Songs like Justifyin' by Buddy Guy
Based on a tempo of (+/- 10%) and a similar genre
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Shemekia Copeland
Barefoot In Heaven
96 bpm • F Maj • 03:30 • -6.78db
40% Popularity • 66% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 66% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Buddy Guy
Justifyin'
96 bpm • E min • 03:23 • -3.62db
17% Popularity • 54% Danceability • 93% Energy • 9% Liveness
5% Instrumentalness • 59% Positiveness
17% Popularity • 54% Danceability • 93% Energy • 9% Liveness
5% Instrumentalness • 59% Positiveness
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Debbie Davies
Love Spin
96 bpm • E min • 04:03 • -8.18db
20% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Altered Five Blues Band
Ten Thousand Watts
96 bpm • A min • 03:22 • -5.63db
31% Popularity • 61% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 61% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Smokin' Joe Kubek & Bnois King
RU4 Real?
96 bpm • A Maj • 06:08 • -3.7db
28% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Quinn Sullivan
Mr. Gloom
96 bpm • G Maj • 04:01 • -3.32db
8% Popularity • 49% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
8% Popularity • 49% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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Watermelon Slim
Get Out of My Life Woman
96 bpm • F# min • 03:09 • -8.09db
22% Popularity • 60% Danceability • 71% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 60% Danceability • 71% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
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Buddy Guy
The Blues Is Alive And Well
96 bpm • G min • 05:13 • -5.69db
34% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Junior Wells
Pleading The Blues
96 bpm • G Maj • 07:40 • -15.82db
6% Popularity • 66% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 66% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Melvin Taylor
Travelin' Man
97 bpm • F Maj • 06:25 • -16.86db
14% Popularity • 66% Danceability • 55% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
14% Popularity • 66% Danceability • 55% Energy • 32% Liveness
3% Instrumentalness • 86% Positiveness
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Lonnie Mack
Riding The Blinds
97 bpm • G Maj • 04:22 • -10.1db
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
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T-Bone Walker
Blues Rock
95 bpm • G Maj • 02:49 • -9.77db
27% Popularity • 67% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
27% Popularity • 67% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
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Chris Cain
I Believe I Got Off Cheap
97 bpm • D Maj • 03:19 • -2.8db
37% Popularity • 57% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 57% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Elmore James
Shake Your Money Maker
95 bpm • D Maj • 02:30 • -7db
28% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Buddy Guy
Turn Me Wild
95 bpm • B min • 04:35 • -4.63db
17% Popularity • 61% Danceability • 75% Energy • 38% Liveness
9% Instrumentalness • 56% Positiveness
17% Popularity • 61% Danceability • 75% Energy • 38% Liveness
9% Instrumentalness • 56% Positiveness
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Beth Hart, Joe Bonamassa
Well, Well
97 bpm • D Maj • 03:42 • -4.94db
30% Popularity • 60% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 60% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Junior Wells
Early In The Morning
97 bpm • D Maj • 04:48 • -15.04db
18% Popularity • 76% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 76% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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T-Bone Walker
That Evening Train - Remastered 2022
95 bpm • F min • 03:06 • -10.15db
31% Popularity • 59% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
31% Popularity • 59% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
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Chris Cain
World Got The Blues Before Sunrise
95 bpm • F min • 03:15 • -8.1db
9% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Buddy Guy
Meet Me in Chicago
97 bpm • D Maj • 03:45 • -3.4db
26% Popularity • 51% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 51% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Philip Sayce
Sailin' shoes
95 bpm • G# Maj • 03:22 • -3.11db
31% Popularity • 48% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 48% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ronnie Earl
Southside Stomp
97 bpm • E min • 04:13 • -4.73db
26% Popularity • 40% Danceability • 77% Energy • 13% Liveness
58% Instrumentalness • 54% Positiveness
26% Popularity • 40% Danceability • 77% Energy • 13% Liveness
58% Instrumentalness • 54% Positiveness
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Otis Grand
Holding You Up For Love
97 bpm • G Maj • 06:09 • -8db
22% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Devon Allman's Honeytribe
Could Get Dangerous
94 bpm • E min • 04:14 • -4.91db
15% Popularity • 62% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 62% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Frampton Band
