Songs like Kanskje I Morgen by Lauv
Based on a tempo of (+/- 10%) and a similar genre
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Remy Le Boeuf
Little Song
115 bpm • G# min • 05:47 • -9.11db
13% Popularity • 38% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
13% Popularity • 38% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Lauv
Kanskje I Morgen
115 bpm • F# Maj • 05:15 • -15.31db
2% Popularity • 38% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
2% Popularity • 38% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Martin Lindholm
Moving Forward
115 bpm • A min • 03:08 • -16.09db
21% Popularity • 51% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 24% Positiveness
21% Popularity • 51% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 24% Positiveness
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DOT
Sister Sister
115 bpm • D Maj • 03:04 • -16.35db
9% Popularity • 43% Danceability • 24% Energy • 10% Liveness
55% Instrumentalness • 9% Positiveness
9% Popularity • 43% Danceability • 24% Energy • 10% Liveness
55% Instrumentalness • 9% Positiveness
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Louis Matute
Movie Star
115 bpm • G min • 03:56 • -13.55db
16% Popularity • 37% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
16% Popularity • 37% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
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Helge Lien Trio
Riss
115 bpm • C min • 06:49 • -16.11db
10% Popularity • 44% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 44% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Yoshiko Kishino
Kissing Piano
115 bpm • A min • 04:14 • -16.68db
10% Popularity • 43% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
10% Popularity • 43% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Damien Kingston Quartet
CLFL Maps
116 bpm • C Maj • 02:07 • -12.85db
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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Nils Kugelmann
Stormy Beauty
116 bpm • C min • 06:04 • -12.76db
8% Popularity • 35% Danceability • 45% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
8% Popularity • 35% Danceability • 45% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
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ELGNZA
IF I ENTER
114 bpm • C# min • 02:50 • -18.78db
16% Popularity • 44% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
16% Popularity • 44% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Emile Parisien
Wine Time, Pt. 1
116 bpm • C# Maj • 06:09 • -9.15db
12% Popularity • 43% Danceability • 59% Energy • 11% Liveness
65% Instrumentalness • 40% Positiveness
12% Popularity • 43% Danceability • 59% Energy • 11% Liveness
65% Instrumentalness • 40% Positiveness
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Doreen Bright
Nighthawk
114 bpm • D min • 05:27 • -14.5db
31% Popularity • 48% Danceability • 35% Energy • 25% Liveness
89% Instrumentalness • 29% Positiveness
31% Popularity • 48% Danceability • 35% Energy • 25% Liveness
89% Instrumentalness • 29% Positiveness
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Motor City Trio
September Song
116 bpm • A# Maj • 02:37 • -16.91db
15% Popularity • 50% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
15% Popularity • 50% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Ennio Máno
In Her Orbit
116 bpm • G# min • 03:40 • -13.54db
15% Popularity • 51% Danceability • 48% Energy • 16% Liveness
88% Instrumentalness • 17% Positiveness
15% Popularity • 51% Danceability • 48% Energy • 16% Liveness
88% Instrumentalness • 17% Positiveness
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Ellas Kapell
Autumn Leaves
114 bpm • C# Maj • 05:24 • -16.74db
13% Popularity • 57% Danceability • 28% Energy • 10% Liveness
44% Instrumentalness • 23% Positiveness
13% Popularity • 57% Danceability • 28% Energy • 10% Liveness
44% Instrumentalness • 23% Positiveness
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Adam Ratner
Nebula Vision
116 bpm • A# Maj • 05:59 • -10.55db
10% Popularity • 60% Danceability • 65% Energy • 12% Liveness
87% Instrumentalness • 63% Positiveness
10% Popularity • 60% Danceability • 65% Energy • 12% Liveness
87% Instrumentalness • 63% Positiveness
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Edson Ensemble
Heal Spell
116 bpm • A# Maj • 03:33 • -21.95db
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
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Red Frog Jazz Band
Bacarolle
116 bpm • C Maj • 03:14 • -21.88db
16% Popularity • 37% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 9% Positiveness
16% Popularity • 37% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 9% Positiveness
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Brekky Boy
Mae Chaem
114 bpm • D# Maj • 02:40 • -14.24db
8% Popularity • 33% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
8% Popularity • 33% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Nuvole
Three is a Crowd
114 bpm • A# Maj • 04:32 • -17.91db
13% Popularity • 48% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 36% Positiveness
13% Popularity • 48% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 36% Positiveness
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Avishai Darash
Ten Sephiroth
114 bpm • G Maj • 04:49 • -13.24db
10% Popularity • 50% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
10% Popularity • 50% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Newington Green
You´re Beautiful
113 bpm • D# Maj • 03:12 • -16.83db
9% Popularity • 46% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 9% Positiveness
9% Popularity • 46% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 9% Positiveness
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Henrique Mota
Nobre
117 bpm • G Maj • 05:45 • -15.17db
11% Popularity • 55% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
11% Popularity • 55% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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George Kuntz Four
The Lights of Macau
117 bpm • A min • 02:56 • -14.79db
45% Popularity • 40% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
45% Popularity • 40% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
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Spirale
Oh No
117 bpm • E min • 03:57 • -12.07db
9% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
9% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
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Agnes Darelid
Rise
117 bpm • D Maj • 05:07 • -12.53db
24% Popularity • 52% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 50% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 50% Positiveness
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DAÏDA
LE CRÉPUSCULE DES ÉTOILES
117 bpm • D# min • 07:24 • -12.56db
10% Popularity • 56% Danceability • 33% Energy • 6% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 56% Danceability • 33% Energy • 6% Liveness
90% Instrumentalness • 12% Positiveness
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Avishai Darash
Kartana
117 bpm • G min • 05:29 • -14.48db
10% Popularity • 58% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
10% Popularity • 58% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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Wajdi Riahi
Choral Stambeli
117 bpm • G min • 03:21 • -17.53db
14% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
14% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Dave Douglas
Small Bar
113 bpm • E min • 07:06 • -13.67db
8% Popularity • 42% Danceability • 31% Energy • 9% Liveness
79% Instrumentalness • 20% Positiveness
8% Popularity • 42% Danceability • 31% Energy • 9% Liveness
79% Instrumentalness • 20% Positiveness
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Sandia
Teomim
113 bpm • B min • 03:50 • -14.27db
10% Popularity • 48% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 80% Positiveness
10% Popularity • 48% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 80% Positiveness
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Piotr Wyleżoł
Tatras
113 bpm • B min • 07:23 • -11.98db
8% Popularity • 45% Danceability • 50% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
8% Popularity • 45% Danceability • 50% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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Marcio Philomena
Trails
113 bpm • G Maj • 07:48 • -13.07db
14% Popularity • 54% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
14% Popularity • 54% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Mohamed Najem
Bus
112 bpm • G min • 03:34 • -12.76db
17% Popularity • 59% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
17% Popularity • 59% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Hamrå Orkester
Hälsingland
113 bpm • C min • 04:41 • -18.54db
6% Popularity • 38% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 17% Positiveness
6% Popularity • 38% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 17% Positiveness
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Petter Bergander Trio
On The Train to Lviv
118 bpm • G min • 07:45 • -16.8db
13% Popularity • 38% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Felix McCoy Quartet
The Dance He Can't Forget
118 bpm • D min • 03:18 • -15.99db
45% Popularity • 39% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
45% Popularity • 39% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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CAPTCHA
Follow the Detour
112 bpm • G Maj • 09:26 • -8.95db
8% Popularity • 44% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
8% Popularity • 44% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Three Four Trio
Flowers for Tomorrow
112 bpm • F# Maj • 03:00 • -18.88db
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Duo Stiehler/Lucaciu
Plauen
118 bpm • F min • 03:37 • -13.23db
8% Popularity • 49% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
