Songs like Kapitel 32 - Dienstanweisung für einen Unterteufel by C.S. Lewis

179 bpm • F# min • 03:02 • -15.04db

12% Popularity • 62% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness

180 bpm • F min • 03:12 • -19.44db

18% Popularity • 61% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness

178 bpm • C# Maj • 03:02 • -18.18db

8% Popularity • 62% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness

175 bpm • G Maj • 03:02 • -10.41db

15% Popularity • 63% Danceability • 46% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness

181 bpm • F# Maj • 05:25 • -16.81db

22% Popularity • 61% Danceability • 35% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness

174 bpm • F min • 03:03 • -16.54db

21% Popularity • 61% Danceability • 28% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness

174 bpm • F# min • 04:09 • -20.28db

19% Popularity • 62% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness

180 bpm • G Maj • 03:05 • -19.94db

18% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness

174 bpm • D Maj • 03:46 • -20.52db

16% Popularity • 61% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness

183 bpm • C# min • 03:19 • -16.36db

13% Popularity • 62% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness

173 bpm • C# min • 03:13 • -12.62db

19% Popularity • 63% Danceability • 18% Energy • 57% Liveness
0% Instrumentalness • 35% Positiveness

172 bpm • F# Maj • 03:12 • -16.14db

9% Popularity • 63% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness

171 bpm • E Maj • 03:01 • -15.21db

12% Popularity • 63% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness

171 bpm • A Maj • 03:36 • -17.27db

13% Popularity • 62% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness

171 bpm • F min • 03:05 • -18.58db

16% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness

170 bpm • F Maj • 03:07 • -24.14db

25% Popularity • 62% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness

170 bpm • B min • 03:12 • -14.38db

18% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness

170 bpm • B min • 03:01 • -22.42db

23% Popularity • 62% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness

169 bpm • F# Maj • 03:09 • -17.75db

10% Popularity • 63% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness

170 bpm • F# Maj • 03:18 • -15.59db

7% Popularity • 63% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness

170 bpm • G# Maj • 03:05 • -14.59db

26% Popularity • 63% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness

170 bpm • G Maj • 03:05 • -21db

23% Popularity • 62% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness

170 bpm • A# Maj • 03:05 • -21.91db

23% Popularity • 62% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness

169 bpm • A min • 03:01 • -16.63db

27% Popularity • 62% Danceability • 26% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness

169 bpm • G# Maj • 03:07 • -17.73db

10% Popularity • 62% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness

169 bpm • A Maj • 01:08 • -14.79db

35% Popularity • 64% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness

169 bpm • C# Maj • 03:12 • -16.78db

11% Popularity • 63% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness

169 bpm • A Maj • 03:06 • -12.35db

19% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness

169 bpm • F min • 03:10 • -18.95db

20% Popularity • 62% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness

169 bpm • E Maj • 03:14 • -23.82db

20% Popularity • 63% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness

168 bpm • G Maj • 03:03 • -15.76db

11% Popularity • 63% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness

168 bpm • C# Maj • 03:02 • -17.42db

12% Popularity • 63% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 21% Positiveness

189 bpm • C Maj • 03:05 • -21.04db

22% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness

168 bpm • F# Maj • 03:13 • -17.88db

9% Popularity • 63% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness

169 bpm • F min • 03:09 • -16.11db

19% Popularity • 63% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness

169 bpm • C# min • 03:40 • -17.96db

11% Popularity • 63% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness

167 bpm • F# Maj • 03:21 • -13.76db

8% Popularity • 63% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness

167 bpm • G# Maj • 03:29 • -16.08db

8% Popularity • 63% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness

167 bpm • C Maj • 03:05 • -17.5db

13% Popularity • 63% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness

167 bpm • B min • 03:15 • -16.1db

11% Popularity • 63% Danceability • 30% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness

167 bpm • F# min • 03:03 • -17.91db

15% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness

168 bpm • G min • 03:41 • -18.49db

12% Popularity • 63% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness

167 bpm • F# Maj • 03:21 • -15.01db

9% Popularity • 63% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness

167 bpm • G min • 03:43 • -17.1db

8% Popularity • 63% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness

167 bpm • G Maj • 03:09 • -15.99db

12% Popularity • 64% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness

167 bpm • A# min • 03:04 • -14.8db

7% Popularity • 64% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness

166 bpm • G Maj • 03:03 • -14.8db

13% Popularity • 63% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness

166 bpm • F min • 03:05 • -17db

18% Popularity • 63% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness

166 bpm • E Maj • 04:00 • -15.91db

14% Popularity • 63% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness

166 bpm • A# min • 03:09 • -14.65db

21% Popularity • 63% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness

166 bpm • G Maj • 03:06 • -16.52db

11% Popularity • 63% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness

166 bpm • G# min • 03:03 • -18.06db

12% Popularity • 63% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness

165 bpm • F min • 03:07 • -19.01db

8% Popularity • 63% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness

166 bpm • F min • 03:05 • -21db

20% Popularity • 63% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness

164 bpm • D Maj • 04:28 • -15.2db

14% Popularity • 64% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness

194 bpm • C# Maj • 03:03 • -20.17db

13% Popularity • 60% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness

163 bpm • C# Maj • 03:06 • -19.03db

13% Popularity • 63% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness

163 bpm • C# Maj • 03:01 • -18.07db

33% Popularity • 64% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness

162 bpm • F# Maj • 03:02 • -17.09db

9% Popularity • 64% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness

157 bpm • B Maj • 03:58 • -21.16db

15% Popularity • 64% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness

155 bpm • G min • 03:41 • -14.16db

8% Popularity • 66% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness