Songs like Keep on Caring by Hugh Hopper
Based on a tempo of (+/- 10%) and a similar genre
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Hugh Hopper
There You Were
90 bpm • F# min • 04:18 • -13.26db
0% Popularity • 60% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 60% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Man
Parchment and Candles
90 bpm • C Maj • 01:51 • -17.11db
18% Popularity • 60% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
18% Popularity • 60% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 52% Positiveness
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Chris Squire
Hold Out Your Hand
90 bpm • C# Maj • 04:13 • -8db
28% Popularity • 44% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 62% Positiveness
28% Popularity • 44% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 62% Positiveness
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Gilgamesh
Notwithstanding
90 bpm • G Maj • 04:47 • -14.77db
14% Popularity • 40% Danceability • 47% Energy • 22% Liveness
18% Instrumentalness • 64% Positiveness
14% Popularity • 40% Danceability • 47% Energy • 22% Liveness
18% Instrumentalness • 64% Positiveness
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Family
Bolero Babe - 2023 Remaster
90 bpm • D Maj • 04:40 • -9.21db
16% Popularity • 43% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 43% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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King Crimson
I Talk To The Wind
89 bpm • A min • 03:15 • -10.25db
30% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Hugh Hopper
Keep on Caring
90 bpm • E Maj • 06:03 • -18.73db
10% Popularity • 40% Danceability • 17% Energy • 13% Liveness
30% Instrumentalness • 25% Positiveness
10% Popularity • 40% Danceability • 17% Energy • 13% Liveness
30% Instrumentalness • 25% Positiveness
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England
All Alone
90 bpm • D# Maj • 01:51 • -24db
16% Popularity • 42% Danceability • 4% Energy • 22% Liveness
1% Instrumentalness • 30% Positiveness
16% Popularity • 42% Danceability • 4% Energy • 22% Liveness
1% Instrumentalness • 30% Positiveness
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Gryphon
The Ploughboy's Dream
91 bpm • F Maj • 03:04 • -14.53db
13% Popularity • 40% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 40% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Richard Sinclair
Golf Girl
91 bpm • D Maj • 05:00 • -13.29db
30% Popularity • 59% Danceability • 44% Energy • 13% Liveness
12% Instrumentalness • 52% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 13% Liveness
12% Instrumentalness • 52% Positiveness
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Merrell Fankhauser & H.M.S Bounty
A Visit with Ashiya
91 bpm • F Maj • 03:29 • -14.58db
12% Popularity • 50% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 50% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Soft Machine
Odds Bullets and Blades, Pt. I
91 bpm • C Maj • 02:18 • -11.6db
33% Popularity • 62% Danceability • 70% Energy • 51% Liveness
86% Instrumentalness • 92% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 51% Liveness
86% Instrumentalness • 92% Positiveness
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Beggars Opera
Nimbus
89 bpm • A Maj • 03:33 • -19.74db
31% Popularity • 11% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
31% Popularity • 11% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 32% Positiveness
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Hatfield & The North
Fitter Stoke Has A Bath
91 bpm • G# min • 07:33 • -17.26db
16% Popularity • 34% Danceability • 32% Energy • 18% Liveness
6% Instrumentalness • 13% Positiveness
16% Popularity • 34% Danceability • 32% Energy • 18% Liveness
6% Instrumentalness • 13% Positiveness
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Matching Mole
Instant Kitten
91 bpm • C min • 04:58 • -16.8db
11% Popularity • 19% Danceability • 21% Energy • 35% Liveness
89% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 21% Energy • 35% Liveness
89% Instrumentalness • 6% Positiveness
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Kevin Ayers
Town Feeling - 2003 Remaster
91 bpm • C Maj • 04:51 • -11db
20% Popularity • 49% Danceability • 43% Energy • 52% Liveness
86% Instrumentalness • 33% Positiveness
20% Popularity • 49% Danceability • 43% Energy • 52% Liveness
86% Instrumentalness • 33% Positiveness
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Hugh Hopper
Pack Light
89 bpm • C min • 02:34 • -8.48db
0% Popularity • 49% Danceability • 50% Energy • 90% Liveness
2% Instrumentalness • 70% Positiveness
0% Popularity • 49% Danceability • 50% Energy • 90% Liveness
2% Instrumentalness • 70% Positiveness
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Curved Air