8% Popularity • 49% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Jeroen De Rijk
The Long Walk
112 bpm • F Maj • 07:29 • -11.69db
13% Popularity • 61% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 61% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
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Bendik Hofseth
Super-a-Bun-Dance
118 bpm • C# Maj • 02:16 • -16.38db
18% Popularity • 78% Danceability • 50% Energy • 10% Liveness
81% Instrumentalness • 70% Positiveness
18% Popularity • 78% Danceability • 50% Energy • 10% Liveness
81% Instrumentalness • 70% Positiveness
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Egbert Jordan
Isazo
112 bpm • A# min • 02:29 • -19.4db
28% Popularity • 63% Danceability • 47% Energy • 39% Liveness
95% Instrumentalness • 31% Positiveness
28% Popularity • 63% Danceability • 47% Energy • 39% Liveness
95% Instrumentalness • 31% Positiveness
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Adriano Souza Trio
Every Breath You Take
112 bpm • G Maj • 03:50 • -18.54db
10% Popularity • 53% Danceability • 20% Energy • 30% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 30% Liveness
79% Instrumentalness • 15% Positiveness
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Armen Nalbandian
Nine
112 bpm • C min • 05:41 • -11.35db
10% Popularity • 31% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
10% Popularity • 31% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Michał Kaczmarczyk
Keep It Simple
112 bpm • B min • 04:35 • -15.43db
9% Popularity • 61% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
9% Popularity • 61% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Alexander Falkebring
Iceberg
111 bpm • C# min • 03:34 • -12.58db
22% Popularity • 32% Danceability • 40% Energy • 14% Liveness
97% Instrumentalness • 30% Positiveness
22% Popularity • 32% Danceability • 40% Energy • 14% Liveness
97% Instrumentalness • 30% Positiveness
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Michał Aftyka Quintet
Koszmar
119 bpm • A# min • 05:05 • -11.91db
7% Popularity • 42% Danceability • 40% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
7% Popularity • 42% Danceability • 40% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
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David Binney
I'mmuable
111 bpm • D# min • 04:40 • -10.95db
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
39% Instrumentalness • 54% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
39% Instrumentalness • 54% Positiveness
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Kika Sprangers
Det er i dag et vejr
119 bpm • F Maj • 04:37 • -17.79db
10% Popularity • 44% Danceability • 3% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
10% Popularity • 44% Danceability • 3% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
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The Groove Trio
Watching the Rain
111 bpm • D min • 04:21 • -19.87db
12% Popularity • 61% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 29% Positiveness
12% Popularity • 61% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 29% Positiveness
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Jacques Loussier Trio
Partita In B-Flat Major, BWV 825: Andant...
119 bpm • A# Maj • 07:10 • -13.53db
9% Popularity • 47% Danceability • 43% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
9% Popularity • 47% Danceability • 43% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness
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James Jackson Jazz Trio
Stuck on You
111 bpm • C# Maj • 03:35 • -22.87db
12% Popularity • 51% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
12% Popularity • 51% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
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Omri Mor
Movement Six - Prayer For Rain
111 bpm • C Maj • 04:23 • -26.32db
15% Popularity • 36% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
15% Popularity • 36% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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Luke Marantz Trio
City
110 bpm • E Maj • 02:48 • -23.14db
12% Popularity • 49% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
12% Popularity • 49% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Antonio Monasterio Ensamble
Confiar en el Bosque
120 bpm • F min • 09:02 • -8.93db
12% Popularity • 54% Danceability • 65% Energy • 20% Liveness
88% Instrumentalness • 29% Positiveness
12% Popularity • 54% Danceability • 65% Energy • 20% Liveness
88% Instrumentalness • 29% Positiveness
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Nastazio Gkoumas
Fukuoka Nights
120 bpm • G Maj • 06:39 • -17.2db
19% Popularity • 79% Danceability • 18% Energy • 6% Liveness
85% Instrumentalness • 36% Positiveness
19% Popularity • 79% Danceability • 18% Energy • 6% Liveness
85% Instrumentalness • 36% Positiveness
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ELGNZA
LOOKING OVER FOR
120 bpm • B Maj • 02:38 • -22.09db