Me And My Guitar
97 bpm • D Maj • 04:23 • -5.61db
26% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Johnson
Feel Like Breaking Up Someone's Home
98 bpm • D Maj • 04:47 • -11db
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jeff Strahan
Southern Jeans
94 bpm • C# Maj • 07:30 • -10.49db
11% Popularity • 54% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
11% Popularity • 54% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
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Sonny Boy Williamson II
Nine Below Zero - 1961 Single Version
98 bpm • C Maj • 03:28 • -5db
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Buddy Guy
Best Damn Fool
94 bpm • A# Maj • 04:56 • -4.27db
8% Popularity • 61% Danceability • 81% Energy • 35% Liveness
12% Instrumentalness • 90% Positiveness
8% Popularity • 61% Danceability • 81% Energy • 35% Liveness
12% Instrumentalness • 90% Positiveness
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Roomful Of Blues
Phone Zombies
98 bpm • G min • 03:35 • -4.37db
35% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Altered Five Blues Band
Charmed & Dangerous
94 bpm • C Maj • 03:41 • -4.78db
20% Popularity • 54% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 54% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Smokin' Joe Kubek & Bnois King
She Can Smell Another Woman
98 bpm • G# Maj • 04:32 • -6db
17% Popularity • 59% Danceability • 72% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
17% Popularity • 59% Danceability • 72% Energy • 8% Liveness
2% Instrumentalness • 54% Positiveness
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Ronnie Baker Brooks
Hit Me On The Hip
94 bpm • D Maj • 04:14 • -5.47db
12% Popularity • 73% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 73% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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The Fabulous Thunderbirds
Extra Jimmies
98 bpm • E Maj • 02:38 • -9.91db
29% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Buddy Guy
Smarter Than I Was
94 bpm • B min • 05:25 • -5.64db
13% Popularity • 56% Danceability • 76% Energy • 18% Liveness
84% Instrumentalness • 42% Positiveness
13% Popularity • 56% Danceability • 76% Energy • 18% Liveness
84% Instrumentalness • 42% Positiveness
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Doyle Bramhall
Take Your Time, Son
98 bpm • C Maj • 06:57 • -6.72db
8% Popularity • 49% Danceability • 62% Energy • 12% Liveness
52% Instrumentalness • 84% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 12% Liveness
52% Instrumentalness • 84% Positiveness
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Damon Fowler
Ain't Gonna Rock with You No More
94 bpm • D Maj • 03:23 • -6db
29% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Danny Bryant's Redeyeband
Blues All Over Me
99 bpm • C Maj • 04:08 • -3.16db
13% Popularity • 35% Danceability • 90% Energy • 34% Liveness
15% Instrumentalness • 67% Positiveness
13% Popularity • 35% Danceability • 90% Energy • 34% Liveness
15% Instrumentalness • 67% Positiveness
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Devon Allman
Can't Lose 'Em All
99 bpm • E min • 03:45 • -7db
10% Popularity • 52% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 55% Positiveness
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Joe Louis Walker
Rain On My Mind
99 bpm • D Maj • 05:57 • -12db
14% Popularity • 70% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 70% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Buddy Guy
Whiskey, Beer & Wine
94 bpm • A# Maj • 04:30 • -5.79db
39% Popularity • 68% Danceability • 77% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
39% Popularity • 68% Danceability • 77% Energy • 10% Liveness
4% Instrumentalness • 65% Positiveness
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Tony Spinner
Count Your Blessings
93 bpm • B Maj • 04:25 • -4.24db
12% Popularity • 45% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 45% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Ronnie EarlThe Broadcasters
Puddin' Pie
99 bpm • D# Maj • 04:07 • -5db
14% Popularity • 47% Danceability • 82% Energy • 14% Liveness
8% Instrumentalness • 63% Positiveness
14% Popularity • 47% Danceability • 82% Energy • 14% Liveness
8% Instrumentalness • 63% Positiveness
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Smokin' Joe Kubek & Bnois King
Payday In America
99 bpm • A Maj • 04:18 • -2.68db
20% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Buddaheads
Long Way Down
93 bpm • C# Maj • 05:16 • -7.75db
18% Popularity • 56% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
18% Popularity • 56% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Kenny Neal
I'm A Blues Man
92 bpm • F Maj • 04:11 • -13.07db
22% Popularity • 39% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 39% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Buddy Guy
Too Damn Bad
99 bpm • B min • 03:06 • -3.38db
14% Popularity • 46% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 46% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Copeland
Rolling With The Punches
100 bpm • G# Maj • 06:34 • -8.25db
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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Susan Tedeschi
Back To The River
92 bpm • B min • 03:55 • -6.88db
34% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Curtis Salgado
Walk A Mile In My Blues
100 bpm • C Maj • 04:31 • -5db
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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The Fabulous Thunderbirds
Don't Burn Me
100 bpm • G Maj • 03:51 • -9db
23% Popularity • 88% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
23% Popularity • 88% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Oli Brown
Open Road
92 bpm • B min • 03:47 • -4.69db
28% Popularity • 63% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 63% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Buddy Guy
Best in Town
100 bpm • C Maj • 04:55 • -4db
22% Popularity • 59% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 59% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 77% Positiveness
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Buddy Whittington
Texas Trios
92 bpm • D Maj • 02:51 • -5db
31% Popularity • 73% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 73% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Son Seals
Cotton Picking Blues
100 bpm • C Maj • 04:41 • -13db
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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John Campbelljohn
Knocked Down
92 bpm • D Maj • 03:32 • -4.51db
11% Popularity • 64% Danceability • 72% Energy • 19% Liveness
6% Instrumentalness • 49% Positiveness
11% Popularity • 64% Danceability • 72% Energy • 19% Liveness
6% Instrumentalness • 49% Positiveness
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Dave Hole
These Blues Are Here To Stay
101 bpm • A Maj • 06:22 • -6.48db
15% Popularity • 34% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 34% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Philip Sayce Group
You Can Run But You Can't Hide
92 bpm • A min • 03:53 • -5.57db
18% Popularity • 39% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 39% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Matt "Guitar" Murphy
Gonna Be Some Changes Made
101 bpm • B min • 03:23 • -12.83db
14% Popularity • 67% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 67% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Lonnie Mack
Hound Dog Man
101 bpm • C Maj • 04:08 • -7db
35% Popularity • 64% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
35% Popularity • 64% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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Jimmy Thackery
Ain't Gonna Do It
91 bpm • G min • 02:47 • -4.54db
11% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Buddy Guy
Never Gonna Change
101 bpm • G Maj • 03:20 • -3db
12% Popularity • 50% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 50% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Dave Hole
Take Me to Chicago
91 bpm • D Maj • 03:51 • -6.55db
29% Popularity • 58% Danceability • 82% Energy • 34% Liveness
2% Instrumentalness • 73% Positiveness
29% Popularity • 58% Danceability • 82% Energy • 34% Liveness
2% Instrumentalness • 73% Positiveness
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Julian Sas
Mercy
101 bpm • F Maj • 04:00 • -3db
26% Popularity • 71% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
26% Popularity • 71% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Robin Trower
Delusion Sweet Delusion
91 bpm • G min • 03:33 • -6.22db
18% Popularity • 58% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 58% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Royal Southern Brotherhood
Moonlight Over the Mississippi
91 bpm • A# min • 03:45 • -7.94db
11% Popularity • 74% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 74% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Devon Allman
Shattered Times
91 bpm • A min • 03:31 • -5db
16% Popularity • 52% Danceability • 93% Energy • 32% Liveness
4% Instrumentalness • 59% Positiveness
16% Popularity • 52% Danceability • 93% Energy • 32% Liveness
4% Instrumentalness • 59% Positiveness
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Buddy Guy
Crazy World
91 bpm • G Maj • 05:15 • -6.23db
14% Popularity • 57% Danceability • 65% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness
14% Popularity • 57% Danceability • 65% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness
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Alvin Youngblood Hart
Motivational Speaker
102 bpm • D Maj • 03:55 • -6.66db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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Lonnie Brooks
Two Headed Man
91 bpm • A Maj • 03:28 • -13db
28% Popularity • 62% Danceability • 51% Energy • 40% Liveness
6% Instrumentalness • 54% Positiveness
28% Popularity • 62% Danceability • 51% Energy • 40% Liveness
6% Instrumentalness • 54% Positiveness
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Robin Trower
Tide Of Confusion
101 bpm • F min • 03:47 • -8.7db
35% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Royal Southern Brotherhood
Left My Heart in Memphis
91 bpm • E Maj • 03:30 • -12db
8% Popularity • 56% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
8% Popularity • 56% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Debbie Davies
Life Of The Party
102 bpm • B min • 03:51 • -8db
27% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Buddy Guy
Whiskey For Sale
91 bpm • B min • 04:02 • -8.01db
34% Popularity • 68% Danceability • 51% Energy • 5% Liveness
4% Instrumentalness • 49% Positiveness
34% Popularity • 68% Danceability • 51% Energy • 5% Liveness
4% Instrumentalness • 49% Positiveness
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Buddaheads Featuring Bb Chung King
Dance Maria
90 bpm • C# Maj • 06:30 • -6.3db
2% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Buddy Whittington
Every Goodbye Ain't Gone
90 bpm • F Maj • 02:59 • -5db
17% Popularity • 72% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 72% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Freddy King
Me and My Guitar
103 bpm • B min • 04:05 • -11.7db
24% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Lonnie Brooks
Family Curse
103 bpm • F# min • 04:37 • -14.6db
22% Popularity • 75% Danceability • 50% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
22% Popularity • 75% Danceability • 50% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Debbie Davies
Fishnet
103 bpm • C Maj • 03:31 • -7db
14% Popularity • 77% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 83% Positiveness
14% Popularity • 77% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 83% Positiveness
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Buddy Guy
Ninety Nine and One Half
102 bpm • E Maj • 03:45 • -5.71db
19% Popularity • 59% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 72% Positiveness
19% Popularity • 59% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 72% Positiveness
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Selwyn Birchwood
The River Turned Red
103 bpm • D Maj • 04:15 • -3.46db
17% Popularity • 62% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 62% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Koko Taylor
Come To Mama
103 bpm • G# Maj • 04:48 • -7.98db
29% Popularity • 70% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 70% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
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Oli Brown
Thinking About Her
103 bpm • D min • 03:48 • -5.71db
8% Popularity • 62% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 62% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Lonnie Brooks
A Man's Got To Do What A Man's Got To Do
103 bpm • B min • 04:03 • -12.5db
28% Popularity • 72% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
28% Popularity • 72% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
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Johnny Copeland
Cut Off My Right Arm
103 bpm • G min • 04:06 • -12.85db
17% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Ronnie Baker Brooks
Doing Too Much
89 bpm • A Maj • 04:18 • -7db
33% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
33% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
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The Fabulous Thunderbirds
Strong Like That
89 bpm • D min • 03:55 • -7db
32% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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Jimmy Thackery And The Drivers
Chained To The Blues Line
103 bpm • C Maj • 05:01 • -6.8db
22% Popularity • 67% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
22% Popularity • 67% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
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Clarence "Gatemouth" Brown
Blues Power
89 bpm • F Maj • 03:46 • -12.3db
20% Popularity • 71% Danceability • 59% Energy • 6% Liveness
29% Instrumentalness • 93% Positiveness
20% Popularity • 71% Danceability • 59% Energy • 6% Liveness
29% Instrumentalness • 93% Positiveness
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Savoy Brown
I Can't Stop the Blues
104 bpm • F# min • 05:29 • -4db
28% Popularity • 63% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 93% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 93% Positiveness
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Earl Hooker
Blue Guitar
104 bpm • A min • 02:39 • -7db
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
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Albert Castiglia
Cadillac Assembly Line
104 bpm • A min • 05:01 • -5db
29% Popularity • 48% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 48% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
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Buddy Guy
Someone Else Is Steppin' In (Slippin' Ou...
104 bpm • A# min • 04:21 • -7.49db
20% Popularity • 50% Danceability • 86% Energy • 66% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 50% Danceability • 86% Energy • 66% Liveness
0% Instrumentalness • 67% Positiveness
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T-Bone Walker
Call It Stormy Monday But Tuesday Is Jus...
104 bpm • C Maj • 03:03 • -16db
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
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Sue Foley
Fool's Gold
89 bpm • C min • 04:38 • -7db
25% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Fabulous Thunderbirds
Full-Time Lover
104 bpm • E Maj • 04:43 • -6.72db
21% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