Over and Above
88 bpm • A Maj • 08:33 • -9.09db
7% Popularity • 36% Danceability • 58% Energy • 15% Liveness
12% Instrumentalness • 64% Positiveness
7% Popularity • 36% Danceability • 58% Energy • 15% Liveness
12% Instrumentalness • 64% Positiveness
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Focus
Moving Waves
92 bpm • D Maj • 02:42 • -15db
31% Popularity • 36% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
31% Popularity • 36% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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I Viaggi di Madeleine
In the Land of Grey and Pink - Live
92 bpm • G Maj • 04:31 • -6.88db
0% Popularity • 65% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
0% Popularity • 65% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Curt Boettcher
Brand New Old Friends
88 bpm • A# Maj • 07:10 • -15.27db
8% Popularity • 47% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
8% Popularity • 47% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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The Pointers
Intro
88 bpm • A min • 01:26 • -9.83db
13% Popularity • 29% Danceability • 44% Energy • 40% Liveness
93% Instrumentalness • 58% Positiveness
13% Popularity • 29% Danceability • 44% Energy • 40% Liveness
93% Instrumentalness • 58% Positiveness
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Hugh Hopper
Only the Brave
88 bpm • B Maj • 01:21 • -16.74db
5% Popularity • 56% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
5% Popularity • 56% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
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David Crosby
Song With No Words (Tree With No Leaves)...
92 bpm • E min • 05:55 • -13.64db
18% Popularity • 47% Danceability • 34% Energy • 13% Liveness
17% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 34% Energy • 13% Liveness
17% Instrumentalness • 40% Positiveness
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Gryphon
Mother Nature's Son
92 bpm • D Maj • 03:03 • -20.94db
24% Popularity • 40% Danceability • 21% Energy • 22% Liveness
82% Instrumentalness • 38% Positiveness
24% Popularity • 40% Danceability • 21% Energy • 22% Liveness
82% Instrumentalness • 38% Positiveness
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Fruupp
As Day Breaks with Dawn
88 bpm • A min • 05:00 • -10.57db
13% Popularity • 34% Danceability • 39% Energy • 32% Liveness
35% Instrumentalness • 37% Positiveness
13% Popularity • 34% Danceability • 39% Energy • 32% Liveness
35% Instrumentalness • 37% Positiveness
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Jon Anderson
Meeting (Garden of Geda) / Sound out the...
93 bpm • A Maj • 03:34 • -11.16db
23% Popularity • 28% Danceability • 43% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 28% Danceability • 43% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Hammill
Modern - 2006 Digital Remaster
87 bpm • E min • 07:33 • -9.32db
13% Popularity • 21% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 21% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Genesis
Can-Utility and the Coastliners - 2007 S...
93 bpm • C Maj • 05:44 • -8.44db
35% Popularity • 34% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 34% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Kevin Ayers
Margaret - 1999 Remaster
94 bpm • A Maj • 03:20 • -19db
16% Popularity • 37% Danceability • 14% Energy • 10% Liveness
31% Instrumentalness • 16% Positiveness
16% Popularity • 37% Danceability • 14% Energy • 10% Liveness
31% Instrumentalness • 16% Positiveness
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Hugh Hopper
Hours in the Day
94 bpm • B min • 04:18 • -10.11db
0% Popularity • 41% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 41% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Aphrodite's Child
Altamont
86 bpm • A# min • 04:33 • -9.98db
24% Popularity • 52% Danceability • 65% Energy • 62% Liveness
2% Instrumentalness • 22% Positiveness
24% Popularity • 52% Danceability • 65% Energy • 62% Liveness
2% Instrumentalness • 22% Positiveness
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Soft Machine
Teeth - Remastered 2006
86 bpm • C# Maj • 09:13 • -8.86db
15% Popularity • 30% Danceability • 81% Energy • 42% Liveness
82% Instrumentalness • 42% Positiveness
15% Popularity • 30% Danceability • 81% Energy • 42% Liveness
82% Instrumentalness • 42% Positiveness
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Family
Crinkly Grin - 2023 Remaster
94 bpm • G min • 01:06 • -14.15db
25% Popularity • 48% Danceability • 58% Energy • 10% Liveness
61% Instrumentalness • 61% Positiveness
25% Popularity • 48% Danceability • 58% Energy • 10% Liveness
61% Instrumentalness • 61% Positiveness
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Ian McDonald
Is She Waiting?
94 bpm • E Maj • 02:36 • -20.52db
8% Popularity • 51% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 24% Positiveness
8% Popularity • 51% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 24% Positiveness
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eigenminds
all of
94 bpm • D Maj • 05:19 • -8db
11% Popularity • 37% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 37% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
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Hugh Hopper
And the Rain Falls
94 bpm • D Maj • 03:32 • -14.68db
0% Popularity • 72% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
0% Popularity • 72% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Hatfield & The North
Fitter Stoke Has A Bath
95 bpm • D# Maj • 04:35 • -17.74db
12% Popularity • 56% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
12% Popularity • 56% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Gryphon
Checkmate
85 bpm • E min • 09:47 • -7.81db
13% Popularity • 33% Danceability • 67% Energy • 25% Liveness
41% Instrumentalness • 22% Positiveness
13% Popularity • 33% Danceability • 67% Energy • 25% Liveness
41% Instrumentalness • 22% Positiveness
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Henry Cow
Deluge
85 bpm • F# min • 05:25 • -16.74db
8% Popularity • 36% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
8% Popularity • 36% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Peter Hammill
(On Tuesday's She Used To Do) Yoga - 200...
95 bpm • D Maj • 03:58 • -13.41db
7% Popularity • 45% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 45% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Agitation Free
Rücksturz
85 bpm • E min • 02:19 • -12.66db
37% Popularity • 31% Danceability • 53% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
37% Popularity • 31% Danceability • 53% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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JJ Sabado
Delaying 4 O'Clock
95 bpm • D Maj • 03:10 • -14.61db
25% Popularity • 72% Danceability • 33% Energy • 13% Liveness
76% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 33% Energy • 13% Liveness
76% Instrumentalness • 89% Positiveness
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Nick Mason
Do Ya?
95 bpm • E Maj • 04:37 • -8.65db
8% Popularity • 30% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
8% Popularity • 30% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Fruupp
Future Legends
85 bpm • A Maj • 01:32 • -12.62db
27% Popularity • 22% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
27% Popularity • 22% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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Slapp Happy
Riding Tigers
85 bpm • E min • 01:43 • -12.07db
16% Popularity • 46% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 46% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Alan Gowen
Above and Below
85 bpm • E Maj • 07:41 • -16.82db
7% Popularity • 41% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 28% Positiveness
7% Popularity • 41% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 28% Positiveness
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Richard Sinclair
In The Land Of Grey & Pink
85 bpm • D Maj • 04:58 • -15.57db
35% Popularity • 66% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 66% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Yezda Urfa
Cancer of the Band
85 bpm • F# min • 06:51 • -23db
12% Popularity • 40% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Hugh Hopper
Of Course
96 bpm • C Maj • 06:19 • -8.58db
0% Popularity • 18% Danceability • 45% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
0% Popularity • 18% Danceability • 45% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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Robert Fripp
Mary - First Edition: Original 1979 Rele...
96 bpm • A Maj • 02:08 • -11.88db
15% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Steve Howe
Diary of a Man Who Vanished
96 bpm • A min • 02:35 • -7.33db
32% Popularity • 72% Danceability • 46% Energy • 6% Liveness
85% Instrumentalness • 60% Positiveness
32% Popularity • 72% Danceability • 46% Energy • 6% Liveness
85% Instrumentalness • 60% Positiveness
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Godley & Creme
Sandwiches Of You
96 bpm • A min • 03:18 • -6.62db
13% Popularity • 45% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 45% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Hammill
Airport - 2006 Digital Remaster
84 bpm • E min • 03:04 • -8.76db
12% Popularity • 37% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 37% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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The Incredible String Band
Koeeoaddi There - 2010 Remaster
96 bpm • C Maj • 04:46 • -11.92db
22% Popularity • 36% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 36% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Hugh Hopper
Strawberry Back
96 bpm • D min • 03:55 • -10.23db
0% Popularity • 84% Danceability • 29% Energy • 7% Liveness
9% Instrumentalness • 66% Positiveness
0% Popularity • 84% Danceability • 29% Energy • 7% Liveness
9% Instrumentalness • 66% Positiveness
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Trees
Murdoch
96 bpm • G min • 05:09 • -9.81db
20% Popularity • 31% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 31% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Hatfield & The North
Big Jobs No 2
96 bpm • E min • 02:14 • -22.42db
31% Popularity • 58% Danceability • 22% Energy • 22% Liveness
6% Instrumentalness • 66% Positiveness
31% Popularity • 58% Danceability • 22% Energy • 22% Liveness
6% Instrumentalness • 66% Positiveness
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Cherry Five
Country Grave Yard
84 bpm • C Maj • 08:19 • -10.93db
7% Popularity • 28% Danceability • 72% Energy • 63% Liveness
16% Instrumentalness • 56% Positiveness
7% Popularity • 28% Danceability • 72% Energy • 63% Liveness
16% Instrumentalness • 56% Positiveness
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Kevin Ayers
Whatevershebringswesing - 1999 Remaster
97 bpm • C Maj • 08:13 • -15db
25% Popularity • 43% Danceability • 25% Energy • 11% Liveness
55% Instrumentalness • 26% Positiveness
25% Popularity • 43% Danceability • 25% Energy • 11% Liveness
55% Instrumentalness • 26% Positiveness
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Jon Anderson
Flight of the Moorglade
97 bpm • D Maj • 03:24 • -9.43db
27% Popularity • 44% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 44% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 31% Positiveness
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Matching Mole
Instant Pussy
84 bpm • F# Maj • 03:02 • -19.11db
16% Popularity • 37% Danceability • 35% Energy • 14% Liveness
84% Instrumentalness • 33% Positiveness
16% Popularity • 37% Danceability • 35% Energy • 14% Liveness
84% Instrumentalness • 33% Positiveness
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Spirogyra
Time Will Tell
84 bpm • G Maj • 05:39 • -10.17db
9% Popularity • 31% Danceability • 44% Energy • 24% Liveness
7% Instrumentalness • 50% Positiveness
9% Popularity • 31% Danceability • 44% Energy • 24% Liveness
7% Instrumentalness • 50% Positiveness
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Anthony Phillips
Chinese Mushroom Cloud
84 bpm • A Maj • 00:46 • -16.74db
35% Popularity • 48% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
35% Popularity • 48% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
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Gryphon
Don't Say Go
83 bpm • A Maj • 01:49 • -14.78db
13% Popularity • 72% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 72% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Out Of Focus
It's Your Life
97 bpm • G Maj • 04:30 • -18.45db
11% Popularity • 51% Danceability • 21% Energy • 10% Liveness
68% Instrumentalness • 49% Positiveness
11% Popularity • 51% Danceability • 21% Energy • 10% Liveness
68% Instrumentalness • 49% Positiveness
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Hatfield & The North
Lounging There Trying
97 bpm • G Maj • 03:15 • -20.36db
29% Popularity • 34% Danceability • 30% Energy • 27% Liveness
96% Instrumentalness • 24% Positiveness
29% Popularity • 34% Danceability • 30% Energy • 27% Liveness
96% Instrumentalness • 24% Positiveness
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I Viaggi di Madeleine
What's Rattlin' - Live
83 bpm • E Maj • 05:57 • -8.87db
1% Popularity • 37% Danceability • 65% Energy • 11% Liveness
9% Instrumentalness • 66% Positiveness
1% Popularity • 37% Danceability • 65% Energy • 11% Liveness
9% Instrumentalness • 66% Positiveness
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Spirogyra
Cogwheels Crutches and Cyanide
83 bpm • E Maj • 05:59 • -7.94db
7% Popularity • 35% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 35% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Fresh Maggots
Dole Song
83 bpm • G Maj • 03:27 • -12.45db
8% Popularity • 36% Danceability • 37% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 36% Danceability • 37% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Hugh Hopper
Colin-a-Dell
83 bpm • D# Maj • 03:44 • -17.67db
2% Popularity • 60% Danceability • 10% Energy • 9% Liveness
31% Instrumentalness • 20% Positiveness
2% Popularity • 60% Danceability • 10% Energy • 9% Liveness
31% Instrumentalness • 20% Positiveness
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Brian Hopper
That's Alright Mama
97 bpm • A# min • 02:10 • -13.93db
0% Popularity • 55% Danceability • 17% Energy • 13% Liveness
94% Instrumentalness • 49% Positiveness
0% Popularity • 55% Danceability • 17% Energy • 13% Liveness
94% Instrumentalness • 49% Positiveness
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Secret Oyster
Painforest
83 bpm • F min • 05:32 • -14.03db
8% Popularity • 48% Danceability • 27% Energy • 14% Liveness
75% Instrumentalness • 11% Positiveness
8% Popularity • 48% Danceability • 27% Energy • 14% Liveness
75% Instrumentalness • 11% Positiveness
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Aphrodite's Child
Hic And Nunc
98 bpm • A# min • 02:55 • -12.27db
28% Popularity • 53% Danceability • 68% Energy • 34% Liveness
25% Instrumentalness • 53% Positiveness
28% Popularity • 53% Danceability • 68% Energy • 34% Liveness
25% Instrumentalness • 53% Positiveness
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Pearls Before Swine
Images of April
98 bpm • D Maj • 02:36 • -14.14db
28% Popularity • 36% Danceability • 29% Energy • 12% Liveness
41% Instrumentalness • 34% Positiveness
28% Popularity • 36% Danceability • 29% Energy • 12% Liveness
41% Instrumentalness • 34% Positiveness
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Spirogyra
The Future Won't Be Long
98 bpm • D Maj • 04:17 • -7.64db
9% Popularity • 32% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 32% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Lonnie Crawford
Our World
83 bpm • A Maj • 03:51 • -13.61db
19% Popularity • 38% Danceability • 30% Energy • 24% Liveness
7% Instrumentalness • 18% Positiveness
19% Popularity • 38% Danceability • 30% Energy • 24% Liveness
7% Instrumentalness • 18% Positiveness
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Nick Mason
I Was Wrong
82 bpm • C Maj • 04:13 • -7.36db
9% Popularity • 67% Danceability • 79% Energy • 29% Liveness
5% Instrumentalness • 52% Positiveness
9% Popularity • 67% Danceability • 79% Energy • 29% Liveness
5% Instrumentalness • 52% Positiveness
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Third Ear Band
Fleance
98 bpm • A min • 04:02 • -13.44db
12% Popularity • 44% Danceability • 40% Energy • 12% Liveness
12% Instrumentalness • 60% Positiveness
12% Popularity • 44% Danceability • 40% Energy • 12% Liveness
12% Instrumentalness • 60% Positiveness
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Brand X
April
98 bpm • F Maj • 02:08 • -35.07db
28% Popularity • 23% Danceability • 10% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
28% Popularity • 23% Danceability • 10% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
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National Health
The Collapso
98 bpm • A# Maj • 06:17 • -15.66db
11% Popularity • 43% Danceability • 31% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
11% Popularity • 43% Danceability • 31% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Spirogyra
The Future Won't Be Long
98 bpm • C Maj • 04:19 • -12.5db
13% Popularity • 30% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 30% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Agitation Free
In the Silence of the Morning Sunrise
98 bpm • A Maj • 06:37 • -13db
23% Popularity • 46% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
23% Popularity • 46% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Peter Hammill
Vision
98 bpm • G Maj • 03:13 • -14.35db
13% Popularity • 39% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
13% Popularity • 39% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
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Anaelle Peutin
Manatee
82 bpm • G Maj • 05:54 • -13.14db
28% Popularity • 43% Danceability • 38% Energy • 81% Liveness
17% Instrumentalness • 50% Positiveness
28% Popularity • 43% Danceability • 38% Energy • 81% Liveness
17% Instrumentalness • 50% Positiveness
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Gilgamesh
Arriving Twice
82 bpm • D Maj • 01:37 • -19.66db
31% Popularity • 59% Danceability • 17% Energy • 8% Liveness
80% Instrumentalness • 31% Positiveness
31% Popularity • 59% Danceability • 17% Energy • 8% Liveness
80% Instrumentalness • 31% Positiveness
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National Health
Borogroves (Excerpt from Part Two)
82 bpm • C Maj • 04:11 • -15.47db
11% Popularity • 33% Danceability • 44% Energy • 54% Liveness
91% Instrumentalness • 36% Positiveness
11% Popularity • 33% Danceability • 44% Energy • 54% Liveness
91% Instrumentalness • 36% Positiveness
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Pearls Before Swine
Lepers and Roses
99 bpm • A min • 05:19 • -16.61db
9% Popularity • 44% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
9% Popularity • 44% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Soft Machine
Hope For Happiness
82 bpm • A Maj • 04:22 • -10db
28% Popularity • 27% Danceability • 63% Energy • 20% Liveness
15% Instrumentalness • 35% Positiveness
28% Popularity • 27% Danceability • 63% Energy • 20% Liveness
15% Instrumentalness • 35% Positiveness
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Hugh Hopper
20th Year
99 bpm • G Maj • 03:51 • -10.12db
0% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmie Spheeris
In the Misty Woods
99 bpm • D Maj • 03:13 • -23.63db
11% Popularity • 28% Danceability • 13% Energy • 12% Liveness
57% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 13% Energy • 12% Liveness
57% Instrumentalness • 13% Positiveness
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Gryphon
Lament
82 bpm • C Maj • 10:14 • -16.83db
12% Popularity • 25% Danceability • 20% Energy • 14% Liveness
6% Instrumentalness • 8% Positiveness
12% Popularity • 25% Danceability • 20% Energy • 14% Liveness
6% Instrumentalness • 8% Positiveness
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National Health
Brujo
82 bpm • D Maj • 10:13 • -11.6db
12% Popularity • 30% Danceability • 45% Energy • 6% Liveness
21% Instrumentalness • 32% Positiveness
12% Popularity • 30% Danceability • 45% Energy • 6% Liveness
21% Instrumentalness • 32% Positiveness
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Kraan
Degado
81 bpm • A Maj • 04:58 • -10.56db
8% Popularity • 45% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 48% Energy • 11% Liveness
82% Instrumentalness • 56% Positiveness
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Alan Gowen
Silver Star
81 bpm • A# Maj • 02:24 • -14.77db
4% Popularity • 52% Danceability • 41% Energy • 9% Liveness
71% Instrumentalness • 51% Positiveness
4% Popularity • 52% Danceability • 41% Energy • 9% Liveness
71% Instrumentalness • 51% Positiveness
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Robert Fripp
North Star - First Edition: Original 197...
100 bpm • E Maj • 03:06 • -9.86db
22% Popularity • 39% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 39% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Spring
Golden Fleece - 2013 Remaster
81 bpm • D Maj • 07:04 • -11.89db
8% Popularity • 25% Danceability • 57% Energy • 30% Liveness
15% Instrumentalness • 39% Positiveness
8% Popularity • 25% Danceability • 57% Energy • 30% Liveness
15% Instrumentalness • 39% Positiveness
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Gryphon
Three Jolly Butchers
81 bpm • C Maj • 03:58 • -7.48db
11% Popularity • 38% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 38% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness