Songs like Kapitel 5 - Die hohe Kunst der Unterhaltung by Sir Peter Ustinov
Based on a tempo of (+/- 10%) and a similar genre
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Alberto Lizzio
Symphony Fantastique Op.14: Marche Au Su...
80 bpm • G min • 04:44 • -22.46db
8% Popularity • 34% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
8% Popularity • 34% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
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Oliver Knussen
The Sword in the Stone Suite (Arr. O. Kn...
80 bpm • A min • 01:06 • -16.63db
9% Popularity • 40% Danceability • 27% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
9% Popularity • 40% Danceability • 27% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Maya Badian
Sinfonietta: II. Andante
80 bpm • G Maj • 02:11 • -30db
10% Popularity • 18% Danceability • 9% Energy • 35% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 9% Energy • 35% Liveness
94% Instrumentalness • 3% Positiveness
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Joyce Solomon Moorman
A Tone Poem for Victims of Racism and Ha...
80 bpm • A# min • 06:24 • -29.76db
9% Popularity • 14% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 4% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather) cover art](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857)
Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
80 bpm • C Maj • 02:26 • -22.23db
7% Popularity • 51% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 51% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
80 bpm • G Maj • 01:06 • -9.45db
12% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
12% Popularity • 57% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Not Applicable
Chamber Music Discussion, Part III - 202...
80 bpm • A# min • 02:28 • -22db
0% Popularity • 73% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 73% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act I: Vogliate...
81 bpm • F Maj • 07:55 • -20.63db
2% Popularity • 8% Danceability • 8% Energy • 33% Liveness
81% Instrumentalness • 3% Positiveness
2% Popularity • 8% Danceability • 8% Energy • 33% Liveness
81% Instrumentalness • 3% Positiveness
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George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
10% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Rodion Shchedrin
Carmen Suite (based on Bizet Opera): Car...
81 bpm • D Maj • 03:54 • -22.63db
1% Popularity • 10% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Stravinsky: The Firebird, Tableau 1: Day...
80 bpm • G min • 01:27 • -22.26db
2% Popularity • 20% Danceability • 16% Energy • 33% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 16% Energy • 33% Liveness
95% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
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Ferde Grofé
Sunset
81 bpm • D Maj • 05:08 • -19.41db
7% Popularity • 15% Danceability • 23% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 23% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Super Sound Studio
Glistening Grimoires
81 bpm • F# Maj • 01:51 • -17.36db
18% Popularity • 8% Danceability • 23% Energy • 21% Liveness
78% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 23% Energy • 21% Liveness
78% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act I: Ancora u...
81 bpm • F# Maj • 03:30 • -20.24db
2% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
79 bpm • C min • 06:49 • -17.07db
1% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
1% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
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Sir Peter Ustinov
Kapitel 29.2 & Kapitel 30 & Kapitel 31.1...
79 bpm • C Maj • 03:39 • -18db
0% Popularity • 62% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 62% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Siegfried Matthus
Matthus: Nachtlieder: No. 1, Und die Erd...
81 bpm • C# Maj • 02:45 • -25.67db
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act I: Che gelida man...
81 bpm • G# Maj • 04:43 • -22.86db
2% Popularity • 8% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Sheen
Letter From Napoleon Bonaparte To Joseph...
79 bpm • C# Maj • 02:36 • -31.22db
10% Popularity • 27% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 27% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Sir Peter Ustinov
Musik in Ustinovs Kindheit
79 bpm • C# Maj • 04:46 • -23db
0% Popularity • 62% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 62% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
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New Philharmonia Orchestra
Peter and the Wolf - A Musical Tale for ...
81 bpm • G# Maj • 02:15 • -26.67db
8% Popularity • 33% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
Prokofiev: Peter and the Wolf, Op. 67: G...
81 bpm • F Maj • 02:23 • -22.77db
4% Popularity • 52% Danceability • 5% Energy • 43% Liveness
1% Instrumentalness • 19% Positiveness
4% Popularity • 52% Danceability • 5% Energy • 43% Liveness
1% Instrumentalness • 19% Positiveness
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Georges Garvarentz
Le canon, les animas (frontière Bolivie...
79 bpm • F# Maj • 01:25 • -23.15db
14% Popularity • 20% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
14% Popularity • 20% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Claude Debussy
Debussy: Prélude à l’après-midi d�...
79 bpm • C# min • 08:42 • -22.58db
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Aaron Rabushka
Trombone Concerto: II. Andantino
79 bpm • G Maj • 04:21 • -27.35db
9% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Sir Peter Ustinov
Kapitel 31.2 & Kapitel 32 - Die hohe Kun...
81 bpm • C# Maj • 04:05 • -20.4db
0% Popularity • 64% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 64% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
16% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
16% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: II. Coc...
81 bpm • A# Maj • 01:04 • -27.02db
7% Popularity • 54% Danceability • 11% Energy • 13% Liveness
6% Instrumentalness • 38% Positiveness
7% Popularity • 54% Danceability • 11% Energy • 13% Liveness
6% Instrumentalness • 38% Positiveness
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Jerome Kern
Look for the Silver Lining (Arr. T. Post...
82 bpm • E Maj • 02:11 • -19.9db
12% Popularity • 24% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
12% Popularity • 24% Danceability • 15% Energy • 15% Liveness
95% Instrumentalness • 22% Positiveness
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Wiener Opernorchester
Peter and the Wolf, Op. 67: III. The Bir...
82 bpm • G# Maj • 01:26 • -25.86db
10% Popularity • 31% Danceability • 10% Energy • 21% Liveness
69% Instrumentalness • 7% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 21% Liveness
69% Instrumentalness • 7% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, I parte: "Preludio"
82 bpm • E min • 03:39 • -17.43db
9% Popularity • 24% Danceability • 15% Energy • 13% Liveness
60% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 15% Energy • 13% Liveness
60% Instrumentalness • 12% Positiveness
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Sir Peter Ustinov
Kapitel 26.2 & Kapitel 27 & Kapitel 28 &...
79 bpm • A Maj • 03:13 • -17.72db
0% Popularity • 67% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 67% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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![弦楽のためのアダージョ (バーバー)[式後の音楽] cover art](https://i.scdn.co/image/ab67616d00001e02c19974b0329a3839c77a7459)
ソフィア交響楽団
弦楽のためのアダージョ (バ�...
78 bpm • A# min • 06:51 • -22.66db
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
82 bpm • A Maj • 04:51 • -37.53db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act II: Entr’acte
82 bpm • G Maj • 01:07 • -23db
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
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Inspiration
Affirmation 1
82 bpm • C# Maj • 01:01 • -45.32db
14% Popularity • 53% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 53% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La Bohème, SC 6, Act IV: Sono andati?
82 bpm • G# Maj • 03:23 • -22.75db
1% Popularity • 18% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
1% Popularity • 18% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Sir Peter Ustinov
Bin ich schon wach oder schlafe ich noch...
82 bpm • G min • 03:39 • -29.13db
0% Popularity • 66% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 66% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Not Applicable
Chamber Music Discussion, Part II - 2022...
78 bpm • A# min • 03:06 • -21.48db
0% Popularity • 70% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 70% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Erich Kunzel
Finale From "The Color Purple"
78 bpm • A Maj • 04:04 • -29.25db
0% Popularity • 8% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
78 bpm • C Maj • 06:49 • -21.18db
9% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: V. Ma...
78 bpm • C Maj • 08:28 • -12.36db
9% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La bohème, SC 67: Quando m'en vo' (Orch...
78 bpm • A Maj • 02:25 • -12.12db
3% Popularity • 18% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
3% Popularity • 18% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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John Dowland
M Nicholas Griffith His Galiard
77 bpm • A min • 03:05 • -16.37db
8% Popularity • 26% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Sir Peter Ustinov
Kapitel 22.2 & Kapitel 23 & Kapitel 24 &...