16% Popularity • 52% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 52% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Serra Bilgincan
Transience
120 bpm • C Maj • 05:23 • -15.39db
11% Popularity • 46% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 18% Positiveness
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Avishai Darash
Between Hope and Despair
120 bpm • A# Maj • 04:34 • -11.1db
14% Popularity • 41% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 24% Positiveness
14% Popularity • 41% Danceability • 44% Energy • 18% Liveness
92% Instrumentalness • 24% Positiveness
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Eric Vloeimans
Brood Op De Plank
110 bpm • E min • 01:15 • -14.08db
10% Popularity • 70% Danceability • 49% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
10% Popularity • 70% Danceability • 49% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Jahari Stampley
Still Listening - LIVE WITH STRINGS
120 bpm • E min • 03:11 • -13.12db
14% Popularity • 49% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
14% Popularity • 49% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Ben Allison
Tell the Birds I Said Hello
110 bpm • D Maj • 06:26 • -19.24db
10% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
10% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Glesnes/Medby Quintet
What a View
110 bpm • D min • 04:24 • -8.72db
18% Popularity • 39% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 20% Positiveness
18% Popularity • 39% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 20% Positiveness
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Fabrizio Graceffa
July and Dave
110 bpm • C# Maj • 04:56 • -18.13db
8% Popularity • 59% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
8% Popularity • 59% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Daniel Herskedal
The Other Side Of The World
120 bpm • F Maj • 02:07 • -22.01db
12% Popularity • 48% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 35% Positiveness
12% Popularity • 48% Danceability • 3% Energy • 9% Liveness
98% Instrumentalness • 35% Positiveness
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Svante Söderqvist
Wrong Track
110 bpm • A min • 05:22 • -14.34db
8% Popularity • 56% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 75% Positiveness
8% Popularity • 56% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 75% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Oddgeir Berg Trio
Where the Sun Never Sleeps
120 bpm • C Maj • 04:35 • -17.05db
9% Popularity • 46% Danceability • 16% Energy • 37% Liveness
52% Instrumentalness • 9% Positiveness
9% Popularity • 46% Danceability • 16% Energy • 37% Liveness
52% Instrumentalness • 9% Positiveness
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Lis Wessberg
Tapestry of Life
120 bpm • C# min • 03:51 • -13.78db
4% Popularity • 57% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
4% Popularity • 57% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
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Bob Salmieri
The wandering child
110 bpm • A# Maj • 04:26 • -14db
13% Popularity • 63% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
13% Popularity • 63% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Ennio Máno
Afternoon
110 bpm • G min • 03:39 • -14.89db
15% Popularity • 55% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
15% Popularity • 55% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Travis Reuter
Carrico Real
110 bpm • F# Maj • 05:42 • -12.32db
21% Popularity • 48% Danceability • 56% Energy • 43% Liveness
1% Instrumentalness • 65% Positiveness
21% Popularity • 48% Danceability • 56% Energy • 43% Liveness
1% Instrumentalness • 65% Positiveness
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Mateusz Pałka Trio
Czarodziejska góra
121 bpm • A min • 03:39 • -23.86db
20% Popularity • 40% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
20% Popularity • 40% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Flash Pig
Angkor Wat Theme I
121 bpm • D# Maj • 04:01 • -19.89db
16% Popularity • 34% Danceability • 15% Energy • 10% Liveness
27% Instrumentalness • 9% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 10% Liveness
27% Instrumentalness • 9% Positiveness
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Lauv
Svenborg
110 bpm • G# Maj • 06:11 • -10.18db
0% Popularity • 38% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
0% Popularity • 38% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
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Natalie Thompson
Where the Heck Are You? (Instrumental)
121 bpm • C# Maj • 02:30 • -17.3db
11% Popularity • 52% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
11% Popularity • 52% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Musicmusicmusic
Friendly Intentions
110 bpm • F# Maj • 06:57 • -15.34db
10% Popularity • 30% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Daniel Prim
La Lavandera
109 bpm • C Maj • 03:51 • -10.94db
2% Popularity • 56% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
2% Popularity • 56% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
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Magic trio
Heavy Traffic
110 bpm • G min • 03:28 • -14.06db
17% Popularity • 32% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
17% Popularity • 32% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Remy Le Boeuf
Walking on Water
121 bpm • G min • 05:59 • -9.55db
13% Popularity • 50% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
13% Popularity • 50% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Ola W Jansson
If We Ever Meet Again
121 bpm • G# Maj • 02:21 • -19.13db
26% Popularity • 29% Danceability • 15% Energy • 11% Liveness
49% Instrumentalness • 28% Positiveness
26% Popularity • 29% Danceability • 15% Energy • 11% Liveness
49% Instrumentalness • 28% Positiveness
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Fabrizio Savino
April in Paris
121 bpm • C Maj • 05:28 • -18.55db
11% Popularity • 57% Danceability • 24% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
11% Popularity • 57% Danceability • 24% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Louis Matute
For All These Real Stars
109 bpm • E min • 06:42 • -12.3db
8% Popularity • 48% Danceability • 37% Energy • 17% Liveness
92% Instrumentalness • 6% Positiveness
8% Popularity • 48% Danceability • 37% Energy • 17% Liveness
92% Instrumentalness • 6% Positiveness
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Bach Jazz
Badinerie, BWV 1067
109 bpm • G Maj • 03:00 • -20.86db
26% Popularity • 53% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
26% Popularity • 53% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
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Nir Felder
Revival
109 bpm • E min • 08:23 • -8.68db
15% Popularity • 50% Danceability • 61% Energy • 10% Liveness
50% Instrumentalness • 36% Positiveness
15% Popularity • 50% Danceability • 61% Energy • 10% Liveness
50% Instrumentalness • 36% Positiveness
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Claudio Suriano
Moving Through
121 bpm • A min • 05:40 • -8.94db
32% Popularity • 42% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 42% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Yuri Honing Acoustic Quartet
Saturnia
122 bpm • C# Maj • 06:06 • -15db
8% Popularity • 53% Danceability • 18% Energy • 12% Liveness
72% Instrumentalness • 27% Positiveness
8% Popularity • 53% Danceability • 18% Energy • 12% Liveness
72% Instrumentalness • 27% Positiveness
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Melissa Aldana
I Know You Know
122 bpm • F# min • 06:29 • -13.97db
19% Popularity • 55% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
19% Popularity • 55% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Andreas Hourdakis
My Back Pages
122 bpm • C# min • 05:36 • -16.33db
10% Popularity • 58% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
10% Popularity • 58% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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SAI
Hajimari
109 bpm • F# Maj • 01:23 • -11.05db
19% Popularity • 30% Danceability • 29% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
19% Popularity • 30% Danceability • 29% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
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Atrisma
Lucioles
122 bpm • A# min • 01:11 • -18.68db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Nikolaj Hess
Iboja's Theme
122 bpm • G min • 04:51 • -25.92db
10% Popularity • 39% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
10% Popularity • 39% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
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Saltbreaker
Willow
108 bpm • F Maj • 04:22 • -20.71db
19% Popularity • 29% Danceability • 5% Energy • 10% Liveness
56% Instrumentalness • 5% Positiveness
19% Popularity • 29% Danceability • 5% Energy • 10% Liveness
56% Instrumentalness • 5% Positiveness
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Vincent Touchard Trio
Lâcher-prise
108 bpm • G# Maj • 04:20 • -15.35db
8% Popularity • 37% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
8% Popularity • 37% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 68% Positiveness
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Yuri Honing Acoustic Quartet
Avalon Reprise
108 bpm • D# min • 05:10 • -21.25db
8% Popularity • 53% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
8% Popularity • 53% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Louise van den Heuvel
Pingi
123 bpm • B min • 03:32 • -10.53db
10% Popularity • 37% Danceability • 69% Energy • 10% Liveness
85% Instrumentalness • 48% Positiveness
10% Popularity • 37% Danceability • 69% Energy • 10% Liveness
85% Instrumentalness • 48% Positiveness
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Romain Pilon
Home
123 bpm • D Maj • 05:20 • -19.21db
12% Popularity • 40% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 40% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness