Songs like Kannadiga Kannadiga Ninnadentha Punya by Sirkazhi Govindarajan
Based on a tempo of (+/- 10%) and a similar genre
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M. G. Sreekumar
Gana Nayaka
89 bpm • C min • 05:40 • -4.65db
28% Popularity • 49% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 49% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Rajkumar
O ENTHA SOUNDARYA
89 bpm • G# min • 03:34 • -7.7db
33% Popularity • 48% Danceability • 60% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 48% Danceability • 60% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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P. Jayachandran
Krishna Guruvayoorappa
90 bpm • G min • 05:25 • -10.85db
25% Popularity • 62% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 62% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Radha Jayalakshmi
Katharul Ganapathiye
90 bpm • D# min • 04:04 • -12.4db
7% Popularity • 62% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 84% Positiveness
7% Popularity • 62% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 84% Positiveness
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M. G. Radhakrishnan
Medaponnaniyum
88 bpm • C# Maj • 04:27 • -14db
30% Popularity • 56% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
30% Popularity • 56% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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T. M. Soundararajan
Sollaatha Naalillai
90 bpm • F# min • 03:07 • -6.59db
30% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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A. R. Ramani Ammal
Muruga Muruga
90 bpm • F min • 03:22 • -13db
17% Popularity • 74% Danceability • 37% Energy • 26% Liveness
53% Instrumentalness • 94% Positiveness
17% Popularity • 74% Danceability • 37% Energy • 26% Liveness
53% Instrumentalness • 94% Positiveness
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Mahanadhi Shobana
Kandha Mughangal - Language: Tamil; Genr...
90 bpm • G Maj • 06:28 • -7.71db
27% Popularity • 51% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 51% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Sikkil Gurucharan
Maargazhi Tingal
90 bpm • D Maj • 02:07 • -9.23db
35% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Sirkazhi Govindarajan
Kaalai Illangathir
90 bpm • G# Maj • 06:20 • -8.28db
19% Popularity • 45% Danceability • 68% Energy • 46% Liveness
1% Instrumentalness • 84% Positiveness
19% Popularity • 45% Danceability • 68% Energy • 46% Liveness
1% Instrumentalness • 84% Positiveness
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Soolamangalam Sisters
Pathiyil Siranthathu
90 bpm • F Maj • 03:36 • -8db
29% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Aruna Sairam
Vatapi Ganapathim
90 bpm • E Maj • 06:05 • -9.61db
22% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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J. P. Chandrababu
Unakkaga Ellam Unakkaga
88 bpm • C# Maj • 03:37 • -6.29db
14% Popularity • 46% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
14% Popularity • 46% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
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Asha Bhosle
Shenbagame Shenbagame - Female Version
90 bpm • G min • 04:26 • -10db
39% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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T. M. Soundararajan
Ullam Uruguthaiyya
88 bpm • D Maj • 06:04 • -7.04db
35% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Various Artists
Pavadisu Paramathma - Srinivasa Kalyana ...
91 bpm • G# Maj • 04:23 • -3.7db
31% Popularity • 42% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 42% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Sikkil Gurucharan
Ongi Ulagalanda
91 bpm • G Maj • 01:44 • -8.89db
35% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jency
Thamthananam
87 bpm • G Maj • 04:32 • -11.99db
43% Popularity • 44% Danceability • 67% Energy • 12% Liveness
32% Instrumentalness • 67% Positiveness
43% Popularity • 44% Danceability • 67% Energy • 12% Liveness
32% Instrumentalness • 67% Positiveness
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Sirkazhi Govindarajan
Muthamizhum Arulvai
91 bpm • A Maj • 03:15 • -10.76db
14% Popularity • 42% Danceability • 61% Energy • 27% Liveness
24% Instrumentalness • 79% Positiveness
14% Popularity • 42% Danceability • 61% Energy • 27% Liveness
24% Instrumentalness • 79% Positiveness
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Venugopal
Pallitherundo Chathuranga
91 bpm • B min • 04:23 • -10.04db
48% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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T. M. Soundararajan
Unnai Paadum
91 bpm • F min • 04:59 • -7.49db
26% Popularity • 39% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 39% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Malaysia Vasudevan
Aeh Raasaaththi
87 bpm • C# Maj • 04:53 • -15.86db
40% Popularity • 72% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 72% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Various Artists
Sreenivasa Swamiya - Srinivasa Kalyana /...
92 bpm • C# Maj • 04:45 • -1.02db
20% Popularity • 34% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 34% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 73% Positiveness
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L. R. Eswari
Kalamennum
92 bpm • A# min • 03:38 • -11.88db
13% Popularity • 52% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 52% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Sirkazhi Govindarajan
Mudhar Pillai
91 bpm • D# Maj • 03:12 • -6.75db
13% Popularity • 60% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 60% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
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T. L. Maharajan
Vinai Neekkum Perumaanae - Language: Tam...
92 bpm • D Maj • 04:45 • -7.78db
16% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 42% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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T. M. Soundararajan
Thiththikkum
92 bpm • F# min • 03:10 • -7.99db
29% Popularity • 69% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 69% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Malaysia Vasudevan
Oru Koottu
92 bpm • A# min • 03:47 • -9.77db
50% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sikkil Gurucharan
Maale Manivannaa
86 bpm • G Maj • 01:44 • -7.31db
26% Popularity • 52% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 52% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
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S. P. Sailaja
Raasaave Unna Naan Ennithan
92 bpm • D Maj • 04:29 • -6.45db
27% Popularity • 56% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 56% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
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J. P. Chandrababu
Hello My Dear Raani
86 bpm • F# Maj • 02:50 • -6.34db
7% Popularity • 38% Danceability • 56% Energy • 6% Liveness
11% Instrumentalness • 86% Positiveness
7% Popularity • 38% Danceability • 56% Energy • 6% Liveness
11% Instrumentalness • 86% Positiveness
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Sirkazhi Govindarajan
Muruga Un Paattellam
92 bpm • G Maj • 04:35 • -12.92db
13% Popularity • 39% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 39% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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M. L. Vasanthakumari
Paadum Aruljothi
86 bpm • D# Maj • 04:41 • -12.42db
2% Popularity • 46% Danceability • 62% Energy • 24% Liveness
87% Instrumentalness • 92% Positiveness
2% Popularity • 46% Danceability • 62% Energy • 24% Liveness
87% Instrumentalness • 92% Positiveness
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Malaysia Vasudevan
Adi Aadu
91 bpm • F Maj • 04:38 • -7.96db
33% Popularity • 38% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 38% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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K. B. Sundarambal
Gnanamum Kalviyum
92 bpm • D Maj • 03:41 • -5db
2% Popularity • 53% Danceability • 35% Energy • 16% Liveness
26% Instrumentalness • 74% Positiveness
2% Popularity • 53% Danceability • 35% Energy • 16% Liveness
26% Instrumentalness • 74% Positiveness
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Mahanadhi Shobana
Saravana Poigaiyil
92 bpm • G Maj • 04:19 • -9db
45% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Krishh
Thiruparankundram
93 bpm • D Maj • 06:17 • -11.16db
28% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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K. Veeramani
Sabarimalaikku
86 bpm • D min • 03:59 • -9.61db
12% Popularity • 48% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 48% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Srinivas
Tumbikkaiyaan - Original
93 bpm • A Maj • 04:19 • -13.74db
18% Popularity • 50% Danceability • 33% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 50% Danceability • 33% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Sirkazhi Govindarajan
Nayakanai Paaduven
93 bpm • F# Maj • 05:28 • -13.5db
3% Popularity • 63% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 63% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Veeramani Raju
Pallikattu Sabarimalaikku
85 bpm • D min • 05:58 • -9db
39% Popularity • 44% Danceability • 57% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 44% Danceability • 57% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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M. L. Vasanthakumari
Chinnanchirukiliye
93 bpm • B Maj • 03:40 • -5db
9% Popularity • 68% Danceability • 45% Energy • 34% Liveness
20% Instrumentalness • 63% Positiveness
9% Popularity • 68% Danceability • 45% Energy • 34% Liveness
20% Instrumentalness • 63% Positiveness
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T. L. Maharajan
Onbathu Kolum
85 bpm • D Maj • 13:10 • -3.96db
36% Popularity • 46% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 46% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Laya Menon
Chottanikkarayil
94 bpm • F# min • 05:17 • -9.1db
32% Popularity • 78% Danceability • 57% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 78% Danceability • 57% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Veeramanidaasan
Ganapathiye Charanam - Language: Tamil; ...
94 bpm • C min • 04:28 • -8.27db
17% Popularity • 45% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 45% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sirkazhi Govindarajan
Mangala Vazhvalikum
94 bpm • A Maj • 03:04 • -10.35db
11% Popularity • 40% Danceability • 57% Energy • 14% Liveness
4% Instrumentalness • 62% Positiveness
11% Popularity • 40% Danceability • 57% Energy • 14% Liveness
4% Instrumentalness • 62% Positiveness
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Kamukara Purushothaman
Eswara Chintha
94 bpm • G Maj • 03:09 • -8.27db
7% Popularity • 52% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 52% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Krishnaraj
Govinda Venkatesa
84 bpm • G min • 05:59 • -5.91db
15% Popularity • 48% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 48% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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T. M. Soundararajan
Mannaanalum
94 bpm • G min • 04:08 • -8.79db
21% Popularity • 42% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 42% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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M. G. Sreekumar
Naadharoopini
95 bpm • G Maj • 05:14 • -8.53db
32% Popularity • 51% Danceability • 77% Energy • 36% Liveness
5% Instrumentalness • 69% Positiveness
32% Popularity • 51% Danceability • 77% Energy • 36% Liveness
5% Instrumentalness • 69% Positiveness
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Jency
En Vaanilay
95 bpm • B min • 04:47 • -11.66db
55% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sirkazhi Govindarajan
Varam Tharuvai Muruga
84 bpm • A Maj • 08:09 • -7.64db
2% Popularity • 30% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 30% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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K. Veeramani
Saranam Vilithaal
95 bpm • A min • 04:03 • -7.07db
12% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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P. Jayachandran
Guruvayoorappa Ninne
84 bpm • G min • 05:36 • -10.48db
18% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Arunmozhi
Kumbagonam Sandaiyil
95 bpm • D Maj • 04:30 • -7.62db
45% Popularity • 82% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 82% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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G Venugopal
Thiruvakacharthu
83 bpm • F Maj • 05:12 • -11.96db
27% Popularity • 55% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 55% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Ganapathi Manthiram 4
108 Vinayagar Pottri
95 bpm • A# Maj • 08:37 • -10db
36% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Sirkazhi Govindarajan
Kaariyangal Niraivettrum (Ganapathy Gaan...
84 bpm • C Maj • 04:40 • -4.58db
19% Popularity • 51% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 51% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Ouseppachan
Anthiponvettam
83 bpm • D Maj • 04:49 • -7.65db
27% Popularity • 61% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 61% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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T. L. Maharajan
Aavani Thingal
95 bpm • F min • 04:52 • -7db
19% Popularity • 77% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 77% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Bombay Saradha
Lingashtagam
95 bpm • A min • 04:15 • -4.31db
16% Popularity • 68% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 68% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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A. R. Ramani Ammal
Narthana Vinayakar Pattu
83 bpm • D# Maj • 03:18 • -12.19db
27% Popularity • 57% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 57% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
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Ramu
Bhagavan Sharanam
83 bpm • D Maj • 06:47 • -5.16db
19% Popularity • 68% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 68% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Sirkazhi Govindarajan
அல்லாஹ்வின் பு...
83 bpm • A Maj • 05:11 • -18.46db
3% Popularity • 55% Danceability • 35% Energy • 28% Liveness
1% Instrumentalness • 43% Positiveness
3% Popularity • 55% Danceability • 35% Energy • 28% Liveness
1% Instrumentalness • 43% Positiveness
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J. P. Chandrababu
Sirippu Varuthu
83 bpm • G Maj • 03:33 • -12db
16% Popularity • 32% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 32% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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S. Sowmya
Himagiri Thanaye
83 bpm • F# Maj • 06:11 • -12.62db
33% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Hariharan
Idhayathai Kaanavillai
96 bpm • G# Maj • 04:48 • -12.04db
29% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Sikkil Gurucharan
Toomani Maadattu
96 bpm • D Maj • 02:43 • -8db
22% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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T. M. Soundararajan
Kandhan Thiruneeraninthal
96 bpm • C# min • 02:58 • -11db
27% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Sirkazhi Govindarajan
வருகிறது தேர்த...
83 bpm • A# min • 03:11 • -2.33db
4% Popularity • 49% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 49% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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K. Veeramani
Pallikkattu Sabarimalaikku
82 bpm • D min • 06:18 • -7db
30% Popularity • 39% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 39% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
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Thiruthuraipoondi Radhakrishnan Pappa
Allal En Seiyyum
82 bpm • F# Maj • 01:35 • -9.74db
16% Popularity • 56% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 56% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Veeramani Raju
Thulasi Mani Maalai Aninthu
96 bpm • D Maj • 03:56 • -14db
26% Popularity • 53% Danceability • 48% Energy • 60% Liveness
1% Instrumentalness • 89% Positiveness
26% Popularity • 53% Danceability • 48% Energy • 60% Liveness
1% Instrumentalness • 89% Positiveness
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Sikkil Gurucharan
Notru Chuvarkkam
96 bpm • D Maj • 02:31 • -8.65db
20% Popularity • 63% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 63% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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G Venugopal
Thooval Vinnil
97 bpm • F min • 04:40 • -7.67db
24% Popularity • 64% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Sirkazhi Govindarajan
Vaakutharum Nalvaazhvu Tharum
96 bpm • G Maj • 04:22 • -4.92db
1% Popularity • 36% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 36% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Johnson
Mayamayuram
97 bpm • A# Maj • 04:52 • -11.51db
17% Popularity • 57% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 57% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Seergazhi G.Sivachidambaram
Pillayar Soozhi - Language: Tamil; Genre...
97 bpm • D Maj • 05:40 • -6db
31% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Malaysia Vasudevan
Aananda Thein Kaatru
81 bpm • E min • 04:36 • -7.19db
22% Popularity • 32% Danceability • 64% Energy • 10% Liveness
28% Instrumentalness • 55% Positiveness
22% Popularity • 32% Danceability • 64% Energy • 10% Liveness
28% Instrumentalness • 55% Positiveness
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Sikkil Gurucharan
Maayanai
96 bpm • D Maj • 02:41 • -9.13db
23% Popularity • 68% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Bombay Sisters
Vinayagar Agaval
98 bpm • F# Maj • 11:06 • -6.48db
28% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Sirkazhi Govindarajan
Vaakku Tharum
96 bpm • G Maj • 04:27 • -9.9db
16% Popularity • 47% Danceability • 56% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
16% Popularity • 47% Danceability • 56% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
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T. R. Mahalingam
Muzhu Muthar Porule
98 bpm • A# Maj • 03:17 • -12db
6% Popularity • 42% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 42% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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T. M. Soundararajan
Karpanai Endralum
98 bpm • E min • 02:57 • -7db
35% Popularity • 57% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 57% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Yesudas
Iru Hridhayangalilonnal
80 bpm • A min • 04:36 • -9.94db
36% Popularity • 74% Danceability • 47% Energy • 6% Liveness
5% Instrumentalness • 82% Positiveness
36% Popularity • 74% Danceability • 47% Energy • 6% Liveness
5% Instrumentalness • 82% Positiveness
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Veeramani Raju
Bhagavan Saranam Bhagavathi Saranam
80 bpm • A Maj • 05:38 • -14db
38% Popularity • 52% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 52% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Latha Rajinikanth
Kadavul Ullame
99 bpm • C min • 04:45 • -11db
44% Popularity • 45% Danceability • 41% Energy • 29% Liveness
66% Instrumentalness • 80% Positiveness
44% Popularity • 45% Danceability • 41% Energy • 29% Liveness
66% Instrumentalness • 80% Positiveness
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Sirkazhi Govindarajan
Ullathile Nee Irukka
96 bpm • F min • 04:36 • -1db
46% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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P. Unnikrishnan
Mayilaadum
99 bpm • G Maj • 05:28 • -9.92db
30% Popularity • 67% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 67% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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T. S. Ranganathan
Lingashtakam
99 bpm • D Maj • 04:16 • -12db
27% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Murali
Mandalamu Poojalu
80 bpm • A# Maj • 07:39 • -2.26db
9% Popularity • 71% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 71% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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T. R. Mahalingam
Kannirandum Ondrai Ondru
80 bpm • F# Maj • 03:18 • -10db
5% Popularity • 44% Danceability • 48% Energy • 24% Liveness
45% Instrumentalness • 70% Positiveness
5% Popularity • 44% Danceability • 48% Energy • 24% Liveness
45% Instrumentalness • 70% Positiveness
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Ghibran
Kurai Ondrum Illai - Ghibran's Spiritual...
80 bpm • C min • 05:28 • -6.5db
29% Popularity • 63% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 63% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Sirkazhi Govindarajan
Velanukku Moothavane
96 bpm • A# min • 03:23 • -8.25db
18% Popularity • 47% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 47% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Veeramani Kannan
Valampuri Sangu Irukka
99 bpm • C# Maj • 06:23 • -5db
22% Popularity • 44% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 44% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Srihari
Kaavadiyam Kaavadi
80 bpm • A Maj • 06:16 • -6db
35% Popularity • 66% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 66% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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L. R. Eswari
Chellatha
80 bpm • G Maj • 03:27 • -9.67db
22% Popularity • 47% Danceability • 60% Energy • 42% Liveness
17% Instrumentalness • 82% Positiveness
22% Popularity • 47% Danceability • 60% Energy • 42% Liveness
17% Instrumentalness • 82% Positiveness
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P. Madhuri
Kasthoori Thailamittu
100 bpm • E Maj • 03:31 • -14.81db
12% Popularity • 68% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 68% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
