Songs like Katioucha / Otchi Tchornye - Medley by Sirba Octet
Based on a tempo of (+/- 10%) and a similar genre
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Sirba Octet
Katioucha / Otchi Tchornye - Medley
142 bpm • B min • 04:55 • -17db
20% Popularity • 26% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 26% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Georg Philipp Telemann
Suite, TWV 55:B8: Scaramouche - Arranged...
142 bpm • D min • 02:18 • -9db
21% Popularity • 38% Danceability • 57% Energy • 6% Liveness
21% Instrumentalness • 75% Positiveness
21% Popularity • 38% Danceability • 57% Energy • 6% Liveness
21% Instrumentalness • 75% Positiveness
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Mark Orton
The Return
141 bpm • A# Maj • 01:50 • -12.49db
30% Popularity • 48% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
30% Popularity • 48% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Dr Nele Karajlic
Bubamara (Vivaldi Version)
141 bpm • G min • 02:38 • -12db
27% Popularity • 44% Danceability • 15% Energy • 13% Liveness
50% Instrumentalness • 49% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 13% Liveness
50% Instrumentalness • 49% Positiveness
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Orchestre Philharmonique Royal de Liège
Compère Guilleri
141 bpm • F Maj • 02:09 • -17.49db
1% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
1% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Franz Schubert
Schubert: Piano Sonata No. 20 in A Major...
141 bpm • F# min • 08:44 • -23.9db
25% Popularity • 38% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 11% Positiveness
25% Popularity • 38% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 11% Positiveness
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Sirba Octet
Le Shavore / Ghapama
141 bpm • E min • 04:23 • -15db
3% Popularity • 31% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
3% Popularity • 31% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Norma, Act I, Scene 1: Air de Norma "Cas...
141 bpm • F Maj • 06:15 • -25db
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
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Guillaume Lekeu
Barberine, V. 14, Acte II: Prélude
141 bpm • A min • 08:38 • -24.64db
4% Popularity • 14% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
4% Popularity • 14% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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César Franck
Psyché, CFF 129, Troisième partie: II....
140 bpm • F# min • 06:24 • -14.8db
0% Popularity • 15% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Florian Dohrmann
Derwisch
140 bpm • G# Maj • 02:22 • -17db
10% Popularity • 54% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
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Richard Rodgers
Rodgers / Transc. Walter: Babes in Arms:...
140 bpm • C min • 06:12 • -20.27db
15% Popularity • 22% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Sirba Octet
Kinderlekh, kleyninke
141 bpm • C min • 03:19 • -20db
4% Popularity • 19% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
4% Popularity • 19% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
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Nike Hutchisson
Libertango - Arr. for Orchestra
140 bpm • C min • 03:02 • -13db
38% Popularity • 40% Danceability • 25% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
38% Popularity • 40% Danceability • 25% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Symphony in F Major, R. 163 "Urbs Roma":...
140 bpm • A min • 05:46 • -21.07db
0% Popularity • 35% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
0% Popularity • 35% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
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Las Hermanas Caronni
El Español
140 bpm • D min • 03:36 • -13db
20% Popularity • 41% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
20% Popularity • 41% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Stéphane Grappelli
Les Valseuses
145 bpm • B min • 02:20 • -16db
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
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Richard Rodgers
My Funny Valentine
144 bpm • F min • 03:07 • -23db
1% Popularity • 39% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 39% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Federico Mompou
Secreto
145 bpm • C# Maj • 05:04 • -29db
21% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sirba Octet
Moskovskaya Polka
140 bpm • E min • 04:45 • -19db
9% Popularity • 53% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
9% Popularity • 53% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Armand Amar
Peggy
139 bpm • A min • 02:04 • -16.47db
33% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Gidon Kremer
Concierto para quinteto
139 bpm • C min • 09:27 • -21db
12% Popularity • 36% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 11% Positiveness
12% Popularity • 36% Danceability • 6% Energy • 15% Liveness
31% Instrumentalness • 11% Positiveness
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César Franck
Piano Concerto No. 2 in B Minor, Op. 11:...
138 bpm • G Maj • 05:06 • -23.91db
1% Popularity • 25% Danceability • 4% Energy • 12% Liveness
71% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 4% Energy • 12% Liveness
71% Instrumentalness • 8% Positiveness
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Vittorio Monti
Budapest - Csà rdà s
138 bpm • D Maj • 04:59 • -11db
24% Popularity • 46% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 25% Positiveness
24% Popularity • 46% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 25% Positiveness
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Farid Farjad
Bordi Az Yadam
146 bpm • D min • 04:44 • -14db
26% Popularity • 25% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
26% Popularity • 25% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Sirba Octet
Valenki
144 bpm • G min • 03:00 • -16.53db
10% Popularity • 39% Danceability • 26% Energy • 25% Liveness
90% Instrumentalness • 37% Positiveness
10% Popularity • 39% Danceability • 26% Energy • 25% Liveness
90% Instrumentalness • 37% Positiveness
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Gioachino Rossini
The Barber of Seville, Overture
147 bpm • D Maj • 03:27 • -19db
26% Popularity • 56% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
26% Popularity • 56% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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Gidon Kremer
Celos
138 bpm • G min • 05:17 • -21.48db
13% Popularity • 23% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
13% Popularity • 23% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Komitas
Chinar es
137 bpm • F Maj • 06:29 • -24.9db
12% Popularity • 28% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 7% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
40% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
40% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Camille Saint-Saëns
Symphony in A Major, R. 159: II. Larghet...
137 bpm • D Maj • 08:01 • -22.25db
1% Popularity • 18% Danceability • 5% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
1% Popularity • 18% Danceability • 5% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
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Sirba Octet
Ya Vstretil Vas
144 bpm • E min • 04:21 • -26db
4% Popularity • 27% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
4% Popularity • 27% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
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L'Arpeggiata
Folia
147 bpm • C Maj • 01:46 • -16db
31% Popularity • 44% Danceability • 28% Energy • 33% Liveness
81% Instrumentalness • 42% Positiveness
31% Popularity • 44% Danceability • 28% Energy • 33% Liveness
81% Instrumentalness • 42% Positiveness
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Raffaele Calace
Concerto for Mandolin No. 2 in A Minor, ...
148 bpm • A min • 09:53 • -21db
12% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
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René Bartoli
Valse en mi mineur "Dolinda"
148 bpm • E min • 02:09 • -23.79db
35% Popularity • 41% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
35% Popularity • 41% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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René Aubry
Replay
136 bpm • D Maj • 04:10 • -15.99db
38% Popularity • 71% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
38% Popularity • 71% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
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Camille Saint-Saëns
Symphony in A Major, R. 159: I. Poco ada...
147 bpm • A Maj • 06:55 • -19.72db
2% Popularity • 28% Danceability • 11% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
2% Popularity • 28% Danceability • 11% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Sirba Octet
Hora Moldoveneasca / Thème des Lăutari...
148 bpm • A min • 06:09 • -15.06db
5% Popularity • 41% Danceability • 37% Energy • 35% Liveness
86% Instrumentalness • 34% Positiveness
5% Popularity • 41% Danceability • 37% Energy • 35% Liveness
86% Instrumentalness • 34% Positiveness
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Kurt Weill
Kleine Dreigroschenmusik: VI. Tango-Ball...
136 bpm • C Maj • 02:42 • -30db
16% Popularity • 33% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 33% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Léo Delibes
Delibes: Les filles de Cadix (Arr. for T...
