Songs like Kehendak (Will) by Senyawa
Based on a tempo of (+/- 10%) and a similar genre
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Jason Graves
Entering ZeroG
91 bpm • E min • 01:59 • -34db
24% Popularity • 21% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Rona
Anthem of the Dead
91 bpm • C Maj • 01:17 • -10.87db
33% Popularity • 16% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Daniel Licht
Streets Exploration
91 bpm • E min • 03:07 • -22.16db
28% Popularity • 18% Danceability • 15% Energy • 16% Liveness
70% Instrumentalness • 3% Positiveness
28% Popularity • 18% Danceability • 15% Energy • 16% Liveness
70% Instrumentalness • 3% Positiveness
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Gary O'Slide
Western Canyon
91 bpm • A min • 02:36 • -9db
29% Popularity • 27% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Dan Romer
A New One Begins
92 bpm • A# Maj • 02:02 • -17.36db
21% Popularity • 21% Danceability • 41% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 41% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Rhiannon Giddens
Mountain Banjo
91 bpm • B min • 02:41 • -22.8db
55% Popularity • 50% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
55% Popularity • 50% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
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Woody Jackson
Red Dead Redemption
90 bpm • B min • 03:37 • -12.51db
47% Popularity • 58% Danceability • 52% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
47% Popularity • 58% Danceability • 52% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
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Christian Henson
Necromancer
90 bpm • D Maj • 01:34 • -23.15db
30% Popularity • 52% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
30% Popularity • 52% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Daniel Licht
Intro the Return
90 bpm • E min • 01:10 • -16.72db
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mac Quayle
Eye for an Eye
92 bpm • A Maj • 02:37 • -19.74db
41% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Mick Gordon
The Kreisau Circle
90 bpm • G min • 01:23 • -26.44db
38% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
38% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
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Daniel Lanois
Mountain Finale
90 bpm • E min • 02:54 • -15.42db
48% Popularity • 70% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
48% Popularity • 70% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
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Woody Jackson
It All Makes Sense Now
90 bpm • B Maj • 04:09 • -23db
40% Popularity • 59% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
40% Popularity • 59% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Senyawa
Istana
90 bpm • F min • 06:55 • -6.76db
5% Popularity • 14% Danceability • 48% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
5% Popularity • 14% Danceability • 48% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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Brian Tyler
The Rakyat
90 bpm • C# Maj • 03:54 • -12.6db
21% Popularity • 36% Danceability • 64% Energy • 12% Liveness
74% Instrumentalness • 6% Positiveness
21% Popularity • 36% Danceability • 64% Energy • 12% Liveness
74% Instrumentalness • 6% Positiveness
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SIE Sound Team
Amygdala
90 bpm • A Maj • 03:29 • -11.1db
38% Popularity • 27% Danceability • 54% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 54% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
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Capcom Sound Team
The Front Hall
90 bpm • F Maj • 01:36 • -19.43db
33% Popularity • 16% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Inon Zur
Of the People, for the People
90 bpm • C Maj • 05:01 • -22.67db
36% Popularity • 24% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Gustavo Santaolalla
The Outbreak
89 bpm • D min • 01:31 • -32.52db
39% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
39% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Senyawa
Demi Tuhan Yang Maha Suci - Digital Excl...
92 bpm • G# Maj • 07:47 • -8.12db
0% Popularity • 48% Danceability • 72% Energy • 14% Liveness
79% Instrumentalness • 29% Positiveness
0% Popularity • 48% Danceability • 72% Energy • 14% Liveness
79% Instrumentalness • 29% Positiveness
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Dan Romer
The Shackles I Wore
93 bpm • G# Maj • 03:16 • -9.14db
23% Popularity • 44% Danceability • 94% Energy • 34% Liveness
51% Instrumentalness • 56% Positiveness
23% Popularity • 44% Danceability • 94% Energy • 34% Liveness
51% Instrumentalness • 56% Positiveness
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Mick Gordon
14 Years
89 bpm • G min • 01:21 • -25db
38% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
38% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Chris Remo
Stay in Your Tower and Watch
93 bpm • G min • 01:55 • -19.65db
41% Popularity • 37% Danceability • 32% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 32% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
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Leo Kaliski
Menu
93 bpm • D Maj • 02:23 • -16.4db
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Daniel Licht
Ambients
89 bpm • E min • 02:10 • -25.31db
39% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
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SIE Sound Team
The Night Unfurls
88 bpm • C Maj • 02:05 • -17.18db
43% Popularity • 9% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 9% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Junkie XL
Immortan's Citadel - Extended Version
94 bpm • G Maj • 08:58 • -16.52db
28% Popularity • 29% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 29% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Miwako Chinone
Saferoom
94 bpm • F# min • 02:54 • -28db
45% Popularity • 23% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
45% Popularity • 23% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Dan Romer
The Lights Will All Go Out
94 bpm • C# Maj • 02:00 • -22.29db
24% Popularity • 39% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
24% Popularity • 39% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Olivier Deriviere
Prisoners
88 bpm • F# min • 03:46 • -17.24db
25% Popularity • 44% Danceability • 23% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Carter Burwell
Near Algodones
94 bpm • E min • 01:56 • -20.7db
20% Popularity • 26% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Junkie XL
Escape - Extended Version
94 bpm • C# Maj • 03:28 • -12.29db
31% Popularity • 33% Danceability • 65% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
31% Popularity • 33% Danceability • 65% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Gerard Marino
Revenge Falling
88 bpm • G Maj • 03:10 • -8.78db
34% Popularity • 15% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Dave Porter
The Cousins
88 bpm • B min • 03:27 • -21.08db
19% Popularity • 22% Danceability • 23% Energy • 20% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 22% Danceability • 23% Energy • 20% Liveness
83% Instrumentalness • 5% Positiveness
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Olivier Deriviere
Inquisition
88 bpm • F# Maj • 03:44 • -15db
30% Popularity • 9% Danceability • 17% Energy • 13% Liveness
72% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 17% Energy • 13% Liveness
72% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
Hiding in the Fridge
94 bpm • C# Maj • 01:23 • -33.89db
33% Popularity • 15% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Uniform
88 bpm • F min • 01:49 • -14.76db
38% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
38% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
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Augusto Martelli
Sartana Rides a Horse
95 bpm • A min • 01:49 • -19.47db
31% Popularity • 47% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
31% Popularity • 47% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Alain Johannes
Black Hawks Down
95 bpm • A Maj • 03:09 • -22.24db
14% Popularity • 37% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 37% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Daniel Lanois
Moonlight
95 bpm • G Maj • 03:47 • -19.47db
49% Popularity • 33% Danceability • 11% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
49% Popularity • 33% Danceability • 11% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
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Halo
High Charity Suite
95 bpm • G# Maj • 08:29 • -15.29db
35% Popularity • 30% Danceability • 25% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 25% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Mac Quayle
The Island
95 bpm • A# min • 04:13 • -13.39db
34% Popularity • 41% Danceability • 49% Energy • 16% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 41% Danceability • 49% Energy • 16% Liveness
96% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Tanks
95 bpm • C# Maj • 01:46 • -15.71db
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Mark Korven
Stranded
87 bpm • G# min • 02:18 • -12.73db
18% Popularity • 12% Danceability • 28% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
18% Popularity • 12% Danceability • 28% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Senyawa
Kekuasaan (Prontaxan Remix)
95 bpm • A# min • 06:34 • -6.67db
4% Popularity • 46% Danceability • 95% Energy • 3% Liveness
83% Instrumentalness • 44% Positiveness
4% Popularity • 46% Danceability • 95% Energy • 3% Liveness
83% Instrumentalness • 44% Positiveness
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Filippo Beck Peccoz
Desperados III Main Theme
87 bpm • A min • 02:34 • -10.44db
21% Popularity • 50% Danceability • 55% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
21% Popularity • 50% Danceability • 55% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Robin Carolan
The Land of the Rus
87 bpm • C Maj • 01:42 • -11.02db
45% Popularity • 65% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
45% Popularity • 65% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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Timothy Williams
Colorado Territory, 1872
87 bpm • D min • 01:26 • -22.7db
18% Popularity • 17% Danceability • 12% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 12% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
33% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Hans Zimmer
Onwards
96 bpm • D Maj • 02:27 • -10db
37% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
37% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
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Jeremy Soule
Caught off Guard
96 bpm • A# min • 01:10 • -16.68db
43% Popularity • 47% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 19% Positiveness
43% Popularity • 47% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 19% Positiveness
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Woody Jackson
Mrs. Sadie Adler, Widow
95 bpm • F Maj • 04:24 • -14db
41% Popularity • 44% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 44% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Luis Bacalov
Siesta
86 bpm • G Maj • 03:14 • -17.47db
6% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
6% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Senyawa
Kereta Tak Berhenti Lama
96 bpm • C# Maj • 03:28 • -4.87db
2% Popularity • 54% Danceability • 79% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
2% Popularity • 54% Danceability • 79% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
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Jason Graves
Dead Space Theme
86 bpm • A Maj • 03:33 • -25.75db
24% Popularity • 17% Danceability • 15% Energy • 32% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 15% Energy • 32% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Korven
The Light Belongs to Me
86 bpm • G Maj • 01:13 • -21db
18% Popularity • 27% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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David Ferguson
A Strange Kindness
86 bpm • E min • 03:02 • -13.82db
36% Popularity • 64% Danceability • 33% Energy • 7% Liveness
78% Instrumentalness • 51% Positiveness
36% Popularity • 64% Danceability • 33% Energy • 7% Liveness
78% Instrumentalness • 51% Positiveness
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Johan Söderqvist
Nothing Is Written
96 bpm • B min • 03:40 • -15.28db
30% Popularity • 32% Danceability • 44% Energy • 10% Liveness
24% Instrumentalness • 8% Positiveness
30% Popularity • 32% Danceability • 44% Energy • 10% Liveness
24% Instrumentalness • 8% Positiveness
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Mick Gordon
Lager Selo
86 bpm • C# Maj • 03:07 • -30.25db
21% Popularity • 11% Danceability • 8% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
35% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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Ben Prunty
Hallway
86 bpm • F# Maj • 04:29 • -31.44db
15% Popularity • 12% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Luis Bacalov
His Name Was King - Mexican Tune
97 bpm • A min • 02:50 • -20.33db
27% Popularity • 32% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 29% Positiveness
27% Popularity • 32% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 29% Positiveness
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Senyawa
Di Kala Sudah
85 bpm • C Maj • 06:43 • -9.28db
1% Popularity • 36% Danceability • 53% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
1% Popularity • 36% Danceability • 53% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Lovett
Malevolent Presence
86 bpm • A Maj • 03:26 • -18.16db
9% Popularity • 16% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Mick Gordon
Ende
86 bpm • G min • 06:10 • -26db
29% Popularity • 15% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
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Dave Porter
Lalo Needs Proof
97 bpm • B min • 05:53 • -16.35db
12% Popularity • 57% Danceability • 21% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 57% Danceability • 21% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Inon Zur
Howdy Pardner
85 bpm • E Maj • 03:55 • -34.99db
25% Popularity • 12% Danceability • 1% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 1% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
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Steven Lynn
Railway Attack
85 bpm • A# min • 03:58 • -15.95db
12% Popularity • 25% Danceability • 43% Energy • 18% Liveness
69% Instrumentalness • 23% Positiveness
12% Popularity • 25% Danceability • 43% Energy • 18% Liveness
69% Instrumentalness • 23% Positiveness
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Senyawa
Welcome To The New World
85 bpm • C# Maj • 04:33 • -18.55db
37% Popularity • 72% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
37% Popularity • 72% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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Jed Kurzel
Spores
85 bpm • G Maj • 02:17 • -21.47db
26% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Josh Homme
Cruel World
85 bpm • F Maj • 03:38 • -18.8db
50% Popularity • 61% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 53% Positiveness
50% Popularity • 61% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 53% Positiveness
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Dan Romer
In The Forest Hides a Light
98 bpm • E min • 01:14 • -31.83db
31% Popularity • 13% Danceability • 2% Energy • 22% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 2% Energy • 22% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Hans Zimmer
Sandstorm
85 bpm • F# min • 02:35 • -20.28db
48% Popularity • 21% Danceability • 33% Energy • 17% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 33% Energy • 17% Liveness
81% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Battle Of Iwo Jima
98 bpm • D Maj • 03:24 • -12.39db
21% Popularity • 47% Danceability • 84% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
21% Popularity • 47% Danceability • 84% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Senyawa
Perburuan (The Hunt)
98 bpm • G# Maj • 03:59 • -17.88db
5% Popularity • 41% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
5% Popularity • 41% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Inon Zur
Megaton
84 bpm • D Maj • 03:29 • -30.78db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Jed Kurzel
Incubation
98 bpm • G min • 01:07 • -32.84db
32% Popularity • 22% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Federale
Theme of the Gunfighters
98 bpm • A min • 05:41 • -15.04db
17% Popularity • 38% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
17% Popularity • 38% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Carlos Viola
La Muerte de Los Relinchos
84 bpm • F Maj • 02:54 • -14.53db
27% Popularity • 8% Danceability • 43% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
27% Popularity • 8% Danceability • 43% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
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Ennio Morricone
Humanity - Pt. 2
99 bpm • D# min • 07:15 • -21.19db
27% Popularity • 50% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 50% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Matt Uelmen
Roger and Me
84 bpm • C min • 01:03 • -10.62db
34% Popularity • 22% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Zimmer
Ornithopter
84 bpm • A Maj • 01:54 • -16.06db
48% Popularity • 24% Danceability • 56% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 24% Danceability • 56% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Motoi Sakuraba
The Ancient Dragon
84 bpm • C min • 03:19 • -12db
26% Popularity • 20% Danceability • 26% Energy • 26% Liveness
51% Instrumentalness • 6% Positiveness
26% Popularity • 20% Danceability • 26% Energy • 26% Liveness
51% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Sword in Hand
83 bpm • C# Maj • 02:35 • -19.04db
21% Popularity • 29% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Hildur Guðnadóttir
Attack
99 bpm • C Maj • 03:32 • -14.01db
19% Popularity • 25% Danceability • 59% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 25% Danceability • 59% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Senyawa
Pahlawan
100 bpm • G# Maj • 05:07 • -9.79db
1% Popularity • 14% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 14% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Luis Bacalov
Adios, Tierra Mia - Titles
83 bpm • E min • 02:12 • -14db
21% Popularity • 44% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 44% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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David GarcÃa DÃaz
Helheim
100 bpm • A# Maj • 04:23 • -16db
32% Popularity • 13% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Journey to Rome, Pt. 2
100 bpm • C Maj • 02:00 • -10.47db
31% Popularity • 56% Danceability • 83% Energy • 8% Liveness
84% Instrumentalness • 38% Positiveness
31% Popularity • 56% Danceability • 83% Energy • 8% Liveness
84% Instrumentalness • 38% Positiveness
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Lovett
Four Tents
83 bpm • C# Maj • 01:17 • -14db
18% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
The Door
100 bpm • B Maj • 02:43 • -17db
33% Popularity • 52% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 9% Positiveness
33% Popularity • 52% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 9% Positiveness
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Senyawa
Istana Cair
83 bpm • D# Maj • 03:55 • -14.39db
1% Popularity • 8% Danceability • 70% Energy • 20% Liveness
97% Instrumentalness • 18% Positiveness
1% Popularity • 8% Danceability • 70% Energy • 20% Liveness
97% Instrumentalness • 18% Positiveness
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Mac Quayle
The Rattlers
100 bpm • D Maj • 03:41 • -18db
34% Popularity • 42% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 42% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Mark Korven
The Goat & The Mayhem
100 bpm • C min • 03:28 • -15.97db
16% Popularity • 43% Danceability • 42% Energy • 36% Liveness
65% Instrumentalness • 8% Positiveness
16% Popularity • 43% Danceability • 42% Energy • 36% Liveness
65% Instrumentalness • 8% Positiveness
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Susumu Hirasawa
Fear
100 bpm • A# Maj • 03:26 • -15.47db
38% Popularity • 39% Danceability • 35% Energy • 7% Liveness
67% Instrumentalness • 5% Positiveness
38% Popularity • 39% Danceability • 35% Energy • 7% Liveness
67% Instrumentalness • 5% Positiveness
