Songs like Kansas City Star by Kacey Musgraves
Based on a tempo of (+/- 10%) and a similar genre
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Lainey Wilson
Country's Cool Again
170 bpm • C min • 03:38 • -3.71db
65% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
65% Popularity • 55% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.86db
67% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
67% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Avery Anna
Make It Look Easy
170 bpm • F# Maj • 02:32 • -4.17db
64% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Joy Oladokun
Sweet Symphony
171 bpm • G# Maj • 03:48 • -9.53db
63% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
63% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Kacey Musgraves
Moving Out
169 bpm • A Maj • 03:09 • -9.55db
69% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Phoebe Bridgers
Funeral
171 bpm • B Maj • 03:52 • -14.42db
68% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Caamp
26
171 bpm • D Maj • 03:55 • -13db
63% Popularity • 49% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
63% Popularity • 49% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.64db
80% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
80% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
80% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
80% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ashley McBryde
The Devil I Know
168 bpm • D Maj • 03:07 • -5.2db
54% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Brandi Carlile
You and Me On The Rock
172 bpm • C# Maj • 03:50 • -7db
58% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Kacey Musgraves
Dinner with Friends
168 bpm • D# Maj • 02:57 • -8.48db
69% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 42% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tyler Childers
Tattoos
172 bpm • A Maj • 03:23 • -7.3db
67% Popularity • 33% Danceability • 46% Energy • 16% Liveness
4% Instrumentalness • 28% Positiveness
67% Popularity • 33% Danceability • 46% Energy • 16% Liveness
4% Instrumentalness • 28% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
77% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
77% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Niall Horan
You Could Start A Cult
167 bpm • C Maj • 03:14 • -10.45db
59% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Kameron Marlowe
Tennessee Don't Mind
173 bpm • B min • 04:02 • -4.17db
69% Popularity • 37% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 37% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Caamp
Apple Tree Blues
173 bpm • G# Maj • 03:32 • -11db
60% Popularity • 54% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 74% Positiveness
60% Popularity • 54% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 74% Positiveness
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Kacey Musgraves
good wife
168 bpm • D min • 03:51 • -9.22db
51% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Childers
Space and Time
173 bpm • G Maj • 04:42 • -6.3db
62% Popularity • 34% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 34% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Wyatt Flores
Milwaukee
167 bpm • B min • 02:59 • -4.66db
66% Popularity • 46% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 46% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -11.37db
68% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hozier
Wildflower and Barley
166 bpm • G Maj • 03:42 • -10.03db
66% Popularity • 38% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Del Water Gap
Cigarettes & Wine
166 bpm • C# Maj • 03:01 • -7.83db
62% Popularity • 41% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 41% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Little Big Town
Girl Crush
174 bpm • C Maj • 03:13 • -10.22db
69% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Flatland Cavalry
Sleeping Alone
166 bpm • A# Maj • 03:50 • -13.1db
67% Popularity • 36% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
67% Popularity • 36% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bleachers
Me Before You
174 bpm • D Maj • 03:23 • -13.19db
58% Popularity • 52% Danceability • 46% Energy • 11% Liveness
33% Instrumentalness • 27% Positiveness
58% Popularity • 52% Danceability • 46% Energy • 11% Liveness
33% Instrumentalness • 27% Positiveness
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Ashley McBryde
Light On In The Kitchen
166 bpm • F Maj • 03:32 • -7.69db
51% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Gossett
If I Had a Lover
166 bpm • F Maj • 03:23 • -5.54db
61% Popularity • 46% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 46% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Zach Bryan
Something in the Orange
175 bpm • E min • 03:48 • -12.15db
89% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
89% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Elle King
Jersey Giant
176 bpm • A# Maj • 04:26 • -5db
52% Popularity • 43% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 43% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Sanchez
High
176 bpm • F# min • 02:41 • -7.83db
82% Popularity • 41% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
82% Popularity • 41% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Hozier
Work Song
178 bpm • A# Maj • 03:49 • -7.69db
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lainey Wilson
Smell Like Smoke
176 bpm • C Maj • 02:48 • -4.41db
63% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
63% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Stapleton
What Are You Listening To?