148 bpm • F# min • 03:29 • -17.96db
9% Popularity • 32% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 27% Positiveness
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Girolamo Frescobaldi
Aria di Passacaglia (Arrangement)
148 bpm • D min • 07:02 • -20.03db
20% Popularity • 39% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
20% Popularity • 39% Danceability • 18% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Alberto Iglesias
MarÃa SantÃsima de Araceli
136 bpm • A min • 02:12 • -25db
29% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
29% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Eugen Cicero
Erbarme dich, mein Gott
136 bpm • E min • 05:54 • -12.73db
30% Popularity • 43% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 43% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Sirba Octet
Mélodies du Karabagh / Koko doj Koko do...
138 bpm • E min • 08:15 • -16.44db
5% Popularity • 34% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
5% Popularity • 34% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14, Lentamente can...
135 bpm • E min • 05:22 • -22.94db
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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![Ele Chomdo Libi - Ele Chomdo Libi (May the Heavens Rejoice) - Yossel Yossel: Ele Chomdo Libi - Yismechu Hashamayim [May the Heavens Rejoice] - Yossel Yossel cover art](https://i.scdn.co/image/ab67616d00001e027afd4bf16f4a3c92b0ad1c49)
Giora Feidman
Ele Chomdo Libi - Ele Chomdo Libi (May t...
149 bpm • G min • 03:56 • -19db
17% Popularity • 46% Danceability • 19% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
17% Popularity • 46% Danceability • 19% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
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Nicolas Kedroff
Valse mélancolique
149 bpm • G min • 01:28 • -18.26db
0% Popularity • 45% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 44% Positiveness
0% Popularity • 45% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 44% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Sirba Octet
Dos Broitele / A Vaible A Tsnien - Medle...
137 bpm • D min • 03:52 • -16.51db
3% Popularity • 30% Danceability • 15% Energy • 6% Liveness
93% Instrumentalness • 11% Positiveness
3% Popularity • 30% Danceability • 15% Energy • 6% Liveness
93% Instrumentalness • 11% Positiveness
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Jacques Loussier Trio
Prelude No. 1 In C Major
150 bpm • C Maj • 04:48 • -20.34db
31% Popularity • 30% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
31% Popularity • 30% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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François Couperin
Couperin, F: Second livre de pièces de ...
150 bpm • A# Maj • 02:33 • -25db
26% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
26% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Nicolas Kedroff
Korobeiniki
150 bpm • D min • 03:04 • -16.13db
2% Popularity • 45% Danceability • 36% Energy • 10% Liveness
69% Instrumentalness • 64% Positiveness
2% Popularity • 45% Danceability • 36% Energy • 10% Liveness
69% Instrumentalness • 64% Positiveness
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Adrien La Marca
La Bohème (Arr. for Viola & Piano)
135 bpm • C min • 02:24 • -20db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Rossini: Les Soirées musicales: VIII. L...
150 bpm • F Maj • 03:12 • -14.6db
12% Popularity • 35% Danceability • 32% Energy • 18% Liveness
67% Instrumentalness • 72% Positiveness
12% Popularity • 35% Danceability • 32% Energy • 18% Liveness
67% Instrumentalness • 72% Positiveness
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Sirba Octet
Kolomishka
148 bpm • C min • 05:30 • -15.04db
2% Popularity • 44% Danceability • 30% Energy • 87% Liveness
1% Instrumentalness • 70% Positiveness
2% Popularity • 44% Danceability • 30% Energy • 87% Liveness
1% Instrumentalness • 70% Positiveness
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César Franck
Piano Concerto No. 2 in B Minor, Op. 11:...
135 bpm • B min • 08:49 • -22.01db
2% Popularity • 33% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
2% Popularity • 33% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
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Florian Dohrmann
Insomnia
135 bpm • B min • 06:45 • -22.03db
9% Popularity • 47% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
9% Popularity • 47% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
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Eugen Cicero
Solfeggio in C Minor
150 bpm • C min • 05:39 • -13.32db
35% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
35% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
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Nicolas Kedroff
Tustep
150 bpm • E min • 03:36 • -17.64db
0% Popularity • 56% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
0% Popularity • 56% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Fazıl Say
Alla Turca Jazz - Fantasia from Wolfgang...
150 bpm • E min • 01:55 • -22db
30% Popularity • 39% Danceability • 27% Energy • 70% Liveness
93% Instrumentalness • 66% Positiveness
30% Popularity • 39% Danceability • 27% Energy • 70% Liveness
93% Instrumentalness • 66% Positiveness
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Sirba Octet
Banatseana
149 bpm • G min • 02:12 • -13.39db
3% Popularity • 50% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
3% Popularity • 50% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
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Christoph Willibald Gluck
Orphée & Eurydice: Mélodie - Arranged ...
133 bpm • D min • 03:43 • -26.96db
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
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Olivier Daviaud
Au café Carbodel
151 bpm • E min • 01:31 • -11.38db
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 77% Positiveness
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
93% Instrumentalness • 77% Positiveness
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Enrique Granados
12 Danzas Españolas, Op. 37: 5. Andaluz...
151 bpm • E min • 03:29 • -20db
20% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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David Orlowsky
Ada
134 bpm • G min • 02:50 • -22.25db
29% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 76% Positiveness
29% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 76% Positiveness
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Angèle Dubeau
Yumeji’s Theme
133 bpm • F min • 02:27 • -21.25db
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
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Sirba Octet
Oj Tate / Eshkhemet
152 bpm • G# Maj • 06:03 • -14.9db
3% Popularity • 31% Danceability • 29% Energy • 7% Liveness
81% Instrumentalness • 32% Positiveness
3% Popularity • 31% Danceability • 29% Energy • 7% Liveness
81% Instrumentalness • 32% Positiveness
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John Surman
Portrait Of A Romantic
152 bpm • C min • 06:58 • -17.17db
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Le Père Lachaise - 24 Preludes, Op. 28:...
152 bpm • E min • 04:36 • -28db
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Fazıl Say
Kumru, Op.12/2
133 bpm • A min • 02:43 • -23db
32% Popularity • 44% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
32% Popularity • 44% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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David Orlowsky
Lyra
133 bpm • G Maj • 05:43 • -23.21db
14% Popularity • 48% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 26% Positiveness
14% Popularity • 48% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 26% Positiveness
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Glenn Gould
Play Piano Play (10 Übungsstücke für ...
152 bpm • A# min • 01:59 • -19db
26% Popularity • 28% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 81% Positiveness
26% Popularity • 28% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 81% Positiveness
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Sirba Octet
I'khaim
133 bpm • A min • 06:00 • -14.68db
0% Popularity • 42% Danceability • 38% Energy • 69% Liveness
50% Instrumentalness • 52% Positiveness
0% Popularity • 42% Danceability • 38% Energy • 69% Liveness
50% Instrumentalness • 52% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Thomas Enhco
Avalanche
132 bpm • C min • 04:26 • -14db
20% Popularity • 37% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
20% Popularity • 37% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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César Franck
Symphony in D Minor, FWV 48: II. Allegre...
132 bpm • F# Maj • 10:16 • -27.22db
5% Popularity • 17% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze et arie per liuto, Suite N...
131 bpm • D Maj • 04:04 • -17.5db
1% Popularity • 44% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 38% Positiveness
1% Popularity • 44% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 38% Positiveness
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George Gershwin
I Got Rythm
131 bpm • F Maj • 02:25 • -11.48db
2% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Sirba Octet
A Glezele Lehaim / Dùj Sheja / Caravan ...
153 bpm • D min • 09:24 • -15.19db
3% Popularity • 35% Danceability • 29% Energy • 20% Liveness
83% Instrumentalness • 17% Positiveness
3% Popularity • 35% Danceability • 29% Energy • 20% Liveness
83% Instrumentalness • 17% Positiveness
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Fazıl Say
Paganini-Jazz for Piano (Arr. for Jazz Q...
131 bpm • A min • 08:10 • -17.74db
37% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
37% Popularity • 47% Danceability • 18% Energy • 8% Liveness
16% Instrumentalness • 15% Positiveness
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Nicola Piovani
La vita è bella
131 bpm • D Maj • 02:51 • -16db
28% Popularity • 26% Danceability • 25% Energy • 13% Liveness
32% Instrumentalness • 31% Positiveness
28% Popularity • 26% Danceability • 25% Energy • 13% Liveness
32% Instrumentalness • 31% Positiveness
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Avi Avital
Zamzama
131 bpm • C# Maj • 07:57 • -13.56db
20% Popularity • 45% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 45% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Roland Dyens
La Bicyclette
154 bpm • F Maj • 02:56 • -17.12db
24% Popularity • 39% Danceability • 24% Energy • 68% Liveness
91% Instrumentalness • 43% Positiveness
24% Popularity • 39% Danceability • 24% Energy • 68% Liveness
91% Instrumentalness • 43% Positiveness
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Anonymous
Two Guitars
155 bpm • D min • 02:58 • -12.98db
18% Popularity • 42% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 32% Positiveness
18% Popularity • 42% Danceability • 19% Energy • 9% Liveness
68% Instrumentalness • 32% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: I. Lent
130 bpm • F min • 03:38 • -35db
26% Popularity • 31% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
26% Popularity • 31% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Shigeru Umebayashi
Trishna's Waltz
130 bpm • E min • 02:32 • -18.8db
41% Popularity • 37% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 23% Positiveness
41% Popularity • 37% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 23% Positiveness
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Anghelus Dinicu
Dinicu / Transcr. Lehn: Ciocârlia
130 bpm • E min • 02:44 • -14db
7% Popularity • 48% Danceability • 41% Energy • 28% Liveness
17% Instrumentalness • 22% Positiveness
7% Popularity • 48% Danceability • 41% Energy • 28% Liveness
17% Instrumentalness • 22% Positiveness
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Zequinha De Abreu
Abreu / Arr. Suba: Tico-Tico no Fubá
129 bpm • G Maj • 01:56 • -17.37db
17% Popularity • 42% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
17% Popularity • 42% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
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Ferenc Santa, Jr.
Csardas
129 bpm • D min • 03:50 • -9.55db
12% Popularity • 45% Danceability • 46% Energy • 20% Liveness
82% Instrumentalness • 39% Positiveness
12% Popularity • 45% Danceability • 46% Energy • 20% Liveness
82% Instrumentalness • 39% Positiveness
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Vincent Peirani
Bang Bang
128 bpm • F min • 03:26 • -16db
23% Popularity • 29% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 24% Positiveness
23% Popularity • 29% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 24% Positiveness
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Laurent Korcia
Minor Tango
129 bpm • G# Maj • 02:50 • -14db
18% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Orchestra Eleni Karaindrou
To Vals Tou Gamou - Remastered
157 bpm • B min • 04:14 • -14.02db
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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JoaquÃn Rodrigo
Aranjuez Concerto BWV 1056
128 bpm • F min • 05:21 • -27.95db
15% Popularity • 40% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 40% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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César Franck
Hulda, Ballet allégorique, FWV 49: IV. ...
128 bpm • A Maj • 03:09 • -27.88db
0% Popularity • 20% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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Nicolas Kedroff
Galop
157 bpm • C# min • 01:34 • -14.4db
0% Popularity • 53% Danceability • 40% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
0% Popularity • 53% Danceability • 40% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
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Camille Saint-Saëns
Symphony in A Major, R. 159: IV. Finale....
128 bpm • A Maj • 05:34 • -20.22db
1% Popularity • 34% Danceability • 26% Energy • 15% Liveness
91% Instrumentalness • 51% Positiveness
1% Popularity • 34% Danceability • 26% Energy • 15% Liveness
91% Instrumentalness • 51% Positiveness
