin
Occurrence
126 bpm • A# Maj • 02:48 • -14.06db
20% Popularity • 60% Danceability • 41% Energy • 13% Liveness
92% Instrumentalness • 26% Positiveness
20% Popularity • 60% Danceability • 41% Energy • 13% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Michael Abels
Preparing The Trap
126 bpm • G min • 02:40 • -18.42db
39% Popularity • 73% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
39% Popularity • 73% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Trent Reznor and Atticus Ross
Hand Covers Bruise
114 bpm • D Maj • 04:18 • -25.38db
49% Popularity • 20% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 20% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Carter Burwell
Walking Home Alone
114 bpm • G# Maj • 01:17 • -21.56db
31% Popularity • 56% Danceability • 4% Energy • 16% Liveness
95% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 4% Energy • 16% Liveness
95% Instrumentalness • 16% Positiveness
► Preview
Craig Armstrong
If You Should Fall
126 bpm • F min • 03:33 • -17.5db
32% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Steven Price
We Took To The Skies
114 bpm • G# Maj • 04:49 • -16.51db
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Emile Mosseri
Paul's Antiphony
114 bpm • C Maj • 01:54 • -14.7db
39% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
39% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Carlos Rafael Rivera
Playing Townes
114 bpm • A min • 03:45 • -29db
40% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Lambert
Doug
127 bpm • G# Maj • 01:53 • -29.17db
41% Popularity • 29% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
41% Popularity • 29% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
► Preview
Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
44% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Nick Cave
Space Station
127 bpm • F Maj • 04:16 • -29db
40% Popularity • 28% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
40% Popularity • 28% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Martin Phipps
Simple Harp Variation No. 2
113 bpm • G# min • 02:30 • -26db
34% Popularity • 41% Danceability • 20% Energy • 9% Liveness
55% Instrumentalness • 19% Positiveness
34% Popularity • 41% Danceability • 20% Energy • 9% Liveness
55% Instrumentalness • 19% Positiveness
► Preview
Jordan Seigel
The Journey Begins
128 bpm • D Maj • 01:01 • -22db
49% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
49% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
► Preview
James Horner
The bioluminescence of the night
128 bpm • C# min • 03:37 • -28.06db
51% Popularity • 19% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
51% Popularity • 19% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Jed Kurzel
He's Back
113 bpm • A min • 02:00 • -19.48db
35% Popularity • 49% Danceability • 23% Energy • 3% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 49% Danceability • 23% Energy • 3% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Patrick Jonsson
Into the Fire
128 bpm • F# min • 04:04 • -17.79db
22% Popularity • 38% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 38% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Jonny Greenwood
Spencer
112 bpm • D min • 01:43 • -25db
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Trent Reznor and Atticus Ross
Clouds Appear
128 bpm • F# Maj • 02:47 • -17.83db
27% Popularity • 39% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 39% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Dario Marianelli
A Letter From Prison
112 bpm • A# Maj • 02:20 • -25db
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Ramin Djawadi
Wicked Games
112 bpm • E min • 05:31 • -16.64db
41% Popularity • 66% Danceability • 21% Energy • 14% Liveness
46% Instrumentalness • 50% Positiveness
41% Popularity • 66% Danceability • 21% Energy • 14% Liveness
46% Instrumentalness • 50% Positiveness
► Preview
Marcelo Zarvos
Senate Selection
128 bpm • A# min • 01:58 • -29.37db
14% Popularity • 50% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
14% Popularity • 50% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
49% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
49% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Arcade Fire
Divorce Papers
129 bpm • A min • 03:14 • -28.38db
39% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
39% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
► Preview
Trent Reznor and Atticus Ross
Painted Sun in Abstract
112 bpm • A# Maj • 03:29 • -18.56db
40% Popularity • 49% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Clint Mansell
Welcome to Lunar Industries
112 bpm • F# min • 07:11 • -17db
37% Popularity • 27% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Mychael Danna
Maya
111 bpm • C Maj • 01:18 • -26.32db
41% Popularity • 69% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
41% Popularity • 69% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
► Preview
Ludovico Einaudi
Seven Days Walking / Day 3: Low Mist
129 bpm • C Maj • 05:54 • -22db
27% Popularity • 20% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Max Richter
The Mind’s Eye
111 bpm • B Maj • 02:48 • -29.64db
43% Popularity • 16% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
David Wingo
Dan Walks Away
130 bpm • C Maj • 03:33 • -21.31db
7% Popularity • 42% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 42% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Clinton Shorter
Prawnkus
130 bpm • G# Maj • 04:00 • -22db
35% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Ramin Djawadi
Dr. Ford
130 bpm • B min • 05:30 • -18db
47% Popularity • 21% Danceability • 7% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
47% Popularity • 21% Danceability • 7% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Trent Reznor and Atticus Ross
Empty Places
130 bpm • A# Maj • 02:46 • -27.81db
30% Popularity • 34% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Stephen Rennicks
HNY
130 bpm • C Maj • 01:03 • -21db
45% Popularity • 41% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
45% Popularity • 41% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
► Preview
Kevin Smuts
A Strange Shape
110 bpm • B Maj • 02:42 • -22.73db
27% Popularity • 18% Danceability • 8% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 8% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
Win One For The Reaper
130 bpm • A# Maj • 02:39 • -41.51db
29% Popularity • 37% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Brian Eno
Ship In A Bottle
110 bpm • G# Maj • 02:40 • -23.75db
33% Popularity • 43% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Trent Reznor and Atticus Ross
Escape/Inside 22
110 bpm • G min • 02:32 • -17db
23% Popularity • 45% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
23% Popularity • 45% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Stephen Rennicks
First Day at Trinity
110 bpm • D Maj • 01:31 • -17.94db
36% Popularity • 44% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
► Preview
Gustavo Santaolalla
Arrive To Lab
110 bpm • C Maj • 02:11 • -27.02db
8% Popularity • 43% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
8% Popularity • 43% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Patrick Jonsson
Apoptosis
110 bpm • C min • 04:39 • -19db
23% Popularity • 35% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
23% Popularity • 35% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Johannes Bornlöf
A Thousand Moons Ago
132 bpm • E Maj • 02:40 • -23.57db
26% Popularity • 19% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Trent Reznor and Atticus Ross
Falling
110 bpm • B Maj • 00:41 • -10.79db
32% Popularity • 56% Danceability • 61% Energy • 21% Liveness
77% Instrumentalness • 5% Positiveness
32% Popularity • 56% Danceability • 61% Energy • 21% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
Kris Bowers
A Grand Finish
109 bpm • G# Maj • 03:33 • -16.71db
50% Popularity • 30% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
50% Popularity • 30% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Mark Snow
Control/Time to Sleep
109 bpm • A min • 03:52 • -22.28db
11% Popularity • 16% Danceability • 6% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jordan Seigel
One More Journey
132 bpm • G Maj • 02:07 • -22db
50% Popularity • 26% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 26% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Steven Gutheinz
Sierra
132 bpm • D Maj • 04:15 • -21db
30% Popularity • 57% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
30% Popularity • 57% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
