Songs like KEEP IT TO YOURSELF by Clinton Kane
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Daniel Seavey
I Tried
132 bpm • E Maj • 02:16 • -11db
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Caleb Hearn
It's Always Been You
132 bpm • A# Maj • 02:49 • -8.73db
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Andi
Wish We Were Strangers
132 bpm • E Maj • 02:48 • -6.7db
32% Popularity • 70% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Alex Sampson
Like the Rain
132 bpm • A Maj • 03:10 • -10.18db
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Reagan Beem
It's Okay - Acoustic
130 bpm • D Maj • 02:52 • -6.14db
36% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Camylio
unbreak
130 bpm • B min • 03:18 • -7.35db
44% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
JP Saxe
The Good Parts
130 bpm • F# Maj • 03:17 • -12.36db
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Nina Nesbitt
When You Lose Someone
130 bpm • D# Maj • 03:21 • -6db
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
JORDY
South Dakota
130 bpm • A Maj • 03:11 • -8.35db
33% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Jenny Baker
Trial Run
134 bpm • D Maj • 03:29 • -9.51db
33% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Jonah Kagen
Catching A Dream
130 bpm • G min • 02:38 • -8db
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Blake Rose
Rollerblades
130 bpm • E Maj • 03:34 • -6db
36% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Caleb Hearn
She's Everything That I've Ever Wanted
130 bpm • E Maj • 03:24 • -10.43db
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Bazzi
Will It Ever Feel The Same?
130 bpm • E Maj • 03:00 • -6db
47% Popularity • 64% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 64% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Tedy
I Wanted My Heart to Break
130 bpm • C Maj • 03:47 • -6.71db
34% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Jamie Fine
Confessions
130 bpm • A# Maj • 02:59 • -9.07db
31% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
49% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Harrison Boe
Healthy
135 bpm • E Maj • 03:21 • -7.57db
36% Popularity • 32% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 32% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Matt Haughey
15 Drafts
135 bpm • B Maj • 03:38 • -8.26db
30% Popularity • 67% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 67% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ashley Kutcher
When You're Not Okay
135 bpm • F Maj • 02:31 • -7db
46% Popularity • 50% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 50% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Lexi Jayde
gentle
135 bpm • F Maj • 03:18 • -7db
40% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Haley Joelle
Hope You're Well
136 bpm • G Maj • 03:28 • -12db
33% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
JESSIA
Next Time
135 bpm • C Maj • 03:17 • -9db
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Jake Clark
worst enemy
136 bpm • G min • 02:57 • -9.23db
32% Popularity • 59% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 59% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Lexi Jayde
self sabotage
136 bpm • D Maj • 03:40 • -7.01db
44% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jonah Kagen
barcelona
136 bpm • B min • 02:55 • -7.53db
41% Popularity • 75% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 75% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Sara Kays
Miss Me the Same
136 bpm • C Maj • 03:36 • -8.54db
46% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Lauren Spencer Smith
28
128 bpm • F Maj • 02:44 • -7.66db
51% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Jon Mullins
In a Second
128 bpm • D Maj • 02:41 • -6.49db
43% Popularity • 68% Danceability • 51% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 68% Danceability • 51% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Why Don't We
Just Friends
128 bpm • C Maj • 02:35 • -6.65db
54% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Alexander Stewart
echo
128 bpm • F min • 03:18 • -7db
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Rosie Darling
Reruns
128 bpm • C# Maj • 02:26 • -11db
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Alexander 23
Somebody's Nobody
127 bpm • C Maj • 03:42 • -8.59db
34% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Katherine Li
I Don't Care
137 bpm • B Maj • 03:03 • -8db
39% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Alfie Jukes
kinda wish
128 bpm • D Maj • 03:11 • -16.58db
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Tate McRae
she's all i wanna be - Acoustic
138 bpm • F# Maj • 03:18 • -12db
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Francis Karel
Small Talk
138 bpm • A Maj • 03:08 • -8.39db
27% Popularity • 45% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Greyson Chance
Palladium
138 bpm • F Maj • 04:07 • -8.4db
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Blake Rose
Dizzy
138 bpm • G# Maj • 03:04 • -4db
33% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
vaultboy
everything sucks
138 bpm • F# Maj • 01:56 • -7.31db
43% Popularity • 73% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 73% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Lauren Spencer Smith
Flowers
138 bpm • D# Maj • 02:37 • -9.67db
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
72% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Benson Boone
Better Alone
126 bpm • G Maj • 03:29 • -6.11db
63% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sam MacPherson
Backseat (All I Got)
126 bpm • A# Maj • 02:33 • -7.06db
37% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
vaultboy
i can't do anything right
126 bpm • C# Maj • 02:16 • -7.45db
50% Popularity • 78% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 78% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Tate McRae
i still say goodnight
139 bpm • F Maj • 03:08 • -10.48db
51% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Rauly
Obvious
125 bpm • E Maj • 02:48 • -12.52db
23% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Camylio
love and hate
125 bpm • C min • 03:10 • -8.05db
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Jillian Rossi
So What
140 bpm • C# Maj • 02:42 • -7db
51% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Sam Fischer
All My Loving
125 bpm • C Maj • 02:58 • -2.9db
40% Popularity • 48% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 48% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Katherine Li
We Didn't Even Date
140 bpm • C# Maj • 02:57 • -10db
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Camylio
i tried
140 bpm • G min • 02:40 • -9.63db
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
58% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Francis Karel
Romantic Comedies
140 bpm • F Maj • 02:49 • -9.15db
33% Popularity • 58% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 58% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jamie Miller
Over You
140 bpm • B min • 02:33 • -6db
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 47% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Maximillian
Love Like This
140 bpm • D# Maj • 02:47 • -8db
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 59% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
56% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Rosie Darling
Golden Age
124 bpm • C Maj • 03:31 • -8db
43% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
49% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Clinton Kane
PANIC ATTACK
124 bpm • E Maj • 02:27 • -4.06db
47% Popularity • 68% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 68% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
remme
half a world away
141 bpm • D Maj • 03:27 • -8db
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Haiden Henderson
Sorry to Your Next Ex
141 bpm • G# Maj • 02:49 • -8db
49% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
48% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Jake Clark
give you away
123 bpm • C# Maj • 03:22 • -10db
29% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Clinton Kane
this is what anxiety feels like
142 bpm • C min • 03:48 • -10.21db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Camylio
foolish
142 bpm • C Maj • 03:00 • -8.54db
41% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
30% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Maximillian
Mirror
142 bpm • C# Maj • 02:57 • -9.11db
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Jessica Baio
at least
143 bpm • B Maj • 02:47 • -10db
57% Popularity • 47% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 47% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Anson Seabra
Unloving You
122 bpm • F# Maj • 02:33 • -9.62db
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 76% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Munn
Empty Eyes
122 bpm • G# Maj • 03:07 • -8db
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 69% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Blake Rose
Magazine
143 bpm • G# Maj • 03:51 • -7.81db
33% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Reagan Beem
It's Okay
143 bpm • E Maj • 02:37 • -5.49db
31% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Mimi Webb
Lonely In Love
143 bpm • A# Maj • 03:06 • -5db
42% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Dylan Conrique
Gatekeeper
144 bpm • D Maj • 03:26 • -6.8db
36% Popularity • 54% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 54% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
