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Kate Song
Songs like
Kate Song
by
Walter Smith III
Based on a tempo of (+/- 10%) and a similar genre
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Robert Glasper Trio
Downtime
171 bpm • C# Maj • 05:21 • -14db
28% Popularity • 46% Danceability • 35% Energy • 29% Liveness
24% Instrumentalness • 40% Positiveness
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Walter Smith III
Kate Song
171 bpm • F# min • 08:09 • -16.97db
11% Popularity • 32% Danceability • 33% Energy • 10% Liveness
72% Instrumentalness • 26% Positiveness
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Mark Turner
317 East 32nd Street
170 bpm • G Maj • 08:41 • -11.84db
13% Popularity • 41% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Michael Wollny
Hello Dave
172 bpm • C# Maj • 04:06 • -12.79db
35% Popularity • 54% Danceability • 47% Energy • 9% Liveness
91% Instrumentalness • 49% Positiveness
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Brian Blade & The Fellowship Band
Embers
172 bpm • G Maj • 02:21 • -17.52db
44% Popularity • 44% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 33% Positiveness
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Nate Smith
Spinning Down
172 bpm • D# min • 08:40 • -12db
25% Popularity • 36% Danceability • 53% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
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Chris Cheek
So It Seems
169 bpm • B min • 09:11 • -16.25db
7% Popularity • 38% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 58% Positiveness
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Jacky Terrasson
Palindrome
169 bpm • F min • 03:31 • -12.52db
17% Popularity • 35% Danceability • 46% Energy • 16% Liveness
63% Instrumentalness • 61% Positiveness
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Christian Scott aTunde Adjuah
Isadora
169 bpm • F# Maj • 06:13 • -15.25db
39% Popularity • 28% Danceability • 24% Energy • 18% Liveness
14% Instrumentalness • 20% Positiveness
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Thomas Fonnesbæk
I'm on Fire
168 bpm • C# min • 05:05 • -17.76db
9% Popularity • 39% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 83% Positiveness
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James Francies
Leaps
173 bpm • B Maj • 06:09 • -9.94db
15% Popularity • 26% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Walter Smith III
REVIVE
168 bpm • C# Maj • 03:55 • -12.77db
14% Popularity • 40% Danceability • 3% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
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Woody Shaw
Theme for Maxine
167 bpm • F Maj • 07:15 • -13.32db
16% Popularity • 40% Danceability • 33% Energy • 21% Liveness
84% Instrumentalness • 46% Positiveness
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Benjamin Henocq
Parker 51
165 bpm • G min • 04:09 • -7.68db
15% Popularity • 50% Danceability • 52% Energy • 5% Liveness
12% Instrumentalness • 72% Positiveness
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Christian Scott aTunde Adjuah
Kiel
175 bpm • C# Maj • 06:20 • -10.41db
10% Popularity • 41% Danceability • 55% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Blue Mitchell
Sir John
178 bpm • F min • 06:04 • -16.46db
23% Popularity • 49% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
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Jan Harbeck Quartet
Oblivion
180 bpm • C min • 05:25 • -15.89db
8% Popularity • 36% Danceability • 9% Energy • 11% Liveness
33% Instrumentalness • 26% Positiveness
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Walter Smith III
Something New
176 bpm • D Maj • 04:31 • -11.71db
7% Popularity • 35% Danceability • 46% Energy • 8% Liveness
82% Instrumentalness • 31% Positiveness
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Will Vinson
Blue and Sentimental
179 bpm • A# min • 06:09 • -15.87db
38% Popularity • 56% Danceability • 17% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
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Takuya Kuroda
Ichigo - Ichie
183 bpm • C# Maj • 07:07 • -16.6db
8% Popularity • 37% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Art Blakey
This Is For Albert
182 bpm • G Maj • 08:21 • -15.05db
15% Popularity • 37% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Robert Glasper Trio
Blue Skies
159 bpm • C# Maj • 09:28 • -15.51db
23% Popularity • 31% Danceability • 42% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
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Nate Smith
Retold
158 bpm • D Maj • 04:54 • -10db
38% Popularity • 40% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Walter Smith III
Amelia Earhart Ghosted Me
158 bpm • B min • 05:26 • -12.75db
13% Popularity • 33% Danceability • 44% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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Christian Scott aTunde Adjuah
American't
157 bpm • A# Maj • 07:04 • -10.49db
11% Popularity • 32% Danceability • 52% Energy • 16% Liveness
84% Instrumentalness • 20% Positiveness
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Will Vinson
Firenze
163 bpm • G# Maj • 09:23 • -11.51db
11% Popularity • 44% Danceability • 53% Energy • 7% Liveness
8% Instrumentalness • 52% Positiveness
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Brian Blade & The Fellowship Band
Broken Leg Days
157 bpm • C Maj • 05:20 • -12.08db
27% Popularity • 34% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Vijay Iyer Trio
Human Nature (Trio Extension)
157 bpm • C# Maj • 09:39 • -15.66db
22% Popularity • 41% Danceability • 29% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
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Horace Silver Quintet
Pretty Eyes - Rudy Van Gelder Edition / ...
156 bpm • G# min • 07:30 • -11.01db
21% Popularity • 38% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Walter Smith III
Cowboy
157 bpm • F Maj • 05:38 • -12.14db
15% Popularity • 39% Danceability • 39% Energy • 11% Liveness
48% Instrumentalness • 25% Positiveness
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Eric Harland
September 24
156 bpm • B min • 03:10 • -12.47db
10% Popularity • 42% Danceability • 52% Energy • 13% Liveness
68% Instrumentalness • 61% Positiveness
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Kenny Dorham
Sao Paulo - Remastered
155 bpm • D# min • 07:20 • -9.55db
24% Popularity • 54% Danceability • 41% Energy • 11% Liveness
50% Instrumentalness • 51% Positiveness
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Giveton Gelin
Inner Perception
155 bpm • C min • 09:21 • -11.6db
9% Popularity • 43% Danceability • 44% Energy • 10% Liveness
58% Instrumentalness • 57% Positiveness
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Joshua Redman Quartet
Alone in the Morning
155 bpm • G Maj • 05:05 • -14.54db
22% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Simon Moullier
Hot House
154 bpm • C# Maj • 03:36 • -11.49db
12% Popularity • 36% Danceability • 51% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
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Jim Rotondi
Biru Kirusai
153 bpm • G# min • 05:26 • -9.45db
8% Popularity • 35% Danceability • 62% Energy • 10% Liveness
50% Instrumentalness • 63% Positiveness
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James Francies
Crib
153 bpm • E Maj • 04:17 • -7.32db
10% Popularity • 40% Danceability • 81% Energy • 21% Liveness
33% Instrumentalness • 79% Positiveness
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Anat Fort Trio
Clouds Moving
152 bpm • C Maj • 05:35 • -16.38db
28% Popularity • 22% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Sean Jones
Transitions
152 bpm • F min • 05:19 • -5.02db
9% Popularity • 37% Danceability • 89% Energy • 16% Liveness
76% Instrumentalness • 40% Positiveness
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Pat Metheny Trio
Giant Steps
152 bpm • G Maj • 07:53 • -21db
24% Popularity • 39% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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Branford Marsalis
Yes And No
151 bpm • G Maj • 06:39 • -13.99db
16% Popularity • 38% Danceability • 55% Energy • 21% Liveness
51% Instrumentalness • 64% Positiveness
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Eric Legnini Trio
Don't Let Me Be Lonely Tonight
152 bpm • G Maj • 03:10 • -17db
46% Popularity • 56% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 58% Positiveness
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Gonzalo Rubalcaba
Turning I
150 bpm • G# Maj • 02:10 • -14db
24% Popularity • 26% Danceability • 54% Energy • 26% Liveness
93% Instrumentalness • 57% Positiveness
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Walter Smith III
quiet song
149 bpm • G# min • 05:36 • -12db
15% Popularity • 32% Danceability • 61% Energy • 24% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Robert Glasper Trio
Maiden Voyage
148 bpm • G min • 05:11 • -15.86db
22% Popularity • 28% Danceability • 30% Energy • 21% Liveness
82% Instrumentalness • 31% Positiveness
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Matthew Stevens
Unsung
147 bpm • C min • 05:40 • -11.02db
11% Popularity • 38% Danceability • 42% Energy • 12% Liveness
9% Instrumentalness • 15% Positiveness
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Jeff "Tain" Watts
Lazy Bird
147 bpm • A Maj • 05:48 • -12.06db
11% Popularity • 46% Danceability • 41% Energy • 10% Liveness
82% Instrumentalness • 54% Positiveness
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Seamus Blake
Blues for the Real Human Beings
147 bpm • B Maj • 04:19 • -10.39db
29% Popularity • 48% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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S. Carey
Hollow
147 bpm • C Maj • 03:23 • -18.61db
23% Popularity • 34% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Thad Jones
Ahunk Ahunk - Remixed & Remastered 1994
147 bpm • F Maj • 07:55 • -8db
19% Popularity • 58% Danceability • 51% Energy • 10% Liveness
9% Instrumentalness • 56% Positiveness
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Robert Glasper Trio
Alone Together
147 bpm • C Maj • 10:08 • -18.5db
15% Popularity • 37% Danceability • 29% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
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Benny Green
Virgo
147 bpm • F Maj • 04:20 • -17.1db
28% Popularity • 45% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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Esperanza Spalding
Mompouana
146 bpm • B Maj • 07:51 • -19db
13% Popularity • 46% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 38% Positiveness
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Walter Smith III
Foretold You
146 bpm • F min • 04:30 • -10.09db
11% Popularity • 38% Danceability • 52% Energy • 14% Liveness
73% Instrumentalness • 35% Positiveness
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Aaron Parks
Harvesting Dance
146 bpm • G Maj • 09:35 • -13.22db
20% Popularity • 38% Danceability • 47% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
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Ulysses Owens Jr. Big Band
London Towne
201 bpm • D Maj • 05:59 • -14.64db
10% Popularity • 41% Danceability • 39% Energy • 70% Liveness
63% Instrumentalness • 63% Positiveness
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Ravi Coltrane
26-2
145 bpm • C Maj • 05:09 • -6.25db
11% Popularity • 43% Danceability • 86% Energy • 7% Liveness
18% Instrumentalness • 68% Positiveness
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Peter Asplund
Wonderyear
203 bpm • F min • 07:40 • -11.49db
14% Popularity • 43% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Kate Song