162 bpm • A# Maj • 04:05 • -8.5db
67% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
67% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ruston Kelly
To June This Morning
178 bpm • E Maj • 02:04 • -11db
47% Popularity • 40% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 40% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Hozier
Empire Now
178 bpm • A min • 02:58 • -6.37db
66% Popularity • 26% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
66% Popularity • 26% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Noah Kahan
Everywhere, Everything
180 bpm • B Maj • 04:17 • -9.76db
68% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Chicks
Wide Open Spaces
179 bpm • E Maj • 03:43 • -6.1db
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Lizzy McAlpine
Apple Pie
180 bpm • A# Maj • 04:19 • -12.27db
60% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lake Street Dive
Good Kisser
160 bpm • A# Maj • 03:38 • -3.89db
63% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Beaches
Edge of the Earth
160 bpm • C Maj • 02:40 • -4.74db
66% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
66% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Fleetwood Mac
Landslide
159 bpm • G min • 03:19 • -22.32db
79% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
79% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
81% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Trousdale
Smart Iowa
159 bpm • D# Maj • 03:18 • -10.56db
33% Popularity • 26% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 26% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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FLETCHER
Doing Better
158 bpm • B min • 02:33 • -8.32db
62% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Josiah and the Bonnevilles
Keeping Love Alive
158 bpm • C# Maj • 02:03 • -5.68db
55% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 58% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Stapleton
You Should Probably Leave
184 bpm • A Maj • 03:33 • -8.43db
83% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
83% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Secret Sisters
All the Ways
184 bpm • B Maj • 03:38 • -8.16db
52% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Noah Kahan
New Perspective
157 bpm • F Maj • 04:16 • -10db
73% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Bleachers
I Am Right On Time
156 bpm • D Maj • 03:31 • -11.27db
60% Popularity • 62% Danceability • 78% Energy • 13% Liveness
49% Instrumentalness • 54% Positiveness
60% Popularity • 62% Danceability • 78% Energy • 13% Liveness
49% Instrumentalness • 54% Positiveness
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Holly Humberstone
Down Swinging
156 bpm • B Maj • 02:56 • -6.91db
62% Popularity • 60% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
62% Popularity • 60% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
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Hozier
Fare Well
155 bpm • G Maj • 03:08 • -6.32db
64% Popularity • 39% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 39% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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NEEDTOBREATHE
Let's Stay Home Tonight (CMT Campfire Se...
155 bpm • F# Maj • 03:32 • -5.85db
45% Popularity • 56% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 56% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Olivia Rodrigo
stranger
186 bpm • C Maj • 03:12 • -4.9db
77% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
77% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Gregory Alan Isakov
Second Chances
154 bpm • E Maj • 03:49 • -9.97db
62% Popularity • 38% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 21% Positiveness
62% Popularity • 38% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 21% Positiveness
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Bleachers
Tiny Moves
156 bpm • A Maj • 03:48 • -8.26db
61% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
61% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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Miranda Lambert
Gunpowder & Lead
188 bpm • C Maj • 03:11 • -3.19db
66% Popularity • 33% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 33% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Faith Hill
This Kiss
187 bpm • B Maj • 03:14 • -5.56db
68% Popularity • 40% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 40% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Flatland Cavalry
A Life Where We Work Out
152 bpm • D# Maj • 03:10 • -7.46db
68% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
68% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hailey Whitters
I’m In Love
152 bpm • B Maj • 02:26 • -4.28db
55% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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Wild Rivers
Speak Too Soon
152 bpm • G Maj • 02:53 • -10.77db
69% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
69% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Zach Bryan
Sarah's Place
152 bpm • G Maj • 03:34 • -5.1db
78% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
78% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Lumineers
Cleopatra
151 bpm • G# Maj • 03:21 • -6.77db
70% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Josh Abbott Band
Oh, Tonight
150 bpm • B Maj • 03:25 • -4.84db
55% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Wallen
Only Thing That’s Gone
150 bpm • D Maj • 03:16 • -4.59db
73% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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The 502s
Perfect Portrait of Young Love
150 bpm • G# Maj • 02:59 • -4.34db
62% Popularity • 61% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 61% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Bleachers
Modern Girl
150 bpm • A# Maj • 03:43 • -6.77db
62% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
62% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Josiah and the Bonnevilles
Heat Waves
150 bpm • B Maj • 02:15 • -9.4db
59% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Reneé Rapp
Tummy Hurts
150 bpm • E Maj • 02:48 • -5.86db
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
I Bet You Think About Me (Taylor’s Ve...
150 bpm • C Maj • 04:45 • -4.52db
73% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
73% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Stapleton
Joy Of My Life
149 bpm • D# Maj • 04:34 • -8.96db
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
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Kenny Chesney
Take Her Home
149 bpm • F# Maj • 03:03 • -6.13db
51% Popularity • 57% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 57% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
54% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
54% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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The Red Clay Strays
Wondering Why
149 bpm • E Maj • 03:52 • -12.44db
81% Popularity • 52% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
81% Popularity • 52% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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MacKenzie Porter
Easy To Miss
148 bpm • F min • 02:49 • -5.39db
57% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Marcagi
Scared To Start
148 bpm • G Maj • 02:39 • -11.26db
90% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
90% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Wallen
Man Made A Bar
148 bpm • E Maj • 03:11 • -5.01db
81% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
81% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kacey Musgraves
Keep It To Yourself
148 bpm • C Maj • 03:16 • -9db
50% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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FLETCHER
Lead Me On
148 bpm • F Maj • 02:53 • -4.78db
60% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Taylor Swift
the last great american dynasty
148 bpm • G Maj • 03:50 • -8.51db
76% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
76% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sierra Ferrell
Years
147 bpm • F# min • 02:59 • -8.07db
58% Popularity • 64% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 64% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
76% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
76% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Kacey Musgraves
Slow Burn
148 bpm • D Maj • 04:06 • -9.11db
70% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
70% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Iron & Wine
All in Good Time
197 bpm • C# Maj • 04:15 • -11.08db
61% Popularity • 29% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
61% Popularity • 29% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Kelsea Ballerini
How Do I Do This
146 bpm • C# Maj • 02:51 • -4.71db
59% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