82 bpm • F# Maj • 03:08 • -19.1db
0% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Pini di Roma: II. Pini presso una cataco...
78 bpm • E min • 06:37 • -16.42db
7% Popularity • 10% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme: Don...
77 bpm • F Maj • 00:58 • -26.09db
8% Popularity • 20% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
83 bpm • C Maj • 01:48 • -21.85db
10% Popularity • 43% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
10% Popularity • 43% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Sir Peter Ustinov
Text 1
82 bpm • D Maj • 03:07 • -28.69db
0% Popularity • 71% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 71% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
► Preview
Florent Schmitt
La Tragédie de Salomé, Op. 50: V. Quat...
77 bpm • E Maj • 02:33 • -25.61db
0% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
14% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Der fliegende Holländer, WWV 63, WWV63:...
83 bpm • D min • 10:16 • -11.53db
7% Popularity • 18% Danceability • 29% Energy • 79% Liveness
86% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 29% Energy • 79% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Sir Peter Ustinov
Kapitel 1 & Kapitel 2 & Kapitel 3.1 - Di...
83 bpm • G# Maj • 04:02 • -18.79db
0% Popularity • 63% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 63% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Michael Sheen
The Rigs O' Barley (Robert Burns)
83 bpm • C Maj • 02:07 • -31.85db
11% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Heitor Villa-Lobos
Cello Concerto No. 2, W516: II. Molto an...
83 bpm • E min • 07:04 • -27.91db
12% Popularity • 9% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Guo Tai Gong
Raid On the White Tiger Regiment: 'Never...
77 bpm • D# Maj • 01:02 • -17.21db
19% Popularity • 48% Danceability • 15% Energy • 30% Liveness
86% Instrumentalness • 81% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 30% Liveness
86% Instrumentalness • 81% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
83 bpm • G min • 02:51 • -22.59db
9% Popularity • 20% Danceability • 24% Energy • 56% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 24% Energy • 56% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
84 bpm • G min • 04:32 • -20.37db
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Wiener Opernorchester
Peter and the Wolf, Op. 67: V. Grandfath...
77 bpm • C# Maj • 02:19 • -21.49db
8% Popularity • 41% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 41% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
► Preview
Gabriel Andrés Gallegos
La doña del hotel
84 bpm • E Maj • 02:07 • -22db
13% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
► Preview
Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: I. Kevä...
84 bpm • F# min • 06:58 • -20.53db
11% Popularity • 8% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Juan Pablo Fernández Ramos
Para chelo
84 bpm • D min • 03:35 • -30.95db
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 4 in G Major: II. In gemäc...
76 bpm • F Maj • 08:16 • -25.59db
13% Popularity • 22% Danceability • 5% Energy • 10% Liveness
34% Instrumentalness • 19% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 10% Liveness
34% Instrumentalness • 19% Positiveness
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Luca Schettino
String Quartet N 39_ Mov 1_ Party Time
84 bpm • G min • 00:58 • -10.55db
9% Popularity • 76% Danceability • 39% Energy • 78% Liveness
69% Instrumentalness • 81% Positiveness
9% Popularity • 76% Danceability • 39% Energy • 78% Liveness
69% Instrumentalness • 81% Positiveness
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Marcel Barsotti
Über Wiesen und Felder
84 bpm • D Maj • 01:13 • -19.27db
21% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
21% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
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True LUFS Project
Ninety-Seven
76 bpm • A min • 02:37 • -18.49db
9% Popularity • 18% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
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Edward Elgar
The Wand of Youth, Suite No. 1, Op. 1a: ...
76 bpm • F Maj • 02:44 • -23.33db
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Bernard Herrmann
Ellie
76 bpm • A# Maj • 01:22 • -25.22db
10% Popularity • 18% Danceability • 2% Energy • 11% Liveness
58% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 11% Liveness
58% Instrumentalness • 3% Positiveness
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Sir Peter Ustinov
Text 2 - eng.
84 bpm • C Maj • 03:58 • -27.09db
0% Popularity • 59% Danceability • 4% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 59% Danceability • 4% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Sergei Prokofiev
Prokofiev: Peter and the Wolf, Op. 67: A...
76 bpm • C Maj • 04:32 • -24.97db
3% Popularity • 39% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
3% Popularity • 39% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Marcel Barsotti
Across Fields and Meadows
84 bpm • D Maj • 01:13 • -19.27db
18% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
18% Popularity • 11% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
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Igor Stravinsky
Concerto in D for strings: 1. Vivace
85 bpm • C Maj • 06:07 • -22.48db
8% Popularity • 42% Danceability • 10% Energy • 8% Liveness
46% Instrumentalness • 13% Positiveness
8% Popularity • 42% Danceability • 10% Energy • 8% Liveness
46% Instrumentalness • 13% Positiveness
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Wiener Opernorchester
Peter and the Wolf, Op. 67: VIII. The Wo...
76 bpm • C Maj • 01:20 • -30.33db
7% Popularity • 42% Danceability • 6% Energy • 32% Liveness
3% Instrumentalness • 45% Positiveness
7% Popularity • 42% Danceability • 6% Energy • 32% Liveness
3% Instrumentalness • 45% Positiveness
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Real Orquesta Sinfonica De Sevilla
Nuestro Padre Jesus de las Penas - March...
85 bpm • C min • 06:14 • -20.19db
9% Popularity • 10% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
9% Popularity • 10% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 7% Positiveness
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蔡榮吉
世界名曲:秋夜吟
85 bpm • E Maj • 02:12 • -18.95db
10% Popularity • 16% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act III: E lucevan le stel...
85 bpm • B min • 02:49 • -23.67db
2% Popularity • 20% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 3% Positiveness
2% Popularity • 20% Danceability • 2% Energy • 8% Liveness
48% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:39 • -10.75db
4% Popularity • 31% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 46% Positiveness
4% Popularity • 31% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 46% Positiveness
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Sir Peter Ustinov
Ustinov inszeniert
85 bpm • G Maj • 04:24 • -25.18db
0% Popularity • 65% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 65% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act III
85 bpm • G Maj • 02:56 • -16.4db
10% Popularity • 19% Danceability • 24% Energy • 41% Liveness
65% Instrumentalness • 28% Positiveness
10% Popularity • 19% Danceability • 24% Energy • 41% Liveness
65% Instrumentalness • 28% Positiveness
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Swen Fettermann
Anyone There?
85 bpm • A min • 01:29 • -34.29db
9% Popularity • 16% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Christian Lindberg
Dark Water
85 bpm • G Maj • 01:58 • -28.59db
14% Popularity • 20% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61 (1...
75 bpm • E Maj • 01:25 • -27db
17% Popularity • 21% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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John Dowland
Captaine Digorie Piper His Galiard
75 bpm • A# Maj • 02:06 • -19.64db
8% Popularity • 28% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
8% Popularity • 28% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
85 bpm • C min • 01:41 • -17.84db
11% Popularity • 26% Danceability • 3% Energy • 19% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 19% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
86 bpm • A Maj • 05:43 • -25.83db
1% Popularity • 46% Danceability • 7% Energy • 37% Liveness
13% Instrumentalness • 17% Positiveness
1% Popularity • 46% Danceability • 7% Energy • 37% Liveness
13% Instrumentalness • 17% Positiveness
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Leonard Bernstein
Facsimile - Choreographic Essay for Orch...
86 bpm • C Maj • 09:46 • -19.55db
1% Popularity • 20% Danceability • 12% Energy • 22% Liveness
46% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 12% Energy • 22% Liveness
46% Instrumentalness • 4% Positiveness
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Arthur Benjamin
2 Jamaican Pieces: Jamaican Song
75 bpm • D# Maj • 02:21 • -34.39db
9% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
